there should have been a hammer version of the picture of dorian gray with shane briant as dorian (again, yes, but good this time), peter cushing as basil, madeline smith as sibyl vane, and christopher lee as lord henry
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uh the funniest coincidence I have discovered whole day:
AV was in one of BBC Play of the Month episodes which is called “I Have Been Here Before” (written by J. B. Priestley) in 1982 where he played an unhappy husband lost his wife to someone else, I have discovered the actress played his wife is Lorna Heilbron (Anna Grant’s actress... well I had seen another Play of the Month episode where she played opposite to Jeremy Brett in “Love's Labour's Lost”, imho she was kind of stiff in it, I don’t think she was very much of an actor in that episode, tho). AND PD played the same role as AV did, the husband character, but only in a different production (1985, at Towngate Theatre)
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Symptoms — A film by Joseph Larraz
A young woman is invited by her girlfriend, who lives in an English country mansion, to stay there with her. The estate, however, isn’t quite what it seems–and neither is the friend who issued the invitation.
Directed by José Ramón Larraz (as Joseph Larraz). Produced by Jean L. Dupuis. Written by José Ramón Larraz (as Joseph Larraz), Stanley Miller and Thomas Owen (story). Music by John Scott. Cinematography by Trevor Wrenn. Edited by Brian Smedley-Aston.
Angela Pleasence as Helen, Peter Vaughan as Brady, Lorna Heilbron as Anne, Nancy Nevinson as Hannah, Ronald O'Neil as John, Marie-Paule Mailleux as Cora, Mike Grady as Nick (as Michael Grady), Raymond Huntley as Burke.
The restoration of José Larraz’s Symptoms, now made available on BFI Blu-ray/DVD, returns a lost gem to the British horror canon. It was previously only available in shoddy bootlegs that did little for the film’s oppressive atmosphere, so the restoration finally gives us a chance to savour the film’s peculiarities in all their offbeat glory.
Unexpectedly chosen as an official British entry at the Cannes festival of 1974, it’s a creepy, modern gothic tale, as inspired by Hitchcock’s Psycho (1960) as it is by Repulsion (the more obvious comparison). Set in an English country house, where a neurotic woman (Angela Pleasence) has invited her girlfriend to stay, it’s a slow burner but John Scott’s excellent score and Larraz’s sparse but effective use of shock tactics (a face at a window; a briefly glimpsed figure at the edge of the frame that really shouldn’t be there) ensure a mounting sense of dread. Pleasence steals the show but is capably assisted by Lorna Heilbron as the new object of her twisted affection and Peter Vaughan as the reddest herring in 70s British cinema, a brooding handyman who knows more than he’s letting on.
Kevin Lyons
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