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#i love anthy so much
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I love how many if not mostly utena fans calls the sword that is pulled from anthys chest "Anthys sword" instead of "Sword of Dios", like it's called in the show. I don't think calling it "Anthys sword" is intentional, it's more because it's the sword she guards, but it makes so much sense
Like it's her sword. It's her power and strenght. Duelists fight for revolution and eternity with her sword. The prince, Dios, only exists because of her love. The sword is hers because without her Dios (and Akio) would be nothing
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bublines · 21 days
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<3
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thenbecauseshegoes · 2 months
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episode 1 / episode 39
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saionjeans · 1 month
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what’s crazy about kozue is that she isn’t JUST a foil to anthy, but also to touga. she’s the witch and the rose bride AND the playboy who uses her sexuality to attain [the illusion of] control and power. she is also a victimizing victim, leading miki by the nose so that he may finally understand and fulfill his purpose within this paradigm. like touga, she encourages him to become a prince by claiming his “power.” they work in tandem to mold miki into what they think he ought to be, into what kozue wishes she could be. she compares herself to a wild animal, not like those livestock raised for slaughter, and yet she is willingly submitting to the stipulations of and operating so heavily within the system she claims to reject. she pushed a predator down the stairs, and led miki into the car of another. she wants to be an adult, to be a man. she wants to wield that power because she thinks she understands what it means. she’s trapped in the middle of the ferris wheel, not quite low enough to simply disembark it, but not quite high enough to see the full view. and she’s inviting you to join her.
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transmascutena · 3 months
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in the episode previews for episode 37 utena and anthy have this conversation, which i think surprises a lot of people because of their uncharacteristic directness. and i think that often leads to people believing it's true, that anthy does hate utena and for good reason; look at this victim blaming happening right now! and, i mean, yes it is true, but also it's not? it's more complicated than that.
generally speaking, utena and anthy tend to be more open and direct in their conversations during the previews (my favorite example being the one for episode 31 where they talk about blood types and each other's flaws) and i kind of wonder whether or not they're literal. i think moreso they are reflective of their feelings in some way. neither of them would actually say these things to the other's face, but they are thinking it. this preview in particular is i think their very surface level feelings after the end of the episode, and utena's discovery of anthy's abuse. utena feels angry and betrayed (for a variety of complicated reasons) and lashes out at the wrong person; anthy is fed up with utena's ignorance to the situation at hand and has been for a while. but the next episode itself isn't really about that, it's almost about the exact opposite: acceptance of the ways they've hurt each other. this is the episode with the cantarella scene and anthy's suicide attempt (we don't see the full rooftop conversation here but it is when it happens), the two scenes where utena and anthy are the most honest with each other. and what we hear from them is the opposite of what we hear in the preview: utena realizes that what she was initially blaming her for isn't anthy's fault, and can forgive her for the things she has actually done. and anthy hasn't always despised utena, in fact she's currently trying to protect her by telling her to get away from ohtori, because she loves her.
yes, there is truth to what they both say in that preview, but it's not the whole truth. the episode itself gives us true honesty between them.
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aroanthy · 2 months
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kiryuu sibling stasis post-32 is so interesting to me. nanami tries to leave and is (temporarily but also, crucially, violently) prevented from doing so by touga and akio. after this experience she puts distance between herself and them: she leaves touga’s phone in the car, she resigns from the student council (though she dons her old uniform still), she repeatedly dismisses and undermines the authority of the rose code, of end of the world, of akio, of touga. but she’s still in ohtori, isn’t she? uncomfortable with the idea of leaving, uncertain if it’s really possible. she tried before, and it hurt her. deeply. it’s so interesting to me, nanami’s agency and how she limits her exertion of it after 32, when she realises it for what it is. contrast that with touga, who accepts this weird stalemate between them, who is, really, uninterested in having any relationship of any kind with nanami if he can’t gain something from her. he’s very passive with her after 32, compared to the passivity he’d always feigned towards her before in order to stoke reactions from her and then exploit them. i was thinking about how touga has always been able to sever his relationship with nanami, but chosen not to; first out of a sense of obligation (‘we should live to help each other’) then a realisation of how that could be exploited. i was thinking about how nanami has never realised her ability to leave, in part because it is limited by touga and the harm he does her. i was thinking about the desperation and confusion akio calls out to anthy with as she leaves. i was thinking about how different that is to the kiryuus’ strange semi-breakdown; touga doesn’t want or need nanami, and nanami might love her brother but she cannot trust him or feel safe around him, doesn’t want to see him anymore; she’s itching to leave, and just a little scared (you know, because last time she tried that her brother assaulted her), and he’s not doing anything because ignoring her means he doesn’t have to deal with the emotions of her leaving or staying. something something gendered power dynamics something something tragic siblings
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jamismejamiam · 21 days
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Might as well post some of my Utena stuff🎉🎉
Lots of random sketches and such, I have more I just can't find them atm, the shows style is so fun to draw in!!
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himemiyaaah · 1 year
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she's a weird girl, she's an actress, she's a symbol, she's vilified, she's victimised, she's an animal mum and a bad cook, she's funny, she's selfless, she's full of repressed rage, she's the sword in the stone, she's doomed, she's breaking free, she's ancient, she's just 14, she's a bitch she's a lover she's a sinner she's a saint, and on top of all that, she likes girls.
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creadorkara · 20 days
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Some old doodles of Revolutionary girl Utena 🌹
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Please, help these girls. And my style to be still, not experimental in everything
I saw this joke in vines compilation and couldn't help myself -
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cranberrytart451 · 1 month
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A princess and her knight.
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you can run a sword through me baby, ruin me and build me up again
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casiavium · 9 months
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i stabbed you because i love you
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watcher’s bride 👁️🌹
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beastialmoon · 7 months
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Thinking about the rooftop scene from near the end of Utena and how personal it is. For the first time, without walls, secrets, hidden smiles or fake laughs, these two *see* each other.
Utena recognizes how, in trying to save her from the council and the duels, she's still perpetuating the same cycle of violence towards Anthy without even realizing it. A cycle that Akio (and the society that pleaded for a Prince to save their daughters without doing anything themselves) put in motion, yes, but a cycle she unwittingly continued all the same.
Anthy, too, sees Utena for what she is - someone who genuinely cares, and was taken advantage of in her own way. Both of them were used, abused, and cast aside by Akio when it no longer suited him.
Both characters, atop the school rooftop where a horrible event almost happened, were able to grieve, apologize, embrace, and promise to each other to move on and find someplace together in love.
Because Someday, Together, They'd Shine.
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saionjeans · 3 months
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what makes anthy’s tragedy so well-crafted is how her formative, character-defining moment of self-sacrifice is perceived as a moment of selfishness, and it does not make her noble and exalted above all other girls, but in fact ruins her. when nanami drowns the cat, it out of a purely selfish desire to monopolize touga’s time, right? when anthy bears the swords of hatred it is to save dios from his prince’s burden, right? nanami is an irredeemable monster for this singular act of innocent cruelty for the sake of her brother. anthy is an irredeemable monster for her brave sacrifice for the sake of her brother. right?
no, they are both selfish, says the narrative, for wanting so much of their poor, innocent brothers, robbing them of their their short floppy hair and wide-eyed innocence. they are the ones to blame for their abuse. dios used to be pure. touga used to be pure. don’t you remember their purity? their younger sisters, at the time barely old enough to fit into their dresses, are the real monsters, the ones to blame. they are the ones who must bear the swords of hatred for daring to steal our precious princes of the world, to cloister them off for their own, personal use. it’s pure greed, the crime of wanting too much from brothers who tempted them with their effusive good and made them gluttonous.
but of course, purity is an illusion, the prince is an illusion. the swords of hatred are quite obviously a metaphor, and yet by the time we arrive to the first sequence depicting its stark red violence, we are already acquainted with the narrative. who could ever drown a cat? that cat, the last vestige of touga’s purity, perhaps. but purity is a myth, so what is nanami really drowning? what is that cat? a victim, an innocent. what is the box? a cage, a system. what is the river? the inexorable currents flowing towards a violent fate. what is the crow? a spectre of death, yes, and a witness.
if drowning the cat is the sublimation of self to be consumed by the other, and the swords of hatred are its consequence, then how could it possibly be selfish? how could such a cruelly self-negating act ever be considered greedy, entitled, or overproud? to define these acts in these terms must mean our hermeneutics are impossibly, critically warped. so in confronting this crisis of interpretation, it is our duty to deliberately locate the flaws in this system: to make our own meaning. to escape it.
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transmascutena · 3 months
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[ID: A collection of screencaps of Revolutionary Girl Utena subtitles, the first four from the anime and the second two from the game.
Miss Utena, you really are naive, aren't you?
Huh? But Shiori just wants to be friends with Jury, right?
I've heard the rumors that Jury loves Shiori, but...
Do you understand what that means?
Anthy: That's true. Her partner wasn't necessarily a member of the opposite sex.
Utena: Huh? What do you mean?
End ID]
"utena tenjou does not understand what a lesbian is despite being one and also being constantly surrounded by them" compilation
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