#maybe its the creative freedom i have to design them however i want idk but i love drawing them | Explore Tumblr Posts and Blogs

night-is-a-feeling · 3 years

Note

Hii maia! top 5 fashion history facts (idk if that’s a good question but I guess u mentioned liking fashion history once so... skdjsjds) hope you’re doing great! 💕

omgosh sage! i’m so sorry this took me so long, this is an incredible hard question, and i’m so glad you asked it 🥺 this is going to be long and ranty i’m sure.

1. i wanna talk about trompe l’oeil, elsa schiaparelli, rationing during wwll, and inventive women at the time.

okay so this is like both a history story and a fact, i guess? so basically my love, my fav Elsa Schiaparelli was a brilliant fashion designer in the 1930s who was fascinated and heavily involved in the surrealist art movement. she was famous for designing on the intersection of fashion and art through surrealism. she was one of the first to play with the trompe l’oeil (trick the eye) technique within fashion, before this it was mainly used as an art technique. you know those shirts that have a peter pan collar? or a bow on the neckline? but they’re not real, it’s just stitching that creates an image of a bow? that’s what she was creating in the 30s. now the reason i told her story, is because her experimentation with trompe l’oeil and surrealism, left for an interesting fact from the 40s! during WWll most fabric was rationed, as most of it was needed for the war efforts, this radically changed the fashion industry. during this time it was still considered immodest for a women to be seen with bare legs. BUT the nylon that was used to create their pantyhose and stockings, was being heavily rationed. so they had to get creative. and these genius women realized that no one would notice if they just started painting the appearance of the seams in pantyhose up the backs of their legs. so that’s how they got through the war time, maintaining their modesty using the art of trompe l’oeil, while also baring their legs for all to see.

2. the originations of the “witchy” aesthetic and costume.

this is something i just read about and it blew my mind!! it’s one of the many fashion history things though that are both fascinating and deeply upsetting. so the basics are that for thousands of years, women were the brewers of the times. they were responsible for brewing all of the ale and beer consumed. this was a job they took on that afforded them freedom and a sense of independence, as they did not need men to accomplish this job. many widowers became brewmasters as a way to support themselves financially. now many of these women sold their brews at markets, and to be quickly identified they would wear large pointed hats, this help them be spotted and identified as having beer from far away. this isn’t the only identifiable iconography that we now associate with witches. they also hung brooms on their doors to signify that they had ale for sale, they kept cats to keep mice out of their product, they transported their brews in cauldrons, and relative to the times, they of course wore long dresses, often accompanied with draped cloaks. the change came in the 1500s when men realized they could profit off the production of beer, and began a long tradition of pointing to these women and yelling “witch” the occupation quickly became a death sentence for women to engage in. so that’s why our image of witches is actually just of old badass women brewmasters!

3. the gendering of pink and blue

it’s possible you’ve heard before that for many years the gendered ideas of these colours were swapped and also held very little prominence on our psyche. the thought was that pink was derived from red therefore it was a more passionate colour and blue was a more delicate, natural colour. it is also well documented that this kind of colour gendering was insignificant. that is until after WWll when the advertisement and sales generation took off. EVERYTHING was deeply ingrained with capitalism (still is),and everyone was buying into it. this girls wear pink, boys wear blue idea. was started by a department store that wanted to sell more product. and by gendering their products they were able to massively convince the western world that you had to subscribe to these ideals. it’s the norm after all. this forced the hand of many parents to buy more product just to support the idea of gender. baby boomers were the first generation to grow up in gender specific clothing before the age of 6.

4. monograms and louis vuitton

this is way more an origin story than a fun fact... sooo we all know the famous louis vuitton monogram, i’m sure most of us could point one out on the street. BUT maybe less commonly known is that LV is the creator of the modern monogram, and was somewhat the fashion originator of branding of this type. LV was originally just a trunk maker, he built and revolutionized the luggage industry. he invented a new waterproof canvas fabric to use for his trunks, essentially declaring leather as a terrible choice, because it made your clothes smell weird. (most of LV bags to this day are still made from this canvas and not leather) and because of the waterproof nature of his trunks, he was able to build them as perfect boxes that were stackable (easier for travel), whereas a domed top was always the way before. with this fame, came MANY counterfeits. so he worked to create a print that would separate his work from those of the counterfeits. eventually the counterfeit designers caught on, and made theirs with the same print. this went on for three rounds before louis passed away in 1892 and his brand was left to his son george, who ran into the same counterfeit issues. so george created an intricate multi faceted monogram print, that would become so synonymous with louis vuitton, that it is still the most recognizable monogram in the fashion world. what is so fascinating to me about this origin story, is that people today will look at a LV bag and immediately think “fake” so it’s really funny to me that this house that spent its first 40 years working SO HARD to be unique and decidedly not fake, and yet still to this day people think FAKE! immediately upon seeing that monogram.

5. bathing machines, and bathing costumes

ummm help! this is one of the funniest things, but also somewhat upsetting. okay so the history of bathing suits is intensely intricate and seeped in misogyny. and this fact is not any different. now there are many instances of these being used in the early to mid 1700s within europe, which makes more sense because at the time bathing in the nude was a commonality. and these offered modesty. however!!! they remained prevalent within europe and mainly england well into the 1800s even after bathing costumes became the norm. basically these modesty protectors, were small huts that were built on carriages. women would come to the beach, walk up the steps into one of the available bathing machines, change into her swimming costume. and you’ll never guess what happens next!! the fucking carriage is pulled into the water by horses! this was so that the women could slip straight out of the changing room directly into the water, and not a soul had to see the immodesty and immorality that was a women in a swimming costume. ya know, even though the swimming costume was a head to toe thick wool covering. even that was ✨immodest✨ anyways please google these, because genuinely i cannot believe they are real.

ask me my top 5 or top 10 anything

#this was so hard to narrow down 😭 but i kept it to five only because it would have been far too long if i kept going #i really wanted to discuss coco chanel and hugo boss in relation to nazi germany #because both were HEAVILY involved in the success of the nazi’s #but i also wanted to keep this a little more fun fact orientated a little lighter #but if you wanna know about that shoot me a message!!!#thanks again for the question it was so much fun!!!#i’m doing good! i hope you’re as well?#my loves #sgyep #fashion

9 notes · View notes

hvnriks-archive · 4 years

Photo

HENRIK — personality types.

zodiac: pisces

“ pisces is a sensitive water sign, ruled by the planet neptune. your sign is fluid and tends to be sympathetic to the underdog. it’s so easy for you to feel other people’s experiences that they can obscure your own. you can be vague and escapist, but make up for it by being compassionate and intuitive. self-care doesn’t always come naturally to you, but it’s incredibly important.

... pisces may seem quiet but they are incredibly strong and have a very strong sense of right and wrong. their moral compass, along with their gut, guides them well. this zodiac sign is characterized by empathy and expressed emotional capacity. a pisces is rarely lonely when they are by themselves, and have an active imagination.

... pisces tend to take in everything around them, and they are great people to ask for advice on pretty much anything. while pisces has strong convictions about the best way for them to live, they have a "live and let live" approach when it comes to others, and are accepting and nonjudgmental of all. pisces are also selfless, they are always willing to help others, without hoping to get anything back. ”

hogwarts house: hufflepuff ( -gryffindor hatstall )

hufflepuff is the most inclusive among the four houses; valuing hard work, dedication, patience, loyalty, and fair play rather than a particular aptitude in its students.

“ students belonging to this house are known to be hard-working, friendly, loyal, honest and rather impartial. hufflepuffs are known to have a strong moral code, and a sense of right and wrong. hufflepuffs are usually accepting of everyone. students in hufflepuff are known to value everyone and treat them as equal. ”

patronus: dragon

fuck man idk i don’t have a lengthy explanation for this one other than the fact that its HICCUP so obv he’s gonna have a dragon patronus

myers briggs: INFP-T

mediators - quiet, private, free spirits who view life as an endless series of idealistic possibilities waiting to be realized

“ mediators value authenticity, empathy, and harmony. these personalities tend to act with the best of intentions, and they are rightly proud of this trait. that said, they may feel isolated or discouraged when other people don’t share their idealism. following tradition holds little appeal for the INFP; they prefer to do their own exploration of values and ideas, and decide for themselves what seems right. INFPs are often offbeat and unconventional, but they feel no desire to conform. the INFP would rather be true to themselves than try to fit in with the crowd.

... INFPs are accepting and nonjudgmental in their treatment of others, believing that each person must follow their own path. they are flexible and accommodating, and can often see many points of view. it is important to the INFP to support other people; however, the INFP may react strongly if they feel their own values are being violated. ”

... although mediators might want to help everyone, they may need to focus their attention and energy on one worthy cause at a time. otherwise, they can become so overwhelmed by all the problems they can’t fix that they’re tempted to give up on even trying ”

strengths: thoughtful, generous, open minded, creative, passionate, loyal to their values

weaknesses: overly idealistic, self critical, impractical, emotionally driven, conflict averse, difficult to get to know

enneagram: 2 ( wing 1 ) “ the companion ”

“ twos are empathetic, sincere, and warm-hearted. they are friendly, generous, and self-sacrificing, but can also be sentimental, flattering, and people-pleasing. they are well-meaning and driven to be close to others, but can slip into doing things for others in order to be needed. they typically have problems with possessiveness and with acknowledging their own needs.

... perhaps the biggest obstacle facing twos in their inner work is having to face their underlying center fear of worthlessness. beneath the surface, they fear that they are without value in themselves, and so they must be or do something extraordinary in order to win love and acceptance from others. unhealthy twos seek validation of their worth by obeying their superego’s demands to sacrifice themselves for others.

... when twos are healthy and in balance, they really are loving, helpful, generous, and considerate. people are drawn to them like bees to honey. healthy twos warm others in the glow of their hearts. they enliven others with their appreciation and attention, helping people to see positive qualities in themselves that they had not previously recognized. in short, healthy twos are the embodiment of “the good parent” that everyone wishes they had: someone who sees them as they are, understands them with immense compassion, helps and encourages with infinite patience, and is always willing to lend a hand—while knowing precisely how and when to let go. healthy twos open our hearts because theirs are already so open and they show us the way to be more deeply and richly human. ”

strengths:

recognizing the needs of others

awareness of their own growth areas

focusing and giving attention to present tasks

offering support and encouragement

weaknesses:

being highly self-critical or insecure in trying times

seeking praise from others

ignoring and sacrificing their own personal needs

difficulty facing criticism from other people

love language: acts of service

henrik is very much an acts of service kind of dude - he’ll do a million little things to show he cares, awkward and shy as he may be. oh do you need help with your homework ? oh can i fix that thing for you ? oh here do you need me to design this entire thing for you to solve that one small problem you mentioned offhandedly like once ? though, he is partial to physical touch as well when it comes to the receiving end

alignment: neutral good

“ neutral goods value both personal freedom and adherence to laws. they feel that too many laws may unnecessarily restrict the freedom of good beings. they also believe that too much freedom may not protect society as a whole and encourage counterproductive divisions and in-fighting. these characters value life and freedom above all else, and despise those who would deprive others of them. they are not vicious or vindictive, but are people driven to right injustice. to a neutral good being, life and the assurance of other creatures' rights take precedence over all else ”

character inspo: ??? i feel like i’m dropping the ball on henriks asdf but i actually hadn’t had any characters at the forefront of my mind for him ? and i’m too lazy to search it out oops maybe i’ll update this later

pinterest: henrik haddock iiii.

#﹤ 🐉 ﹥ a talking fish-bone . — 𝐇𝐄𝐀𝐃𝐂𝐀𝐍𝐎𝐍 * ╱ hiccup.#﹤ 🐉 ﹥ a talking fish-bone . — 𝐀𝐄𝐒𝐓𝐇𝐄𝐓𝐈𝐂 * ╱ hiccup.

0 notes

cooljazsheepie · 7 years

Text

Webcomic Creator Interview with Kosmic of Feast for a King

Hi, all! I usually don’t post my webcomic creator interviews on this account, but this one is special since the comic is explicitly NSFW. The creator, Kosmic, is super awesome though and deserved an interview anyway. Check it after the cut.

Me: Please introduce yourself.

Kosmic: My name is Kosmic and I make two comics currently, Feast for a King and Eggshells. Although I mostly focus on Feast for a King! Which is a really graphically violent/sexual story about man eating worms in a sci-fi setting. I started it in September 2014 and I’ve basically been working every day on it since then.

Me: What made you pick sci-fi?

Kosmic: I’ve always really loved sci-fi stuff!! Many of my favorite stories/movies are sci-fi or have some robot/alien elements to them. I think it’d be more accurate to say that sci-fi picked me because FFAK was inspired by a dream I had which had some very strong sci-fi elements and visuals. I think at the time when I started FFAK, I was also feeling really inspired by the first two Terminator movies and wanted to like, take the elements about that i found successful in those movies and include them in my own story! I liked how much the characters struggled and how hopeless it felt to face their enemies, but they kept going anyway despite being so afraid. I also had a bunch of stories/characters I worked on sometimes that was really just my own version of Trigun that I didn’t know what to do with and just...felt like building on more of that type of world. I think I first started those characters in like 2009 but they were basically just back-burner ideas for something eventually. I got a lot of story material like that!!

Me: Do you have a favorite part of the creative process when you're working on your comic?

Kosmic: Favorite part of he process...That is kinda difficult. There are so many parts that I enjoy that blend in with each other, it’s hard to determine when one step begins and the other ends. Brainstorming with music is always really nice, especially if it’s in the afternoon and I don’t have any responsibilities to worry about. I do a lot of self RP too. I can go anywhere in the story I feel like and just let my mind explore freely!! Its always very fun/exciting to discover things I didn’t expect or when some connection suddenly clicks that opens up new doors of ideas! SO.. daydreaming is my favorite part, I suppose. That feels kinda basic to say, but I can’t think of anything that tops it!

Me: Nooo. I totally get what you mean. Just letting ideas come to you is the best! You do color and black&white comics. Do you prefer one over the other?

Kosmic: I don’t really like the look of colored comics for the most part, honestly. I find it way too mentally distracting and I find it often takes me out of the story by making me too aware I’m reading something. So, I generally prefer the look of B&W comics when I’m the one reading. However! I personally find it boring to do for too long if I’m the one working!! I hate doing the same stuff for too long and black/white communicates a certain type of atmosphere to me, so after a while it can feel kinda stiff or limited when I don’t...really need to be?? I used to be determined to only use B/W ONLY EVER!!! and now I am allowing myself the freedom to experiment using some aspects of color to communicate my ideas and not worry about a consistent look too much lol. I sort of feel like my comics fall somewhere in the middle because they obviously DO use color but aren’t like the ‘typical’ full color comic, I guess? I dunno. That’s how i interpret it anyway. I am breaking my own rules of what looks good!!! If I had to make a decision, it would still B&W over color. :3

Me: Do the colors you pick have a certain significance for the characters? Like I know you have several named after them and the worms are colored by status.

Kosmic: Yes! Totally. They are super important! I have a whole color lore or color language I have built in the story. I dont really focus on like...every color in the rainbow though. Its mostly with basic default-y colors of Red/Yellow/Blue + Green. Red and Green being the most important ones I use in FFAK. I reflect a lot on their dynamic and parallel in several different ways with various designs and narratives, Crimson and Celadon’s relationship is also meant to be a direct translation of that conflict and bond I see with those two colors in the context of the story as well. Red and Green is like the ...PURE EXPRESSION OF LIFE AND DEATH!!! or something.

Me: For your worms, do you choose certain animals for them or you just go by whatever? Like how Paper is a bunny.

Kosmic: Nah, I mostly go by whatever and many worm designs are just improvised on the spot as these weird...animal chimera things. Paper is sort of an odd one out because she’s specifically very bunny-themed.

Me: Do you have a favorite character?

Kosmic: Crimson’s my absolute favorite character!! However... Knife is also very important. I guess he’s a close 2nd. I just have put a staggering amount of work/history into both characters they both kinda stand out a little bit from the rest lol.

Me: I know you said to just read whatever, but how does the use of gender shape your comic? As a creator.

Kosmic: I suppose it shapes a lot and yet it...doesn’t? IDK, it’s difficult to explain cause I think gender is a broad topic and I’m not sure what parts to focus on with it shaping? Haha. Most of my characters are just self-inserts really. It’s not really a conscious thing that I feel like I need to fit a quota of or something. I just sort of naturally feel the need to articulate feelings about my experiences using the characters sometimes. I also generally use my comic as a safe place to explore my thoughts about identity and sexuality. It makes the comic really personal/vulnerable/stressful sometimes, but I also feel like I understand myself a little easier. As much as I reflect on it I don't really have a concise answer or reason.. it’s just part of life! So there it is!

Me: Do you find that you attract or put off readers with the sex? Like do people expect a hentai situation? Or ignore the warning and get mad about it?

Kosmic: Yeah, it definitely rocks the boat a bit. I get a lot of polarized reactions from my sexual content. Mostly it’s supported and people understand and respect what I do with it, but I have definitely received negative comments or like, people feeling betrayed it was included at all. (Nothing upset people more than that period sex scene in chapter 11 for example .) It’s also often described as a vore fetish comic which I also...have mixed feelings with LMFAO. It just feels really misleading and simplifying the narrative. I think the fact that I include genitals in my drawings [means] people get the impression it’s supposed to be a smutty hentai comic, but then when they read it isn’t that either. So it’s hard for people to determine what it is. It pushes buttons, I guess. good and bad.

Me: Who is your intended audience or do you not have one?

Kosmic: I don’t really have an intended audience!!! I just draw it as much for me as possible. :D

Me: What made you decide on making a webcomic?

Kosmic: I’ve been determined to make comics since i was like...13 or 14? And webcomics are very freeing!! You just post it and go!! Nothing can stop you from making your story how you want and I love that.

Me: Do you have any advice for other creators?

Kosmic: Advice is tough... But I suppose it is important to establish your boundaries between yourself and the audience. Your enjoyment and relationship you have with yourself and your art is what is most important. So be careful not to burn yourself out on what people will think/say/ask and it’s OK to feel overwhelmed and over-stimulated sometimes. Even when it’s positive attention, it can still be just as stressful and draining. I find that’s the hardest part about making a comic is learning how to deal with the reception rather than making the comic itself lmao. So yeah! Draw and write what you want! Always. But also give yourself a private place only for you, so you can reflect on your journey. :3

Me: That's great advice. Do you plan on making a print version?

Kosmic: My friend Cameron made Chapter 1 into a book and mailed it to me as a surprise. But besides that, I have no actual plans or real desire to make a printed version.It seems like it would take a lot of work to do and I’m very lazy. Maybe some sort of art book would be more ideal, but who knows!

Me: Will you be attending any cons or making any merch?

Kosmic: I went to one con in 2015! I sold like...a single poster I think. It was fun (especially because a friend from Canada was staying and helped tremendously with it,I also got interviewed the first time there!) but not exactly the ideal experience. Another friend also made keychains for me of the characters that we sold online. But, besides that, I don’t have any cons planned. I want to make t-shirts in the future, but I’m so slow to do these things. I just really need to take the plunge, but I generally get intimidated by money making stuff!!

Me: Do you do art full time?

Kosmic: Yes LOL. FFAK is basically my life. I do educational/instructional flash animations as well for the monies, but I am pretty broke most of the time. If it weren't for Patreon, IDK what I’d do!! I am so thankful for it.

And that’s it. I already linked Kosmic’s Tumblr profile, but you can also follow them on Twitter for personal or comic updates! If you have any comments or questions, feel free to post here or submit an ask. If you would like to be interviewed for your own comic, contact me here for explicitly NSFW content or over on my literacy blog if your work doesn’t have content restrictions that make it NSFW. Please also feel free to suggest artists for me to interview.

#kosmicdream #kosmic #feast for a king #webcomic interview

56 notes · View notes