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#kip.exe/txt
transfemkristophgavin 2 months
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lately i keep looking at fictional male characters and thinking to myself "but what if he was a beautiful butch woman"
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transfemkristophgavin 9 months
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*squinting through binoculars at the rw community* what the hell is going on there
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transfemkristophgavin 6 months
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vitally important question. does anyone have that one tweet which is like
millennial parent: we will raise our generation better. they will save the world. 馃實鉂わ笍 their 12 year old son's google history: bomb that blows up all women
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transfemkristophgavin 10 months
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does anyone else sometimes suck in air the wrong way and it makes your eyes hurt
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transfemkristophgavin 10 months
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going to sleep. can everyone manifest my package for me in the morning pretty please
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transfemkristophgavin 4 months
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going to start saying "this happened to my buddy" in reference to my ocs that live exclusively inside my head
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transfemkristophgavin 4 months
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sees u in my notifs. [YIPPEE.mp3]
YIPEE!!!! 馃帀馃帀馃帀馃帀
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transfemkristophgavin 2 years
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what is it about the colours red and blue that makes character designers keep looking at them and thinking "i can make a pair of rivals with this colour scheme"
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horror and romance are concepts and genres that need to be explored together more. and i don't just mean "horror story that happens to include a romance plot", i mean "story where the horror is inextricably, inseparably intertwined with the romance". stories where the romance IS the horror
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women
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transfemkristophgavin 10 months
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it is so fucking imperative that a girl gets a special little treat every day
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my man is built like a fucking wooden board
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something very small across both 3d games that nevertheless greatly annoys me is how apollo and athena's character themes are handled. i am definitely reading into this too much but i have also spent too long typing all of this so read my words boy
a new era begins! in aa4 is a theme that, whilst very much derived from phoenix (and mia's) original objection! motif in the first trilogy, still has a considerably different feel to it that is achieved by making the core refrain/loop of music that defines the objection! motif VERY subdued; it's almost drowned out by the other instruments in the track. this reflects how whilst it's still the same action within the context of the game's mechanics, it's being performed by an entirely new person with different ideals, motivations and methods to phoenix and mia, thus the end result is a very different take on the motif
however, in aa5, a new era begins! as a whole ended up getting recycled into apollo's out-of-court character theme, i'm fine! - objection! motif and all - which gives the impression that during development there wasn't a lot of consideration given to his individuality as a character. the same goes for athena and her character theme, let's do this!. obviously for their actual objection themes i dont mind the motif being used, but it feels like a missed opportunity to not focus on the unique parts of a new era begins! and courtroom revolutionnaire, elaborate on those aspects and turn them into wholly unique sounds for apollo and athena's character themes. most important of all would be ensuring that they DON'T reuse the objection! motif. in apollo's case with i'm fine! it feels especially egregious because it goes directly against the tone and intention of the original a new era begins! by EMPHASISING the objection! motif and making it the core focus of the track
i know in the wider scope of things this is such a small detail - i don't even necessarily dislike these tracks - and i'm aware expecting the team to dedicate the resources to creating two unique songs for three entire characters each across multiple games is asking too much, but regardless i also think it's at least a bit emblematic of how phoenix, apollo and athena were handled in relation to each other in the 3d games and how ultimately apollo and athena are both left feeling somewhat deriative of phoenix. parallels (both in-universe/textually and on a meta level) between the three are not a bad thing but it does feels like apollo and athena struggle to establish their own unique identities at times without the writers doing something insanely drastic, and the way their themes are ultimately derived from phoenix's, to me, contributes to this feeling
it's just especially a shame because the team proved that they were fully capable of getting it right with edgeworth's objection theme in aai1; it utilises the objection motif but it ALSO incorporates his character theme, great revival/triumphant return, fairly extensively, and it's one of my favourite objection themes precisely because every time the part with the motif hits i lose my mind. granted in that case they were working backwards but like, the idea is present and all that
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i love how obvious it is that the ace attorney sprite artists LOVE to show off how well they can draw hands at every opportunity that's afforded to them. like, obviously when all of the talksprites only show the top of the waist up the arms are important for conveying emotion in that context but they always go SO over the top with the hand poses and shit. manfred von karma's finger wag. like half of godot's courtroom sprites too. you know what girlies you keep flexing its seriously impressive
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transfemkristophgavin 11 months
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her transfem slay. sorry this post is only about kristoph i had to add the klavier cube so the render wouldnt obliterate mobile dashes
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