#major custom exalted charm wonker

[maneaterwithtail]

A lot of people were acquainted with him through his prolific participation in News & Politics, but to me Aaron was always an author, one half of the team behind Hybrid Theory. That fic was a bastion of creativity, drama, and wry humor; a ludicrous and ambitious premise, played gloriously straight. It provided me with much-needed hope and entertainment in years past. His death comes as a punch in the gut, and takes the wind of optimism out of my sails.

I never knew him well, and now I never will. Rest in peace, Aaron. The world is lessened by your absence from it.

-orm Ember

I didn't want to write this. 

Not just for the obvious reasons, that nobody likes to say goodbye to a friend like this. I didn't want to make this about me, because it isn't about me. I wanted to say something about him, to tell his story, to express the tiniest part of the loss I feel in a way others could understand. 

But I came to realise that it wasn't for me to tell his story. I can't. That story was for him to tell, and unfortunately, he cannot. The only story I have to tell is the story of us. So that's what I'll do. 

I met Aaron Peori when we were both new in high school, about twenty-five years ago. Glace Bay High was the tenth of the eleven schools that I attended in my eleven years of schooling, and so by then I was almost as well-practiced in "meet new friends" as I was in "meet the new local pack of bullies". Walking home, I noticed one guy about my age that always walked alone, reading a book. In other words, a fellow nerd, a weirdo, an outcast. Like me. After a couple of days of spotting this lone reading fellow, he happened to be reading a book by Christopher Pike, an author I also had books by. That was, as the saying goes, an opening.

"Hey, isn't that a Christopher Pike book?" I asked this stranger, casually, as if I hadn't already known.

He looked up at me, not even showing any surprise that some weirdo had walked up and asked about the book his nose was in. "Yes," he said, peering at me owlishly from behind his glasses, then after a moment added, "He's a good author."

By the time we reached home that day, we were already good friends. From that point on, in fact, we were virtually inseparable, aided by the fact that he lived almost literally in my backyard.

From the very beginning, we were creative collaborators. At first, we were using GI Joes and a few other toys in elaborate setpiece dioramas that spanned his house's enclosed front porch, and sometimes spilled out to occupy part of the year as well. Factions, sacrifices, betrayals, and no doubt embarassing-in-retrospect dialogue were all a part of those first afternoons and weekends.

I think he first got a copy of the Marvel Super Heroes RPG from his cousin. Before I'd met him, Aaron and his cousin had both been drawing their own comics about a space-based superhero team called Sonis. Now, with a tool that you could use tell stories about superheroes, and rules to arbitrate - our new great dioramas were ones made of words, not toys. I quickly made my own "expanded universe", about a group of mercenary superheroes called Heroes For Hire. 

At that point, what turned out to be a very long-lasting pattern was set. Aaron was the GM, and I was the player. Aaron created the worlds, and I lived the characters in them. He did want me to be the GM sometimes (it's more fun being the player!), but I was always uncomfortably aware how much better at it he was than me, and so I felt intimidated to pit my own lesser stories against the epics he created.

As time went on, another pattern that would be long-lasting emerged: Aaron and I's stories became vastly greater in scope. He rewrote the resolution system of the game to account for much higher power levels than the original design used (Ochre feats!), and eventually we dispensed with the rules altogether, playing completely free-form with no set rules and only the occasional dice roll. I learned to handle multiple characters at once, and bored at the success easily reached by my insanely overpowered characters, learned to find more fun in getting them in trouble instead. Aaron learned to handle the narrative challenges faced by trying to craft stories about protagonists who had literal "I win" powers, and weren't very likeable to boot.

Very little of Heroes For Hire would be something I wouldn't be embarassed to show off today, but my former internet nom de guerre "Blade" comes from the most central and overpowered character of those days.

About a year before I left Cape Breton, Aaron and I discovered two things of lasting consequence: anime, via his having a comic adaptation of the movie "Project A-ko" in his huge box of comics that I would regularly raid, and fanfiction, which I had been introduced to via USENET by another friend of mine, Mark MacIsaac. After I left, Aaron had more free time, and thus he started writing a story that combined two of his favourite things: the then-popular anime Ranma 1/2, and Star Wars. 

Aaron wrote prolifically, longhand on sheaths of paper, in his inscrutable and typo-laden scrawl. My role in those first stories, for all they were credited under both our names, was just to type these up and edit them - but that wasn't a small task, to be fair. I can type 60wpm despite still pecking with two fingers instead of touch-typing, a skill that dates to those early manuscripts. 

That level of collaboration, though, wasn't enough. Soon we took to role-playing games again, and I took on various Ranma characters in lengthy phone conversations where he was once again the DM. Those games formed several of the plots for Ranma: Curse of Darkness, and the entirety of the plot of Kyoto Chronicles (sadly never actually finished), along with other stories both Ranma and non that never made it to the internet. Again, he would write the scripts and I would type them up, now with more creative control and editing. 

The time came when we once again lived in the same city, able to really collaborate with both of us writing scenes. All of this finally culminated in Hybrid Theory, our longer-than-Lord-of-the-Rings magnum opus, and something we were both pretty proud of despite the various flaws and that we totally botched poor Rei's character arc.

After writing something like that, we were sure, it would be easy to write something for professional publication. But unfortunately, it never came to be. Circumstances separated us again, several promising projects got stalled after a few chapters, and then the grinding workload he faced at his job hurt his ability to write consistently.

But Aaron never stopped writing fanfiction. His mind never stopped working. Most of what he wrote was "junk" in his words, and he wouldn't even show it to me, but he was still thinking up stories and worlds and his favourite thing of all: elaborate fight scenes. He once told me he could write in any series, no matter how crappy or derivative, "as long as the main characters can run up walls".

It frustrates me that I cannot prove to anyone here how brilliant Aaron was, because that brilliance was hidden behind the various flaws in his prose style. His prospensity for typos never did much improve, though he could at least spellcheck stuff he wrote on a computer rather than longhand. He never got hung up like me searching for the exact right word, and so he often just used the same words over and over. For those that read his last work, I can only explain that I took out a ton of "snaps" - "snapped her head back", "snapped his wrist forward", "the snake snapped out" and yet there are STILL that many in there. I was going to do a much more thorough editing pass when it was finished. 

But that is all surface-level. Where Aaron excelled was in his vision for a setting and story. He could take the ridiculous and make it somehow sublime - indeed, he often challenged himself with making ridiculous or cliche concepts work. He could keep track of a million dancing pieces and know precisely which should enter the stage, and from where. It's not that I didn't contribute meaningfully to our collaborative efforts, but I often felt like a child with crayons colouring in the lines of a sketch by Da Vinci. Even if my colouring was good, it wasn't the masterpiece.

His players knew, though. Another habit Aaron kept for the rest of his life was GMing (though he enjoyed playing, when the opportunity was afforded to him), even if he couldn't do it as much in recent years. Aaron was a masterful GM, able to coax out strong story arcs and dramatic moments from players of any skill level, able to make NPCs that the players hated or loved or both, able to coax rambunctious player parties into dramatic clashes and events that never felt railroaded. But perhaps even more than that, he was a master of making game rules work for him instead of against him. Aaron loved role playing game rules: one of his primary hobbies and uses of his spare cash was to buy new gamebooks, even if he never planned to use them for a game. He'd devour them, expertly analyse their strengths and flaws, modify and house-rule them to his liking, and even a notoriously tricky game to GM like Exalted flowed smoothly in his hands.

His set of replacement Dragonblooded charms are still the best and most flavourful charmset ever made for them. And he always maintained that the best game system to run Star Wars with was the pulp action game Adventure! - which was the very last game I'd play with him. He was, as always on these matters, completely correct.

In another world, even with the problems we had, I'm sure Aaron could have been a published author. The problem, if problem it was, was that Aaron's prolificness stemmed from his own joy in writing and creating. Ultimately, if he was more interested in writing about a magical self-insert Sakura than he was in something "professional", then that's what he did. He took note of criticism and changed things if he got it, but ultimately the only critic whose opinion he internalised was himself. He wrote because he enjoyed writing. If somebody else enjoyed what he did, great. If nobody did, he'd write anyway.

Aaron and I were so close that my father asked me if we were gay once. We weren't - I'm straight, and he was (unknowingly at the time) asexual. But we loved each other anyway. We had the kind of easy camraderie and understanding where we could nostalge and talk for hours upon hours, week upon week, and never get bored even when we didn't have really anything to talk about. We were never bored of each other's company. From that very first day we met, we understood each other in ways that nobody else ever did, or ever would. I never pictured my life without Aaron in it. I was going to be a writer, I knew at 15 years old, with Aaron. I was going to move back to Canada someday - and live near Aaron. 

There is a hole, and it cannot be filled. It hurts, and it will always hurt. And yet I am greater for having it. It is unthinkable to wish that I didn't have it. My life without Aaron is unthinkable. I'll have to think of it, maybe another day, but not yet.

Aaron's last few years were difficult in some ways. He stuck in a predatory, horrible job that left him perpetually sick and exhausted, the only thing in the 25 years I knew him that actually forced him to stop writing and GMing for any length of time. He was too proud to take help, too tired to look for an alternative. He nearly died of a perforated ulcer a few years ago, and that added "chronic pain" to his ailments, and being him, he would only take painkillers when it became unbearable. It was unsustainable, we knew it, but he was always reaching for that promotion that would finally bring the shorter hours he had been asking for. In the meantime, he'd always say "Don't worry about me, I'm fine." I wish he had been right.

And yet.

In those same years, Aaron discovered himself. He discovered that he wasn't the strange not-wanting-sex freak he had grown up thinking he was, that there were many people like him out there. He got in touch with the emotions he had suppressed within himself due to a traumatic childhood experience, and while he sometimes had difficulty handling his newfound sadness (he was striken by grief like I'd never seen over the death of his grandfather) or anger (political topics were verboten in our conversations over the last few years), I believe that for all the pain and overwork and lack of creative output he was still in some ways never happier than he was these last few years.

He told me once that he wanted to find a partner of either gender, who didn't need or didn't want sex, but could be with him and hold him close when he needed it. I cried, and told him I knew he could find someone once he was out of that job. He deserved it. He deserved that happiness too.

This forum (although not solely) had a lot to do with him discovering himself, and that is why I felt I had to post about him here. You meant more to him than you know, and to some of you, though I don't know your names, I owe a debt I can never repay. Whoever you are, thank you so much. You helped him in a way I couldn't. The joy and hope of his last years came from the help you gave him.

And that's the end of the story of us. Aaron was exhausted, pushing himself beyond what he ever should have - now, at least, he can rest. Aaron was in pain, but now the pain is gone. There was nothing good or right or kind or acceptable about it, but it can't be changed, it can't be helped. 

Goodbye, Aaron. I love you. Thank you for writing stories with me.

-Chris Mcneil addressing sufficient velocity forums

#rip #fandom #author of hybrid theory #major custom exalted charm wonker #writer #internet opinion guy