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currywaifu · 4 years

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𝐭𝐢𝐭𝐥𝐞: barbie movies as troupe plays part 1 𝐫𝐚𝐭𝐢𝐧𝐠: sfw

𝐚𝐧: if you think i won’t do all 36 barbie movies, you’re wrong. regardless of whether people want this or not. i have barbie brainrot 24/7. i’m just separating it into parts so it’s not too long *this isn’t meant to be that serious y’all my reasons vary from legit to just jokes

𝐠𝐞𝐧𝐞𝐫𝐚𝐥: i won’t go in-depth with any plot differences from movie to play, or how the characters would work out... for now *chuckles in future ppt*

𝐩𝐚𝐫𝐭 𝟏: nutcracker, rapunzel, swan lake, princess and the pauper, fairytopia series, magic of pegasus, barbie diaries, island princess, three musketeers 𝐩𝐚𝐫𝐭 𝟐: coming soon 𝐩𝐚𝐫𝐭 𝟑: coming soon

𝐭𝐫𝐨𝐮𝐩𝐞: mixed troupe! spring x autumn. one of the seasonal events/scouts for A3! has a nutcracker theme, and to avoid spoilers that’s all i will say :3

𝐩𝐨𝐭𝐞𝐧𝐭𝐢𝐚𝐥 𝐜𝐚𝐬𝐭: since this is based on barbie’s take on the nutcracker, changing up the cast from what tsuzuru had in plan:

clara/sugarplum fairy: sakuya. i want to see him go through a costume & hair transformation sequence, not gonna lie.

nutcracker/prince eric: juza. obviously he has to be the ruler of the land of sweets.

mouse king: sakyo or chikage. i want one of them to wave around a sceptre and say quotes like “i’ll reduce the Nutcracker to a pile of splinters"

pimm: taichi... pimm is a spy :O who has to do dirty work :O but the real reason is i just want taichi to follow around sakyo again or maybe even chikage this time lol

major mint & captain candy: tsuzuru and citron respectively. mint is pretty serious and awkward, candy is a lot friendlier- i just think it’ll be a good way to insert some humor in the play

𝐭𝐫𝐨𝐮𝐩𝐞: mixed troupe! summer x autumn.

𝐩𝐨𝐭𝐞𝐧𝐭𝐢𝐚𝐥 𝐜𝐚𝐬𝐭: rapunzel in this one actually is the “servant” of gothel. also, rapunzel has a magical paint brush and also there’s dragons. who are purple.

rapunzel: kazunari. obviously. actually, kazu has a lot of similarities with her: a good artist, patient, adventurous, quick thinking, hardly ever complains- also he’d look good with long hair i think ><

gothel: omi. there is an action fighto scene + also just the theme of omi playing villains lol... also THERE’S A SCENE WHERE GOTHEL PRETENDS TO BE RAPUNZEL BY WEARING A LONG WIG AND BOI- KAZU AND OMI’S BODY BUILDS ARE SO DIFFERENT BUT IT’D BE FUNNY IF THE PRINCE FALLS FOR THE TRAP ANYWAY

penelope: kumon. a PURPLE funny and clumsy dragon- fight me, the only answer is kumon especially once you see who’s next.

hugo: juza. a PURPLE dragon who’s penelope’s dad but he’s gonna be the older bro in this one (i wonder why...)

hobie: a passive and worrisome rabbit... Tenma.

prince stefan: he also has a couple fight scenes... ngl bc stefan has blue eyes, light brown hair + described by the wiki as “fierce”, he’s banri.

𝐭𝐫𝐨𝐮𝐩𝐞: winter troupe. i will stand by this forever.

𝐩𝐨𝐭𝐞𝐧𝐭𝐢𝐚𝐥 𝐜𝐚𝐬𝐭: this is like one of the ones i’ve had figured out for a while already...

odette & odile: tsumugi. i’m just saying, tsumugi’s duality- he can do both the white and black swan because he has power. impact.

prince daniel: not tasuku bc spare him the prince roles he’s sick of it. guy. why guy? because he obviously has a good idea of how to act like a prince :3

rothbart: HOMARE! I WANT! THIS MAN! TO PLAY THE ANTOGONIST! GO OFF ABOUT DARK ARTS! TRANSFORM EVERYONE TO ANIMALS LIKE THE EXTRA BEING YOU ARE.

fairy queen: azuma. ugh just- imagining how ethereal he’d look.

erasmus: tasuku. he’s a troll that can act mean, but is genuinely kind and helpful... also, the VA of erasumus is also the VA for “unnamed burly villager” and i’m just saying-

kelly the cygnet: hisoka. there’s too many animal children, so hisoka is gonna be the baby swan. uwu. also, kelly has a quote, “I can't sleep.” and wOW THE IRONY

𝐭𝐫𝐨𝐮𝐩𝐞: WE’RE GOING FOR THE COMEDIC ROUTE WHAT’S UP SUMMER. reason: i went “wait... no actor really looks super alike though.”

𝐩𝐨𝐭𝐞𝐧𝐭𝐢𝐚𝐥 𝐜𝐚𝐬𝐭: tafahfuoahoaf it’s my favourite barbie movie... OKAY SO THE RUNNING GAG OF THIS IS THAT THE PRINCESS & PAUPER DON’T LOOK ALIKE, BUT EVERYONE KEEPS GOING “Wow! you two look so identical!” no they don’t

anneliese: muku. first of all please look at the sprite i used in the header. anneliese = pink = muku. she’s the sweet princess archetype... but in this version she also goes on tangents about rocks and mineraLS AND HOW THE MINING INDUSTRY SUX AND THE ABSOLUTE AUDACITY OF-

erika: kumon. first of all, the sprite in the header again. erika = blue like ugh this is perfect. ALSO erika has a cat who BARKS and i just imagine kumon talking to her cat like: WOOF WOOF WOOF GRRR GRRR and the dog responding and everyone in the palace going wtf

king dominick: i had such a crush on him anyway he’s tenma. rich, young, talented king who disguises himself as a page so he can find love for realsies. im just saying. he won’t be tenma’s only role tho ><

julian: kazunari. the wiki went “he’s the only bestfriend a barbie MC ever married” really shook me like ugh friendship dynamic between muku and kazu roles??? also kazu’s genuinely smart so him as the tutor was just gucci in my eyes

preminger: misumi. FIRST OF ALL PREMINGER IS ICONIC? WHEN HE SANG HOW CAN I REFUSE I WAS LIKE UGH KING. i just wanna hear misumi play an antagonist that’s also funny and do things with his voice.

madame carp: yuki. a bossy and rich woman who owns a dress emporium. pretty much it.

nick & nack: YUKI AND TENMA. THEY WILL DOUBLE ROLE FOR THE SAKE OF BEING MISUMI’S DUMB UNDERLING DUO

𝐭𝐫𝐨𝐮𝐩𝐞: spring troupe. i wanna see them have wings uwu.

𝐩𝐨𝐭𝐞𝐧𝐭𝐢𝐚𝐥 𝐜𝐚𝐬𝐭: just gonna combine the whole fairytopia series into one

elina: itaru. first of all, pink motif. also i just like the idea of itaru being this recurring protagonist.

bibble the puffball played by kamekichi

laverna: recurring villain citron. for no reason other than i think it’s cool when he plays power hungry villains

enchantress: i just want sakuya to play a role that’s more of a “powerful character” but still really kind uwu. another recurring good guy.

azura & glee: tsuzuru. elina is azura’s apprentice, and glee is a friend who’s generally really happy... ngl, i wanna see tsuzuru play someone more energetic for funsies

nori: masumi. nori is kind of a stubborn and jealous person at first, him and elina won’t get along right away BUT DAMMIT THE ENEMIES? TO FRIENDS IS GUCCI!!!

merman prince nalu & linden: chikage... yeah i just gave chikage the guy roles ngl... but i wanna see chikage as a handsome merman AND handsome fairy so *shrugs*

𝐭𝐫𝐨𝐮𝐩𝐞: cross troupe. spring x winter.

𝐩𝐨𝐭𝐞𝐧𝐭𝐢𝐚𝐥 𝐜𝐚𝐬𝐭: partially based on the ice-skating cards (i have yet to read the event story, unfortunately).

annika: tsuzuru. i thought it’d be fun to cast tsuzuru as a more sheltered character due to annika’s parents’ protectiveness. the contrast y’all.

shiver: sakuya. shiver is a polar bear cub sidekick who’s friendly and likes shiny things and that’s just... really cute... put bear ears on sakuya...

brietta: guy. brietta is annika’s older sister... who got transformed into a pegasus by the villain... i wonder how they’d change the pegasus thing lol

wenlock: tasuku. NOT GONNA LIE- i want tasuku to play the villain for all these wonderful one-liners: "Oh, smile! You didn't lose a daughter; you've gained a pet!", and "I thank my lucky stars I didn't marry you!"

prince aidan: masumi bc i want more roomie interaction on stage i mean their friendship keeps getting cuter and cuter.

cloud queen: azuma... that’s all. i just remembered her bc her hair has a braided crown, and i went “azuma braided hair brainrot”

𝐭𝐫𝐨𝐮𝐩𝐞: mixed troupe! summer x autumn.

𝐩𝐨𝐭𝐞𝐧𝐭𝐢𝐚𝐥 𝐜𝐚𝐬𝐭: i was gonna make it full autumn, but then the age casting felt awkward since they’re in high school...

barbie: taichi. barbie here is shy but wants to stop blending in the background! i just went “damn that do be resonating”. also i wanna hear taichi sing more y’all and barbie is a singer/guitarist here

courtney: azami. i like the idea of azami playing a spunky character who’s more of a tomboy, but still does like fashion and accessorising and... lip gloss?

tia: misumi? tenma? idk the intelligent and passionate archetype is very broad... especially in a high school setting

kevin: kazunari. just the whole best friend thing + kevin being a goofy person who loves to make ppl laugh ugh

racquelle: yuki. i know racquelle’s a bully here and say not to bullying... but sharp tongue.

todd: honestly? todd was so boring in the moving. we need someone like banri to give him CHARACTER!... yes that’s my reasoning ugh

𝐭𝐫𝐨𝐮𝐩𝐞: sUMMER SUMMER SUMMER-

𝐩𝐨𝐭𝐞𝐧𝐭𝐢𝐚𝐥 𝐜𝐚𝐬𝐭: AHAHAHA WHAT IS THIS CASTING? MY REASONINGS FOR THIS ONE IN PARTICULAR ARE SO SHALLOW LMAO

ro/rosella: “a 16 year old girl who can talk to animals! adventurous and brave” me: *gasps* mISUMI-

prince antonio: “prince antonio loves travelling and exploring-” okay yeah it’s kazu...

queen ariana: i just want yuki to sing to me “love is for peasants which we’re obviously not” and i’d go :O also ngl... i wanna see yuki in like darker palettes and plotting to poison all the royals

princess luciana: queen ariana’s daughter... played by muku. because i wanna hear muku counter yuki with “all the shoujo mangas books i’ve read, all the poems always said, that the heart is made to share...”

sagi the red panda & azul the peacock: honestly, just basing it off of colour matching but tenma is sagi and kumon is azul lol

𝐭𝐫𝐨𝐮𝐩𝐞: AUTUMN x SPRING

𝐩𝐨𝐭𝐞𝐧𝐭𝐢𝐚𝐥 𝐜𝐚𝐬𝐭: AHAHAHA WHAT IS THIS CASTING? pt 2

corrine: i keep wanting to put sakuya in these roles oops. i just... let him sword fight on stage again :>

viveca: purple musketeer, artistic, designs clothes... fights with ribbons... you know, for the sake of banri being a fAshIoNisTa... it has to be banri y’all "Don't mess with the animal print dress!"

aramina: green musketeer, fights with fans, romantic and loves ballet... pfft, for the sake of “wouldn’t it be funny-” it has to be azami. poor bby, having to swoon over romance on stage- he can’t relate

renee: chikage. purely because of that scene where she threw a feather duster (?) at a flying shard of glass and perfectly hit it. yeah.

helene: the old and strict instructor that teaches them how to be musketeers... sakyo.. duh.

philippe: the main antagonist... it has to be omi again. and since philippe has a goatee, we’re bringing back facial hair omi~

prince louis: itaru, lol. he’s like the one significant non-action oriented character in the film. he has just enough moments where itaru still looks princely, but mostly? he just wants humans to fly y’all.

want to order again?

#a3!#a3! act! addict! actors!#a3! act addict actors #a3! headcanons #cafe: dessert menu #serving: barbeQUEUE #nathya stans barbie ✌️💖#a3! game

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gunnerpalace · 4 years

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hey there! so i used to be a huge fan of bleach, and loved ichiruki, and i was reminded of them today but i haven't been involved with the fandom since the series ended. however, i've heard of different variations of why the series ended/ships happened the way they did, and was wondering if you knew or could direct to me a post that explains that? i apologize if i'm bringing up bitter feelings, but i've always been curious if bleach's ending was a big FU from kubo or if he always intended rr/ih

I don’t think I’ve ever seen a post that really goes over it structurally in that kind of way (from a shipping perspective). I’ll get back to what you actually asked me after some asides, because it’s not so simple to just analyze the ships in a vacuum.

I’ve had my own post about why the ending was a fuck you moment, thematically, because it failed to resolve any of the themes and momentum of the series in a way that would be appropriate (either internally or in the context of the supposed genre of shounen.)

I would also say that the ending was a fuck you moment in terms of lore, backstory, and mystery, because all of the historical and political dimensions (i.e., things involving the Soul King and Great Houses) were unceremoniously shuffled off to Can’t Fear Your Own World. Not that any of those things were ever brought up properly in the manga to begin with; the proper and natural time for that would’ve been at the conclusion of the Soul Society arc, when Ichigo and co. spent a week there, which we saw none of. So I would say that everything in CFYOW is basically retconned bullshit hung off prior convenient plot hooks, and that the same was true of TYBW and LSS/TLA/Xcution as well. There may have been some notes and forethought, but it’s about as “valid” as Kevin J. Anderson and Brian Herbert’s Dune works are compared to the original Frank Herbert ones; it’s second-hand, at best.

(This is setting aside that Bleach was clearly made up as it went along. For example: Noriaki literally admitted that he didn’t know who had killed Aizen in Soul Society until he realized that Aizen not being dead was the most shocking answer; the clear baiting and abandonment of Kisuke as the villain hinted at through various means such as his unclear and later retconned reasons for being exiled, and so on. Bleach was very much a J. J. Abrams-style mystery box work that was made as it went with, at best, rough notes, which is why its themes and focus change, for the worse. I also have a post about why it stopped being special, which is part of a running series I intend to write on how to rewrite it to fix and preserve that)

The best recent thing to compare it to is, really, HBO’s adaptation of Game of Thrones, wherein D. B. Weiss and David Benioff openly admitted to removing or deemphasizing story elements, and ignoring themes in adapting the work. The difference is that Bleach was not being adapted from anything; it degraded due to its own creator not understanding what he had created.

(To put it very simply, because this would be the point of Hyperchlorate Part II and would take a whole post to explain: the ending of the Soul Society arc did not properly establish and flesh out Soul Society as a place with a history, space, and purpose. Instead, the Arrancar and Hueco Mundo arcs decided to be a thematic inversion and deconstruction of the Karakura and Soul Society arcs. This again had an ending that did not establish or flesh anything out after Aizen’s defeat, with an even greater diffusion of focus onto ancillary characters. The Xcution arc tripled down on this by addressing something entirely new and retconned in, only to abandon it midway through in favor of going back to invoking Soul Society. And Thousand-Year Blood War took all of these problems to 11. tl;dr: Noriaki tried themes, people hated it, and so he just shoved in more and more dumb sword fights between people nobody cared about, half of whom hadn’t previously existed.)

So, let’s get back to your question. Let’s talk about ships. I’ve clicked a lot of keys and spilled a lot of ink on this subject over the years, but I no longer particularly feel like searching my own archives (really ought to go back through and organize them better) beyond this post and my own follow-up to it about the chronology of IR interactions, so I’m just going to repeat myself.

First, let’s say that Bleach was not ever a manga about ships.

I’m not disavowing that what Rukia and Ichigo had was special. That was called out multiple times through the focus of the art, the dialogue, and by the characters themselves. (Directly by, for example, Orihime’s outright statement to the effect in Soul Society, and her later jealousy regarding it. Indirectly by, say, Uryuu’s acknowledgement that him saving Rukia first would piss Ichigo off. In fact, the biggest indirect indicator doesn’t even involve Ichigo and Rukia; Shunsui asks Chad why he’s there and Chad says he wants to save Rukia, Shunsui calls bullshit that two months isn’t enough time to risk your life for that, and Chad agrees and says he’s there because Ichigo wants to do it. Shunsui moves on, but his argument is left hanging: why was two months enough for Ichigo? Because, as Orihime will later say out loud, Rukia is special.)

What I’m saying is that that was never the focus. It was explicitly constructed that way.

How do I know? The Grand Fisher fight. The Grand Fisher fight is emotionally charged, bringing up both Ichigo and Rukia’s greatest traumas, and is their one real moment of not understanding each other for a time. It was a triumphant moment that made them truly glad to know one another, and you can see it in their reactions afterward (Rukia thanking Ichigo for not dying, Ichigo asking Rukia if he can keep being a Shinigami). There was a lot to unpack there, and you can see it in the way they look at each other.

What happened immediately after the Grand Fisher fight? Noriaki skipped a whole month. We go from June 18th of 2001 to July 17th of 2001. He deliberately skipped all of the emotional impact of that event, and Rukia being around for Ichigo’s 16th birthday. Just never happened. We never hear about it. Wasn’t his focus as a writer.

Now, I’m convinced that was because he was scared of what he had on his hands. He wasn’t willing to commit to either a couple’s battle shoujo or a shounen with male and female seemingly-heterosexual co-equal deuteragonists who clearly had a strong emotional bond. More specifically, he wasn’t willing to make Rukia a centerpiece of the manga despite having designed her first, having made her the moral and philosophical core of his manga, and having based Ichigo entirely around completing and complementing her. But hey, that’s just my opinion, right? Except it kept happening.

From the Grand Fisher fight onward, the name of the game in the manga, structurally, became keeping Ichigo and Rukia apart.

The moment she was taken back to Soul Society, her prominence dropped. We got emotionally charged scenes of them regardless. Right at the conclusion, after yet another emotionally heavy set of Ichigo and Rukia interactions, we again skip almost a month, from the end of the first week in August of 2001 to September 1, 2001. (Due to some completely unnecessary timey-wimey bullshit with the Precipice World.)

In the Arrancar and Hueco Mundo arcs, they have roughly a day together over the course of three months. What happens after every meeting? They’re shuffled apart and split up, and we cut away. This time, for over a year!

Ichigo and Rukia again have a very emotionally charged meeting in the Xcution arc. And what happens at the end of that arc? We skip ahead another month to TYBW. (Xcution ended sometime in May of 2003, TYBW starts June 11, 2003.)

And in TYBW, Rukia and Ichigo barely meet up at all. Indeed, the focus is scarcely upon them.

In CFYOW, neither of them even appear, let alone have any relevance to the plot.

The implication, in my opinion, is pretty obvious: Noriaki was deathly afraid of dealing with the outcomes of their interactions, and that ultimately became him being deathly afraid of allowing them to interact at all to begin with. Why? Well, as I said in one of the last linked posts:

As an author, sometimes you will find your characters will do things you didn’t anticipate or plan for, and you’ve got two choices: you can go with the flow and do what’s natural and deal, or you can fight it and try and impose your vision anyway.

He refused to let his art take the direction it needed to go in.

Now, some people might say he got bored of them, or of having them together. I say that’s bullshit. And the reason I say is down to three things:

He didn’t ignore them, he did his best to keep them apart. I outlined this above.

He did not emphasize anything or anyone else instead. His focus was all over the place. While, admittedly, Ichigo’s prominence also declined, so did everyone else’s.

It would have served him well to focus on their interactions to expand his universe and explore its lore. The things that were detailed in the databooks and CFYOW could’ve been presented naturally and easily if they were together. But that came with a cost of shifting the focus. A cost he refused to pay.

Let’s talk more about (2) and (3) now.

Regarding (2), Chad and Orihime are inextricably linked in Bleach, because they essentially have the same relationship to Ichigo. “But Orihime loves Ichigo, and Chad is his no-homo bro!” someone proclaims. So what? They’re presented as equal and parallel at every step.

They both gain their powers at approximately the same time.

We are told they gained their powers due to the Hogyouku (in Rukia at the time) interpreting their wishes (and no one else’s, such as Tatsuki, Keigo, or Mizuiro), meaning they probably had the same strength of desire.

They both go to Soul Society “for Ichigo.”

They both utterly fail against Yammy and Ulquiorra.

They both spend most of the Hueco Mundo arc doing nothing.

They are both featured prominently in the Xcution arc, and both fail to see through Tsukishima’s powers despite their love for Ichigo. (Meanwhile, Byakuya coolly tries to murder someone who he thinks is his mentor, in Ichigo’s name.)

They both get sidelined in Hueco Mundo with Kisuke in TYBW, doing little to nothing.

They both are utterly ineffectual in the final fight in TYBW.

They are often portrayed together, they are often as effective as one another, and they are equally as developed in their relationship to Ichigo going forward, which is to say: not at all. The loss of focus on IR did not come with an attendant rise of focus on IH, any more than it did with the sudden rise of IchiChad. Nothing was built in IR’s place. There was no emotional or human content which filled its gap.

This is where the IH ending coming “out of nowhere” stems from: it indeed came out of nowhere, because Ichigo was never shown to have any interest in Orihime in all this time, nor an especially close relationship with her. He never hangs out with Chad or shows a bond with him either. He never hangs out with anyone, in fact. (Indeed, “friends” in Bleach do not do any of the things that friends actually do in real life. Nor do parents. You might say that interpersonal relationships and communication largely don’t exist in Bleach. But that’s its whole own topic.)

I would honestly say that more time and emphasis was given on Ichigo’s pseudo-surrogate mother relationship with Ikumi than was spent on him interacting with Orihime. (I would say Noriaki has serious hangups about relationships of any kind, be they romantic, familial, or friendly, and also has some severe hangups regarding mothers and fathers, but that is also its whole own topic.)

Regarding (3), Noriaki apparently wanted this big, Game of Thrones-style world with a long history and political machinations and so on. This is the whole point of TYBW and CFYOW. Trouble is, early Bleach was successful because of its small-scale intimacy. So how do you go from one to the other? You have to lay the foundations at every step. And Noriaki steadfastly refused to do so at every step. Having Ichigo and Rukia interact, and focusing on Rukia while Ichigo was sidelined without powers, would’ve permitted that organically. Indeed, if RR was the endgame, it would have given time to establish that, were it his desire. (Because Rukia never showed any interest in Renji, and frankly Renji always seemed way more preoccupied with Byakuya.) It didn’t serve his goals, but he did it anyway.

It’s much simpler to say he lost focus, and that he started to hate the manga as a whole. Why else would you have Mayuri fighting a giant hand when that achieved nothing, and Kenpachi fighting Thor when that achieved nothing? It became empty. Hollow, you might say.

But that takes us back to the question you posed: where did the ships come from? Nowhere. IH, RR, and fucking TatsuKeigo weren’t established anywhere. They just appeared. Why?

Well, why did every single character wind up doing the exact opposite of their intended and stated goals in the end?

Why did Soul Society revert to its previous attitude and rebuild the Sokyouku?

Why did nothing get resolved?

Why did nothing change?

Why was it all revealed to have been completely and utterly pointless?

In my view, it’s because that ending was a giant fuck you to the readership and Shueisha. There is no other way to interpret an author pulling a 180° and completely nullifying their characters’ arcs, and their work’s themes. Aizen’s little speech at the end is the cherry on top. I read it as Noriaki saying that he’s showing “courage” in telling us all to fuck off.

As to why? That’s an open question. His relationship with Shueisha was contentious, so maybe he was mad at them. (They gave him a deadline once he was dragging his feet, and reclassified Bleach as a joke manga.) His readership was on the decline after the Soul Society arc ended, so maybe he was mad at the audience. I don’t know. I also don’t really care. What I am convinced of is he decided to blow up his franchise and to not leave a single stone unturned when he did so.

That’s where that “ending” comes from, which is why despite it featuring IH and RR, both are thoroughly unsatisfying and without setup: it was the only way to piss absolutely everyone off, including people who wanted that outcome.

In a way, it was his greatest success since the early days of the manga.

Anyway, this was messy, but it’s not a simple topic to address. The tl;dr is that Bleach was a trainwreck from the very beginning that only succeeded on the merits of its characters, and that Noriaki deliberately avoided the promise it had to be something unique and grand. The ships are just a part of that, and cannot be understood in isolation from it.

#Asks #Bleach

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