#heidi saman namour

[heidisaman]

The Middle East premiere of my feature film Namour: March 27th. Abu Dhabi. Honored to be a part of this film series with art house Cinema Akil. 

Details here. 

H

p.s. Thank you for the notes, tweets, and instagrams about Namour (which is currently streaming on Netflix). From doing a Kickstarter for the film back in 2013 to getting Namour distributed by ARRAY and having it stream on Netflix, your support has meant so much to me. 

#Namour #Heidi Saman #Cinemak Akil #Netflix #array

[authoroftheaccident]

so many great compositions in Namour (Heidi Saman, 2016), but this recurring one throughout the film really captures the changes and passing of time.

#namour #heidi saman

[communicants]

Namour (Heidi Saman, 2016)

#film #namour #heidi saman

[nextwavecinema]

my interview with @heidisaman on first gen anxiety, internet film communities, how she caught the eye of Ava DuVernay and why you need to stay up2date on the ever evolving industry. NAMOUR is available for streaming on Netflix! 

#heidi saman #my work #namour #interview #array now

[fuckyeahwomenfilmdirectors]

#Namour #Heidi Saman #2016 #USA #Film poster

[speakeasyandsaywhat]

source:  Array Podcast and Array NOW

“ In this edition of THE CALL-IN, ARRAY filmmakers Heidi Saman(NAMOUR) and Amanda Marsalis (ECHO PARK) discuss telling authentic LA stories, dealing with less than supportive direction from teachers, and building a community for indie work. Listen and share here! “ 

#podcasts #podcast #array now #array #ava duvernay #heidi saman namour #echo park #array filmmakers #filmmakers #film #movies #independent #independent films #amanada marsalis #director #production

[sagindie]

Namour, now available on Netflix

Read our interview with writer/director/producer Heidi Saman

#sagindie #indie film #namour #netflix #heidi saman #filmmaking #directors #women in film #array

[diversemovies]

Heidi Saman’s new drama “Namour” aims to showcase an often overlooked aspect of the American immigrant experience. The film follows Steven, the son of Egyptian parents who is coming to terms with his menial valet job at a ritzy L.A. restaurant.

Ava DuVernay’s releasing company Array acquired the film, which is now streaming on Netflix.

#namour #netflix #ava duvernay #heidi sarmon #women directors

[fettesans]

Top, screen capture from Namour, 2017, directed by Heidi Saman. Via. Bottom, Dexter Dalwood, Room 100, Chelsea Hotel, 1999, Oil on canvas, 183 x 213 cm. Via.

At night, in bed, when it was easier to say things…early mornings were the other time they talked about things that seemed too tender, too difficult, to be said in the daylight.

Hanya Yanagihara, from A Little Life, 2015. Via.

--

Last year Johnson, founder of the online payments company Braintree, starting making news when he threw $100 million behind Kernel, a startup he founded to enhance human intelligence by developing brain implants capable of linking people’s thoughts to computers. (...)

The reality is that interfacing with the brain is tough: electronics irritate its tissue and stop working after a while, and no one will get brain surgery just in order to send an e-mail. What’s more, even if you can communicate with the brain, you might not know what it is saying.

Antonio Regalado, from The Entrepreneur with the $100 Million Plan to Link Brains to Computers, for MIT Technology Review, March 16, 2017.

#diptych #awake in someone else's room #quotes

[heidisaman]

Thank you to the Sundance Institute for having me talk about “My Favorite Scene I Didn’t Write.” The scene I selected was from Young Adult (2011), a film I wrote about here. 

I also loved the scenes my fellow panelists chose, who incidentally, mostly selected films that came out in 2011. Lauren Wolkenstein selected Toni Erdmann (2016), Michelle Parkerson selected Pariah (2011), and our moderator Katherine Dieckmann chose a scene from A Separation (2011).

p.s. It was so nice to hear from people who watched my first feature film, Namour, on Netflix. Thank you!

H

Photo by Mike Dennis

#sundance institute #Heidi Saman #Namour

[communicants]

Namour (Heidi Saman, 2016)

#film #namour #heidi saman

[nextwavecinema]

NAMOUR (2016) available for streaming on Netflix

#namour #heidi saman #screengrab

[01sentencereviews]

Namour (2017), Heidi Saman

It’s a lax, low-key very sad, but potentially uplifting in a mundane, low maintenance kind of way movie about a late 20-something child of Egyptian emigrants trying to figure out how the hell to navigate through American life and how to be genuinely happy, as well as how those intense hidden desires for something more significant or satisfying or secure in one’s life can often keep us completely still, with little forward momentum, due to the invisible difficulties that come with those desires and other responsibilities that exist because of “life” itself, and it’s absolutely a successful, if a little repetitive, feature debut for writer/director Heidi Saman.

Metacritic: n/a, RT: n/a, IMDb: 7.7

#namour #heidi saman #film poster #review #52FilmsByWomen2017 #2017

[skandyx]

Namour - Is Namour on Netflix?

Namour – Is Namour on Netflix?

[ad_1] Watch on Netflix » Back to List » 80 min | Dramas, Independent Movies Aimless valet driver Steven Bassem can’t find the motivation to get a better job, even when his fractious immigrant family starts falling apart. Director: Heidi Saman Cast: Karim Saleh, Waleed Zuaiter, Nicole Haddad, Mona Hala, Wedad Abdel Aziz Abdou, Lavrenti Lopes, Jessica Lu, Amin El Gamal, Melina Lizette, Tom Lenk,…

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#Namour #Netflix

[lapalmemagazine]

Amin El Gamal: 10 Things You Need to Know About the PRISON BREAK Bad Guy You End Up Rooting For

Born during an earthquake in Palo Alto, CA, one could certainly say Amin El Gamal knows how to make an entrance.  He is the son of two Egyptian-born parents, and grandson of an Egyptian actress. His chameleon-like ability to morph into each character he plays is terrifically mesmerizing and will undoubtedly leave you wanting more. El Gamal’s villainous role in FOX’s PRISON BREAK continuation is beyond terrifying, yet his unique ability to breathe life into the multi-faceted character of “Cyclops” somehow makes you root for him—even if you feel like you shouldn’t.

1) Funniest/ craziest thing that has happened on set?

We shot a good chunk of the show in the desert in a Moroccan town called Ouarzazate. There was a snake wrangler on set at all times to make sure we were safe. Basically, he would comb the sand for snakes, pick them up with his bare hands, and then store them in a jar. After we were done, he’d release them back into the desert – so in case you were concerned, no snakes were harmed in the making of Prison Break.

I remember at one point Wentworth’s bodyguard found a snake near him and started yelling. We all freaked out and ran away like bats out of hell. The wrangler caught the snake, like it was no big deal, and we survived, but it was all pretty hilarious.

2)  If you want to spoil me rotten…

Do my laundry. Seriously, I just ran out of clean underwear today. Is that TMI? It’s probably TMI.

3) Snapchat, Instagram or twitter? And why?

I would have to say Twitter. I’m more verbal than visual, and I can get kind of sick of taking selfies and choosing filters. Plus, puns are everything to me.

4) Known by your friends as the __________ one?

I want to say “the badass one,” but “the worried one” is probably more accurate.

5) Prison Break Season 5 is set to debut in April, what was shooting the continuation of the original series like?

Working on the show was exhilarating. To be a part of something as beloved as Prison Break was a bit daunting, but also really exciting. And to be working with Wentworth Miller, who’s a real trailblazer for queer actors and a brave advocate for mental wellness, was downright inspirational.

Also, traveling around the globe with a ragtag group of insanely talented Middle Eastern actors was so empowering. It was such a charming and loving cast. We ate a lot together and laughed our faces off when we weren’t out on location working hard to make the show as good as it can be.

6) What’s it like playing the lead villain Cyclops on Prison Break?

Creating the character of Cyclops was a challenge, but in the best way possible. I am, as a person, basically a Golden Girl stuck in a lanky ethnic man’s body. So, as an actor, having the task of becoming this menacing, yearning, explosive sort of character was a delicious challenge.

To prepare, I did a lot of research on what’s going on in Yemen (where the character is from), I learned a dialect, and I even went back to the mythological Greek character of Cyclops for inspiration. I also did a good deal of physical work, as well: arms and boxing training, learning to drive stick-shift, and working with some pretty intense prosthetic makeup every day.

Finding my connection to the character was the toughest and the most important part of my prep though. When playing a villain, it can be easy to be reductive or dismissive in your acting choices. I really wanted people watching to, obviously not approve of his behavior, but to understand it. That was my main goal, to humanize someone who is usually seen as inhuman.

7) On The Librarians you played the role of Apep the Egyptian God, which is also your very much part of your Egyptian heritage.  What was that like?

‘The Librarians’ was hands down one of my most fun acting experiences. It’s a highly imaginative and sometimes wacky show, so having the freedom to be big and silly was a blast.

As an Egyptian American person, I’ve always wanted to play an Ancient Egyptian character – especially given that, for some reason, those roles are often (very inappropriately) played by white people.

A couple years ago, a picture of a very old headshot of mine side by side with a bust of the pharaoh Akhenaten randomly went viral in Brazil and Egypt. It was very strange. People started contacting me because they thought I was the reincarnation of the pharaoh. It was especially ironic because around that time I’d been told a few times that I wasn’t “sexy enough” to play pharaohs. I’m clearly having the last laugh on this one.

8) What is your dream role?

I actually have a project about Akhenaten on the back burner. He was fascinating: the first person in recorded history to believe in one deity, reportedly bisexual, and the father of King Tut.

Right now, though, I’m more interested in characters that center Arab Americans as relatable human beings. I have yet to see a character on TV that really is anything like me as a person or like my family. I’m tired of seeing us portrayed in the context of terrorism or violence.

I also secretly harbor a desire to play Mama Rose in the musical ‘Gypsy’.

9) Tell us about your philanthropic work.

Right now, I’m most involved in Black Lives Matter as an ally and volunteer, and am working on a support group for LGBTQ Muslims. I also picket a lot. There’s a lot to protest these days.

10) You have a lot going but what else can we look forward to?

I worked on a couple movies recently. Namour is the debut of a wonderful Egyptian-American filmmaker named Heidi Saman. It’s a rare film that shows the everyday life of Arab Americans in a very authentic and visually cool way. That will be in theatres and on Netflix in mid-March. I also play a very different role in a thriller called Message from the King starring Chadwick Boseman and Alfred Molina. I’m not sure when that will be released, but I imagine soon. It’s a real treat to be able to play so many vastly different sorts of characters. I’m a lucky duck.

Photography by David-Gabe Photography

#prisonbreak #fashion #style #men

[arraynow]

Tune-in! THE HOUSE ON COCO ROAD director Damani Baker talks film highs + lows with NAMOUR director Heidi Saman of NAMOUR on the latest edition of ARRAY's THE CALL-IN! Listen + share here: www.soundcloud.com/arraynow #podcast #nowplaying #filmmakers #arraynow

#nowplaying #arraynow #podcast #filmmakers