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#hunger. stille
watchingwisteria · 6 months
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listen there really was just something about how in the book, snow’s 3-page descent from hesitant lover boy to deluded psychopath happens entirely in his mind. lucy gray gives him no indication whatsoever that she suspects him, that she’s going to leave or betray him. he’s just sitting quietly in the cabin waiting for her to return when that seed of calculated suspicion, which he has needed to survive the capitol, takes a hold of him and chokes the life out of any goodness left inside him. it really drives home your terror as a reader that “oh my god did he kill her? did she escape? what happened to her? why would he even think that?” in a way that when the movie had to adjust for visualization it lost some of that holy shit this guy has lost it emphasis.
#seeing some discourse and im not saying lucy grey didnt know#im saying she never dropped the kind of hints that she knew like she did in the movie#or if she did snow isnt worried about them until he very suddenly is consumed by them#snow is not concerned about whether or not she believed him. of course she did! hes snow!#but then shes gone…. for a while……#and its the sudden immediate drastic unravelling that comes across so clearly in the book#that i knew wouldn’t translate to screen yet still cant help but miss#the hunger games#coriolanus snow#tbosas#lucy gray baird#not a crime or anything just a note that i cannot stop thinking about#the ballad of songbirds and snakes#this is all from memory of reading it quite a while ago. so maybe 3 pages is an exaggeration#but i remember it happening VERY quickly and without much external cause#like we as the reader have no indication as to whether shes nearby or not.#snow has no idea either. he just SUSPECTS. and his suspicion breeds the hatred that has been bubbling inside him all this time#he hates how she undoes him. he hates that he WOULD run away with her if shed let him keep his secrets#and he HATES more than anything that she makes him WANT to tell his secrets#he wants to be vulnerable and reveal the ugly nasty parts about himself and still be loved#but he does not let himself and it is everyone’s downfall#he chooses cruelty bc it is easy and familiar and makes him feel more powerful than the vulnerable give and take that real love requires
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lady-corrine · 4 months
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Thinking again about how Suzanne esentially subverted the "beloved famous man that is actually a horrible person in real life" with Finnick, who is the complete opposite of that.
Finnick has this whole image costructed around him by the people that abused him for years: the Capitol's darling, their golden boy, the sex symbol of Panem, the man that has countless lovers but leaves them constantly and doesn't look back etc. And you would expect, initially, to meet a man that retains at least a part of that persona in his day to day life. But Finnick doesn't, not even one bit.
You see instead a man that is deeply in love and completely devoted to the one woman he quite literally adores, a man that protects Mags, his old mentor and his mother figure, as much as he can, a man that wouldn't leave Johanna behind, a man that gathers whatever strenght he has left to speak publicly about the abuse inflicted upon him at the government's hands; the opposite of what the Capitol's media and reputation made him out to be.
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krownest · 2 years
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i personally think there is a huge moral problem in the government/country when millions of pounds are going to be spent on the funeral and the subsequent coronation when people cannot afford to heat their homes and feed their children
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poorly-drawn-mdzs · 4 months
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Enki S Ending: God Blocking Gambit
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pedro-pascal · 6 months
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THE HUNGER GAMES: CATCHING FIRE 2013 | dir. Francis Lawrence
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littlerosette · 4 months
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obsessed, quite frankly, with how katniss resents love, resents how deeply she loves. she was completely traumatized by her mom’s emotional withdrawal after the death of her father, and made the decision pretty much thereafter to never love someone else that way. and the fact that she goes through the trilogy absolutely refusing to call what she feels for peeta love, even when it absolutely, 1000% is, because she refuses to acknowledge that vulnerability within herself… oh it’s so good. it’s so good. the fact that recognizing love within herself is equivalent to shoving a knife in her eye is so good. i love this character
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denjidenjiji · 4 months
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obligatory cahara art because he’s the prettiest ever.
when faced with artblock, the draw him!!! It worked quite well
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azfellandco · 9 months
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It's about Crowley bearing witness to Aziraphale's desire, about the way that desire is animal and visceral and enormous and terrifying*. And about how Crowley sees that and wants it. Crowley offers the ox rib and watches Aziraphale eat because eating provides them no sustenance, it's purely for pleasure, sensual, selfish. And Crowley introduces Aziraphale to this, and thousands of years later still takes obvious pleasure in feeding Aziraphale, in watching him eat. In watching Aziraphale's pleasure.
And I think it's significant the things we see Crowley put into his body in s2, and why: six shots of espresso, as something bracing before seeing what it is that made Aziraphale call him in his "something's wrong" tone; whiskey, because he has to give Aziraphale some bad news; wine, because they "might as well get comfortable" during the storm coming down on Job, after Aziraphale learns that Crowley is actually pretty unhappy with Job's suffering; and poison, to dispose of it so Elspeth (or Wee Morag, I've fogotten which is which) doesn't die. Crowley doesn't take Aziraphale's "something that calms you down", only consumes things that not only don't bring him pleasure but are an attempt to prevent pain. Crowley, who introduced Aziraphale to this important physical, sensual, selfish pleasure, denies it to himself. He denies himself the eccles cakes, he denies himself partaking in food, and he denies himself Aziraphale.
And we see throughout the rest of the season other things he's denying himself: the comfort and safety of a home in the bookshop in favor of the mobility and ready-made escape of living in the Bentley, the surety of saying what he really means during the confession. He cannot bring himself to admit what he wants, that he wants. Gabriel and Beelzebub "going off together" is not what he wants. He wants Aziraphale, but he doesn't say that, because he's never, in the years and years and years we've seen this season, let himself want or be seen wanting. "Going off together" is as close as he can get to speaking it. "A group of the two of us" is as close as he can get. So he has to watch as Aziraphale leaves and takes his pleasure in the world with him.
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rohirriiim · 4 months
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And while I was talking, the idea of actually losing Peeta hit me again and I realized how much I don’t want him to die. And it’s not about the sponsors. And it’s not about what will happen when we get home. And it’s not just that I don’t want to be alone. It’s him. I do not want to lose the boy with the bread.
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awetfrog · 9 months
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thank u dungeon nights for making all the yaoi dreams come true
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nick-nellson · 2 months
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The Hunger Games (2012) dir. Gary Ross
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karizipan · 9 months
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Ig the context for that Enki post. Modern gym au 🫶🫶🫶
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danyllura · 6 months
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The “prims name was the only name in the bowl” theory is ludicrous for a million reasons. But what gets me is WHO is deciding that pregames Katniss is leading a rebellion. That girl was so socially inept it’s not even funny. She thinks everyone either looks down at her, pities her, likes her cause of prim, likes her cause of her dad, and if none of those are an option she just doesn’t think. Madge sat with her everyday at lunch and she never pieces together that theyre friends. Unless it’s about trading squirrels I don’t think that girl spoke to anyone in the district that wasn’t prim or Gale, let alone someone with the influence to mark her as a potential rebel leader. And even if she did, I’m meant to believe someone saw that social disaster and thought “she could lead the rebellion”
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frogchiro · 6 months
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Imagine Childhood Friend!Coriolanus who is always so so touchy with you :( You know about his background, about his poverty and the situation his family is in but you never judged him, never made fun of him and treated him so sweetly and while he can't pay you back in in things like fancy gowns or precious jewelry (at least not yet), you have his undying loyalty and love♡
You may be smart, a star pupil of the Academy, you're still a little...clueless when it comes to your friendship with Coryo who seems to be almost always touching you, always has his hand somewhere on your body; for propriety's sake in public notthing more than hooking his arm with yours or a hand on your upper back but in the solitude of your room back at your mansion? He doesn't hold back♡
It may seem suggestive to everyone else but you, his delicate touches to your hands, his fingers gently gliding over your hips, his firm chest pressed against your back as he drapes himself over you when you're sitting on your bed and reading something, your delighted giggles music to his ears when he peppers featherlight kisses over your neck. To you it's just teasing or an invite to playfight, but to Coryo it's a perfect opportunity to get you used to his insistent touch and how he'll treat you when he takes you as his wife, the future First Lady of Panem♡
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smallpapers · 1 month
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some pre-reaping Katniss and etccccc
Random thoughts
Hc that Katniss and Prim wear oversized pre-loved clothes bought from the hob, which are lots of men’s wear left behind by the peacekeepers. And it makes sense to get larger clothes to grow into and whatnot. So yea it doesn’t fit the best but they are mended and presentable! On another note I like the blue grey washed out aesthetic of district 12 in the movies so I tried to put that here
Anw I been struggling to draw esp with this one for like weeeeks so pls pat me on the back for finishing it /sobs
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motherhenna · 5 months
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Blaming everyone on my dash for making me obsessed w THG and Everlark again goddamn y'all
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