#if anyone needs any of the terminology i used clarified. please ask. or consult google your choice

[relicsongmel]

hi im also a raymond shields lover [you know this its no surprise] and i am also SOOO autistic about music so i totally ripped apart his theme to analyze it and i wanna hear YOUR THOUGHTS PLEAAAASEEE I NEED SOMEONE TO BE INSANE WITH

HELL YEAH an excuse to geek out about Joking Motive? You better believe I'm taking it

Ok so right off the bat—THE FIRST FOUR NOTES. The first SEVEN notes, even—you can hear Miles’ Great Revival motif, plain as day. Close listeners will recognize that this iconic ascending minor third and whole step pattern can be heard all over the Investigations soundtrack, everywhere from the cross-examination and objection themes to the character themes—including but not limited to Kay, Lang, and in this case, Ray (there’s even an inverted version in Gregory’s theme that uses a descending half step and major third instead!). What’s really interesting is the use of this motif sort of contradicts Ray’s attitude toward Miles when we first hear the track—it’s played during his initial introduction when he still has that grudge towards him. It’s not NECESSARILY out of place considering even Quercus Alba’s theme uses the motif, but it’s a pretty strong musical foreshadowing that he could potentially be swayed over to Miles’ side, which is indeed followed through on later.

As for the main body of the track itself, it’s pretty distinctly blues-y, making gratuitous use of standard blues chord progressions (Am7 -> D7 and whatnot) and pentatonic melodies ornamented by that sweet sweet flat 5 that I have now dubbed “the Ray Note” because the man has melted my brain (what else is new). One thing worth noting that’s a bit atypical of the genre, however, is the Fmaj7 chord used a couple of times throughout (in Roman numeral notation it would be the VI chord); the first instance of it is about 44 seconds into the linked video for reference. This, in my opinion, is a really clever way of hiding emotional nuance underneath the otherwise upbeat instrumentation and playful melody—the VI chord sounds a bit more melancholic in comparison to everything surrounding it and hints that despite his jokester persona, Ray might not actually be as cheerful as he seems.

And now my favorite part—the synesthesia of it all. Idk if you’ve read my pinned post or not but basically the key of a song has certain colors, moods, scenery, etc. associated with it in my brain and it’s been a part of my life since even before I had any sort of musical training. Joking Motive is in A minor—which is represented by the color gray and its associated moods are those of emptiness and yearning (it’s a functional opposite to E flat minor which is pitch black and represents the crushing weight of despair). And I mean. Considering Ray’s whole character revolves around the void left in his life after Gregory’s death and how he desperately tries to fill it by doing everything he can to bring Miles back to his side? I’d say the key choice fits pretty well. If Capcom REALLY wanted to steal my heart away and make me even MORE smitten than I already am they could have put it just a half step higher in B flat minor (my favorite key of all time. Beautiful midnight blue queen I love her so much) but their key choice reflects him too perfectly so I’m willing to overlook it.

And that’s about it, really! I hope you enjoyed reading my insights—Joking Motive is one of my favorite tracks so I'm glad we can be autistic about it together <3

#ask #kissingonclouds #raymond shields #aa #aai2 #music nerd shit #musical analysis #if anyone needs any of the terminology i used clarified. please ask. or consult google your choice #and please know that i am ALWAYS down to talk ace attorney music or pokemon music. this shit is what i live for