#great comet 60s AU

[defjux]

100 of my favorite non hip hop releases from 2022. I made a seperate list for hip hop already which you can find here if you’re interested. 2022 will go down as a memorable year for me not just for the sheer quantity of great releases, but also because i feel that all my of my favorite genres had a chance to shine. I started returning to my hardcore/punk/metal roots within the last couple years and 2022 was the first time in recent memory where I really felt like I was fully tapped in. There were so many highly anticipated releases from a ton of different artists last year, and the majority lived up to the hype for me. Grindcore, Mathcore, and Post-Hardcore seems to have been making a huge comeback with some incredible new efforts from modern genre staples like Wormrot, Callous Daoboys, Brutus, Greyhaven, Birds in row, Knoll, and Cloud Rat. Not to mention the much welcome return of some legendary acts including Gospel, Sawtooth Grin, and City of Caterpillar. I’m sure there’s plenty of stuff I missed out on too, so feel free to hit me with any recommendations you might have or just let me know what projects you enjoyed the most last year. Oh and you can also click the titles of any of these albums and it’ll take you to the bandcamp or spotify page where you can check them out if you’d like. Peace. Chart with album titles 1. Wormrot - Hiss 2. Alvvays - Blue Rev 3. Brutus - Unison Life 4. Cloud Rat - Threshold 5. Weyes Blood - And In The Darkness, Hearts Aglow 6. Gospel - The Loser 7. Natalia Lafourcade - De todas las flores 8. Massa Nera - Derramar | Querer | Borrar 9. Messa - Close 10. Soul Glo - Diaspora Problems 11. King Gizzard & The Lizard Wizard - Omnium Gatherum 12. Cult of Luna - The Long Road North 13. tricot - Fudeki 14. White Ward - False Light 15. The Callous Daoboys - Celebrity Therapist 16. The Sawtooth Grin - Good. 17. Ultha - All That Has Never Been True 18. Joel Ross - The Parable Of The Poet 19. Autonoesis - Moon of Foul Magics 20. Knoll - Metempiric 21. Joyce Moreno - Natureza 22. Birds in Row - Gris Klein 23. Artificial Brain - Artificial Brain 24. Wake - Thought Form Descent 25. Tómarúm - Ash In Realms Of Stone Icons 26. Greyhaven - This Bright and Beautiful World 27. Sudan Archives - Natural Brown Prom Queen 28. Nilüfer Yanya - PAINLESS 29. Mary Halvorson - Amaryllis 30. Celeste - Assassine(s) 31. Naked Flames - Miracle in Transit 32. Elephant Gym - Dreams 33. Cave In - Heavy Pendulum 34. Silvana Estrada - Marchita 35. Tomas Fujiwara's Triple Double - March 36. Imperial Triumphant - Spirit Of Ecstasy 37. Blind Girls - The Weight of Everything 38. Chat Pile - God's Country 39. fleshwater - We're Not Here to Be Loved 40. Fievel Is Glauque - Flaming Swords

41. Melody's Echo Chamber - Emotional Eternal 42. NEPTUNIAN MAXIMALISM - Set Chaos To The Heart Of The Moon 43. King Gizzard & The Lizard Wizard - Ice, Death, Planets, Lungs, Mushrooms and Lava 44. An Abstract Illusion - Woe 45. Sigh - SHIKI 46. City of Caterpillar - Mystic Sisters 47. Big Thief - Dragon New Warm Mountain I Believe In You 48. Conjurer - Páthos 49. Kali Malone - Living Torch 50. Krallice - Crystalline Exhaustion 51. Aeviterne - The Ailing Facade 52. Scarcity - Aveilut 53. The Comet Is Coming - Hyper-Dimensional Expansion Beam 54. Makaya McCraven - In These Times 55. Misþyrming - Með hamri 56. Loraine James - Building Something Beautiful For Me 57. Knxwledge. - 家​.​V1 58. Hylda - Juniper Pyre 59. Gillian Carter - Salvation Through Misery 60. Beach House - Once Twice Melody 61. Angles - A Muted Reality 62. Hatchie - Giving The World Away 63. Daniel Rossen - You Belong There 64. Pyrithe - Monuments to Impermanence 65. Otoboke beaver - SUPER CHAMPON 66. The Orielles - Tableau 67. Sunrise Patriot Motion - Black Fellflower Stream 68. Blut aus Nord - Disharmonium - Undreamable Abysses 69. Helpless - Caged In Gold 70. Immanuel Wilkins - The 7th Hand 71. Mizmor & Thou - Myopia 72. The Wind in the Trees - Architects of Light 73. Daniel Avery - Ultra Truth 74. Rolo Tomassi - Where Myth Becomes Memory 75. Show Me The Body - Trouble The Water 76. Sault - 11 77. Bríi - Corpos Transparentes 78. Sweet Pill - Where the Heart Is 79. Vein.FM - This World is Going to Ruin You 80. Ravyn Lenae - Hypnos 81. Disheveled Cuss - Into the Couch 82. Aoife Nessa Frances - Protector 83. Niechęć - Unsubscribe 84. Elder - Innate Passage 85. Raum - Daughter 86. Viagra Boys - Cave World 87. Chalk Hands - Don't Think About Death 88. Boris - fade 89. Nouns - WHILE OF UNSOUND MIND 90. ANNA SAGE - Anna Sage 91. Nu Genea - Bar Mediterraneo 92. JYOCHO - Let's Promise to Be Happy 93. Black Country, New Road - Ants From Up There 94. Waajeed - Memoirs of Hi-Tech Jazz 95. Petrol Girls - Baby 96. DIM - Steeped Sky, Stained Light 97. lilien rosarian - every flower in my garden 98. Work Money Death - Thought, Action, Reaction, Interaction 99. A.A. Williams - As The Moon Rests 100. Vital Spirit - Still as the Night, Cold as the Wind

#music recommendations #aoty 2022 #alvvays #brutus #wormrot #cloud rat #weyes blood #messa #massa nera #natalia lafourcade #king gizzard #tricot #soul glo

[andryushas]

@theparadigmshifts was telling me about her fabulous 60s nightclub au and I had to draw it!

Natasha is the singer, Pierre is the bouncer and Andrei owns the club

#i know fan art Law says draw the obc but #listen #oak is better #natasha pierre and the great comet of 1812 #my art #60s au

[spacetimewithstuartgary]

Solar system acquired current configuration not long after its formation Model developed by Brazilian researchers shows chaotic phase that placed objects in current orbits beginning within first 100 million years after formation of giant planets The hypothesis that the Solar System was born from a gigantic cloud of gas and dust was first floated in the second half of the eighteenth century. It was proposed by German philosopher Immanuel Kant and developed by French mathematician Pierre-Simon de Laplace. It is now a consensus among astronomers. Thanks to the enormous amount of observational data, theoretical input and computational resources now available, it has been continually refined, but this is not a linear process. Nor is it without controversies. Until recently the Solar System was thought to have acquired its present features as a result of a period of turbulence that occurred some 700 million years after its formation. However, some of the latest research suggests it took shape in the more remote past, at some stage during the first 100 million years and very probably between 10 million and 60 million years ago. A study conducted by three Brazilian researchers offers robust evidence of this earlier structuring. Reported in an article published in the journal Icarus, the study was supported by São Paulo Research Foundation - FAPESP. The authors are all affiliated with São Paulo State University's Engineering School (FEG-UNESP) in Guaratinguetá (Brazil). The lead author is Rafael Ribeiro de Sousa. The other two authors are André Izidoro Ferreira da Costa and Ernesto Vieira Neto, principal investigator for the study. "The large amount of data acquired from detailed observation of the Solar System enables us to define with precision the trajectories of the many bodies that orbit the Sun," Ribeiro told. "This orbital structure enables us to write the history of the formation of the Solar System. Emerging from the gas and dust cloud that surrounded our star some 4.6 billion years ago, the giant planets formed in orbits closer to each other and also closer to the Sun. The orbits were also more co-planar and more circular than they are now, and more interconnected in resonant dynamic systems. These stable systems are the most likely outcome of the gravitational dynamics of planet formation from gaseous protoplanetary disks." Izidoro offered more details. "The four giant planets - Jupiter, Saturn, Uranus and Neptune - emerged from the gas and dust cloud in more compact orbits," he said. "Their motions were strongly synchronous owing to resonant chains, with Jupiter completing three revolutions around the Sun while Saturn completed two. All the planets were involved in this synchronicity produced by the dynamics of the primordial gas disk and the gravitational dynamics of the planets." However, throughout the formation region of the outer Solar System, which includes the zone located beyond the current orbits of Uranus and Neptune, the Solar System had a large population of planetesimals, small bodies of rock and ice considered the building blocks of planets and forerunners of asteroids, comets and satellites. The outer planetesimal disk began disturbing the system's gravitational balance. The resonances were disrupted after the gas phase, and the system entered a period of chaos in which the giant planets interacted violently and ejected matter into space. "Pluto and its icy neighbors were pushed into the Kuiper Belt, where they're located now, and the entire group of planets migrated to orbits more distant from the Sun," Ribeiro said. The Kuiper Belt, whose existence was proposed in 1951 by Dutch astronomer Gerard Kuiper and later confirmed by astronomical observations, is a toroidal (doughnut-shaped) structure made up of thousands of small bodies orbiting the Sun. The diversity of their orbits is not seen in any other part of the Solar System. The Kuiper Belt's inner edge begins at the orbit of Neptune about 30 astronomical units (AUs) from the Sun. The outer edge is about 50 AUs from the Sun. One AU is approximately equal to the average distance from Earth to the Sun. Returning to the disruption of synchronicity and the onset of the chaotic stage, the question is when this happened - very early in the life of the Solar System, when it was 100 million years old or less, or much later, probably about 700 million years after the planets formed? "Until recently the late instability hypothesis predominated," Ribeiro said. "Dating of the Moon rocks brought back by the Apollo astronauts suggested they were created by asteroids and comets crashing into the lunar surface at the same time. This cataclysm is known as the 'late heavy bombardment' of the Moon. If it happened on the Moon, it presumably also happened on Earth and the Solar System's other terrestrial planets. Because a great deal of matter in the form of asteroids and comets was projected in all directions in the Solar System during the period of planetary instability, it was deduced from the Moon rocks that this chaotic period occurred late, but in recent years the idea of a 'late bombardment' of the Moon has fallen out of favor." According to Ribeiro, if the late chaotic catastrophe had occurred it would have destroyed Earth and the other terrestrial planets, or at least caused disturbances that would have placed them in totally different orbits from those we observe now. Furthermore, the Moon rocks brought back by the Apollo astronauts were found to have been produced by a single impact. If they had originated in late giant planet instability, there would be evidence of several different impacts, given the scattering of the planetesimals by the giant planets. "The starting-point for our study was the idea that the instability should be dated dynamically. The instability can only have happened later if there was a relatively large distance between the inner edge of the disk of planetesimals and Neptune's orbit when the gas was exhausted. This relatively large distance proved unsustainable in our simulation," Ribeiro said. The argument is based on a simple premise: the shorter the distance between Neptune and the planetesimal disk, the greater the gravitational influence, and hence the earlier the period of instability. Conversely, later instability requires a larger distance. "What we did was sculpt the primordial planetesimal disk for the first time. To do so we had to go back to the formation of the ice giants Uranus and Neptune. Computer simulations based on a model constructed by Professor Izidoro [Ferreira da Costa] in 2015 showed that the formation of Uranus and Neptune may have originated in planetary embryos with several Earth masses. Massive collisions of these super-Earths would explain, for example, why Uranus spins on its side," Ribeiro said, referring to Uranus's "tilt", with north and south poles located on its sides rather than top and bottom. Previous studies had pointed to the importance of the distance between Neptune's orbit and the inner boundary of the planetesimal disk, but they used a model in which the four giant planets were already formed. "The novelty of this latest study is that the model doesn't begin with completely formed planets. Instead, Uranus and Neptune are still in the growth stage, and the growth driver is two or three collisions involving objects with up to five Earth masses," Izidoro said. "Imagine a situation in which Jupiter and Saturn are formed but we have five to ten super-Earths instead of Uranus and Neptune. The super-Earths are forced by the gas to synchronize with Jupiter and Saturn, but being numerous their synchronicity fluctuates and they end up colliding. The collisions reduce their number, making synchronicity possible. Eventually Uranus and Neptune are left. "While the two ice giants were forming in the gas, the planetesimal disk was being consumed. Part of the matter was accreted to Uranus and Neptune, and part was propelled to the outskirts of the Solar System. The growth of Uranus and Neptune therefore defined the position of the inner boundary of the planetesimal disk. What was left of the disk is now the Kuiper Belt. The Kuiper Belt is basically a relic of the primordial planetesimal disk, which was once far more massive." The proposed model is consistent with the giant planets' current orbits and with the structure observed in the Kuiper Belt. It is also consistent with the motion of the Trojans, a large group of asteroids that share Jupiter's orbit and were presumably captured during the disruption of synchronicity. According to a paper published by Izidoro in 2017 (read more at agencia.fapesp.br/26583), Jupiter and Saturn were still in formation, with their growth contributing to displacement of the asteroid belt. The latest paper is a kind of continuation, starting from a stage in which Jupiter and Saturn were fully formed but still synchronized, and describing the evolution of the Solar System from there on. "Gravitational interaction between the giant planets and the planetesimal disk produced disturbances in the gas disk that spread in the form of waves. The waves produced compact and synchronous planetary systems. When the gas ran out, interaction between the planets and planetesimal disk disrupted the synchronicity and gave rise to the chaotic phase. Taking all this into account, we discovered that the conditions simply didn't exist for the distance between Neptune's orbit and the inner boundary of the planetesimal disk to become large enough to sustain the late instability hypothesis. This is the main contribution of our study, which shows that the instability occurred in the first hundred million years and may have occurred, for example, before the formation of Earth and the Moon," Ribeiro said. IMAGE....Model developed by Brazilian researchers shows chaotic phase that placed objects in current orbits beginning within first 100 million years after formation of giant planets (image: NASA)

#space #science #Astronomy #physics #solar system

[lisboabeat]

15.10.19 EUROPA Pedro Khan - Pink Monday - Lgbti✚ Party at Europa 

facebook.com/pedrokhandj soundcloud.com/pedrokhan facebook.com/clubeurop

15.10.19 LUX FRÁGIL ANIVERSÁRIO LUX 20 ANOS

16.10.19 EUROPA Freaky Fiction - Dance Waves Trymbaka Adrenaline Rush Morphling

Próxima QUARTA 16 vamos ter mais uma futurista e carismática Freaky Fiction @ Europa. Para o LIVE ACT vamos contar com o Tryambaka, o qual nos vem apresentar todas as suas últimas produções, que irão ser editadas muito em breve na Locobot Records. Numa vertente mais delirante e melódica, vamos poder ouvir um Dj Set do Adrenaline Rush, o qual nos promete 2 horas bem quentes e fortes...para o Warm Up vamos ainda ter o Morphling, numa vertente mais progressiva e viajante. A deco e projecção ficam a cargo da Free World Productions

17.10.19 EUROPA Conclave by Release Sustain w/ Himan & Trigger

In the few years of Release Sustain functioning as a record label, we have learned to be purveyors of good music. We have concentrated in discovering new sounds and artists, not to be attached to trends and be mind opened to our personal quest to find great audible elements, basically just to bring out great music. However, we couldn´t have made it until here if we haven´t been watching and listening inspiring artists from around the world. Artists so great in their craft, that with their magical touch were capable of lifting us around in different rhythmical states at all times. Release/Sustain has carved out quite the reputation over the past years with it’s London and Berlin, based Conclave event series welcoming DJ’s like XDB, Losoul, Vakula, Marshall Jefferson, Jay Daniel and many others over the years and the imprint featuring revered underground acts such as DJ Aakmael, Basic Soul Unit, Fred P and Chaos In The CDB onto its roster. Trigger is the next step in Tiago Nabais´s (aka Master Soul) life and the culmination of all his experiences up to this point within electronic music, his chosen style is unique form of Techno, fusing his love for melodic, heavy grooves with big irresistible basslines. Together they are known for stunning back to back sets that span a wide variety of house and techno, from dance floor classics to cutting edge unreleased material. See you guys there for another CONCLAVE. Trigger ✚ Himan Conclave - Release/Sustain Showcase Europa Club

17.10.19 LUX FRÁGIL Comet Is Coming | Gig Club Lisbon

The Comet is Coming is the soundtrack to an imagined apocalypse. In the aftermath of widespread sonic destruction what sounds remain? Who will lead the survivors to new sound worlds? Who will chart the new frontier? In a warehouse somewhere in London 2013 a meeting would take place between three musical cosmonauts. They would pool their energies to build a vessel powerful enough to transport any party into outer space. Together they chart a path based on the encoded language of Sun Ra, Frank Zappa, Jimi Hendrix and the BBC Radiophonic Workshops from which the band's name emerged. It is after the end of the world, the stage is a spacecraft, the mic is an accelerator. brace yourself for The Comet is Coming.

18.10.19 Micro Bites & Beats KILU CAMBOJDA

O fim de semana começa ao som do “finger drumming” de Dellafyah. Como acompanhamento, há Camboja nos decks. #microbitesandbeats #microbeats

18.10.19 EUROPA Lolah (Au) ✚ Tânia Pascoal // Europa's Core 

facebook.com/listentololah soundcloud.com/lolahmusic facebook.com/taniapascoaldj mixcloud.com/tânia-pascoal facebook.com/clubeuropa

18.10.19 5A CLUB André Cascais

18.10.19 LUX FRÁGIL Danny Krivit x DJ Al

Começamos isto com a História do Disco? Ele esteve lá. Paradise Garage? Ele esteve lá.

Quando David Mancuso começou o Loft em 1970, Danny Krivit tinha 13 anos e ainda não sabia que esse clube iria ser o centro da sua vida por uns anos.

Não como DJ mas como base e escola onde se tornou próximo, por exemplo, de Larry Levan e François Kevorkian. Ou começamos com a História do Hip Hop? Danny tocou na noite inaugural do Roxy, um dos primeiros clubes em Nova Iorque a levar a sério a cultura hip hop, e foi residente por 4 anos. 

Nesse contexto, tinha enorme vantagem sobre outros DJs brancos: sabia fazer scratch. Por fim, House, esse género fundamentalmente descendente de Disco. Um dos pontos identificadores de Danny Krivit é o seu trabalho de re-edits para pista de dança, música já existente que ele afina em estúdio para maior impacto nos clubes. Muito activo nessa frente desde o início da década de 80, Danny esteve lá também nesse percurso formativo da cena House. 

Tornou as batidas mais sincopadas, estendeu grooves que precisavam de mais tempo, transformou por exemplo "Trans Europe Express" dos Kraftwerk num mantra hipnótico de percussão metálica.

Em 1996, com Joe Claussell e François Kevorkian, abriu a hoje lendária noite Body & Soul. A lenda afirma que tocou todos os Domingos durante 6 anos, quando, já neste século, o clube anfitrião fechou.

Body & Soul é talvez o ponto do seu percurso onde, num mesmo fluxo, se encontra finalmente toda a música a que foi exposto desde que, nos 60s, o seu pai era manager de Chet Baker e os contactos lhe permitiam receber discos das mãos de James Brown. Danny Krivit é importante para a música há mais anos do que aqueles que muitos de nós viveram na Terra. Texto: José Moura (Flur Discos)

18.10.19 MINISTERIUM CLUB 99999999 live | Disturb • Acid Machines 

Disturb • presents 999999999 live, for the first time in Portugal, supported by our clan Holldën, Fúria and Claudio Gomez Music. Tickets available here: http://bit.ly/disturb999999999xceed Get ready for the Acid Machines!

19.10.19 FUSE RECORDS Fuse Matiné: Kollektiv Turmstrasse Heartbreakerz Nox The Slum Vagabunds Pedro Duarte

Prometemo-vos uma viagem com o duo Kollektiv Turmstrasse, e a 19 de outubro levantamos v uma viagem com o duo Kollektiv Turmstrasse, e a 19 de outubro levantamos voo. Abrimos a porta do Palácio de Exposições e viajamos no tempo: tomamos balanço para desfrutar do momento presente, enquanto aceitamos o passado e abraçamos o futuro. Lembramos que todos os bilhetes, excetuando as devoluções, são válidos para esta nova data. Basta apenas apresentar os mesmos na porta, como habitual. We promised you a journey with the duo Kollektiv Turmstrasse, and on October 19 we’ll take off.  We open the door of Palácio de Exposições and travel back in time: we take a swing to enjoy the present moment, while accepting the past and embracing the future. Please note that all tickets except refunds are valid for this new date. Just present them at the door as usual.

Palácio Das Exposições do Instituto de Agronomia Bilhetes/ Tickets: fuse.pt/matine #stepinside #fuserecords #fusematine

19.10.19 Fuse Matiné: After Party  MINISTERIUM CLUB JIGGY GILVAIA NOX VITOR PEREIRA

A descolagem para uma viagem onde o céu é o limite está marcada no Palácio de Exposições, e a aterragem também já tem sítio. Retomamos o equilíbrio desta jornada atribulada no Ministerium, onde estarão Jiggy, Gilvaia, Nox e Vitor Pereira prontos para vos dar as boas-vindas de volta a solo terrestre. A entrada é livre até às 00h30.

19.10.19 EUROPA Carpet & Friends #41 w/ Brother G (Rawax / UKR) Jorge Caiado Miguel Melo

Monthly party involving new and old djs (some needing experience and exposition, others more known with who we can have the pleasure to count with), new and old friends born from genuine music relationships, but most of all people from our community that share the same passion and values that we do at Carpet & Snares Records shop/family - true love for Music! Artwork by Adília Lima www.carpetandsnares.com

19.10.19 5A CLUB Fernando Martinez | 5A 

[helenekuraginaarc]

tell me more about ur great comet hate omg, i love the show but at the same time they did andrei real dirty

this is such a blessed anon 2 receive ! like??? i rly did like it originally like its how i was introduced to w&p but i think like once you get into actual war and peace, great comet really just ?????? feels bland in comparison because theres so much malloy COULD have done and didnt and some of his decisions rly dont make sense

and then of course me being myself, i cant reconcile how severely he butchered helenes character? from calling her a slur that she would NOT reclaim as a young woman with a fairly good reputation in 19th century russia and likely would not reclaim in a modern au either, to dumbing her down and reducing her into nothing more than a seductive evil stereotype? as someone who loves helene so much like? it Stung,,,,, she’s my girl? i care about her a lot and have done so much extensive research into her character and thought abt her so much like it hurts tht he was so lazy w/ her.... 

he aged up pierre for no reason? pierre is like within a year of helene, who would be like 25 - 27 around the events of great comet, i cant remember what year it takes place in exactly (although its CERTAINLY NOT 1812 idk why he did tht it makes no sense the comet wasnt even in 1812 nor was any other event of the show but ok) idk why he had this whole old man aesthetic for pierre like he’s no older than anatole? andrei is actually the oldest of the younger characters

speaking of? marya dmitrievna is like 60,,,,,,, if malloy and the producers wanted name recognition so badly that they were willing to push oak out of his role, then why didnt they just???? take advantage of the possibilities of an age appropriate marya? think of all the female broadway greats that could have filled that role. dont get me wrong, i LOVE grace! she’s just,,,,,, too young

why did malloy have marya and helene make out theres a 30+ year age difference and they literally fucking hate each other like,,,,,, we get it u like 2 fetishize lesbians but can u fuckin not do it here thanks

AND UR SO RIGHT he did andrei SO dirty like???? andrei’s such a good boy and his reaction was justified and w/o any context they made him seem like just an evil man who meant nothing 2 natasha like andrei is the love of natasha’s life like? there is no one who natasha will ever love more than andrei and that’s exactly the tragedy of the elopement — that natasha’s love for andrei was so intense that she misplaced it into anatole out of her solitude like? anatole is not Shit ok????? NOT 2 MENTION imo malloy rly did romanticize it a bit like,,,, anatole/natasha is not meant 2 seem romantic at all and some moments of the musical rly creeped me out in regards 2 tht

i could go on but i should really stop there sdkjghlsak

#long post / #i rambled so hardcore #Anonymous

[chaaliapinz]

i was reading things they carried for english and lowkey great comet would work rly well in like a 60s AU where like Natasha’s sorta an innocent flower child type and Pierre’s an angsty academic and Andrey’s in Vietnam while Helene and Anatole are like kinda sketchy hippies

#lyds ramblings #Natasha Pierre and the Great Comet of 1812

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