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#he admits in his book he would suffer from shyness with women from the time he first started dating
ruki--mukami · 2 years
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Headcanon of ruki wigh feminine and very soft male s/o? 🥺
Mukami Ruki — “Feminine, Soft” Male S/O Headcanons
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💕 At first, Ruki might be a bit caught off guard by your feminine looks. After all, despite being a Vampire living in modern times, he was still raised in an aristocratic family. Gender roles back then were very different than they are today. Men were expected to assume a masculine role and the same goes for women and their femininity.
💕 Despite this obsolete mentality, that doesn’t mean Ruki will dislike your appearance. If anything, over time he grows more and more infatuated with it. It’s what’s on the inside that counts more than anything for him. He’s drawn not only to the blood coursing through your veins, but also your gentle and sweet personality. The way you carry yourself, your words of affirmation, your cute mannerisms, your loving caresses; it all attracts Ruki like an irresistible magnet.
💕 Ruki lives for the flustered, cherry red blush adorning your cheeks. Knowing he’s the reason behind your sudden shyness motivates Ruki to do anything to make you melt in his arms. Expect a lot of physical touch, such as soft caressing or tight hugs that prelude harsh yet passionate bites all along your body to mark his possession. Not only is your embarrassment absolutely adorable, but also it heightens the taste of your blood immensely.
💕 If you have been well-behaved, then Ruki will spoil you with dates both inside and outside the Mukami manor. Whether it’s curled up reading a thought-provoking piece of literature together or going to the local café next to the bookstore, Ruki finds joy in pampering you with completely uninterrupted quality time and his undivided attention. Since he’s rather possessive and gets jealous easily, the bite marks along your neck and shoulders aren’t enough. He has to hold your hand pretty much the whole time both of you are outside to dissuade any potential flirts and show others that you belong to him.
💕 Anyone caught ogling his partner will, without hesitation, suffer Ruki’s wrath. While he’s aware that you attract lots of unwanted attention from others due to your feminine face and slender body, the Vampire will resort to intimidation to ward off what he considers “competition.” He instantly becomes ten times more protective than he was before knowing full well that your effeminate looks
💕 The Master/Livestock dynamic still persists, albeit playfully and mostly behind closed doors. Nevertheless, Ruki expects you to never leave his side and stay close to him at all times, especially in public. Otherwise, a punishment is in order for potentially trying to appeal to strangers. Yes, he's strict as ever, even with a soft significant other.
💕 Even so, beneath the strict and sometimes cold demeanor is a Vampire who finds solace in your arms or in your kisses. Sometimes a simple confession of love might be all he needs to snap back to his senses. While he won't admit it so easily, Ruki appreciates honest and straightforward affection from you.
💕 Since stroking Ruki’s hair relaxes him, so much so that he could even fall asleep from the soothing sensation, he will return the same treatment to his lover. Don’t be fooled, though. This Vampire still thirsts for blood, even when drowsy from the feeling of your fingers threaded in his dark curls. Ruki would linger gentle love bites along your skin as you both cuddle in each other’s arms, usually in bed or perhaps on the couch after reading a book or completing a jigsaw puzzle.
💕 "You’re more than just my prey or mere livestock now. It’s not only your blood or your body that I want, but also your heart. All of your love, your devotion, your everything. You’re my possession. Heh, it's adorable how red your cheeks have gotten. Don't show this face to anyone else."
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(( You may or may not have noticed, but currently what you just described sounds a lot like one of my ongoing interactions. Ruki and Lukas, or Rukas as their ship name is called. Just wanted to mention a lot of my ideas come from their ship, and honestly if you want a better idea of how he'd act with this kind of S/O, then I highly suggest you read the Rukas threads. They're not significant others yet but still. 😩😩😩 ))
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bearsofair · 6 years
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I arrive early at the LA hotel where I'm meeting Game of Thrones star Gwendoline Christie, and my first impression of the actor is formed in a millisecond when I bump into her in a hallway. Unusually and ethereally beautiful, towering above me, there's no mistaking the 39-year-old who stars as the indomitable Brienne of Tarth in the must-watch TV series, and who is reprising her role as the villainous Captain Phasma in Star Wars: The Last Jedi. (She first played the kickass stormtrooper in the previous chapter, 2015's The Force Awakens.) Wearing a see-though black Fendi top and narrow trousers, her blonde hair is wavy and bobbed. With her porcelain skin and 191-centimetre stature, she could easily look intimidating. But her bright smile makes her approachable, so I tell her, in an embarrassing babble, that I love her work and that my two daughters are huge fans. She seems delighted, as though compliments are not at all commonplace. Is she enjoying Hollywood stardom? "I don't think I would ever term myself as a Hollywood star… ever," she responds with a loud laugh, while admitting that "things seem to be going quite well". That sounds like an understatement. "Well it's always great, isn't it, when you feel a level of creative fulfilment in your work?" says Gwendoline in her lovely melodic voice.
She has every reason to be in good spirits. Her film career is in flight and life post-Westeros looks exciting. She has loved Star Wars since she was six, she tells me later, ushering me into her hotel suite and settling beside me on the sofa, poised, hands clasped. "Everyone wants to be in Star Wars. It is such a huge global phenomenon; I desperately wanted the role." The latest instalment in the franchise sees Mark Hamill's Luke Skywalker in a prominent role with an apparently shocking twist. There will also a strong focus on a new generation of characters, including purple-haired Vice-Admiral Holdo, played by Laura Dern. Since the release of The Force Awakens, Gwendoline's "chrome trooper" has become a fan favourite. "Phasma seems to have ignited a lot of curiosity," she says. "The idea of a woman exhibiting a violent attitude is not something we see a huge amount of in mainstream media." There is speculation that Phasma has a much bigger role in the upcoming film, directed by Rian Johnson, but inevitably the actor is giving nothing away beyond referring to her character as "a threatening presence". Can she say anything about the plot, which continues the story of the powerful Rey (Daisy Ridley), Finn (John Boyega) and resistance pilot Poe Dameron (Oscar Isaac)? "Well, no." A few seconds of dead air are interrupted by a hearty laugh. She is less restrained about her excitement at working with one of her role models, Carrie Fisher (General Leia Organa), the Hollywood legend who died suddenly at the end of last year. "Princess Leia spoke to me," says Gwendoline of the original Star Wars. "She felt different, she was smart and she was strong." No wonder Gwendoline was "very, very starstruck" when she was introduced to Fisher. "When I meet someone I admire like that, I keep myself as far away as possible from the person, you know, don't bother them, eyes down at the floor. I am overcome with shyness. But, actually, Carrie was incredibly warm. Everyone around her felt electrified by her wit and humanity. She was so open about her struggles with mental illness. The sheer force of personality is ravishing." The same could be said of Gwendoline. It's no coincidence that the characters that have defined her career so far have been warriors ranging across the moral spectrum, from Brienne of Tarth – all goodness and altruistic selflessness – to the pure evil of Captain Phasma. She inhabits the kind of roles that are still rare for women. Brienne of Tarth, for example, is considered to be plain looking. "It has been thrilling for me to play her, particularly since she is a woman much maligned by society due to the way she looks," she says. As for Captain Phasma, audiences didn't even get a glimpse of her face in The Force Awakens, the stormtrooper being clad from head to toe in metal. "I've never really placed a huge emphasis on people's physical being," she says. "I remember Carrie Fisher referring to her body as her 'brain bag'." It's a subject that fascinates the actor, who is as intellectually curious as she is warm and funny. "We are so used to seeing images of women who are mostly conventionally attractive, and frequently scantily clad, and I found that a little restrictive," she says. "We have had a homogenised view not just of women, but really of the world. I think we all want to see ourselves represented [on screen] in some way." She has an affinity for playing outsiders, "characters that feel like they aren't seen and don't fit in. Most of my life I have felt somewhat outside of the conventions of society – and certainly outside the conventions of the acting community." Gwendoline was born and raised in West Sussex, "the only product of my mother and father". She is deliberate about her choice of words, avoiding the term "only child". In fact, she describes her early life as "idyllic – I grew up in the countryside surrounded by fields and forests. I used to play outside all the time. I was generally alone, but I loved to read." Away from the sanctuary of her close-knit family, however, life was difficult. "I absolutely hated school because I was bullied quite a lot." She was bookish and "really enjoyed being in the library, but I didn't enjoy the other students". Was she bullied because of her height? "I don't think it was just my height." She pauses. "I don't know. I'm really not interested in talking about the bullying; what I am interested in is transcending that, because there is too much of an emphasis on suffering. We need to look at how we overcome it." She explains her own coping mechanism: "I looked for where the sunshine was – for those who'd be more accepting and stimulating." As a child, Gwendoline threw herself into hobbies – dancing and rhythmic gymnastics (she had to stop because of a spine injury at age 11). "Retrospectively, I realise what I loved about gymnastics was the rigour of being disciplined and precise, and then applying the flow of emotion and imagination to that." Films provided "escapism", she says, singling out Orlando (1992), directed by Sally Potter, as "important". I can't help mentioning that she has been compared to the film's star, Tilda Swinton. "Well, that is an incredibly generous comparison," she exclaims. "I think she is a truly exceptional artist; she is doing her own thing." It's something Gwendoline has always done, too. Her parents were "incredibly supportive" and there's a story that when she was young her father told her, "You can do anything a boy can do." "He didn't use those exact words," says Gwendoline. "But he did say, 'There's no reason why you can't achieve anything.' " Intent on acting from an early age, she recalls watching films as a teenager and wondering why the women's parts were so often boring. "When we studied classical plays at school, I wanted to play the male parts. I didn't understand why women would be treated in a certain way just because they were women. It didn't make any sense. A lot of things didn't make any sense." Life began to make more sense when Gwendoline left school and enrolled in art college. "I became friends with artists working in the fashion industry, and musicians. That is really where I found my family – unconventional people who were totally accepting of themselves in all of their colourfulness and extreme personalities." She went on to study acting at Drama Centre, London – "a conservatoire with a classical training and method approach" which she describes as life-changing. "It was hard, 12 hours a day, six or seven days a week. It was psychologically rigorous. You were broken down and sometimes criticised. It caused you to have an internal investigation of who you were, and that gave me confidence. They trained us to be artists." In her early 20s, Gwendoline also began working for the actor Simon Callow (Outlander, Four Weddings and a Funeral). "He gave me an enormous amount of confidence," she says. "He also educated me. He had an incredible house filled with music and books, and I looked after his two wonderful dogs. He is one of the closest and most trusted people in my life." With Callow's support, Gwendoline's career took off via well-reviewed stage performances and supporting roles in films including The Imaginarium of Doctor Parnassus, before being cast as Brienne of Tarth in 2011. In doing so, she defied predictions that she'd find it difficult to work because of her height. In fact, her stature and dramatic looks played to her advantage. With friends in the world of couture – she was interested in fashion long before art college – Gwendoline was in high demand as a model and became a muse of Vivienne Westwood. These days, she often collaborates with her partner of five years, British fashion designer Giles Deacon. She won't discuss her relationship with Deacon, citing her need for a private life that's just that. "Because of the phantasmagorical nature of being an actor, you have to have your own reality," she says. She explains that her "friends, family and partner form such an essential part of that reality that I do everything I can to get home, to see people as much as possible – because it is that life which is going to feed your work". Steering the subject back to her career, she happily tells me she is about to work alongside Steve Carell in The Women of Marwen. And she is enthusiastic about her recent role in Jane Campion's Top of the Lake: China Girl, the sequel to Campion's award-winning 2013 TV drama. In it, she played Miranda Hilmarson, a Sydney police officer assigned to work with detective Robin Griffin (Elisabeth Moss) investigating the death of a woman whose body washes up on Bondi Beach. A confirmed Campion fan, Gwendoline wrote to the New Zealand director pleading to be cast in the series, which also stars Nicole Kidman. "I love Jane because she is interested in women, in a fairer balance between men and women, and she is very interested in the subject of misogyny." She adds that Top of the Lake: China Girl "deals with what it is to be a woman and a mother, what it is to deal with feeling marginalised". Other than spending time with friends and family, Gwendoline's current focus is firmly on her career. So, what are her goals? "To create my own material – write it, direct it, design it, produce it. That is what I would love to do – if I wasn't so idle and lacking in imagination!"
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notbemoved-blog · 3 years
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Books, Books, Books
Lists are all the rage at the end of any year and this plague year is no exception. Since I’ve read a fair number of books by friends this past year or so, I thought I’d send out my “Goodreads” reviews of all three books that I’ve enjoyed with the hope of giving each a bit more recognition (and perhaps a bump in sales) in the New Year. The reviews are presented in the order that I reviewed them. All three books are available on Amazon or through your local independent bookstore. Also try IndieBound, the online independent bookseller. 
[End of Year Note: My apologies for not being more active on social media lately. I’m working on my own follow up to “We Shall Not Be Moved” and have tried to stay away from all forms of distraction, including social media. With any luck, my next project, the story of the Tougaloo Nine Library Sit-In, will be on its way to the publisher at the end of 2021.]
And now, for our 2020 BOOKS, BOOKS, BOOKS!
Wave On: A Surfing Story by Michael E.C. Gery
(Amazon Digital Services, 2018, 432 pages, Autobiographical Fiction)
[Reviewed August 2019]
"A wonderfully adept stoner’s diary for the boomer generation."
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I was thoroughly enchanted with “Wave On” from beginning to end. Even when I wasn’t sure exactly where we were going, the ride was exhilarating. Perhaps it was because I knew many of the places where the action takes place: Williamsburg, the Outer Banks, Annapolis, Ocean City, College Park, and even The Who concert back in 1971 [or was it ’70?] at Merriweather Post Pavilion, which I also happened to attend!! I read very little fiction but a fair amount of biography and memoir, and I must say that I rarely find a work of fiction that is as engaging and heart-driven as “Wave On.”
Part One is a pure, lovely, romantic love story that is contemporaneous with our early adulthood and, thus, easy for me to put myself in the shoes of Cro as he tries to navigate the strictures of young adulthood in a laissez-faire new world of the mid-1960s. The fact that he has been schooled at an Episcopalian Boys school and loves all of those old hymns and prayers makes it all the more real for me, having attended a 4-year Catholic high school seminary. Cro’s goofiness, uncertainty, and (initial) shyness around women also resonated.
What I loved about Part One is that Gery establishes a voice for Cro, the Narrator, that is immediate, engaging, alive, and consistent throughout the entire novelization of what I believe is Gery’s young adult life. (A new term I just picked up--“autofiction” i.e., autobiographical fiction--seems to apply here.) Cro is so normal in his struggles to understand how the world works, so honest in his mistakes, so in love with his environment—the ocean, the waves, the shore—that he makes us love them, too, perhaps a bit more than we already do. But it is that voice that intrigued me throughout. No matter what kind of scrape Cro and his interesting band of friends and lovers gets into, there is a confidence that they are up to the challenge. [I must admit that Cro’s drift during Part Two with regard to his professional aspirations and even his family life was a bit baffling, but I came to think that the weed had a lot to do with his lack of ambition and direction.]
Part Two, of course, gets a bit more complicated as real life intervenes and our little Love Couple begins to encounter troubles from within and without. I hated to see that and was certain that Cro was going to lose his wonderful Ella and Adam and couldn’t see my way through to how it all might resolve, particularly when Maryanne enters the picture and the Neil Young Concert kiss betrays a problematic (if not fatal) flaw in our hero. But I suffered through all of that, wanting to see how it all came out in the end. Although there was no deus ex machina, the surprising turn of events that helps resolve these dramatic arcs is shocking yet consistent. It all made narrative sense and helped explain why we were taken on so many to such a happy ending.
“Wave On” is a wonderfully adept stoner’s diary for our boomer generation. I can’t wait for Gery’s next work of autofiction to continue the journey with him. 
 Hard Road South by Scott Gates
(Blue Ink Press, 2020, 254 pages, Fiction)
[Reviewed, May 2020] 
“A little jewel box of a novel.”
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 “Hard Road South” is a little jewel box of a novel set during the early days of Reconstruction Virginia. This beautifully rendered tale imagines a naïve Connecticut Yankee—a former Union soldier—who travels South to visit and potentially settle in some of the lush foothills of the Shenandoah Valley where he once engaged the Confederate “enemy”. Hoping to find peace while helping to reform a culture that wishes to be left alone, our hero, one Solomon Dykes, finds fast friends but also fast enemies amidst the verdant pastures of his would-be Old Virginny Home.
An early scene sets the tone: A down on her luck woman is stopped in the town of Middleburg—the place that would become the enclave of the likes of millionaires John and Jackie Kennedy and Jack Kemp Cooke a century later—by some Union soldiers still on the scene occupying this “foreign” land to ensure compliance with Union directives. Her transgression? Wearing the Confederate uniform jacket of her dead husband. The three Confederate buttons on the jacket must be removed or she will be arrested and charged with treason. Such is the over-reach of conquering heroes.
Our damsel in distress is aided by the swift thinking of one Jeb Mosby, a local farmer, who pulls out his knife and gently removes the buttons so as to spare his life-long neighbor the embarrassment of arrest. “Such was life now,” Mosby observes. “Filled with reminders—small as they may seem—that life would not soon be returning to how he’d left it before the war.” It is small observations such as this that gives this book its charm and its weight. Representations of what life must have been like for the conquered South are constant reminders that the likes of Solomon Dykes were not at all welcome and most likely would be rebuffed should the opportunity arise. Scott Gates is new to novel writing, but you wouldn’t know it from his sharp eye for detail and his pacing. Gates gives his story and his characters plenty of room to breathe and develop while providing the reader with glimpses of the specifics of their war-torn lives. A Southerner by birth, Gates offers a sensibility of one trying to bridge the great divide while not shying away from the difficulties building that bridge might require. This is a tale for our time, as well, as our nation is once again fraught with deep divisions perhaps not seen since the ending of that great Civil War more than 150 years ago. We are stuck and unable to move forward until some fundamental rift gets settled. “Hard Road South” is a highly readable, thoroughly enjoyable yet cautionary tale for our time. Perhaps we can learn from the past and this time get things right. Perhaps … 
 Small Business Big Heart: How One Family Redefined the Bottom Line by Paul Wesslund
(Highway 61 Communications, 2020, 242 pages, Nonfiction)
[Reviewed, August 2020]
“Big-hearted Book Teaches That Care for Others = Good Business”
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In the midst of a global health crisis—the worst we’ve seen in generations—and while we struggle as a country, as a people, to find our footing morally and culturally during a reductio ad absurdum political creep show, Small Business BIG HEART lands as a corrective, a balm to soothe frayed nerves and intemperate minds. That is not to say that this big-hearted book is pablum. No, the stories it brings are all too real—people who often have lost their way through drugs, alcohol, and bad choices; refugees who have fled horrific circumstances and are looking only to start a new life but can’t due to the stigma of being different; and one family in particular that is faced with its own dissolution as well as the loss of its dream of a thriving family business. The high-stakes rollercoaster ride that journalist Paul Wesslund takes us on is dizzying not only for its incredible highs and sometimes tragic lows, but also because it introduces a concept too often forgotten … no, disregarded … in modern business life—what corporate governance experts would call “the duty of CARE.”
Sal and Cindy Rubino are two hard-working business owners who, through the course of their trials and tribulations, manage to hold on to the dream of a creating their own business from scratch while also enduring the inevitable personal strains that such a dream exacts. The two met and fell in love while working toward Hospitality Management business degrees in Miami, but the real story starts when they try and apply the lessons of their training in the difficult day-to-day drudgery of actually running their own restaurant—simply named “The Café”—in an offbeat, run-down section of Louisville, Cindy’s hometown. It is here that their skills and wills are tested to the limits and each will have to adjust their visions to fit the realities not explored in textbooks. And it is here that their hearts will be broken, and then opened to the truths that adaptability and innovation can be applied not only to recipes and business models, but to the very people you employ and the methods you use to build a team for success.
Along the way, we meet all manner of broken individuals. The restaurant business is notorious for laying waste to lives due to its thankless dawn-to-dusk hours and the constant requirement to please the customer at all costs. Wesslund has an expert’s eye for the telling detail and the wrenching story line. [I found myself tearing up at any number of stories throughout this engaging, nonfiction tale.] His twenty years as editor-in-chief of Kentucky Living, the largest circulation monthly magazine within the state, shows in the well-drawn portraits of individuals from as far away as Bhutan and as near as Pricilla’s Place, a half-way house just a few blocks from the Café, where Cindy and Sal would find some of their best employees. Perhaps Wesslund’s (not to mention the Rubinos’) refusal to judge people by the standards of upwardly mobile middle-class values but instead, with extraordinary discernment, to look deeper into their souls to spot their special sparks and unique talents is the hallmark of this extraordinary book.
It is rare outside of evangelical circles to find a book that so openly espouses Christian principles, but Sal and Cindy make no bones about the fact that their faith community helped to save their marriage as well as their business, and Wesslund recounts the strength of those relationships and the power of religious inspiration with rare delicacy. Yet the book is not all seriousness and drama. We get, of all things, recipes (!) at the start of nearly every chapter—a creative way of introducing a new topic or the next development of this constantly churning story. And we are introduced to Cindy’s creative cooking style, to Sal’s winning smile and to their gracious, open approach to hospitality.
Small Business BIG HEART runs the gamut of the small business life cycle. It is a soup-to-nuts (literally) primer on the ups and downs of small business management. As such, it is tough medicine for anyone daring to think of creating their own start-up. Given that, however, it provides a deeply affecting microcosm of how we as a society—as a culture—might live if we, indeed, saw everyone we encountered as a member of our own family. It does not skimp on the tough decisions that must be made to keep a business afloat—the “tension between compassion and the bottom line”—but it provides a template on how to “run a business with heart”—where everyone can be a winner.
Wishing you a New Year full of new books, new ideas, new opportunities, new promise. 
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Press: Warrior woman: How Gwendoline Christie escaped the pressure to fit in
  The Sydney Morning Herald – I arrive early at the LA hotel where I’m meeting Game of Thrones star Gwendoline Christie, and my first impression of the actor is formed in a millisecond when I bump into her in a hallway. Unusually and ethereally beautiful, towering above me, there’s no mistaking the 39-year-old who stars as the indomitable Brienne of Tarth in the must-watch TV series, and who is reprising her role as the villainous Captain Phasma in Star Wars: The Last Jedi. (She first played the kickass stormtrooper in the previous chapter, 2015’s The Force Awakens.)
  Wearing a see-though black Fendi top and narrow trousers, her blonde hair is wavy and bobbed. With her porcelain skin and 191-centimetre stature, she could easily look intimidating. But her bright smile makes her approachable, so I tell her, in an embarrassing babble, that I love her work and that my two daughters are huge fans. She seems delighted, as though compliments are not at all commonplace.
  Is she enjoying Hollywood stardom? “I don’t think I would ever term myself as a Hollywood star… ever,” she responds with a loud laugh, while admitting that “things seem to be going quite well”. That sounds like an understatement. “Well it’s always great, isn’t it, when you feel a level of creative fulfilment in your work?” says Gwendoline in her lovely melodic voice.
  She has every reason to be in good spirits. Her film career is in flight and life post-Westeros looks exciting. She has loved Star Wars since she was six, she tells me later, ushering me into her hotel suite and settling beside me on the sofa, poised, hands clasped. “Everyone wants to be in Star Wars. It is such a huge global phenomenon; I desperately wanted the role.”
  The latest installment in the franchise sees Mark Hamill’s Luke Skywalker in a prominent role with an apparently shocking twist. There will also a strong focus on a new generation of characters, including purple-haired Vice-Admiral Holdo, played by Laura Dern.
Since the release of The Force Awakens, Gwendoline’s “chrome trooper” has become a fan favourite. “Phasma seems to have ignited a lot of curiosity,” she says. “The idea of a woman exhibiting a violent attitude is not something we see a huge amount of in mainstream media.”
  There is speculation that Phasma has a much bigger role in the upcoming film, directed by Rian Johnson, but inevitably the actor is giving nothing away beyond referring to her character as “a threatening presence”.
  Can she say anything about the plot, which continues the story of the powerful Rey (Daisy Ridley), Finn (John Boyega) and resistance pilot Poe Dameron (Oscar Isaac)? “Well, no.” A few seconds of dead air are interrupted by a hearty laugh.
  She is less restrained about her excitement at working with one of her role models, Carrie Fisher (General Leia Organa), the Hollywood legend who died suddenly at the end of last year. “Princess Leia spoke to me,” says Gwendoline of the original Star Wars. “She felt different, she was smart and she was strong.”
  No wonder Gwendoline was “very, very starstruck” when she was introduced to Fisher. “When I meet someone I admire like that, I keep myself as far away as possible from the person, you know, don’t bother them, eyes down at the floor. I am overcome with shyness. But, actually, Carrie was incredibly warm. Everyone around her felt electrified by her wit and humanity. She was so open about her struggles with mental illness. The sheer force of personality is ravishing.”
  The same could be said of Gwendoline. It’s no coincidence that the characters that have defined her career so far have been warriors ranging across the moral spectrum, from Brienne of Tarth – all goodness and altruistic selflessness – to the pure evil of Captain Phasma.
  She inhabits the kind of roles that are still rare for women. Brienne of Tarth, for example, is considered to be plain looking. “It has been thrilling for me to play her, particularly since she is a woman much maligned by society due to the way she looks,” she says.
  As for Captain Phasma, audiences didn’t even get a glimpse of her face in The Force Awakens, the stormtrooper being clad from head to toe in metal.
  “I’ve never really placed a huge emphasis on people’s physical being,” she says. “I remember Carrie Fisher referring to her body as her ‘brain bag’.”
  It’s a subject that fascinates the actor, who is as intellectually curious as she is warm and funny. “We are so used to seeing images of women who are mostly conventionally attractive, and frequently scantily clad, and I found that a little restrictive,” she says. “We have had a homogenised view not just of women, but really of the world. I think we all want to see ourselves represented [on screen] in some way.”
  She has an affinity for playing outsiders, “characters that feel like they aren’t seen and don’t fit in. Most of my life I have felt somewhat outside of the conventions of society – and certainly outside the conventions of the acting community.”
  Gwendoline was born and raised in West Sussex, “the only product of my mother and father”. She is deliberate about her choice of words, avoiding the term “only child”.
  In fact, she describes her early life as “idyllic – I grew up in the countryside surrounded by fields and forests. I used to play outside all the time. I was generally alone, but I loved to read.”
  Away from the sanctuary of her close-knit family, however, life was difficult. “I absolutely hated school because I was bullied quite a lot.” She was bookish and “really enjoyed being in the library, but I didn’t enjoy the other students”.
  Was she bullied because of her height? “I don’t think it was just my height.” She pauses. “I don’t know. I’m really not interested in talking about the bullying; what I am interested in is transcending that, because there is too much of an emphasis on suffering. We need to look at how we overcome it.”
  She explains her own coping mechanism: “I looked for where the sunshine was – for those who’d be more accepting and stimulating.”
  As a child, Gwendoline threw herself into hobbies – dancing and rhythmic gymnastics (she had to stop because of a spine injury at age 11). “Retrospectively, I realise what I loved about gymnastics was the rigour of being disciplined and precise, and then applying the flow of emotion and imagination to that.”
  Films provided “escapism”, she says, singling out Orlando (1992), directed by Sally Potter, as “important”. I can’t help mentioning that she has been compared to the film’s star, Tilda Swinton. “Well, that is an incredibly generous comparison,” she exclaims. “I think she is a truly exceptional artist; she is doing her own thing.”
  It’s something Gwendoline has always done, too. Her parents were “incredibly supportive” and there’s a story that when she was young her father told her, “You can do anything a boy can do.”
  “He didn’t use those exact words,” says Gwendoline. “But he did say, ‘There’s no reason why you can’t achieve anything.’ ”
  Intent on acting from an early age, she recalls watching films as a teenager and wondering why the women’s parts were so often boring. “When we studied classical plays at school, I wanted to play the male parts. I didn’t understand why women would be treated in a certain way just because they were women. It didn’t make any sense. A lot of things didn’t make any sense.”
  Life began to make more sense when Gwendoline left school and enrolled in art college. “I became friends with artists working in the fashion industry, and musicians. That is really where I found my family – unconventional people who were totally accepting of themselves in all of their colourfulness and extreme personalities.”
  She went on to study acting at Drama Centre, London – “a conservatoire with a classical training and method approach” which she describes as life-changing. “It was hard, 12 hours a day, six or seven days a week. It was psychologically rigorous. You were broken down and sometimes criticised. It caused you to have an internal investigation of who you were, and that gave me confidence. They trained us to be artists.”
  In her early 20s, Gwendoline also began working for the actor Simon Callow (Outlander, Four Weddings and a Funeral). “He gave me an enormous amount of confidence,” she says. “He also educated me. He had an incredible house filled with music and books, and I looked after his two wonderful dogs. He is one of the closest and most trusted people in my life.”
  With Callow’s support, Gwendoline’s career took off via well-reviewed stage performances and supporting roles in films including The Imaginarium of Doctor Parnassus, before being cast as Brienne of Tarth in 2011. In doing so, she defied predictions that she’d find it difficult to work because of her height.
  In fact, her stature and dramatic looks played to her advantage. With friends in the world of couture – she was interested in fashion long before art college – Gwendoline was in high demand as a model and became a muse of Vivienne Westwood. These days, she often collaborates with her partner of five years, British fashion designer Giles Deacon.
  She won’t discuss her relationship with Deacon, citing her need for a private life that’s just that. “Because of the phantasmagorical nature of being an actor, you have to have your own reality,” she says.
  She explains that her “friends, family and partner form such an essential part of that reality that I do everything I can to get home, to see people as much as possible – because it is that life which is going to feed your work”.
  Steering the subject back to her career, she happily tells me she is about to work alongside Steve Carell in The Women of Marwen. And she is enthusiastic about her recent role in Jane Campion’s Top of the Lake: China Girl, the sequel to Campion’s award-winning 2013 TV drama. In it, she played Miranda Hilmarson, a Sydney police officer assigned to work with detective Robin Griffin (Elisabeth Moss) investigating the death of a woman whose body washes up on Bondi Beach.
  A confirmed Campion fan, Gwendoline wrote to the New Zealand director pleading to be cast in the series, which also stars Nicole Kidman.
  “I love Jane because she is interested in women, in a fairer balance between men and women, and she is very interested in the subject of misogyny.” She adds that Top of the Lake: China Girl “deals with what it is to be a woman and a mother, what it is to deal with feeling marginalised”.
  Other than spending time with friends and family, Gwendoline’s current focus is firmly on her career. So, what are her goals? “To create my own material – write it, direct it, design it, produce it. That is what I would love to do – if I wasn’t so idle and lacking in imagination!”
  Star Wars: The Last Jedi opens in cinemas on December 14.
Press: Warrior woman: How Gwendoline Christie escaped the pressure to fit in was originally published on Glorious Gwendoline | Gwendoline Christie Fansite
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hughshannon1994 · 4 years
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Can Zinc Cause Premature Ejaculation Eye-Opening Useful Tips
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kamerionbeaudry91 · 4 years
Text
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rebeccabrynposts · 7 years
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Splattering Richard over my Laptop. – the secrets of award-winning author, Sarah Stuart.
So who is Sarah Stuart? I mean, who is she really? Who is the very private woman behind the pen – no, make that keyboard, please make that keyboard: Sarah’s writing is totally illegible to everyone except me, and I struggle. Is this why I have her comments in bold?
‘Getting to know you, getting to know all about you…’
‘Getting to like you, getting to hope you like me.’
‘Quiet, Sarah. One, you can’t sing, and two, you get your fifteen minutes of fame in a minute.’ As Sarah is a lover of musical theatre, and the theatrical world is the backdrop to Sarah’s amazing Royal Command series of novels, that song seems like a suitable place to begin and, as I’ve known Sarah for more years than either of us will admit to, who better to ask her those difficult, probing, embarrassing questions? (Cue evil laughter from stage right.)
‘I’m leaving right now! You’ve invited the Wicked Witch of the West.’
‘I am the Wicked Witch of the West. Sarah, you’ve been writing since you were a child. What and who would you say were your greatest childhood influences and why?’
‘My father worked appallingly long hours, and when he was home he was gardening or building excessively heavy furniture. My mother was never in good health. So, the short answer is loneliness. My make-believe world was more real than reality. It wasn’t as black as that. My father loved opera, and he could sing, and my mother thought of chapters from Charles Dickens as suitable bedtime stories. She also had touching faith in my ability to write. On day, my prince… my bestseller would come.’
‘Your books have enough awards for that to become a reality. All you need is exposure.’
‘Can’t I get arrested for exposing myself to the Wicked Witch of the West and all the people who happen by?’
‘Only if you have a raincoat.’
‘Of course, I have a raincoat. I live in England!’
‘You should try living in Wales! I’ve always admired your courage and determination through adversity, Sarah. Would you like to tell us about some of the things in life you’ve had to overcome? Those you can tell us about, that is.
‘Him Indoors made one of his many career moves some years ago, dragging me, and my dog, away from our new interest, dog obedience training. My Border Collie, Sweep, was gleeful. He was a good boy. Yes, after two years hard work, he was so much improved I had my eye on entering obedience competitions. Not to worry, Him Indoors declared, there’s an obedience club right here. Sweep and I joined, and I got co-opted onto the committee. At the second monthly meeting, the trainer announced she was moving, like now, so who would take over? I could write a book about the excuses why nobody was able… they weren’t able, and their dogs proved it… their work was seasonal, so they had no time from January to May… I volunteered; only fifteen people turned up on a good night, and Sweep needed to practice working with other dogs around. Fifteen people? There were forty members, all with more than one dog, and they’d all turned out to watch their new trainer make a fool of herself.
‘Children brought up alone tend to be self-contained almost to the point of shyness, and very self-reliant. I was no exception, and all I knew about teaching other people to train dogs was what I’d learned from watching at my first club where the trainer worked her own dogs at Crufts level. Helpppppppp… run… No way! I pretended to be that trainer, and six months later I realised I was no longer acting; I’d learned a lot from her, and I had a talent for teaching.’    
‘Do you think these experiences, and the way you dealt with them, have translated into your writing? Can you give us an example?’
‘I hadn’t thought about it until now, but a lot of my characters’ problems stem from their determination not to ask for help, or a lack of communication. Take Dangerous Liaisons… if you haven’t read it, do take it while it’s free. If Lizzie and Michael had talked, she’d have known he wanted children… He’d have known she valued his company over wealth, and not set out to prove he could succeed without help… The root of the whole series is a failure to interconnect. I could give dozens more examples from book one alone, but I’d spoil the story for new readers and have existing ones commenting that they could have told me that!’
‘Are you sure you’re the Wicked Witch of the West or a guide who demonstrates instruments of torture like the Iron Maiden and the Rack to visitors at the Tower of London?’
‘My secret is out! I love torturing the truth out of people and finding out what makes them thick… I mean tick. (Freudian fingers) The Royal Command series has been through many drafts and rewrites over the years to reach its present polished state. It takes determination and commitment to stick to a project long term. What, or who, kept you going throughout all the changes?’
‘Michael. He was never intended to be the lead character. Lizzie was my heroine, the story was hers and it was to be pure romance with a happy ending, not the start of Michael’s life story, but he gets inside my head and starts talking, and they say only women nag!’
‘I find the historical thread that runs through this series really interesting. Why did you choose this period in history to explore?’
‘The Tudors are popular and reasonably well known, but very little fiction has been written about Henry VIII’s elder sister, Margaret. Princesses were pawns in the political marriage game, so she was married young to James IV of Scotland. It is commonly regarded as a happy marriage, but why when the only evidence is the births of six children? The king had mistresses, but he needed an heir. What interested me was the gap between their firstborn boy, who died, and the second. The truth is very likely a miscarriage, but…’
‘Quite. An illegitimate child, a treason punishable by death when you’re the wife of a reigning monarch, makes a better story. You’ve dealt very cleverly with some pretty taboo subjects in The Diamond Superstar, Michael Marsh’s, ‘unconventional’ showbiz family. Did you intend to write about incest, sexual perversions, and child sex-trafficking or did the characters behave recklessly, as usual, and take you by surprise?’
‘Incest took me by surprise, though it shouldn’t have given the way Lisette was brought up, rarely seeing the superstar father she adored, combined with the dangerous romantic command in the Book of Hours to “find love where ye may”. The result, Harriet, caused problems with the end of my “one book”, Dangerous Liaisons, and led directly to Illicit Passion; there was no way there could be a long-term happy ending for either of The Diamond Superstar or Lisette, though they appear to achieve it in the sequel when the evil, perverted, “bodyguard” drowns. I did have a hand in book three by planting the grounding. Bodyguards working for that company worked in pairs, which left one of them, cheated of his money to “turn-a-blind-eye”, on the loose and, apparently, intent of revenge. Nothing so simple, as I discovered when Brian left his wife, pregnant Lisette, and flew to New York.
‘Sex-trafficking was added deliberately. I investigated it while I was recovering from researching Evie’s troubles, and the ease with which such men could trap youngsters had to be revealed, and Michael’s youngest daughter, Greta, was a prime target.’
‘I love all the books in the Royal Command series but I found the latest, Sweet Temptation, particularly fascinating. The courage you show in reliving the nightmare of your weeks in a coma and the subsequent recovery astounds me. You have given us a rare glimpse of what it must have been like and it’s terrifying. Do you think you took research for Evie’s character a step too far? Or was it just a ploy to get out of cooking Christmas dinner?’
‘I detest cooking, and Christmas dinner is definitely one of the most demanding meals of the year. (The others are dinner parties where I know at least one of the guests is a superb cook.) Now, let’s be clear on this: I didn’t catch pneumonia, and a very fancy sort at that, on purpose. The puzzle is from whom I caught it. I didn’t date a strange man as per Evie! I have a perfectly good chap at home. I enjoyed writing a lot of Sweet Temptation, but I found Evie’s hospital POVs extremely tough to write. My nightmares were adapted to her life but thinking about them made me feel ill, and I started suffering nightmares again for a while. The worst aren’t in the book, and they were truly horrible.’
‘I did say I’ve always admired your courage in adversity and this illustrates it. Tell, me, Sarah, when writing, are you a plotter, or a pantster: do you have a plot chart or do you dive in and see where your characters take you?’
‘I used to have plots, but what’s the point when none of the characters stick to them? Michael was in a coma in Illicit Passion, since edited now I know what it’s like, and I cried buckets because I was afraid he was going to die.’
‘So was I! But you are giving away your plots. Now, what next? Um, what is the most embarrassing thing that has happened to you? The truth now, Sarah.’
‘According to Him Indoors, I should have been embarrassed by a neighbour who asked if I minded her husband stepping over the fence to clear weeds that were seeding over their garden. Until he explained, I took her at her word and said he was very welcome.’
Excuse me while I choke with laughter. ‘That is so typical of you!’
‘True, and he ignored my generous permission!’
‘How very annoying of him. Since gardening obviously isn’t a passion of yours, what are your passions? What gives you the greatest joy and what really makes you spit?’
‘I have spent my life writing, one way or another, and I thought the greatest joy was knowing somebody was reading what I’d written. I ran a dog-training club and submitted articles to the members’ magazine. Ditto, a glossy called Wildlife with a worldwide circulation and they were published. I wrote stories with adult content in simple words for my literacy students. I published my first novel, and sales, and especially reviews, showed people had read and enjoyed it, and the same happened with subsequent books. The biggest thrill of all was when Dangerous Liaisons won the Romance/Sizzle bronze medal in the Readers’ Favorite Contest and made me an award-winning author.
‘A lot of things make me angry: injustice; mismanagement, self-seeking and stupidity by people elected to govern, political correctness – I almost fell down a manhole without a cover this afternoon, only to be informed it was now an inspection chamber – greed, theft… the list is endless and very non-PC. What really makes me spit with fury is mans’ inhumanity to animals. They ruin their habitats, throw them out because they’re no longer fashionable, and worst of all, they kill them for fun. It’s called sport, but terrified, exhausted animals don’t see it that way. 100% of my royalties go to animal charities, and a good many of the dogs I’ve owned, and do own, are rescues.’
‘I’m with you there, Sarah. Some of my royalties from ‘Touching the Wire’ go to support holocaust education. It seems the least I can do after the research I did opened my eyes to what happened. And I think rescue dogs are so rewarding. Our little mongrel is such a happy little soul and makes us smile every day. Dogs don’t deserve bad homes any more than children do. I know you’ve fostered children in the past, amongst the many selfless things you’ve done, but tell us one thing about yourself no-one else knows, not even me.
‘Films that feature the evacuation of Dunkirk make me cry inside, and so does the ferryboat across the Mersey from Liverpool to Birkenhead that has a plaque let into the deck saying she took part. Maybe it’s the reason my characters “sniff back tears”; I know it’s possible.’
‘Having written about World War II, I understand the terrible hardships and tragedy that led to Dunkirk, so I know what you mean. My present work-in-progress, working title, The Dandelion Clock’, is about The Great War. Can you tell us a bit about the next novel waiting to explode from beneath your fevered brow and splatter all over your laptop?’
‘Did you have to say splatter and remind me I killed my last laptop with tea? Chapter one is entitled Monday, Monday, and as you know “you can’t trust that day.” Richard has a Jack Russell terrier called Ben, and he believes ill-fortune comes in threes. One of the women in his life is about to prove him wrong.’
‘We’ll see a bit of the first draft of ‘Monday, Monday’ in a minute. (That’s the working title, by the way, until Sarah knows what Richard will get up to aided and abetted by his scribe.)
‘Oye! This is too much! I’ve been Michael’s ’umble scribe for years. Richard will do as he’s told… or he might if I had a plot. How do I know where his rebellion will end?’
‘Indeed. Thank you, Sarah, for ‘A Conversation with, dare I say, Richard’s scribe.’ (Ducks for cover.) – Now to a special offer, your book links, a bonus gift, and lastly, a splattering of Richard…’ It’s an interesting beginning to a new story , and I’m looking forward toreading more.
And NOW is your chance to grab the whole series while it’s on offer!
Book 1 is FREE for a limited period from today.
Books 2, 3, and 4 are 99p/99c from today until November 1st
  Dangerous Liaisons: The Backstreet Boy and the Royal Heiress
viewbook.at/DangerousLiaisons
Illicit Passion: The Consequences of Seduction
viewbook.at/ILLICITPASSION
Dynasty of Deceit: Margaret Tudor’s Legacy of Forbidden Love
viewBook.at/DynastyofDeceit
Sweet Temptation: The Agony and the Ecstasy of Passion
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As an extra, Sarah has published this short story, Greta Comes of Age, absolutely FREE for you to download here: http://www.independentauthornetwork.com/sarah-stuart.html
And, finally…
Monday, Monday. (You definitely can’t trust that day, Richard. Be warned, Sarah has awful things lined up for you. Are you going to let her get away with it?)
Monday, Monday
Richard Carpenter threw a punch at the figure silhouetted against the faint light from his open front door and heard the satisfying crunch of breaking bone. His new eighty-five-inch Sony television landed on his foot, and he bit back a howl of pain. He was entitled to protect his property if he used reasonable force… Sensible respected bank managers didn’t make headlines in the local rag by using rusty boxing skills on burglars. They “stayed asleep” and telephoned the police in the morning.
Undeterred, the thief dodged around him and started dropping Royal Doulton figurines into something. Sack, rucksack… it made no difference; the dogs would have chipped ears at the very least. His dog, Ben, was hurling his weight impotently at the kitchen door. He grabbed the man by the back of his collar, bundled him onto the pavement, and bolted the front door. If he’d shot the bolts like he usually did at night, picking the lock would have done the scum no good.
Lights on, he surveyed the mess. One television with a cracked screen and an empty mantelshelf where his china collection had overflowed the cabinet. Ten thousand pounds should cover it and he could claim on his insurance… and risk prosecution for injuries a magistrate might not regard as reasonable force? He and Ben retired upstairs with a large brandy and a chew designed for a St Bernard that the Jack Russell was, in his dreams.
The second Monday in October dawned three hours later. He let himself out of the back door, drove cautiously into the centre of town, acutely aware he was over the alcohol limit, and met his undermanager as usual. Andy went to make coffee, and he switched on the fax machine. The first sheet of paper it spat at him caused him to step back on Ben’s tail.
It is with regret that we inform you that the Hackmoor Bridge branch of this bank is closed as of today. Redundancy notices for all members of staff will follow together with information on payments due to each.
He tucked indignant Ben under his arm and read it a second time. He’d known for months that this branch was on the list of two hundred possible closures, but he hadn’t expected it to happen. Hackmoor Bridge was a large, thriving, town, and his was the only branch anywhere within a thirty-mile radius. Andy, married with a young family, would be distraught. All the staff would be. None of them would be relocated to another branch; short of somebody dropping dead, there were no vacancies. Applications for jobs at other banks were unlikely to be successful. If they were it would very likely mean a move, and his three female cashiers were married with husbands still in work locally.
All members of staff. Ben licked his ear, reminding him that he too was jobless. The pair of them could end homeless. The plus was having no mortgage and a new BMW he’d paid for outright thanks to money left to him by his mother, and he’d been spending ever since. He had some savings, and severance pay to come… and it would go on utility bills and food. How could he tell Bridget the wedding was indefinitely postponed? Her parents were dead too, so the expense of the grand affair she had planned were down to him. As if she’d picked up his gloomy thoughts, his mobile vibrated: Bridget. ‘Hi, love, I need to talk to you.’
Bridget didn’t ask about what. ‘Richard, remember that London modelling agency I applied to?’
He did, but Bridget had been for an interview weeks ago and come back depressed. ‘What about it?’
‘I’ve been accepted.’ Her voice sounded muffled. ‘They want me today, so I’m packing and going straight to the station.’
‘But…’
‘Ouch, broke a nail, damn it. Richard, the wedding’s off… for good. Models don’t get work living in the wilds, or pregnant. Bye.’
They hadn’t even discussed having a family… He called Bridget back and got her answering service. A burglar, no job, and no wife-to-be.
‘Things happen in threes, Ben. Basket.’
The Jack Russell hated to be still and ignored, but after today he’d get extra walks because renewing his golf-club membership was a no. His whole lifestyle would change; he’d have to cook from scratch, not live on ready-to-microwave luxury dinners, and Ben must be satisfied with own-brand chews from the supermarket, not the big ones he ordered online for the stray he’d adopted and promised the world.
~~~
Richard envied Ben. He’d picked up the gloom at the bank, information and instructions faxed by faceless men in secure jobs at head office, but it didn’t stop him gobbling his dinner and looking for more. For once, the dog could have more; he couldn’t face his food. Memo to self: check how quickly he could cancel monthly deliveries, and not just of meals for him and dog chews. He could save on boxes of a dozen choice wines, financial magazines, golfing glossies, and he could live without tempting offers on china figurines dropping into his email inbox too.
Tomorrow. Tomorrow he would do all that, and check the insurance covered the deposit he’d paid to secure the wedding venue, the caterers, the drinks supplier, and the florist booked to provide out-of-season flowers. Christmas weddings, he’d discovered, were popular, and everything had to be reserved months in advance. Should he consider himself lucky Bridget had ditched him? She had expensive tastes her handmade lace products didn’t support… and some nights she’d warmed his bed with her beautiful body. Would she have moved in if he hadn’t paid the rent on her flat? Had she loved him? She’d dumped him without a second thought when fame and fortune beckoned. Second memo to self: cancel the direct debit for Bridget’s rent.
He grabbed a bottle of brandy and one of the remaining St Bernhard-sized chews. ‘Come on, Ben. You’re sleeping with me. The central heating is off until I get another job.’
Ben bounced up the stairs ahead of him. Dogs didn’t worry about the future, and they didn’t stop loving you either.
Two glasses of brandy later, he decided getting drunk wasn’t the answer; all it would do was give him a hangover, but it had numbed the edge of misery a bit. He lay down with Ben curled behind his bent knees and closed his eyes. Tomorrow… tomorrow… Maybe the sun would come out tomorrow and maybe it wouldn’t, but a man who was no longer a respectable bank manager could strum his guitar in the town square if he felt like it…
The ringing of his front door bell set Ben yapping and triggered a thumping headache. Who the dickens wanted Richard Carpenter at… He squinted at the luminous dial on his alarm clock:  twenty minutes to midnight. He got out of bed and found his slippers by the light of the brilliant harvest moon. It was late for Mrs Stokes who lived next door to arrive home, but it must be her; he held her spare door key.
His visitor was his thirteen-years-ex-wife, Naomi, and she looked spiteful, the way she had when his divorce lawyer had reminded her legal representative that she’d signed a prenuptial agreement and couldn’t claim half his worldly goods.
Waking Mrs Stokes with a row on the doorstep just before midnight was unfair. ‘Come in, Naomi.’
‘No chance, Richard. I only rang the bell to make sure you still lived here.’
‘Eh! Why?’
She ran back to the sports coupé gleaming under a street lamp, lifted the boot lid, and dumped a suitcase on the pavement.
He raised his voice. ‘What the dickens are you doing?’
Naomi paid him no attention, and he wasn’t going outside in his pyjamas. She was wearing a fur coat and the suitcase very likely had wheels. What could she have put in a suitcase that she wanted him to have?
Next, Naomi opened the passenger door. ‘Out, Maria, and take that bloody basket with you.’
Cold or not, he wanted answers. It was still Monday, and he’d had his days-worth of problems. He marched towards Naomi. ‘Who is Maria?’
‘Your daughter, Richard Carpenter, and I’ve done my bit. It’s your turn.’
She swept around her car, slid behind the wheel, and gunned the engine. Brakes screeched at the end of the street and the coupé vanished.
He didn’t have a daughter. If he had, Naomi would have claimed child support… Maria was here, and he couldn’t leave a child alone on the street whoever she belonged to. He grasped the suitcase handle and waved her towards the dimly-lit hall. Ben, who’d obviously discovered how to push down the handle on his bedroom door, flew out, and stopped yapping and started sniffing when Maria placed her basket carefully on the carpet. Something in there was alive and Ben wanted it. Heaven preserve him if the child had a cat; it was one of Ben’s life ambitions to catch and kill a cat. Numerous claw scars testified to his failures.
Shivering, he went into the front room and switched on the electric fire destined to be removed and replaced by living flames created by twigs and dead branches littering the common. Maria followed and opened the basket. He grabbed Ben by the scruff of the neck and dropped him, shocked. Cuddled in a woollen blanket was a baby, and it looked very like one a member of staff on maternity leave had brought into the bank and proudly announced was only a week old.
The blanket was an uninformative yellow. ‘Whose is he, she… it, Maria?’
‘Mummy’s, like me, only she doesn’t want him. Can we call him, Tim?’
‘Timothy Carpenter.’ It had a ring to it… and no way could the boy be his.
‘Oh, great. Mummy said you had loads of bedrooms. We just need to go shopping for a cot and stuff. Tomorrow will do. There’s bottles, formula, and a heater in with my clothes.’
Tomorrow… tomorrow… It was tomorrow, but this was another Monday disaster. What he should do was call the police, who could contact the social services… But suppose Maria was his? She had his fair hair and blue eyes, and a nose that tilted at the tip like Naomi’s did. It wouldn’t be just the baby they’d take into care. He’d be condemning Maria to a children’s home or foster parents, and he’d never get her back. What the heck was he going to do?
Ben made up his mind for him. When Maria sat on the rug nursing the baby, the dog licked her cheek and looked at him with pleading eyes. The same pleading eyes that had made a fool of Richard Carpenter at the dog’s home. He hadn’t resisted them then, and he couldn’t now. He flopped on the sofa, put his aching head in his hands, and groaned.
Maria smelled faintly of Mr Burberry Black, ridiculously expensive perfume he’d bought Naomi as a wedding present, and it was Maria stroking his hair. ‘We’ll be okay, Pop, promise.’
Her body trembled. It could be cold, but it was more likely shock. How could Naomi care for a child for thirteen years and dump her on a stranger’s doorstep? She wasn’t fit to be a mother, of Maria or Timothy, but how could Mr Carpenter, ex-bank manager, soon-to-be ex-prestigious golf club member, explain the sudden acquisition of two children?
First things first. A warm bed, in a warm room, for Maria, and a well-padded drawer for Timothy, and show the girl the kitchen and make sure she really did know how to make up a bottle for a baby. He’d risk anything to keep these two, except the baby’s life.
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A conversation with... Splattering Richard over my Laptop. - the secrets of award-winning author, Sarah Stuart. So who is Sarah Stuart?
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