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mirooh4u · 4 months

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Elevate Your Home Decor with Stylish Sofa Cushions: A Comprehensive Guide

Are you looking to revamp your living space without breaking the bank? One simple yet effective way to enhance the aesthetic appeal of your sofa is by investing in the right cushions. In this blog post, we’ll explore the world of sofa cushions, cushion covers, and everything in between. Get ready to discover the perfect accents to elevate your home decor!

1. Sofa Cushions: The Ultimate Style Upgrade

Sofa cushions are more than just accessories; they are an essential part of your living room decor. Explore various sizes, shapes, and materials to find the perfect match for your sofa. Whether you prefer big and cozy or small and decorative, there’s a cushion out there for everyone.

2. Cushion Covers: A Splash of Elegance

Give your sofa cushions a makeover with stylish cushion covers. From classic designs to contemporary patterns, the options are endless. Dive into the world of cushion cover design, and discover how a simple change can transform the entire look of your living space.

3. Outdoor Sofa Cushions: Embrace Comfort in Every Setting

Take your comfort outdoors with specially designed outdoor sofa cushions. Learn about the materials that withstand the elements and still provide the plush comfort you desire. Create a cozy and inviting outdoor seating area with the right cushions for your patio furniture.

4. Embroidered Cushion Covers: Artistry in Every Stitch

Explore the exquisite world of embroidered cushion covers. From hand-embroidered to Kashmiri designs, these cushions add a touch of artistry to your sofa. Discover the craftsmanship behind each piece and how it can enhance the overall ambiance of your living room.

5. Cushion Decor: Unleash Your Creativity

Cushions are not just for comfort; they’re an opportunity to showcase your personality and creativity. Learn how to mix and match different cushion styles, sizes, and colors to create a cohesive and visually appealing decor. Express yourself through your cushion choices!

6. Shop Sofa Cushions Online at MiRooh — Best Price Guaranteed

Ready to transform your sofa into a stylish haven? Look no further than MiRooh for a curated selection of sofa cushions, cushion covers, and more. Shop conveniently online and enjoy the best prices on a variety of options. Take the first step towards a cozy and chic living space — Shop Sofa Cushions Online At MiRooh At The Best Price.

7. Luxury Cushion Covers: Indulge in Opulence

Upgrade your sofa with a touch of luxury. Explore fancy cushion covers and pillow designs that exude opulence. Learn how these statement pieces can elevate your home decor, adding a sense of grandeur to your living room.

8. Sofa Cushion Slipcovers: Practical and Stylish

Discover the convenience of sofa cushion slipcovers. Not only do they protect your cushions from wear and tear, but they also offer an easy way to change up your decor. Find out how slipcovers can be both practical and stylish additions to your sofa ensemble.

9. Conclusion: Redefine Comfort and Style

Sofa cushions are more than just accessories; they are a reflection of your style and personality. With the right cushions and covers, you can transform your living space into a cozy and stylish retreat. Start your journey towards a more comfortable and aesthetically pleasing home — Shop Sofa Cushions Online At MiRooh At The Best Price today!

Enhance your home decor with the perfect cushions — because comfort should never compromise style!

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aadiyogi123 · 8 months

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Kashmiri Embroidery: A Timeless Craft of Elegance and Tradition

Introduction

Kashmir, often referred to as "Paradise on Earth," is not only known for its breathtaking landscapes and rich cultural heritage but also for its exquisite craftsmanship. Among the many artistic traditions that have thrived in this region for centuries, Kashmiri Embroidery stands out as a testament to the artistic prowess and cultural significance of the Kashmiri people. In this article, we will delve into the intricate world of Kashmiri Embroidery, exploring its history, techniques, motifs, and its enduring legacy in contemporary fashion and home decor.

The Rich History of Kashmiri Embroidery

Kashmiri Embroidery is deeply rooted in the history of this region, dating back over a thousand years. Its origins can be traced to the time when the Persian art of embroidery was introduced to Kashmir by Persian artisans. Over time, it evolved and incorporated local techniques and designs, resulting in a distinctive and unique style that is unmistakably Kashmiri.

One of the earliest references to Kashmiri Embroidery can be found in the ancient texts of Kalhana's Rajatarangini, which describes the use of fine embroidery on royal garments and shawls during the reign of King Jayasimha. This historical evidence underscores the longstanding tradition of embroidery in the region.

Traditional Techniques

Kashmiri Embroidery is known for its painstaking attention to detail and precision. Skilled artisans, often women, work diligently using a combination of techniques that have been passed down through generations. Some of the key techniques include:

Aari (Chain Stitch): Aari is one of the most prominent techniques in Kashmiri Embroidery. It involves using a hooked needle, known as the "aari," to create intricate chain stitches on the fabric. This technique allows artisans to achieve finely detailed patterns and motifs.

Sozni (Needlework): Sozni is a delicate and time-consuming form of embroidery that is often used on shawls and stoles. It involves creating fine, floral patterns using a fine needle and silk or wool thread.

Tilla Work (Gold and Silver Embroidery): Tilla work is characterized by the use of metallic threads, typically gold or silver, to embellish fabrics. This technique adds a touch of opulence and is often seen on formal garments and accessories.

Crewel Embroidery: This technique involves the use of crewel or woolen thread to create intricate patterns on fabrics like wool and cotton. It is commonly used on curtains, cushion covers, and rugs.

Kashmiri Embroidery Motifs

The motifs and designs of Kashmiri Embroidery are inspired by the natural beauty and cultural heritage of the region. Some of the most popular motifs include:

Floral Patterns: Flowers like the chinar (maple leaf), tulips, and roses are frequently used in Kashmiri embroidery. These motifs represent the lush and vibrant flora of the region.

Paisley (Kair): The paisley motif, locally known as "kair," is a quintessential element of Kashmiri embroidery. It symbolizes the young mango shoot and is believed to bring fertility and good fortune.

Chinar Leaf: The chinar leaf motif is an iconic symbol of Kashmir, known for its majestic chinar trees. It represents longevity and is often used in shawl embroidery.

Animal Motifs: Animals like deer, birds, and fish are also common in Kashmiri embroidery, reflecting the region's diverse wildlife.

Contemporary Relevance

While Kashmiri Embroidery has a rich history rooted in tradition, it has also adapted to contemporary fashion and design trends. Today, this exquisite craft is not limited to traditional clothing alone but has found its way into various aspects of modern life.

Fashion: Renowned fashion designers and brands have incorporated Kashmiri Embroidery into their collections, making it a global phenomenon. From bridal wear to haute couture, the intricate charm of Kashmiri Embroidery adds a touch of elegance to modern fashion.

Home Decor: Kashmiri Embroidery has made its mark in the world of home decor. Hand-embroidered cushions, table runners, and bedspreads showcase the skill of Kashmiri artisans and bring a sense of luxury to interior spaces.

Accessories: From handbags to scarves, Kashmiri Embroidery can be found adorning a wide range of accessories, appealing to those who appreciate craftsmanship and unique design.

Export Market: Kashmiri Embroidery has a significant presence in the global market, with its products being exported to countries all over the world. This not only promotes the craft but also provides livelihoods for countless artisans in the region.

Preserving the Tradition

Despite its enduring appeal, Kashmiri Embroidery faces challenges in the modern world. Factors such as changing consumer preferences, the high cost of handcrafted products, and the time-consuming nature of the craft threaten its continuity. However, there are efforts underway to preserve and promote this traditional art form:

Government Initiatives: The government of Jammu and Kashmir, along with various craft organizations, has taken steps to support artisans through training programs, financial assistance, and marketing initiatives.

Educational Institutions: Some educational institutions in the region offer courses in embroidery and textile design, ensuring that the knowledge and skills are passed on to the younger generation.

Collaborations: Collaboration between traditional artisans and contemporary designers has resulted in innovative and marketable products, bridging the gap between tradition and modernity.

Conclusion

Kashmiri Embroidery is a testament to the rich cultural heritage of the region and the artistic excellence of its people. From its humble origins to its global recognition today, this exquisite craft has stood the test of time. Its timeless motifs and intricate techniques continue to captivate the world, finding their way into fashion, home decor, and beyond. While facing challenges in the modern era, Kashmiri Embroidery persists, thanks to the dedication of artisans, government support, and collaborations that ensure its enduring legacy for generations to come. As we celebrate the artistry of Kashmiri Embroidery, we also acknowledge the importance of preserving this cherished tradition.

#Kashmiri Embroidery

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myhamdhan · 3 years

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Embroidered Multicolor Kashmiri Embroidery Aari Work Bed Covers #kani #kashmir #KashmirFoods #kasmiryat #kashmirarts #kashmirart #kashmirvalley #KashmiriShawl #khanqah #ariwork #amrican #Annual #curtains #cushions #coronavirus #beautiful #bags #fruits #Famous #facebook #instagood #instagram #india #Srinagar #uae🇦🇪 #usa🇺🇸 #abdudabi #duabi #pharan #bedcovers (at Gulam Mohiuddin Wani&Son Ashai Kocha,Fateh Kadal, Srinagar) https://www.instagram.com/p/CRgHLlul-9a/?utm_medium=tumblr

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theelephanthead · 3 years

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Our hand embroidered abstract cushion covers have been made by Kashmiri artisans and use the Aari form of Kashida embroidery. Kashmir Embroidery also known as “KASHIDA” is a cultural part of people of Kashmir. Kashida is a very fine variety of embroidery done by hand. It includes Aari work, Sozni work and Jamavar. The name ‘Kashida’ has been derived from Persian and means free-flowing writing. A closer look at our cushion covers, reveals the intricate use of Aari or chain-stitch hand embroidery to make beautiful patterns using different coloured woollen/silk threads. This kind of work is called the Kashidari embroidery achieved by the use of the traditional needle called the ‘Aar’(similar to the crewel or tambour needle). It takes an artisan roughly around a week's time to finish making one cover. The origins of Aari are believed to trace back to the 12th century. In India it’s origins lead from Barabanki, Uttar Pradesh to Kutch, Gujarat where the cobbler or mochi community gave fame to the chain stitch by applying the technique to cloth. Delicacy in detail and the aari needle are what aari is known for. Traditionally patterns involved floral and animal motifs, but these have evolved over time and modern Kashmiri artisans have created refreshing modern works interpreted in the palette of coloured silks and wool, using designs inspired by many abstract artists such as Gustav Klimt, Wassily Kandinsky, Joan Miro, Thomas Fedro, Sandra Silberzweig and Heather Galler. Pic courtesy @textilesofkashmir .... #interestingfacts #storybehindthecraft #aariwork #emboidery #kashmiricushions #abstractcushions #textileart #fabricart #embroideryart #indiancrafts #interiordesign #interiors #cushions #cushionstyle #homedecor (at London, United Kingdom) https://www.instagram.com/p/CJqi-aqJdZ9/?igshid=5sbree2ki2td

#interestingfacts #storybehindthecraft #aariwork #emboidery #kashmiricushions #abstractcushions #textileart #fabricart #embroideryart #indiancrafts #interiordesign #interiors #cushions #cushionstyle #homedecor

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mirascrafts · 4 years

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#Repost @sunshine_window • • • • • • These beautiful Kashmiri embroidered cushion covers are from @mirascraftsblr . The silk embroidery on these covers is exquisite, detailed to perfection . . . @mirascraftsblr is dealing with handmade silk carpets ,cushion covers ,shawls ,stoles etc check their Instagram handle for more collection. . . DM @mirascraftsblr to place order. . . . . Green planter is from @cocktailhomedecor . . .. . . . . . #bohohome #whereistand #sorealhomes #colourfulhome #indianhome #eclecticdecor #dreamcatcher #ig_bangalore #ig_delhi #ig_usa https://www.instagram.com/p/CCdpGgHlGZv/?igshid=9cf4v3jypbfi

#repost #bohohome #whereistand #sorealhomes #colourfulhome #indianhome #eclecticdecor #dreamcatcher #ig_bangalore #ig_delhi #ig_usa

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craftihouse · 4 years

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embroidered cushion cover. Cushion Covers ,Kashmiri cushion cover

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happyhomesworld-blog · 5 years

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7 Classic Ethnic Home Décor which is Beyond “WHY”

Home decor trends are always shifting from one style to another. With every seasonal shift of customer preferences and styles, home décor also undergoes design transformations. However, the beautiful and serene taste of Indian ethnicity never changes and grows better with time.

When it comes to redecorating our most beloved homes, the decors have to be absolutely on point. From maintaining the scientific protocols of Vastu to balancing the beauty needs of the home, with creative interior ideas, it never goes out of style! Here are handpicked 30 evergreens, classic ethnic home decors that are a class apart:

The Hue Magic

Colors are one of the profound things that represent the vibrant nature and uplift our moods. Beautiful and vivacious pallets not just do wonder to your home decors but it also compliments your artistic tastes and traditions you belong to. Fabulous Furniture

Traditional and ethnic furniture is one of the great choices to transform your living space into a rustic canvas of art. Intricate needlework, hand-woven textiles, patterned beds, designed couches, and tables are not just delectable to hear but are certainly a lovely visual affair.

D for décor

Right after furniture, the one thing that comes along with it to compliment in the most iconic way is the decor. Exotic and internationally acquired ethnic home decors like Moroccan glass lamps, Indian embroidered wall hangings, Mexican styled boxes, ceramic pots, ancestral artfully designed clay sculptures and so many more add the ethnic oomph to your beautiful homes.

The Lighting Effect

Lighting is a significant component to take your home look and feel to the next level. Imagine the ancestral famed ‘marshals,’ redesigned and re-polished with modern lighting and placed in your living spaces! Won’t it be just absolutely lit? The First Look

Before getting into your house, what attracts your visitors is the front look. Refurbish the main entrance of your lovely abodes with time-honored and precisely made door and window artworks.

The Bedroom Story

Remember the classic old times, when the grandparents used to style their rooms with ethnic artwork? Adding an extra dose of nostalgia to your memories, intricately designed rural artwork and simplistic furniture will carve your bedrooms into beautiful and peaceful abodes of a much simpler time! No More Whining About the Dining

Add a great twist to not just your food cuisine but to your décor cuisines too! Redecorate your dining spaces with vintage artifacts and candlelight effect lighting.

Why leave the Bath Behind?

When talking about ethnic home decor ideas, why the bathroom has to walk out of the discussion? Now choose to bathe in a luxurious and glamorous ethnic style! The divine art of ceramic bathtubs with traditional imprints will add a relaxing effect at the end of a hectic day. And, will charm you every time you get into the bathroom!

The Art of Living Room

With guests more often flooding you with visits, why miss any chance to stun them with jaw-dropping ethnic decor setting of your living room! Choose from the most extensive variety of traditional hanging lamps, exquisitely-furnished wooden tea tables, majestic sofas, palace-styled décor settings, and so many more concepts to select from. Seal the Deal with the Ultimate Ceiling

The days of the dull and boring ceilings are gone with the newest trend of fantastic ceiling designs. Raise the temperature a little higher with ethnically designed false ceilings that take you back to the regal era of historical traditions and cultures. Choose from various colors and shades and designs to fabricate your ceilings as beautifully as your imagination drives you to.

The Furnishings

With the right set of ethnic furniture, you don’t want to miss out on royal furnishings to go along with it. Hand-woven, premium designed Arabian carpets, Indian pashmina cushion covers, royal satin curtains, Kashmiri sofa covers, all await to turn the degree higher of the ethnic meter of your home decors. Cook with the Ethnic Flavours!

Redesign your simple kitchen to a beautifully and artistically designed modular kitchen and set the right amount of ethnic flavors to your cooking times.

By HappyHomes - Interior designers in Kalyan Nagar and best interior design company Bangalore

#Interior Decorators #interiors #Home Interiors #home decors #Bangalore #kalyan nagar #furnishings #living room #interior designing company #interior designers #2019

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persianhandicrafts · 7 years

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What is Termeh?

An example of termeh articles. Image credit: Wikipedia

Termeh is the name given to a speciality cloth that originated in Yazd. Traditionally, the cloth was hand-woven using natural silk (Persian, ابریشم abrisham) and wool fibre (Persian, پشم pashm). Termeh can take the form of fabric, sheets, panels and other shapes.

Good quality traditional Termehs are part of a family’s heirloom in much the same way as are (the related) Kashmiri scarves. They are often an article used in Iranian weddings – such as the sofreh used as a floor spreadsheet. In these type of Termehs, gold and silver threads may be incorporated either into the weave, as part of an embroidered pattern or as a border.

Both Yazd and neighbouring Kerman regions have the reputation of producing quality termeh. As is the case with Persian carpets, traditional Yazdi, as well as Kermani termeh, have a reputation of being of superior quality and workmanship. Yazdi and Kermani termeh were traded throughout the Aryan trade regions, that is along what came to be known as the Silk Roads.

Termeh and Aryan Trade

Marco Polo, travelling the Aryan trade roads (called the Silk Roads) passed through Yazd in 1272 CE. He arrived in Yazd at about the time that Zoroastrians had been reduced to a minority in their ancestral lands. Nevertheless, Zoroastrians would still have asserted but who would have still asserted a considerable presence. Polo described the city as good and noble and took remarked that city was noted for its silk production.

“Yazd also is properly in Persia; it is a good and noble city, and has a great amount of trade. They weave their quantities of a certain silk tissue known as Yazdi, which merchants carry into many quarters to dispose of.”

In ancient times, Yazd and Kerman were silk and wool textile manufacturing centres together with Kashmir in the northern Indian subcontinent and the Fergana valley (presently in Tajikistan and Uzbekistan). Yazdi silk designs do share some similarities with Fergana silks and Kermani scarves competed with Kashmiri scarves. It is quite possible that local merchants and traders based in one of these areas acquired samples made in the other area and asked local artisans to weave a similar design and fabric.

Termeh Products

Termeh at Yazd bazaar. Image credit: BrianMcMorrow

Nowadays, the more expensive termehs are usually spreads called sofrehs (floor spread sheets or tablecloths), say about 150 cm. (five feet) square. Other termeh products are scarves, cushion covers and mats. However, at one point in time, termehs were also used to produce curtains, garments, quilt covers, cummerbunds (Persian kammar-band meaning waist bands), robes and even royal headdress such as turbans.

Assessing the Value of Termeh Products

A termeh’s value is based on the following: – The fineness and quality of the fibre and thread; – The incorporation of gold and silver dramatically increases the value; – The number of coloured threads used in the weaving. The greater the number of colours, the greater the value. Elaborate termehs can have two to three hundred different coloured threads; – The number of layers that constitute the fabric, the large number increasing the value; – The addition of a border and wider borders; – Fine woven designs usually add more value than embroidered designs. Intricately embroidered designs called sermeh doozy. Printed designs add the least value; – The uniqueness of the design; – Lining the fabric. Lining normally adds to the value;

Termeh Patterns

Yazdi Zartoshti-doozy (needle-work) patterns. Image credit: Berasad

One of the most common design motifs associated with the termeh is the boteh (also spelt botteh) motif known in the west as the paisley design. The history of the boteh motif, termehs (and indeed Persian carpets as well) and Aryan trade are closely linked.

The design for tablecloths may include a chequered or honey-comb pattern. Other design patterns include stripes, both wide and narrow, the Atabaki pattern, and the Zomorrodi pattern that was predominantly green in colour.

Image patterns popular with Yazdi Zartoshti women who engage in Zartoshti-doozy (Zoroastrian needle-work / embroidery) include the tree of life, the cypress tree, the juniper tree, clove, four or eight petal jujube, peacocks, roosters, hens and chicks, hoopoe, fish and geometric shapes such as circles and squares.

Stripped Patterns

Termehs with a multi-coloured stripped patterns are associated with Zoroastrian folk designs used for women’s pantaloons, as well as with Kermani scarves. The stripes patterns are both narrow and wide, subdued in tone and quite colourful. Examples are shown in the images below.

Kermani Shawl with a stripped design Image credit: Afshar

An antique (third quarter of the nineteenth century) embroidered silk panel from Yazd that originally would have formed the knee to ankle section of one trouser leg, of a shalvar (pantaloon) from a Zoroastrian woman’s wedding costume (see portrait below). Photo credit: O’Connell Guide

Kermani Shawls

Kermani Pateh-Duzi Embroidery. Wool on wool shawl with saffron background. Mid 19th Century, 78 x 78in, 189 x 189cm. Image credit: TextileAsArt

Antique Kermani woven shawl c 1750 CE The shawl was fragment and reconstituted from several pieces. Image credit: Eccentric Wefts

The examples shown here in the images above and to the right are those of woven (above) and embroidered (right) shawls of Kerman. The pateh-doozy / pateh-duzi or embroidered shawl of Kerman is made using a background material known as shal, a word that became ‘shawl’ in English. The shawl is often woven using a twill weave and the most common colour of the base fabric is red – though as we see in the images here, a variety of other colours are used. The pattern for the shawl is embroidered on the base fabric, the design for which is pounced over the surface of the fabric using carbon (coal dust) dusted over perforated parchment. The carbon dust outline is further defined by a pen. Some embroiderers developed the technique of following the texture of the twill weave with their embroidery producing a patterned shawl that could easily be mistaken for a more expensive woven shawl.

A type of intricately embroidered fine shawl is the aksi meaning ‘reflection’. Here, even though the the pattern is embroidered on one side, by splitting the warp thread into half, a ‘reflective’ image is produced on the other side of the shawl.

As with the weavers, expert embroiderers are a vanishing breed. Today, a few surviving Kermani embroiderers can be found in the Kermani village of Hudk.

Heritage in Peril

Traditional Zoroastrian Yazdi wedding costume. Note stripped shalvar (pantaloon). See shalvar panel above. Image credit: A Zoroastrian Tapestry Art Religion and Culture by Pheroza J Godrej and Firoza Punthakey Mistree. (Also see note* to the left)

Clothes made from termeh Qajar Dynasty era painting Image credit: Parima

Manufacturing termeh was a cottage industry. The looms would have been located in individual homes and each member of the family likely had a role. The construction of the looms, the method of making thread, the designs and patterns, and the vibrancy of the colours produced by different dyes, would have all been family secrets.

This rich heritage is now in peril. The a piece or sheet of fabric can take days if not months to produce. The expense of this labour intensive craft cannot be adequately compensated by the prices realized. Once a family stops the tradition of weaving, their knowledge, skills and trade secrets will be lost forever. Without rich patrons, the craft will die out.

The bazaars of Yazd used to be filled with artisans with different sections of the bazaar allocated to different trades and crafts. For instance, the zargari or goldsmith section, the kashigari or tile working section, the chit-sazi or chintz-making section, and the mesgari or copper-smith section.

In the days of yore, traders from around the world came to the bazaars in this oasis town and carried the creation of Yazdi ingenuity throughout the known world. The craft shops are now being replaced by shops selling electronic wares. The journals of many a returning traveller are filled with the lament that they are, within the span of their own generation, witnessing the demise of a heritage – a heritage that once lost will never be revived, for the knowledge and skills of these crafts will die with the crafts-women and men. The reports tell us that the art of producing hand-crafted termeh today survives in but a few centres.

[* Note: The image to the right titled “Traditional Zoroastrian Yazdi wedding costume” is part of an article by Firoza Punthakey Mistree titled “Hues of Madder Pomegranate and Saffron Traditional Costumes of Yazd” at p. 553. The photographer for the image was Gautam Rajadyaksha and the model, Meher Jesia. Also see the image titled “A modern gara with a matching blouse” at our page on The Gara Sari, in the section, The Modern Gara].

Termeh Production

Producing termeh requires two different skill sets, the first being product and design and the second weaving. The weaver is called the Goushvareh-kesh. One weaver might be able to combine the different skill sets, perhaps say in folk weaving, but as the product becomes more sophisticated, two or more individuals need to work as a team to produce termeh. Weaving intricate designs is a slow process with, in some cases, only 25 to 30 centimetres of fabric woven in a day.

Dyes

One of the most common background colours for a termeh is red, and the different shades of red that the artisans of Yazd and Kerman can produce are quite astounding. Traditionally, the dyes are all from natural sources, usually a vegetable source. For instance, one of the base red colours is called jujube red. Jujube is sometimes called a red date (not to be confused with dates from a date palm). Other common background colors which are used in termeh are green, orange and black.

Termeh Weaving in Yazd (Persian bafi بافی) Image credit: bonbon_khan at Flickr

Overview of the termeh loom being used in the image to the left Image credit: bonbon_khan at Flickr

Wool Termeh Handloom Techniques of Yazd and Kerman

The first step in the process of making a wool termeh, say a woollen shawl, is the collection of the wool that will be spun and woven or knitted into fabric. The finest wool is that which is combed or sheared from underbelly of goats. The next step is grading and sorting. Different colours of wool are also matched and batched separately. The sorted raw wool is cleaned of dirt and debris.

The production starts with the spinning the wool followed by the dyeing process. The dyer, the person looking after the dying of the wool, will have prepared the colours to be used according to samples provided to her or him. The art of natural dyeing has been developed over the ages and is often a closely guarded secret. Many dyers will know how to formulate some three hundred shades.

A pre-weaving expert or group of expert specialists then work on the wool before the weaving process can start. The different specialist tasks are warp-making, warp-dressing, wrap-threading, pattern-drawing, colouring and pattern-writing.

The pattern guide is the coded pattern guide and instructions for the colourist and weaver sometimes written in a form of shorthand or code. This process of annotating the designs so that each stitch is written down permits the reproduction of the most intricate patterns employing an extraordinarily wide range of colours.

The warp is the set of lengthwise yarns that run up and down the loom. The warp yarns are fully attached before weaving begins. The weft is the yarn that the weaver weaves back and forth and in-between the warp to make fabric.

During wrap-making the worker twists the two to three thousand threads warp threads to the required thickness. To illustrate the number of warp threads and heddles employed during weaving, a hand-woven tea-towel has between 300 and 400 warp threads.

Warp-dressing is stretching the wrap threads so that they can sustain the strain of the weaving process and the constant pressure and movement of the heddle. A heddle separates the warp yarn for the passage of the weft yarn. A typical heddle is made of cord or wire suspended from the top shaft of the loom. Each heddle has an eye in the center through which the warp is threaded. There is a heddle for each thread of the warp, and as such there can be, say, a thousand heddles for fine or wide warps.

Warp-threading is the passing the yarn through the heddles.

After the wrap assembly is prepared, if the fabric is to have a pattern, pattern-drawing is the drawing of the pattern design.

Colouring is the colouring of the drawing including the matching of different shades using a colour card based on the annotated drawing.

When the weaving process starts, the weaver if assisted by, say, two or three apprentices, calls out the colours to be used according to the pattern guide.

For the weaving the pattern portions, the weft shuttles are replaced by fine needle-like spools. The spools are made of fine light wood with sharp edges on both sides charred to prevent them becoming rough or jagged during use. The pattern’s design is produced on the underside of the wrap with the weaver inserted the spools from above. After a line of multiple wefts is completed, a comb was pulled down towards the weaver with it teeth running through the warp thereby pushing and compacting the weft into a tight weave.

If the fabric being produced – in our example a shawl – has complicated patterns, the weaving can be divided between up to ten looms, each working on a particular section of the shawl. After the different sections are woven, they are handed over to a specialist will repair any defects and join the pieces together in a manner that the joints are not be visible.

Silk Production Elsewhere in Iran

In addition to Yazd and Kerman, the other centres of silk production in Iran that were involved with silk trade along the Aryan trade roads were Gilan, Mazandaran, Khorasan, Isfahan, and Kashan. During Sassanian times, the production could have reached 3,000 tonnes.

At one point in history, Gilan began the largest single silk cocoon or thread maker and its prized shiny soft silk was exported to European markets with English, Dutch, French and Italian merchants competing to buy the thread or dried cocoons.

Making of Silk in Nature

Fifth instar silkworm larvae. Image credit: Wikipedia

In Iran, during the spring month of Ardibehest (late April), the process of spinning silk thread starts with silkworm breeders buying boxes of eggs of the silk moth, Bombyx mori (Latin for ‘silkworm of the mulberry tree’). They place the eggs in a warm place or in an incubator to help speed the hatching of the eggs, a process that takes about ten days. The eggs will hatch into larvae called silkworms.

At the same time, mulberry trees will have grown new leaves which silkworm breeders buy to feed their silkworm larvae. in Iran, mulberry trees grow in Gilan, Mazandaran, Khorasan, Eastern Azarbaijan, Isfahan, Yazd and Kerman. Once the larvae hatch they eat the leaves of the mulberry continuously.

In Yazd, the town of Taft situated some 18 km southwest of Yazd city is a major silkworm breeding centre.

After the larvae (the silkworm) have moulted four times, that is when they are in the fifth instar, they loose their appetite and are ready to transform themselves into moths. To protect themselves while they are in a vulnerable almost motionless transformational pupa state, they enclose themselves in a protective cocoon enclosure. The cocoon is made out of silk thread, a continuous natural protein filament that they produce in their salivary glands and exude to form the filament.

The larvae’s cocoon is built up from about 300 to 900 metres (1,000 to 3,000 feet) of silk filament. The filament is fine, lustrous, and about 10 micrometers (1/2,500th of an inch) in diameter. Each cocoon consists of about a kilometre of silk filament, and about 2,000 to 3,000 cocoons are required to make a pound of silk.

For the making of commercial silk thread, the cocoon’s filament is unravelled. The filament from several cocoons are then passed over a pulley, wound together and spun into a thread. Two or three threads are in turn spun together to build a yarn and several strands of yarn can be spun further spun together to make a nett thread. Along the way, the yarn or thread is dyed if needed after which it is ready for weaving.

Silkworm cocoons. Image credit: Wikipedia

spinning silk thread straight of several cocoons. Image credit: Long’s Strange Trip

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especialpage · 7 years

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NOVICA Kashmiri Hand Embroidered Wool Cushion Cover ❤ liked on Polyvore (see more indian throw pillows)

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aadiyogi123 · 8 months

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Kashmiri Embroidery: A Timeless Craft of Elegance and Tradition

Introduction

The Rich History of Kashmiri Embroidery

Traditional Techniques

Crewel Embroidery: This technique involves the use of crewel or woolen thread to create intricate patterns on fabrics like wool and cotton. It is commonly used on curtains, cushion covers, and rugs.

Kashmiri Embroidery Motifs

The motifs and designs of Kashmiri Embroidery are inspired by the natural beauty and cultural heritage of the region. Some of the most popular motifs include:

Floral Patterns: Flowers like the chinar (maple leaf), tulips, and roses are frequently used in Kashmiri embroidery. These motifs represent the lush and vibrant flora of the region.

Chinar Leaf: The chinar leaf motif is an iconic symbol of Kashmir, known for its majestic chinar trees. It represents longevity and is often used in shawl embroidery.

Animal Motifs: Animals like deer, birds, and fish are also common in Kashmiri embroidery, reflecting the region's diverse wildlife.

Contemporary Relevance

Accessories: From handbags to scarves, Kashmiri Embroidery can be found adorning a wide range of accessories, appealing to those who appreciate craftsmanship and unique design.

Preserving the Tradition

Educational Institutions: Some educational institutions in the region offer courses in embroidery and textile design, ensuring that the knowledge and skills are passed on to the younger generation.

Collaborations: Collaboration between traditional artisans and contemporary designers has resulted in innovative and marketable products, bridging the gap between tradition and modernity.

Conclusion

Kashmiri Embroidery

#Kashmiri Embroidery

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