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#indian power
glowingcritter · 10 months
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American Indian activist, Vietnam War veteran, and protest folksinger, Peter LaFarge in Greenwich Village, August 1962
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whodonthear · 11 months
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aahanna · 2 months
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Why goddess Saraswati is never shown standing.
This signifies Stability
Goddess Saraswati always shown as seated because once you gain knowledge, it's forever yours, no body would able to steal or use your knowledge except ourselves
So always respect the knowledge you have ,good knowledge is gonna be forever with you , people will go and come but knowledge and wisdom will never leave you ,use it smartly [ KNOWLEDGE IS POWER]
Happy Basant panchami 🦢🪷📚📿
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chaiaurchaandni · 3 months
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if u wanna learn more about kashmir + it's resistance against indian occupation + kashmiri struggles for an independent state, might i recommend @ kashmirarchive on instagram
+ @ kashmirawareness for news updates on kashmir
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city-of-ladies · 1 month
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An unprecedented female monarch in her dynasty, Rudrama Devi (r.1262-1289) presided over an age of prosperity. A successful warrior queen, she triumphed over both internal and external threats.
Her father’s heir
Rudrama Devi was the daughter of King Ganapati Deva (r.1199-1262) of the Kakatiya dynasty, who ruled over parts of present-day Telangana and Andhra Pradesh in Southern India. Their capital was located at Orugallu (Warangal). 
Ganapati Deva was a successful monarch. His kingdom was famed for its’ diamonds and beautiful fabrics. He had no son to succeed him and his older daughter was already married. He thus decided to make his younger daughter Rudrama Devi his heir and gave her the requisite training.
A female monarch would nonetheless be a in vulnerable position and see her legitimacy questioned. To make female rule more acceptable, he arranged a Putrikayagna ceremony for his daughter. This religious rite allowed a sonless man to declare his daughter or his daughter’s son as his son. After that, Rudrama Devi was also known by the masculine name of Rudra Deva. She also attended all public meetings in masculine attire. 
Her story is similar in that regard to that of her near-contemporary, Raziya Sultan of Delhi.
A warrior among warriors
In 1259, Rudrama Devi became her father’s co-ruler and assumed sole rule in 1262. She married the Chalukya prince Virabdhadra, who played no part in her administration, and with whom she had three daughters. 
Rudrama Devi faced many threats at once. Her neighbors saw an opportunity to conquer her kingdom and her feudatory noblemen couldn’t stand being ruled by a woman.
She stood her ground and prevailed, proving her might as a warrior queen. Many of her nobles rebelled, but she successfully defeated them. The Seuna Yadava king, Mahadeva, invaded her territories and reached her capital. Rudrama Devi chased him after 15 days of fighting and forced them to pay a heavy tribute in money and horses. 
To commemorate her victory, she styled herself “Rayagajakesari” or “the lion who rules over the elephant kings”. In the pavilion she built, she was depicted as a warrior mounted on a lion, holding a sword and a shield, with an elephant trunk holding up a lotus to her in sign of submission. 
In 1262, another of her neighbors occupied the Vengi region. She was able to recover it after 12 years of fighting. She was nonetheless unsuccessful in fending off the attacks of her southern rival Ambadeva.
Meritocratic policies
Rudrama Devi completed the construction of the nearly impregnable Warangal Fort. She bought large tracts of land under cultivation, increasing her kingdom’s revenue. She also recruited non-aristocratic warriors from diverse castes. Only 17 percent of her subordinates were of noble background. Prominent commanders could receive lands and become feudatory nobles. She thus established a new warrior class. Since the nobility had rejected her rule, this meritocratic policy allowed her to surround herself with loyal retainers.
Marco Polo, who mistook her for a widow of the previous king, wrote about her very flattering terms, calling her a “lady of much discretion” and a “lover of justice, of equity and of peace”. 
A warrior to the end
At the end of her reign, she chose her grandson, Prataparudra, as her heir. 
Rudrama Devi likely died in 1289 (though some sources date her death from 1295) according to an inscription made by a member of her army commemorating her recent death and that of her army chief. The cause and location of her death are unknown. She likely died facing Ambadeva's armies, leading her troops as she had always done.
Further reading
Gupta Archana Garodia, The women who ruled India, leaders, warriors, icons
Janchariman M., Perspectives in Indian History From the Origins to AD 1857
Talbot Cynthia, "Rudrama‐devi, Queen of Kakatiya dynasty (r. 1262–1289)", In: The Oxford Encyclopedia of Women in World History. 
Talbot Cynthia, Precolonial India in Practice: Society, Region, and Identity in Medieval Andhra
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anotherfanaccount · 8 months
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Was too much biased with srk to not mention about the WOMEN of the movie.
They were fantastic, each and every one of them. I'd have actually wanted to see more of them. They all had a character that was not objectified, I mean in my limited South Indian movie journey, women are not given substance most of the time. And that's not what happened here and I loved it.
Also a single mother and a superior officer having a genuine (emotionally I do believe Azad and Narmada matched very well) relationship. That's a man.
God I love men when they love and celebrate women too.
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ct-multifandom · 9 months
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I don’t usually make posts like this, but I’ve been seeing a lot of anti-intellectual junk lately, and I really think we need to put the word “pretentious” up on a shelf until people learn what it actually means.
It doesn’t describe someone who likes artsy-fartsy deep meaning media. People who are pretentious are fake. They’re posers trying to be sophisticated and unique, not like other girls. They pretend to only like stuff they think will make them sound cool when they talk about it. They want to act like they know something you don’t, and they want attention for it.
By definition, if you genuinely enjoy something, you can’t be pretentious. If it resonates with you, and you analyze it, and you don’t care what people think, that’s the polar opposite, actually. If you love obscure experimental prog music, if you watch underground high concept indie films through English teacher eyes, if you spend hours in a modern art museum reading each piece as a vessel for storytelling, if your backpack’s full of poetry books that inspire you, if you play underrated games that were someone’s passion project, if you have an interest in studying the classics or the masters, you are not pretentious.
Of course, some people just don’t like some stuff, and that’s fine, but that’s not what this is about. Don’t let anti-intellectuals shame you for enjoying things just because your interests are inaccessible to them, because they refuse to be brave and put effort into critical thinking. You’re not stuck up for refusing to overlook the craft of artists.
#anti intellectualism#media#movies#books#music#critical thinking#my friend who primarily listens to one very popular band once said that people who listen to obscure music are annoying and pretentious#which rubbed me the wrong way because 1 she knows that I listen to obscure music and 2 it’s such a cowardly consumerist take. anyone can#make music and hey a lot of the people who do make GOOD music. and this goes for all *obscure* media#this post was mostly inspired by people talking about Barbie and those anti pick me girls like the pick nobody girls who insist thinking is#for boys and having fun with an empty brain is for girls. Greta gerwig is an artist. I haven’t seen the movie yet but I know it has a deeper#message than haha cute pink! I’ve seen the summaries about the true meaning. the pinkness and popularity doesn’t negate the narritive.#though in the notes I saw a lot of tumblristas comunistas shitting on the film for being one big ad that people *fell for* which tbh is#tbh almost as anti-intellectual. don’t get me wrong they milked this film to sell hella shit but I don’t believe kids who play with dolls#are the target audience as these people claim. Barbie is a culturally iconic symbol almost archetypical of societal expectations for women#you say barbie people think unblinking perfect plastic pink girly. reminds me of the poem The Last Mojave Indian Barbie. yeah yeah you all#hate brands but this one carries undeniable significance and makes for a powerful literary device. it’s been used many times before#sorry for writing a tag essay about a film I haven’t even seen but I’m tired of internet people focusing so much on proving others wrong#that they end up oversimplifying everything just as much as the other person. god I saw people doing this to Nimona saying transphobes were#looking too deep into her character and they’re reactionary clowns for making that jump. like for once the transphobes are right. she is#trans. it’s a queer story. and irl the first people who notice queerness are the bigots who can tell you’re different. sick owns telling#them the story’s not that deep is harmful and it’s like they’re ignoring the real message on purpose. okay enough rambling hehe! thanks#barbie#nimona
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valiantstarlights · 1 year
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Chef Hob's family and the food truck's origin story
Hob is half-English and half-Indian. His father, Mr. Gadling, is from London. His mother, Mrs. Dandekar-Gadling, is from Mumbai. Hob was born in the UK.
Unfortunately, Hob was orphaned at an early age. And since his father had no remaining living relatives, (his paternal grandparents died a long time ago and his father was an only child), Hob was taken in by his maternal uncle's family in Mumbai.
His uncle, Sanyam Dandekar, is the current head of the family-owned and operated restaurant in Mumbai. It's small but thriving, and is well-regarded in the community. As the restaurant is on the ground floor of the building where the Dandekar family live, it's hard to escape the tantalizing smell of food wafting constantly from below.
It's from Sanyam that Hob learns to love food, to cook well, and to love making people happy through his cooking.
His aunt, Priya, always encourages him to go after his dreams. She was there for him every step of the way when he applied for a scholarship to go to a fancy culinary school in the UK. When he was accepted, she was the first person he told the news to, and she was so proud of him that she immediately called up her friends to share the good news with them. (Hob had had to endure maybe half a dozen aunties trying to introduce him to their daughters and nieces.)
His female cousins, Kala and Daya, love Hob very much and treat him as their older brother.
Kala has always been very intelligent even as a child, and she got bullied for it at school. Hob was quick to put an end to that and told her to reach even higher so she can leave everyone in the ground while she sails among the stars. Kala shyly told him she would build a spaceship for their entire family so she wouldn't have to sail the stars alone.
Daya was the more easy-going sister. She tried her best to teach Hob to dance, and never made fun of him even when he eventually accepted that he had two left feet. When she was rejected by a boy who told her she was so ugly that she'll never find anyone who'll love her, Hob got in trouble for beating the shit out of him, but he has no regrets about it. (Kala did not get in trouble for setting the boy's schoolbag on fire because she didn't get caught.)
Hob was so afraid when he found out that he was bisexual, but his family accepted him and treated him the same as they always did. His aunt Priya even promised not to matchmake him with anyone even though he's such a catch. They'll all just wait and see who he brings home. No judgment or pressure whatsoever.
He misses them fiercely when he gets to the UK. Especially when Kala gets married and he couldn't travel back because he had back-to-back exams, both theoretical and practical.
Still, he pushes himself to study hard, graduates with distinction, and eventually becomes a professional chef at a fancy hotel.
Hob's family are very proud of him and always call him to tell him so. Daya begs him to return and cook for them. Hob says he's still saving up enough vacation days. Rajan, Kala's husband and the current CEO of a major pharmaceutical company, offers to pay for his transportation. He graciously accepts because he's not an idiot.
After a couple of years, he finally accumulated enough vacation days to travel back to India for a long visit. The first thing he did is to cook a feast for his family (which now includes Rajan). He cooks traditional Indian food as well as food from other countries that he thinks they'll like.
(He adjusts the recipes to fit into their religion-based dietary restrictions, and adjusts some more when some ingredients are not readily available. He's a professional chef, after all.)
Daya is all about the taiyaki. Kala is in love with the vegetable lumpia. Rajan has strategically rearranged the dishes on the table so the plate of jollof rice is always close to him. Priya asks him to give his uncle his recipe for the vegetable moussaka. Sanyam is in tears because of how proud he is of Hob and how delicious everything is. He tells Hob that when he dies (far, far into the future), Hob is welcome to take over the restaurant.
Hob spends most of his time in India in the restaurant's kitchen with his uncle, and they experiment and add new things to the menu. Hob gets to talk to customers he's known ever since he was a child. They are all very proud of him and sing praises for the restaurant's new menu items.
Hob leaves India a month later with a much lighter heart.
When he returns to being a chef in the fancy hotel though, he finds that he is increasingly frustrated and unsatisfied. He feels like he should be happy and grateful. Instead he feels burned out.
He calls Kala, who is the closest to him age-wise, for advice. She simply asks him, "What do you want?"
He sighs and says, "I thought I wanted to be a chef. But now that I am one, I feel lost."
Silence. Then Kala says, "May I say something potentially controversial and not have you hang up on me?"
Hob chuckles and tells her to go ahead and say what she needs to say. In fact, maybe he needs to hear the potentially controversial thing to snap him out of this wretched state.
"I don't think you really want to be a chef."
Wow. "So far, so bad. Go on."
"No, listen: you have always loved cooking for us. You and dad. It's how you show your love. But where you're working currently, it's like you're a machine. Day in and day out, you're just completing orders. How many times since you started working there did you go out of the kitchen to talk to the guests? How often do you get to experiment with new culinary creations without anyone trying to stifle your creativity?"
Kala's tone implied that she knew the answer. "You might say that it will get worse before it gets better, but will it really? If I ask you now what your happiest memory is of your workplace, what will you tell me?"
"I--" Hob clears his throat and blinks away the tears that had snuck up on him. "When the hotel called me to tell me they had accepted my application. I immediately called home and all of you were so proud of me. I even heard Uncle announcing it to the entire restaurant in the background."
"Oh, Hob..." And now Kala sounded like she was gonna cry too. "I wish I were there so I can give you a hug."
"Virtual hug accepted. Is that the end of your controversial pep talk or is there more?"
"I think that's enough controversial things for now," Kala says. "Rajan and I are going to London in a couple of weeks for pleasure. We should meet up so you can show us all the good spots to eat at and then we can talk more."
They said their goodbyes soon after. Hob spends a lot of time that night just looking at the ceiling, not wanting to go to work but inevitably has to when his alarm goes off.
Kala was right. Being a chef granted him all sorts of qualifications and symbolized that he is a master in the field, but he isn't in it for the title. His uncle isn't a professional chef, yet Hob wouldn't claim to surpass his skills. And between the two of them, he knows who the happier one is.
Rajan and Kala arrived with a couple of bodyguards named Vikram and Wolfgang. Hob remembers them from his visit to India. Vikram is as stoic as bodyguards come, but Wolfgang has a different, more dangerous kind of intensity.
Hob shows them all the good dining spots he has discovered over the years, and all five of them eat well.
It was during their outing that Hob notices the food vendors on the street. They look...happy. They work just as hard as the other chefs in the hotel, with the main difference being that the customers are right in front of them, and they get to see their reactions.
It was very heartwarming to see tourists trying the local street food and seeing their faces light up after their first bite.
At the end of the day, Hob tells Kala of his food truck idea. It's almost embarrassing how excited he sounds, but Kala is excited too. She grabs Rajan and tells him about it. Rajan grabs Wolfgang and asks him about it. Hob almost expects Wolfgang to grab Vikram too, but Vikram just looks on, looking amused.
In the end, Wolfgang shrugs and says it's doable, and just like that, they're drawing plans and trying to come up with names.
("What about 'Gadling's'?"
Kala hummed. "I guess...I mean, that is your name. No one can argue that."
"I feel like you just insulted me, my father, and my paternal ancestors."
"Hob, our family restaurant's name is Dandekar. We are all basic here.")
("Glad Tidings?"
Wolfgang huffed a laugh. "No, Rajan."
"I think it's a good name."
"I think you need to go to sleep. How many hours has it been since you slept? Forty-eight?"
"Are you the sleep police now, my wolf?"
"Kala, I'm taking Rajan to bed."
"Alright," Kala says distractedly. She is currently looking at the kitchen plans, specifically the stove set-up. "Have fun. Don't hog all the blankets."
Hob's eyebrows have migrated to the ceiling. He doesn't think they quite know what they let slip, but he isn't going to pry until they're ready to talk to him about it. He looks at Vikram to see his reaction, but the man just looks like this is a thing that happens often and isn't bothered in the slightest.)
They videocall six people all over the world--mutual friends, Kala says--and all of them put their heads rogether to make Hob's food truck idea into a reality.
Hob is overwhelmed by their support. Rajan has promised to fund everything if Hob lets him eat for free when he's in town. Sun from Korea seconds him and agrees to lend monetary support as well, and to help him expand to Korea if the venture is successful. Capheus, the matatu driver from Nairobi, is flying to London to help customize the food truck. If possible, he sounds even more excited than Hob himself. Nomi from San Francisco and Will from Chicago volunteers to get the papers and forms sorted. Actual famous actor Lito Rodriguez from Mexico promises to promote his foodtruck when he goes to London to shoot a movie.
"When and where did you meet and befriend all these people?" Hob asks Kala. They all sounded like old friends and had inside jokes that Hob didn't understand. (What in the world is a tequila-squared?) Kala just smiles at him and says, "The internet exists for a reason, you know."
"Let me guess," Hob said in a low voice so the others won't hear. "An online dating site?"
Kala shrieks with laughter and hits him with a throw pillow.
Soon, the food truck is ready and Hob is in awe of everyone who pitched in and helped. He literally could not have achieved this so quickly without any of them.
Kala hugs him tight. "You deserve to be happy, Hob."
Hob hugs her back. Every person they videocalled (and Wolfgang's brother Felix) is coming to visit with their plus ones and twos to try out Hob's menu to taste-test before opening, and will stay until the grand opening a week later to help in promoting the foodtruck. They even have Riley from Iceland going to DJ for them.
"Should we invite aunt and uncle and Daya?"
"Do you really think we could stop them if they want to be here?" Kala asks him incredulously. "Have you met our sister?"
Hob has handed in his resignation notice as soon as the food truck's kitchen had been operational. That had been two weeks ago. He feels like a huge burden has been lifted from his shoulders the moment the e-mail was sent.
It can only get better from here.
--
P.S. I'm basic as hell at naming, so if you have ideas on what Hob's food truck should be called, speak now or forever hold your peace.
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mizutaama · 27 days
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justshahrukhkhan · 2 months
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Shakti: The Power, 2002
Producer: What this movie needs is a dance number with Shahrukh Khan in a mesh t-shirt!
Director: There isn't any reason for a dance number in the plot.
Producer: Make it a dream sequence! Get me Aishwarya Rai!
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Cinnamon Man
୨୪୦୧୧୩
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arcadialedger · 6 months
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Happy Diwali to my characters who celebrate!
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Bhava, from my upcoming A:TLA fic, and Abja, from my She Ra fic!
Both drawn by @ilikeyoucatradora!
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quixtrix · 5 months
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dolph being asian means sm to me actually, im not south asian like he is but its still :]. you rarely ever see a brown queer asian lead like dolph if ever so its like teeheeeeeeee
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decolonize-the-left · 2 months
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I've waited 2 months for this to be available
The book was noteworthy for its relevance to the Alcatraz-Red Power Movement and other activist organizations, such as the American Indian Movement, which was beginning to expand. Deloria's book encouraged better use of federal funds aimed at helping Native Americans. Vine Deloria, Jr. presents Native Americans in a humorous light, devoting an entire chapter to Native American humor. Custer Died for Your Sins was significant in its presentation of Native Americans as a people who were able to retain their tribal society and morality, while existing in the modern world.
From wiki
The book description:
"In his new preface to this paperback edition, the author observes, "The Indian world has changed so substantially since the first publication of this book that some things contained in it seem new again." Indeed, it seems that each generation of whites and Indians will have to read and reread Vine Deloria’s Manifesto for some time to come, before we absorb his special, ironic Indian point of view and what he tells us, with a great deal of humor, about U.S. race relations, federal bureaucracies, Christian churches, and social scientists. This book continues to be required reading for all Americans, whatever their special interest."
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jjd49331 · 6 months
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Warrior Princess
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museeeuuuum · 15 days
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Came back to work from my lovely trip and on my first few days back I've had to deal with a regular who has begun spouting residential school denialism
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