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#i joined somewhere between 2014 & 2016 so i guess i literally came here right at the peak of phandom activity
daddyplasmius · 1 year
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okay, so, I've collected a bunch of DP fandom stuff that I remember off the top of my head, specifically in chronological order & colour coded here in this post (fics/comics, tumblr posts, important imo) for no reason other than I saw a post asking for Phandom history & it triggered my biggest, most long-running hyperfixation & now I'm curious if anyone else remembers stuff.
this link is going to be the permanent version I will be updating, but I'm posting what I currently have (gonna go through my old laptop later for more) just to let people know. you can also find the link on my blog, but only on desktop. It isn't colour coded there, sorry.
please share more if you got anything else cuz I'm 100% sure I'm missing a lot of stuff & am too interested now. the biggest reason a lot of stuff isn't here is that I simply can't find it. second biggest reason is i forgor. things not included here aren't "unimportant," this is just the first stuff that comes to mind.
putting it under a cut 'cause it got kinda long
Mars by JadeRabbyt (2005)
Checkmate by pearl84 (2006)
Conversations of a Ghost Gabber by Cordria (2006)
The Foley Maneuver by bluemoonalto (2007)
One Thousand Years by Nylah (2008)
Lab Rat by AnneriaWings (2009)
Lost by Cordria (2010?) [1] [2] [3] [4] [5]
Phantom of Truth by Haiju (2011)
Ghost Deaths (2012)
Through Coals and Rain by Kakawot (2012)
Shadow of a Doubt by Haiju (2013)
Pink Pants (2013?)
Wes (2014) [original] [1] [2] [3] [4]
this "I'm Inevitable" gif (2014)
Space AU (2014)
Treading Water by The Full Catastrophe (2014)
Danny, you dead IDIOT!! comic (2014)
wash away the darkest days by anthrop (2014)
Reverse Trio (2014)
Inverse Trio (2014-2016) ALT
Halfas are "feral children" (2015)
Burn the Streets, Burn the Cars by anthrop (2015)
It's Not Gay if He's Dead by phantomrose96 (2015)
You Smell Like Death by starfleetrambo (2015)
Ghost Bird AU by @rest-in-peachs (2016?)
Things I Can(not) Do In Amity Park by RedHeadsRock1010 (2016)
KEtTLE by Cordria (2016)
Deeper, Darker by Silvermoonphantom (2016)
Danny Phantom Punches Butch Hartman In The Face by MistressVintage (2017)
Dannypocalypse (2017)
Ghost Train (2017?)
Ghost Physics by jayrockin (2017)
Ghost Infographics (2018)
The Taxonomy of Ghost Cores: An Observational Study (2018) Communicating with Ghosts Professionally: A Study (2018)
Species in Danny Phantom (2018?)
Diddles Piddles by diddly-darn-ghost (2018)
Broken Ectoplasm by ghostanimal (2019)
Ghost of Heroes by Enigmaris & ScarletNightFury (2019-2020)
do not stand at my grave and cry (i am not there, i did not die) by blueh (2020)
Undercover Phantom by artistfingers (2021)
Corruption is a Two Way Street by datawyrms (2021)
Things That Bleed by artistfingers, kkachis, & Perfectly_Inconspicuous (2022)
10,000 works on AO3 (2022)
Ghost Speak:
Danny's handwriting (2015?)
Cordria (2015)
Fiver-Rivers [1] [2] [3] (2019)
Rubber Chicken Sounds (2019)
#Danny Phantom#Phandom History Archive#do you even understand how hard it was to find the original Wes post????????#i spent like 2 hours on that alone#Wes Weston why are you so hard to find#just realizing that a lot of shit happened in 2014#like. 2014/2015 ish#i joined somewhere between 2014 & 2016 so i guess i literally came here right at the peak of phandom activity#the height of tumblr's paranormal activity. you might say#i think i'm just biased though#should i put my own fics on here. Phantom is pretty important to me being my first DP fic#& also the thing that got me back into writing#it's not very good but by god if i dont love it. & anyways i put Bird AU on here lol i think i can put Phantom up at some point. as a treat#also if any links are broken tell me cuz i'm not checking them again. it's 4am#reminder: gotta find those Bird AU fics i read & put em here. there ARE actual Bird AU fics. i know there are. i did not hallucinate that#it just might be the hardest thing on earth to do since that was years ago & i have no idea what they were called#anyway gonna add a fuckton of fics & (hopefully) tumblr posts when i go through my old laptop. i got everything bookmarked on there#like. so many fics. i had them organized too based on what kind of fic it was. but they all have stupid names cuz i was like 15#me: i should do my stencil art today. just to be a bit productive & also maybe make money#my brain: what if you organized Danny Phantom fandom posts into a big archive for people to look at? for free. until 4am.#me: you know what that sounds so much better let's do that
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Touring Oz Is 'A Holiday With Gigs Attached To It' For Catfish & The Bottlemen
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Catfish & The Bottlemen's Van McCann and Johnny Bond tell Anthony Carew about the crowd's going "apeshit" in the rain during their 2016/17 Falls stint, and finding 'The Balance'.
When Catfish & The Bottlemen say they can’t wait to come back to Australia, it’s not just lip service. For the increasingly huge Brit rockers, their previous local tours have brought good times, wild shows and sweet memories. “Every time we get there it just feels like a holiday,” says guitarist Johnny ‘Bondy’ Bond. “A holiday with gigs attached to it. Great gigs."
“There was one festival we did, Falls [in 2016/7], in Byron Bay, and it got rained out,” recounts frontman Van McCann. “Just as we were about to walk on stage, we got told we can’t go on, because there was this torrential rain, comin’ right through the roof, onto drums and onto microphones and everything. So, we head back to the dressing room, and after half an hour we got a tap on the shoulder, sayin’, ‘The crowd’s still there.’ They’d stayed there the whole time. It was like they got even wilder.
"As the weather got worse, they started enjoying it more. When we came out for what, a 20-minute set, they were just goin’ fuckin’ nuts."
“They were already as wet and a muddy as they were gonna get," Bond chips in, "so they just went apeshit, sliding down the hill in the mud. There was this crazy atmosphere in the air.”
For McCann, there’s also a personal connection. “Australian shows always mean so much to us,” he offers. “My folks got married over there, so it’s always a big thing to be able to ring home and be like, ‘Guess what, we’ve sold out Perth,’ or Sydney, or wherever it is.”
It’s a similar thrill to when Catfish & The Bottlemen get to play “back home”, McCann enthuses. “The [shows] close to where we all grew up, that’s always big. There was one [show] we played where it was 15 minutes away from my grandad’s house, up in Liverpool Arena. To do that for the family, with all of them there, that was amazing.”
“I remember when we got announced, last year, in Newcastle,” Bond offers, of his own hometown. “Doing a big outdoor one up there, aside from the guestlist being an absolute nightmare, once that was sorted, it was great. I’d look down the River Tyne, and know that I was playing for family and friends.”
Their latest Australian tour follows the release of the third Catfish & The Bottlemen LP, The Balance. The album builds on the sound minted on their 2014 debut, The Balcony, and polished on their second record, 2016’s The Ride: big riffs, rock’n’roll swagger, and a sound seemingly built to fill stadiums. With Jacknife Lee serving as its producer, The Balance was recorded in Grouse Lodge, a rural studio located in the Irish Midlands. “We knew we wanted to record it somewhere freezin’, ’cause we made the last one out in LA,” McCann says, with a laugh.
The band lived at the studio, literally, while making the record. That didn’t feel entirely new: “We’ve never, like, live lived together, like, in a home, where we’ve gone out together to do the weekly shop,” McCann says, “but we’ve spent so much time together on the road.” Still, living in the studio together did cement a bond between them and colour the resulting record.
“It was a nice experience, to have that isolation,” says Bond. “It made the days have a certain nice quality, where you were either recording or just sat around chatting for hours. There was no Wi-Fi signal, no want or need for it. There was a beautiful simplicity to that, and it was an experience that bought us all closer together.”
“[We were] engulfed in it the whole time,” McCann says. “Our bedrooms were above the studios, so every day when you woke up, on your way to breakfast or whatever, you’d pass the studio, and get excited first thing. I think you can hear that excitement on the songs... We were just havin’ a laugh making it. There was never some bit where it was like, uhh, bangin’ our head up against a wall, can’t come up with something. The first thought that everyone was comin’ up with is what you’re hearing.
"Recording is always a fun thing for us, because you know what’s coming at the end of it. You know you’re gonna get to play those songs for the people, live. You know you’re gonna get out there. So, you know how with [Bob Dylan’s] Blonde On Blonde you can hear the band’re havin’ a good time, they’re enjoying themselves, I think that [this] album sounds like one o’ those, to us. We sit around and listen to it and laugh our heads off about it.”
Part of the excitement of recording, for Catfish & The Bottlemen, is knowing that they’ll get to follow it up with touring. Where many musicians see touring as a grind, for this band it’s a joy. McCann remembers the early tours, as a teenager, “travellin’ to play maybe 20 minutes of music, for petrol money for the next gig”. And before he joined the band, Bond worked stacking shelves in a supermarket. So, no matter how big Catfish & The Bottlemen have gotten, they’ve managed to maintain perspective.
And they’ve gotten plenty big: The Ride debuted at #1 in the UK, and cracked the Australian top ten. Shows, in turn, have grown in size. This reflects that, unlike a self-effacing indie-rock outfit, Catfish & The Bottlemen are genuinely ambitious, openly harbouring biggest-band-in-the-world dreams.
“I don’t know why we’ve always been so ambitious, it’s just always felt natural to us,” McCann offers. “There’s always that feeling where, like, you’re going to America for the first time. And you’re lookin’ ’round, thinkin’: ‘Wait, we’re out here making music, and the reason that we got put on this plane was that song?’ The ambition comes from that. Like, you do something you’ve always dreamt of doing, and, then, there’s something else you see, like, there’s this arena across the road, and wouldn’t it be great to come back and do that? With what we’re doing, there’s so much to be ambitious about.”
Source: The Music | By Anthony Carew
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otomequeen · 6 years
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Transfer Nightmare
This post ended up a lot longer that I intended. I needed to rant and get it off my chest, otherwise it would fester and get into my land of slumber. I would have nightmares about it and I just want peaceful sleep. 
For those of you that know I’m trying to restore my transfer data on Kissed by the Baddest Bidder. (make sure the stories I’ve purchased don’t ask me to buy them again) So I can take all of them to Love 365. 
Also a information nugget that some may or may not know, transfer data wasn’t a thing until I wanna say mid 2016. Because when it became announced I went through all my apps and sent the transfer data to myself and the earliest dates start somewhere in 2016. Before they got all cool and hip with emails and passwords, they used to send you two numbers. Well numbers with letters mixed in with them. Something like
App ID: 3kfc49df03kd Sub ID: 33kgfd9xzn3
Note those aren’t real. I literally just pushed keys at the same time on the keyboard. They are just examples of that it looked like
So the idea behind transfer ID is that if you don’t play the game for a while you can put in your id and get all your shit back. Which is cool. I never really worried about progress, I would always reread the stories to read the stories and get cgs back. But it was nice having the backup for my purchases. 
I’m an android user, and using google play if you purchased something and it asks you to buy it again and you click purchase. It will go black for a second as I assume it looks through your order history, and if you have already purchased it you can continue on your merry way without paying for anything else. I know that tech isn’t 100% full proof. So even through I didn’t care about my progress within the games, I cared about the purchases and got those transfer ID’s ready.
NOW
Kissed by the Baddest Bidder was released overseas in February of 2014. Cool. New game, sprites where you get their back, awesome. I try not to get super far into a game because I want to dip my toe into all the characters in all the games. I’m not made of money, so I stick to season 1 stuff. Main stories of course, pov if they have them. I’m not huge into epilogues, and rarely go into sequel territory. So between the day is was released and right now, after going through my history, I own 14 routes and 6 sub stories. If you are doing the math, and I can see how many epilogues/mains/etc there are. It’s roughly $60.00. 
Now that doesn’t seem like a large number. I could get food for a week with that amount. But it’s been small amounts that have been accumulated over the span of almost 4 years. And I’m ok with that. I planned my money and decided I have a few extra dollars here and there to spend each month and that’s exactly what I did. 
So Love 365 comes out, and you can now transfer all your shit from the stand alone apps to the super app. Cool. This will free up space on my memory card, all for it. But when I opened KBTBB none of my purchases were there. Guess it’s been a while since I’ve opened the app. Fair enough, I mean I moved half way across the world twice in the span of 7 months. I’ve been pretty busy I haven’t played much of anything. But putting in the transfer ID they had sent me wasn’t working. I kept getting an error message. I tried typing it in slowly, I tried seeing if maybe I was reading some of the zeros as ‘o’ and vice versa. I copied and pasted it in directly and it wouldn’t budge. So what do I do, obviously I send an email. I don’t want to lose my shit. 
And I know voltage has a bad rep for their customer service. I get that it’s a large company. I’m honestly impressed that I generally got a reply within a day. But instead of going, ‘huh, that’s odd. I don’t know why your code that we provided you isn’t working. Maybe there is a bug preventing it, lets see what we can do to fix it.’ They decided to go with. 
Dear , Thank you for contacting us. Same title apps can transfer your data from old app. Please take a look following steps: 1.) Go on the old app TOP page and tap news button 2.) There is a banner says "How to Transfer Data to Love 365" so tap it 3.) You can find your token IDs so please copy it 4.) Go to Love 365, you can find "Transfer from old apps" button on Start page or Transfer page as well *Please note that Token ID can be used only once. Also before use it, please make sure to restore your ALL purchases otherwise you will lose them. Please feel free to contact us again if we can be of any assistance.
I mean alright. I guess they are getting a lot of emails about transferring to love 365, and in my initial email they just saw the word transfer and assumed it was about that. So I replied along the lines of. ‘sorry no, that’s not what I meant. I want to get my transfer data back before I moved to 365 so I don’t lose any of my purchases’
I got a mixed response. Because for those that remember KBTBB didn’t have that coin system. It used to be old fashioned like the rest of them. So first they gave me a solution for if I made purchases with the coins. Which I appreciated the information. And then they told me that they really couldn’t do much about if it was before the system change. I would have to send them screenshots of my order history, showing proof I purchased stories and they would give them to me through the system. Manually. I don’t know how that end works. 
Alright fine. I’m okay with that. I had to do with with lovestruck and castaway love’s adventure because that just wasn’t working for me either. Not a stranger to extra work I opened up my history to hit a small problem. Looking on my computer I found that I couldn’t go further into my order history beyond January 2015. Now if you remember the game came out in February 2014. So on my laptop I couldn’t prove that I purchased anything between February 2014-January 2015. I sent the screenshots I could get and told them the same thing. The response was we can only give you what we see, which was 2 sub stories.
UM. WHAT.
There was no way I was going to settle for that. There had to be something. Anything that would work. I tried sending them my transfer info sent to me from the game when I registered to see if they could use that. Didn’t really get a response from that idea. So at this point I’m trying anything. Remember how I was looking on my laptop through my order history. I don’t know why but I decided to try my phone, or maybe my laptop was in the other room and I just wanted to mess around with settings to see if I could go further. Either way I ended up on my phone through my history and it went back! 
Huzzah!
Kinda. Even though it went back far enough and I could screenshot everything, it doesn’t show prices. Everything before January 2015 just has a big old 0 as the price. Great. Now I’m worried they are going to think I’ve edited an order history to fake receipts to get these routes. In the hopes they don’t think I’m trying to scam them I take a screenshot of where you can see this change take place. The top have shows prices next to everything and the bottom half shows 0.00. I also explained that in the email in hopes that it all goes well. 
I felt a small wave of relief when it looked like everything was going to be ok. I got an email saying they gave me the stories and if I was missing any just send them the name and a receipt of purchase and they will get them to me. That’s wonderful news. I mean I hate making people work more than they have to, but something wasn’t working right and I didn’t want to lose anything. They could understand that, right?
I checked the app to find that nothing has changed. Then I thought maybe they just meant the games where you can see the prices. So I went to the sub story section and they weren’t there either. Which is kind of what prompted this rant, and a few other things that have been slowly building. 
I’m slowly losing my patients. I have tried to give them the benefit of the doubt. Lots of changes, I’m sure lots of people are getting a hold of them all the time for different things. They are a big company after all, and I feel that the international market’s is low on their priority list. As far as happiness, customer service, not screwing us over by making us repurchase apps like Seduced in the Sleepless City (let’s all agree that was a hot mess. I can’t wait for round two when pirates join in) 
But for an app to glitch, and bug out with an error message that a code provided by the game doesn’t work. And then telling me it’s not the game, and they will only restore some of my purchases, and then not even restore those purchases saying they already have. That’s really pushing it for me. 
I sent an email with a full list of routes I have purchased, copies of my order history that show it (maybe they couldn’t read the names?), copies of my otome id email folder, showing emails from other games, and then from KBTBB. I provided my game name, my device information, the email linked to my account. Everything is now in their corner and depending on the response I really might just lose it. 
I don’t want to cut my losses but I feel like I’m talking to a wall. Nothing is getting through and I keep getting the same repeated copied and paste replies back. I don’t know what else to do other than give up if this turns up nothing. No way in hell will I be purchases routes I’ve already paid for again, so it might be it for me and the bidders. 
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