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#mack loves leias-rebellion
smallblueandloud · 4 years
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ooooooh i'd love to hear about the fsk twitter au and/or she survives!
YOU HIT ON THE TWO I’M PROBABLY MOST EXCITED ABOUT.
well like. okay i was excited about she survives and now i’m not sure about it so i’m just gonna let it flounder in my wips folder until one day i develop enough confidence to post it lmao.
anyway, the fsk twitter au is literally just an excuse for me to write the wish fulfillment of my dreams, which is queer people being queer and domestic online. i am stalking a lot of people on twitter right now and while i know it’s not healthy to overshare on the internet, and therefore i don’t necessarily think they should, it doesn’t mean that i am not craving it. therefore, fsk are celebrities (as are the rest of the SHIELD people) and they’re poly and out and everything is wonderful. i love them.
i haven’t written a lot of this story but it’s mostly because i haven’t had any ideas about the plot yet. but i’m enjoying just writing like... outsider pov fluff. it’s really healing.
Jemma Simmons (@jsimmons) tweeted: Fitz and Daisy have taken over the living room to watch Amok Time. I’m taking applications for new spouses.
Lance Hunter, Actor (@hunterhunter) retweeted and added: my time has come
daisy “that actor who doesn’t shut up about data harvesting” johnson (@daisyquake) retweeted and added: hey hold on hunter i thought you were gonna go for ME once jemma hit her final straw
Fitz (@justfitz) retweeted and added: stop texting during amok time
Fitz (@justfitz) retweeted and added: anyway, everyone knows @hunterhunter and i are getting married once you two drive me away with your disLIKE OF STAR TREK
also there’s some mackelena in there that i’m really happy about!
Mack (@a.mackenzie) tweeted: I love Elena so much but also this is the third time she’s chosen Manos: The Hands of Fate for movie night
Elena Rodriguez | Seven Cents S2 Streaming On Netflix Now! (@yoyorodriguez) retweeted and added: IT’S A WORK OF ART
Mack (@a.mackenzie) tweeted: [Screenshot of a Wikipedia quote reading “Manos remained obscure until 1993, when the television series Mystery Science Theater 3000 (MST3K), a show based on the premise of comedically mocking B movies, featured the film in an episode, helping it develop a cult reputation as one of the worst films ever made.”] .@yoyorodriguez Babe I’m begging you
(can you tell i don’t use twitter lmao)
and she survives is actually a star wars fic!! featuring wedge antilles and a random rebellion oc!! because i am nothing if not COMMITTED to my terrible ideas.
basically i was just thinking about how leia must be so symbolic, being the princess of a dead planet and the heir of the founder of the rebellion and the sister of the last jedi. and then i thought about how she withstands torture in episode iv, at age NINETEEN, and how she’s always angry all the time and how that must clash with the fact that she’s clearly a leader slash commander, even in the original trilogy (canon can whine all it wants), which means she’d be unable to go and actually physically fight most of the time. she’s too important of a strategic mind and a symbol to go and risk her own life.
and all of those feelings kind of meshed into the headcanon that the rebellion loves leia dearly and wants to protect her, and also they don’t want her to fall into enemy hands again, because she’d withstand torture and come out a martyr and the empire knows it. so instead they’d kill her and therefore kill half of the rebellion’s hope in a single strike. which means. in essence. several rebels have died to make sure leia doesn’t fall into enemy hands again.
i’ve cried about this multiple times if you can’t tell.
so i wrote like 1k of wedge antilles going up to a random rebel and warning them that leia’s personal guard needed to be made up of people who would be willing to die to keep her out of enemy hands and telling them that it was no problem, he understood if they couldn’t do it, but he was going to have to transfer them somewhere else.
i’m having Doubts about this because tbh i’m not sure if leia’s that much of a symbol in the ot? maybe in the st. but also i don’t want to write anything about the st lmao.
ANYWAY i’m still emo about this so i hold the eternal hope that i’ll finally get enough confidence to post this fic. here is a snippet. please validate me.
“No, it’s okay,” you say, remarkably calm for someone who just accepted death. “I can handle it. Keep me on the mission.”
Wedge stares into your eyes. “You’re sure?”
No judgement. Just confirmation.
“Yeah, I’m sure,” you say. “It’s okay. She’s the princess.”
You’re not from Alderaan, but that doesn’t matter. A few days ago you heard someone whisper that the death of Alderaan just untethered Leia from her singular planet, made her everyone’s princess. You kinda like that theory.
Leia Organa is twenty two and people whisper that she walks with the weight of the galaxy on her shoulders. Not just everyone’s hope for defeating the Empire - but for what she’ll do after the Rebellion wins. The one who will rebuild the Republic than most Rebels don’t even remember.
You can do this for her.
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theleafpile · 5 years
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@dressedforthebills asked, in reference to the post I made stating that Solo: A Star Wars Story, is a bad movie:
What makes the writing bad? Plot? Structure? What stereotypes would that be?
So I’m just going to go over what’s fresh in my head, so there might be some pieces missing that I’m not particularly interested in. I enjoy the Star Wars movies and read a lot of fic about it, but I’m not a die-hard fan and haven’t read anything in the extended universe.
SPOILERS abound.
Rule #1 of Storytelling: Don’t tell the audience something they already know.
Solo already sort of breaks this rule simply by existing, but we could forgive that fact based on the idea that it was meant to show Han’s early years. However, this rule sticks out to me throughout. 
We know Han won the Millennium Falcon from Lando in a card game - we see two (three?) card games played. It’s difficult to be invested in a card game when you don’t understand the rules. When they lay down their cards, we have no basis of understanding if they are good or not before being shown an in-world audience reaction, which throws off the beat. (At least in most card movies there is a shot of the cards and a voice over of the dealer saying what the hand is for those who don’t know, so the audience can see the cards and hear the hand and make the connection as though they made it themselves. So that could be a simple editing issue.)
We know Han and Qi’ra don’t end up together. We have no reason to be invested in their romantic arc. I could forgive this if they did something at the end like they did at the end of Casino Royale, where the pacing was thrown off because we thought Bond was really going to leave with Vesper, only to find out that she betrayed him at the end and he vowed to go back to work (and never fall in love again). But instead, at the end of Solo, we have Solo left on a beach wondering why the fuck the ship Qi’ra is on is suddenly leaving - was she trapped? Did someone else take over? Is she a hostage again? (all perfectly acceptable canon questions that Han would ask). There’s no clear cut image or moment to show that that was a betrayal, leaving us (and Han) confused.
Rule #1 of Romance: If you have to show two characters kissing to show they’re together, it’s bad writing.
The first scene with Qi’ra and Han breaks this rule. He’s running, in a panic - there’s no reason at all why he would suddenly stop what he was doing, switch gears immediately from panic to lust, and kiss her as he did. It’s a simple and fast way to show two characters are allied, but its boring. If he saw her hiding and waiting for him, and while running took her hand and dashed them to a safer place it would have 1) established that he is confident in his surroundings enough to hide (we love experts) and 2) shown them allied anyway.
They were able to show Qi’ra and Dryden Vos allied even though they never macked on one another, which I guess was to show that Qi’ra still had feelings for Han and that she wasn’t really on Vos’ side.
Qi’ra would have been a more interesting character if she were Han’s sister, not his love interest. 
The guilt he feels for not be able to return to Corellia sooner and the worry he feels over her would have been more palpable if she were his blood relation, the only person in the world he had left and/or could trust, and the only person in the galaxy who could have actually relied on him - making seeing her on the yacht that much more of a surprise, showing that this girl who once relied on him has grown up.  
Also, it would have made a neat parallel for Leia/Luke if there was any strange sexual chemistry between Han and Qi’ra’s actors.
No idea what planet Han was on as a soldier, their objectives, or the purpose.
Which, I guess, was the same as Han felt. If confusion was the goal, they got it. In the book, I guess, they give a reason why Chewbacca was caged there, but for the movie they didn’t tell us so it just felt very, you know. Contrived.
The heist scene doesn’t make any sense.
The goal was to attach the ship to one shipping container, detach the container, and lift it away. Which means that there was no reason to blow up the bridge ahead. Which means...
Val didn’t need to die during the heist.
There was no reason to kill her character. If they were doing this job, as Beckett said, to steal a bunch of coaxium for a gangster, then being a thief she would know the risk involved (i.e., Dryden Vos would kill them if they did not return with what was asked) and not be willing to sacrifice herself in the chance that 1) their failing plan would work, 2) Beckett would survive, 3) the coaxium would survive and 4) her life was worth saving Beckett.
Which, love, I guess. But seriously she had no reason to die. And, being the only black character of the group, it was pretty shitty that killed off her and the alien pilot and not one of the two white guys. Because plot. Of course.
Coaxium is apparently super unstable when unprocessed - but it’s okay to be tossed around.
Take any high school chemistry class and the teacher’s going to tell you that unstable materials are called that for a reason. All the moving around they do getting the raw coaxium out of the mine, loading it and transporting it on the ship, and the temperature heating up to the breaking point (yet still safe enough to get onto the other world, unloaded, and stuck in a container and plugged into something that I guess immediately neutralizes it) but it’s still able to be handled, without any safety gear, by Beckett when he takes “a drop” (not a unit of measurement) and shoves it into the fuel line of the Falcon.
I mean, hell. When it is processed look at Han so carefully gives the containers over to Dryden Vos. The audience is meant to think he’s being too extra careful because we think it’s fake and he’s overdoing it, but - no. That’s how you handle very explosive processed material. I guess the “super unstable” unprocessed material is okay, though.
Stereotypes.
Seems like Hollywood can’t make a movie lately without poking fun at “SJWs.” Enter L3. Who walked, talked, and sassed like a prototypical black woman. No thanks. She did have some funny lines, but I hate how her character’s actual correct ideas were treated as the punch line. (The same problem Hermione had with the SPEW stuff in the HP books.)
Lando is vain. He has a whole closet for capes. Unfortunately we don’t get to see him be or say anything vain at all whatsoever elsewhere. 
The alien pilot at the beginning is like “I am here to state the theme and die.”
Major characterization problems - aka I don’t care about these people.
Qi’ra’s woe-is-me / you won’t look at me the same way if I’ve told you what I’ve done / you don’t know what I’ve done lines. The audience has no idea either, so I feel absolutely nothing when she says these lines. Was she a prostitute? Did she steal, lie, cheat? Did she make other people work for her? How did she get to be in Dos’ inner circle? No clue. It doesn’t make her mysterious. It makes her boring.
Enfrys Nest’s rebellion has nothing to do with rebellion against the Empire. 
Meaning I don’t care about it. That twelve year old mercenary is rebelling against the crime syndicate, which is not affiliated with the rebellion. But wait - 
There was zero indication that was Darth Maul speaking to Qi’ra.
Maul came from a planet where people just... looked like that. The actor was the same but much older, and it showed enough that I had zero inkling to think “oh, hey, that’s Darth Maul” who is a character I really liked. You know why else? Because Qi-gon Jin murdered his ass twenty years ago. I don’t think the Force can keep you alive after being sliced in half and sent down a bottomless well. That’s not how the Force works. They tried to make me think it by needlessly igniting his double bladed red lightsaber, but I was still like.. okay. Another Sith. Whatever.
Also. There’s no indication in the prequels that Darth Maul was the leader of a crime syndicate. 
Things I liked:
- Making the Kessel run. The visuals were pretty cool with the tunnel vision, the Imperial ship, and darting off into the wild unknown with the eldritch monster. Here’s a good example at telling something the audience doesn’t know: Han cheated to do the run in 12 parsecs using the coaxium, which is why no one believes that he actually did that fast. So that’s funny. (”Not if you round down” was a cute line, too.)
- The riot scene with the droids at the mine. They were having a good time.
- Chewie helping his fellow Wookies to get free, and that moment where they touched foreheads. Small character movements like those make a big difference.
- Vos’ blades. That looked like kyber power, which means that those were probably super expensive, and that’s cool characterization. 
So, no. I didn’t like Solo: A Star Wars Story. It added nothing to the characterization of Han or the Skywalker space opera universe we’ve all come to know and love. I know the prequels aren’t as beloved because of the political content, but I think a young Leia movie would’ve been a more worthwhile investment. We could have seen her on Alderran, a planet which we know nothing about, struggling with the life of being both royalty and a senator. We could’ve seen a young woman struggle to be taken seriously at her job that would have had actual in-universe repercussions for the storylines and characters we are familiar with. Yes, it could have had all the problems Solo did, but we would have known that Alderran would be blown up by the Empire, making us root for any chance we saw for characters to leave the planet (and be heartbroken when something required them to stay). 
Young Leia was feisty, not afraid to stand up to Vader (of all people), and I want an origin story for her, dammit! I’m tired of men’s stories! Honor Carrie Fisher you cowards!
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kegisaroused · 6 years
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The Last Jedi
I have a lot of thoughts. A lot of them are not good. Thoughts are under the cut in no particular order. Probably a little rambling/incomplete maybe I’ll write something more put together later IDK
MAJOR HUGE SPOILERS OBVIOUSLY
Okay so first, stuff I actually liked:
-Luke seeing the two suns in his last moments. One of the few moments with Luke’s character that didn’t feel totally off. 
-Luke handing Leia the bauble from the falcon and the old love theme stabbing me right through the goddamn heart.
-Finn and Poe having very few actual interactions and still managing to be gay as hell.
-I love the Porgs and the Crait foxes fuck all y’all. 
-I also liked Rose a lot and would love to see her actually get better character development. Her tasering Finn was fantastic.
-Rose and Finn’s little side jaunt has me so torn because despite it being totally out of place and gimmicky it also had some of the better character interactions/development in the whole movie? Not that that’s saying much
-Luke basically trying to get Rey to leave by purposefully being as much of a creepy old weirdo as possible. 
-R2 playing Leia’s original message. MY HEART.
-Laura Dern ramming the cruiser into the First Order at hyperspeed was really fucking cool. 
-Yoda being Yoda (when he WAS Yoda, but that’s for the next section)
-Leia using the force FOR ONCE (though the how was real stupid, but again... next section)
-Rey being happy to see Finn having a bond with Rose and smiling at it rather than being jealous or something stupid like that.
-Rey NOT giving Kylo another chance at the end. Like... mmkay buddy I tried but you made the wrong choice I’m shutting the door in your face now BYE.
-That said, I was really afraid of the stuff between Rey and Kylo because the shippers with spoilers had been making it seem like the romance angle was REALLY played up but... it wasn’t? At all? Don’t get me wrong, it doesn’t shut down that angle but the nature of their connection felt ambiguous. The music cues did not indicate a romance, and Snoke straight up SAYS that Kylo’s conflict and draw to Rey was something he was putting into his head so that he’d bring Rey to him. I also feel like Daisy and Adams acting choices were emphatically NOT hinting at a romantic dynamic. I was afraid the shirtless scene was gonna be some sort of awkward flustered Rey and instead it was her just being genuinely annoyed like STFU and put a fucking shirt on.
Now... on to THE BAD:
-The pacing. HOOOOLY HELL THE PACING. This movie was paced so badly. It felt simultaneously like it went on forever, but also moved so fast there was never breathing room. It felt manic and confused. Also the whole movie seems to take place over the course of like... a day. 
-EVERYONE was out of character at least half the time. Everyone either pulled shit that didn’t make sense for them to drive the plot or they completely rolled back their character development to rehash shit. TFA already dealt with Finn needing to stop running from his problems, why is he immediately trying to run away again? His attempted heroic sacrifice at the end would have been a good character moment... if we hadn’t already HAD that moment in the last movie. Poe was reduced to the “reckless hothead” archetype and not only had to learn a lesson that not only didn’t make sense for him, but he had to learn it twice. In the same movie. 
-The CGI gimmicks. It was treading pretty damn far into prequel territory with the unnecessary CGI animals where practical effects would have not only sufficed but felt much more organic. 
-I’m so happy they finally let Leia use the force but her floating herself back into the ship was SO STUPID LOOKING. I wanted to laugh and I am 100% sure that was not the intent. Carrie Fisher did not die for this. 
-Fake Luke at the end was stupid because it was immediately obvious. He was digitally edited to look younger, he was using a lightsaber that WE JUST SAW GET DESTROYED instead of the lightsaber he actually HAS, it was just... dumb. 
-Speaking of dumb: Luke’s entire motivation was stupid and made absolutely zero sense if you know anything about Luke Skywalker. You’re talking about the only person in the galaxy who believed Darth Vader could be redeemed. Like... that’s literally the WHOLE POINT OF HIS STORY IN THE ORIGINAL TRILOGY. You’re gonna have me believe that Luke Fucking Skywalker was so easily scared by the dark side that he (even for a SECOND) contemplated killing a teenager? No, no, no fuck right off with that shit. If anything it should have been REY who thought Kylo was an irredeemable monster and Luke convincing her to give him a chance. Even if in the end he throws away that chance. You can still make the point of “maybe not everyone can be saved” without committing character assassination on Luke. Like what the hell even was that.
-The dialogue was so clunky a lot of the time. Yoda for example: there were moments where he was perfect (him smacking Luke in the face and being like YEP FUCK IT BURN THE TREE WHO NEEDS IT were very in character actions) but a lot of his dialogue felt like someone doing a bad Yoda impression (important note: I’m referring here to his actual written lines, not the voice acting). Also his puppet was really weird looking I don’t know why but it did not look right at all. 
-Some of the jokes also felt very forced and unnecessary. Star Wars needs levity, but the tonal balance was just off and there were a lot of jokes that felt very shoved into scenes that did not need jokes.
-I didn’t buy the Finn/Rose romance. I don’t actually have a problem with that ship at all. Finn/Poe is obviously my preference but lets be real I’m not holding my breath and I’d be 100% fine if Finn/Rose is where they went. But it wasn’t developed at all? They had a couple bonding moments yeah and were definitely becoming good friends, but not nearly enough to make me believe THEY’RE IN LURVE. It was like they somehow thought her sacrifice couldn’t be meaningful if it was just about saving a friend instead of saving GUY I WANNA MACK ON which is kinda bullshit. 
-There was a continuous trend of showing HEY LOOK WE HAVE FEMALE CHARACTERS. LOOK AT ALL THESE LADY PILOTS AND GUNNERS only to kill them off immediately. Paige’s death I didn’t overly have a problem with as there was at least a reason and a point to it with her being Rose’s sister, and she was given a moment to shine and a heroic sacrifice at least, but with all the background characters it felt like they were so determined to be all LOOK WE HAVE GIRLS that we saw more girls die than guys.
-Also are Poe’s whole squad from the last movie just supposed to be dead now? Like... they got their own comic and everything and are fairly popular side characters. Are you really going to just say they’re all dead? 
-The fight choreography was really lacking. Luke fighting Kylo at the end could have been so cool but it was 90% stupid CGI and just felt silly. Especially comparing it to the Rey and Kylo (I refuse to type their names with a slash because seriously MISS ME WITH THAT SHIT) fight from the end of TFA which was so well done and just... ugh. Also Finn’s fight with Phasma was very anticlimactic and she was so underused.
-Finn and Rose’s side trip was completely pointless. Which is annoying because like I mentioned before it had some of the better character moments in a character-less movie, but it was literally pointless. I get that they wanted to set up some sort moral ambiguity or juxtaposition (OOOH THE ARMS DEALERS SELL TO BOTH SIDES SO IT’S A GREY AREA. OOOH THE POOR PEOPLE AND THE ANIMALS SUFFER FOR RICH PEOPLE’S ENTERTAINMENT. AM I DOING THIS RIGHT? IS THIS HEAVY HANDED ENOUGH?), but even if they had their hearts set on doing that (despite not needing to at all) there are a million other ways they could have done it without completely derailing the plot. Especially since in the end the plan didn’t even WORK an actually made things worse because if they never brought the stupid slicer on board the original plan would have worked and most of the resistance would have gotten away just fine. The slicer character himself was pointless and one dimensional.
-What is the First Order doing? They made sense in TFA because they were a fringe group who had been laying low and underselling their strength while they prepared to attack and overthrow the New Republic. But what are they doing now? Did they seize control and establish a new capital planet? Did they install a new governing body since they literally KILLED ALL OF THEM? What is their end goal? What is their motivation? There’s nothing there and there needs to be. 
-Why on god’s green earth didn’t Laura Dern just TELL POE THE PLAN? Why was she being needlessly cryptic and withholding? She wasn’t protecting anyone by withholding information and was actually making herself look really bad and incompetant for no reason? She didn’t even say she HAD a plan. It was so stupid and made no sense.
-Which leads me to a larger overall problem: the characters were not driving the story, the story was driving the characters. The characters did things because they had to to make the plot happen, rather than the plot happening because the characters did what they would naturally do. As a result almost all the characters felt incredibly stiff and there was pretty much no meaningful character development. 
-The movie wrote its self into a corner. I get that they wanted to push it into a more unsure ending ESB type situation but they went too far. The rebellion was in an unsteady place at the end of ESB but they still had, you know... a fleet? More than 10 people? They were also extremely inconsistent scene to scene with the number of resistance fighters left alive. They act like they’ve got almost nobody left, but then they have enough people to man the trenches on Crait? And a lot of those people clearly escaped back into the base but then when they’re escaping to the Falcon there’s like 5 of them? Am I supposed to believe that the 8 year old Rose gave a ring too is the savior of the resistance? None of it seemed to be done with any forethought to the future of the story.
-Where the hell is the rest of the Galaxy? I’ve never watched a Star Wars film that felt so isolated. Even with Rose and Finn’s B plot the galaxy felt empty and unpopulated. 
Overall the whole thing felt like a bunch of unfinished thoughts slapped together into a story without a proper narrating structure. The whole movie seemed confused about where it was going and what it was doing.
I’m hoping JJ Abrams can reel it back in with Episode 9 because it’s really gonna upset me if TFA was a fluke and the rest of this is just gonna be Prequel Trilogy 2.0
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