#good post op you've opened my eyes to new possibilities

[ssahotchnerr]

SINCE WHEN COULDNT YOU LINK ANON ASKS ANYMORE ????

basically there was this post saying the bau had to cram into one car and op said they’d have to sit on aaron’s lap. it had me thinking about oblivious aaron and when reader says something like that he doesn’t catch on that she’s flirting so he says “but that’s illegal 🫤 and dangerous ☝️”

by default

wc; 1.1k cw; sexual tension, flustered aaron flustered aaron flustered aaron

leave it to morgan to get an injury. per usual.

to be fair, he had been heroic, intercepting the unsub just in the nick of time. but while doing so, he had landed obscurely on his ankle, twisting the absolute hell out of it.

as a result, derek ultimately had to take up the entire backseat to keep his foot raised- to prevent further swelling and in attempt to ease the throbbing pain.

but that meant, you were left without a seat.

the takedown had been sudden; the other half of the team were still at the precinct, as was the other suv. you paused as the realization suddenly entered your mind, your hand pausing still on the ajar door.

at the sound of aaron's familiar footsteps behind you, you turned- just enough so he was able to catch a glimpse of your face. the look on yours must've relayed a sense of troubledness, as aaron's usual stoic expression deepened, a quizzical look in his eyes.

"what is it?" his tone was balanced- calm, but a hint of urgency was merely present. as if he were ready to go from zero to one hundred at your request, whatever it may be.

you gaped at him. "i don't have a seat."

aaron's face changed immediately, displaying an internal oh as the realization of the current predicament hit him as well. "right..." aaron's voice trailed off, immediately racking through his brain for a possible solution. "um..."

"what's the issue?" dave approached the two of you, having just finished his conversation with one of the paramedics on scene.

"since hero man over here took one for the team," you tilted your head in derek's direction, who looked awfully proud at the title you've given him. "we're inevitably down a seat."

"hm. well i guess that's too bad." dave nonchalantly answered with a shrug of his shoulders. to hide his smile, he opened the driver side door and didn't waste a second getting inside, offering no further words or assistance.

aaron huffed out a breath through his nose, rolling his eyes at rossi's very apparent helpfulness.

a new idea flashed into your head- one that made you giddy and sweat at the same time. it exited your mouth before you could stop it; you chalked it up to the adrenaline still pumping through your veins from the unsub's takedown. any other time, you wouldn't be as confident or straightforward.

"i could always sit on your lap."

despite the fact he instantly froze, aaron did a good job at showing no emotion at your suggestion. just like you, the idea made him feel lightheaded in the best possible way, but would he allow that to show? absolutely not.

and so by default, aaron crossed his arms, his eyebrows drawn into a line. "that's not very safe."

"do you have any better ideas?" you arched an eyebrow, crossing your arms right back at him. "we're out of options here."

"the roof?" derek joked from inside the vehicle. at his statement, aaron didn't hesitate to push the door shut, silencing him for the meantime.

"it's only like, a twenty minute drive. it's fine, i'll be fine." you reassured him, searching his eyes with yours.

he deadpanned. "and it's illegal."

you waved off his statement, quirking an eyebrow in a teasing manner. "i'll wear my vest if it makes you feel any better."

his timid expression softened, as if he were actually considering your point, but it only took a moment for the pensiveness to return. he let out a sigh, pulling his eyes from yours. "no..."

"then...?" you pushed hesitantly.

aaron knew your suggestion was the most logical resolution. it was either that, or derive morgan from aiding to his injury.

and he also knew that you would be safe, in his arms. by no means would he ever let anything bad happen to you.

his eyes made their way back to you, only to be met with again, a raised eyebrow.

"okay, fine." he surrendered, loosening his crossed arms and letting them drop to his sides.

you made your way over to the passenger side of the car, aaron at your footsteps. when he took the initiative and moved forward a bit, opening the door for the two of you, your confidence instantly fizzled and nerves took it's place.

this was really about to happen.

aaron climbed into the suv first, taking his seat and buckling- the seatbelt wouldn't span over both of you, so his arms would have to act as your seatbelt- before holding a hand out to you.

aaron had had less than a minute to prepare himself for this, but he was certain there wasn't a value of time that actually could.

meanwhile, you exhaled a silent breath and took his hand, settling yourself onto his lap.

at the contact aaron's breath hitched, his cheeks warming. involuntarily, all his past fantasies came to mind, as they were vaguely as close to coming true than he ever thought possible. he had lost count at how many times he had pictured you being this close, and closer. the only difference now were the articles of clothing separating the two of you, and the fact two colleagues were inches away.

to sum it up, you were both equally flustered. for months, there was an unspoken... something between the two of you. something neither of you had acted upon it, or addressed. and this, it was crossing the nonexistent barrier the two of you had put into place.

neither of you were upset about it too, quite honestly.

with a racing heart, you leaned back against his chest, aaron's arms wrapping around your waist securely and holding your body tightly to his. you weren't going fly through the windshield, even at the smallest of brakes, not on his watch.

after a very nervous swallow, he checked in with you, "this alright?"

that immediately took you by surprise, and did not help in the slightest. the closeness of aaron's low voice directly at your ear, his warm breath spreading across your neck, had every part of you silently humming.

"mhm." was all you could manage, resisting the urge to move your hips further back into his.

"aw, don't you two look comfortable." derek gushed from the backseat, a low chuckle escaping him.

you peered back to give him the stink eye, while aaron chose to ignore him. but, your movement did exactly what you hadn't intended, pushing yourself further into aaron. he let out a small noise, his grip around your waist only tightening as he resisted to squirm in his seat.

aaron composed himself the best he could, taking two long, silent breaths, he cleared his throat. "rossi-"

"drive safe, take no chances." dave interrupted him immediately, shifting the gear into drive. his tone was almost wise, clear amusement in his voice. "i know."

#aaron hotchner #aaron hotchner x reader #aaron hotchner x you #aaron hotchner fluff #aaron hotch x reader #aaron hotchner imagine #hotch imagine #aaron hotchner drabble #criminal minds #criminal minds imagine #criminal minds x reader #criminal minds drabble #criminal minds fanfiction #criminal minds x you

[bakugoukatsuki-rising]

I'm. The new covers, op. The new covers. Gosh. Both of them hold so much symbolism. And technically they both are canon, they are both original ideas that could perfectly be valid. Horikoshi simply found something better. But anyways, I'm going to go ahead and ramble about it because Im- Op, prepare for a long ask! Hope you like it!

So!

On the one where Katsuki's the one in the picture, he's not on his knees like he is in the other two covers. Instead, he has his face down, body forward, one hand on one leg, the other one holding out for something...He's bowing. Bowing in Japanese culture is a pretty big deal. Hes not just tilting his head a bit, his head and body are on full on commitment.

Such a tilted bow means a LOT, specially from THIS guy, Mr dont let anyone walk in front of me. Even more when hes not just bowing, but accepting such an open display of given help, Mr shonen anime lone wolf. Accepting something he always has trouble admitting to. Accepting the past, accepting the wrongs. Accepting Izukus help means so much, and that's what these three covers have in common.

His hand is sctretching out. He's ready to say yes to that hand out in the air.

(Ps. I wonder if he's watching his own reflection on the water in this panel, as well?)

Hes in middle of the picture with those childhood friend at the back, which means audience. It means letting people see what hes done, what he's sorry for. He is being open and exposed and vulnerable. That's no fighting stance.

Remember guys, in case you haven't noticed before, Horikoshi puts lots of metaphorical value in his manga and on his covers. Sometimes you've got to dig in deep and think to get the bigger picture. And in this case, the bigger picture screams regret and wanting to make things right from the start.

This cover occurs in the past, at the moment where everything started, and Katsuki fully remembers this. Katwuki has thought of this, is thinking about this. He's had eye bags for gods sake, he's clearly troubled by all of what it means.

These three covers are the visual explanation of what's going on inside Katsuki's head, because this is clearly focused on him and his perspective.

(Ps. Rivers symbolise the massage of time. If that doesnt add to everything else, I dont know what to tell you.)

So! Next!

Wow, if this isnt one of my favourite things ever. Okay. Christ.

I have two options here. Scratch that, three options. Scream into the void, scream into this post, or actually make a good presentation of my inner turmoil. I'll have to go by the third option. (Haha. Just like horikoshi did. Dont # me, I'm funny in my head.)

This cover melted my insides, froze them all over, and hit me with them like a hammer.

I know they're kids, but let me get this straight-so kids seriously look at their friends with these looks in their eyes and think "ah, yes. This is my very good friend. This gentle smile and kind look I'm giving him as if he was my whole world? Well, hes just a very good friend."

I looked at my childhood crush this way, I dont know what to tell you.

Anyway, let's actually jump to the information at hand.

This panel seems like it's making a reference to what Katsuki wishes could have been. And if that's not absolutely soul-crushing...this cover is Katsuki's feelings, guys. These are probably his very thoughts. This scene has gone through Katsuki's head at some point.

We've got Izuku in his stuck up pose all over again, in just an awkward angle. It's like katsuki isnt looking AT this katsuki right now, but at the spot where the actual past Katsuki, at some point, was. As if this Isuku is frozen in time. Dont believe too much in this paragraph, I still have my doubts about that, but I feel it's a possibility. Izukus eyes seem to be focused on the water, while Katsuki is just the tiniest bit back, reaching for Izukus hand. And gosh.

I dont think I've ever seen older NOR child Katsuki have this look plasted into his face before. He's...sheepish. Kindly, awkwardly sheepish. No hate, no anger, no shame, no nothing. His face is clear and sweet and has this "Whoops. You got me. But thanks." kind of expression on.

The hand behind his head, just the tiniest but embarassed? That little smile? It's all so soft.

Rambling about softness though- I really liked the hand scene in this particular panel. If you close up your view, you realise that theres no effort to pull anyone out of nowhere. In this panel, they are simply holding hands in frozen time for no purpose at all.

Katsuki has his hand around Izuku...simply holding there.

Again, because the angle is awkward, it's kind of messy, but you get the point.

It's all simply beautiful. Horikoshi clean likes give me life.

And lastly. The actual cover.

I screeched so hard when I saw this. My first instinct when seeing this for the first time was to straight up go trigger happy fingers and write about it to my friends. Christ.

Everything is so...SOft. horikoshi made a good decision by mixing both previous drawings in one. We have parts of the two covers in one, which is amazing. In this one, Katsuki isnt alone, as Izuku's there too. But we dont have the audience either. Probably because the main focus on this panel is no one else except them two.

Again, Katsuki looks like he's bowing, but instead of looking all the way down, he's in the middle. Not looking at Izuku nor looking at the ground, like it shows in the previous covers. Instead, Horikoshi found a middle ground. He's looking at his hand. At the gesture.

Hes not holding hands quite yet, but his hand is there. At arms reach. Not close enough but there. Wanting.

Theres so much regret and again, softness.

Again, like you Op said a bit bad, the angle is off here. This is present Katsuki remembering his past. The angle is off because this Izuku isnt holding out for our Katsuki. This is a memory. A wish. Katsuki's wish.

(Ps. Izukus trousers drenched in the rivers water. This detail was so nice. It's a subtle action that describes Izukus characterization so much. Izuku went in the river with Katsuki in mind, not caring if he got his clothes soaked in the process too. For Izuku, only Katsuki was there. And for Katsuki, only Izuku is.

As a plus, I can't believe the cover of this is literally called Bakugou Katsuki rising. They named the entire thing after that one chapter. Actually, I very much, totally believe it. It's the moment so many people have been waiting for, after all. The moment so many scenes have been amounting for, little by little.

*dreamy sigh*

Thanks for reading, I hope you enjoyed this little thing, I had to get it out of my system and dont want to bother my dear friends anymore than needed.

Have a good day, OP! I'll stay updated!

You kinda just...took my heart and curb stomped it, not gonna lie. Your observations are so beautiful and so accurate. The sketch with little Bakugou taking Izuku’s hand is so...raw, and yeah, that expression is definitely one of love. Those eyes, the way he is HOLDING Izuku’s hand, not TAKING it. He isn’t taking it to stand up, he is literally just...holding it. 

That isn’t the way you take someone’s hand when you’re trying to pull yourself up. It’s an awkward angle and just...wouldn’t work right. No, he is literally just holding his hand, and that’s exactly what Bakugou wishes he did all that time ago. He wishes that he not only took Deku’s hand, but held onto it. Held it as if it were something precious, something to be cared for and protected. 

These are Bakugou’s true feelings expressed in these drawings, and I think Horikoshi released them on purpose, to show us more of what he wanted Bakugou to be feelings through all of this. Since after all, we know that Bakugou expresses himself in action, not so much words. And because Horikoshi is an absolute genius, he thought to give us these other glimpses in how he feels through these actions. 

And the other sketch with him bowing his body to Izuku, and the way the log looks like it’s on his back with his ‘friends’ on top of it. 

The pressure of needing to be the coolest, the strongest, the best. Those kids put that kind of pressure on him, even if they never realized it. They encouraged his behavior and fed his ego, and it never allowed him to see how he was wrong. But now he is realizing it, and he is bowing himself in light of that acknowledgement. He is lowering his head and putting his pride away, so he can get back what he lost all those years ago; the opportunity to take Izuku’s hand.

To take the hand of the only one of those kids that ever loved him unconditionally. Who never pressured him or expected him to be invincible. Who saw all of his flaws and was completely prepared to support him despite all of it. The only one. 

I’m just a mess over all of this, and I am so incredibly thankful to Horikoshi for creating this beautiful relationship. AND IN A SHOUNEN MANGA, NONETHELESS!!  

Thank you friend, for your beautiful thoughts. I think they’re spot on, and I am so emotional all over again because of this. 

#bnha spoilers #bnha #mha #bkbk #bakudeku #midoriya izuku #bakugou katsuki #kacchan #deku #bnha meta #bnha analysis #blackiee-is-heree #asks #basketball idiot #basketball idiot replies

[zombiiesque]

Nocturne Alchemy Osirian Purnima Perfumes Part Two

Originally published 3/24/19

Welcome back to the second half of my Osirian Purnima (OP) reviews! Y'all, I've put off reviewing these, because I just don't know if I have enough of a language to give them the accolades they deserve, but here we are, I'll continue along. They are really something special. All of my life, I'd loved incense, and to be able to wear a perfume that smells like incense (plus other amazing notes)? Yes, please. NA has done something truly incredible with these.

If you've already read Part One, found here, you can skip through these next few paragraphs, but I want to post the OP base and my little speech for anyone who might have come here first.

All of the Osirian Purnimas (OPs, for short) have the same base, so from the website: "Each Osirian Purnima includes the original OP recipe in addition to the notes above for each individual perfume. The Osirian Purnima blend uses the most beautiful and exotic of ingredients, including the tuned recipe of Bastet’s Zamsara: An exotic Blue Incense blended into the dark sensuality of aged Kashmir in Mahogany wood and a drop of Santalum Black, Black Frankincense, Black Hessonite, Bastet's Amber and aged Eternal Ankh Vanilla Absolute. This was then blended into Purnima Incense: Blue Coriander, Italian Bergamot, Ambrette Musk, NA Incense Accord, Egyptian Cedar Chips, Palo Santo Chips and genus of three beautiful Frankincense Olibanum Resin: B. Carteri, B. Thurifera and B. Serrata. Solid Myrrh wood is then stirred in and taken out, leaving a trace element of sweet wood within the blend. Intoxicating blend of Labdanum Extract, Benzoin Syrup and Oakmoss stir in the incense ephemeral element to the blend. Five Sandalwood perfume oils swirl throughout the Osirian."

The labels are gorgeous. They're done by Trista Musco, an artist from New Orleans. If you click on my photo up top, you can have a closer look. Little, beautiful works of art, representing each God or Goddess. All the names are from the Egyptian pantheon.

A caveat: The components of this series are delicate due to the very nature of the oil compositions with their finite incense notes of absolute, essential and steam distilled nature. Travel really disturbs them. The impulse is to open them and at least sniff them, if not try them immediately, but they're going to be very off. Whenever I get a new OP, I won't even open it for a week. It's entirely up to you, of course, but I would hate for someone to get the wrong impression and miss out on something special. When they first came out, this was the one request Seth had for us, to please give it a few days, so as to have a proper first introduction. I have also found that giving these a full month aging really changes them. I was a little underwhelmed at first by OP Pakhet, my first choice of the series, and I didn't understand what I was missing. Everyone had rave reviews. So I stuck it away in a dark box, and went back to it about a month after I got it. The change was mind blowing - it was an incredible scent, far from underwhelming! /soapbox

Okay, there we go! Information passed along, let's get started on these last five Gods and Godesses, shall we?

OP ANUBIS: Guardian of the Necropolis, protector of the dead – With Underworld Oudh (unreleased ICON) at the base of this perfume with Black Frankincense and Black Myrrh ruminating through smoke, the Guardian of the Necropolis protects his dead with the incense of dark wood and rich incense smoke. Ooof, Anubis is absolutely brimming with deep resins. The myrrh is beautifully sweet, balancing the almost citrusy frankincense. Smoky incense provides a counter to the sweet. I bet Underworld Oudh would have been incredible, because the glimpse I get of it here sure does intrigue me. If you've got the SL Ember, it reminds me the tiniest bit of that - but it's much more complex. I adore Ember, so this was definitely one I'd wanted, and it doesn't disappoint. Mesmerizing, and yet so cozy.

OP BABA: God of aggression and controller of darkness – Black Musk & Nag Champa are the wild animal tamed only by a God. Oh, how do I love the various nag champas NA does, and this one is no exception. The black musk is so plush here, it's a wonderful juxtaposition against the nag champa, which is of course perfect with the OP base. I used to be scared of black musks, they can be so overwhelming and strident, but Nocturne Alchemy has by far the best I've ever smelled, it's just so appealing to me. It doesn't drown out the more delicate incense notes, but rather enhances them in a beautiful dance. And this one has special meaning to me, it's the name of an ancient Mesopotamian healing Goddess, and I have always had a connection to her, so I was really drawn to this. It was my third OP, and I wear this a lot when I am doing meditation or ritual work. It really helps with focus.

OP OSIRIS: God of the dead, God of the afterlife and resurrection into eternal life. Black Amber Incense is the base of this God of the afterlife, the resurrection of scent comes in the billow of incense and dark amber notes. This one is really close to my heart. I was pretty distraught when Laura, a dear friend and invaluable member of the Nocturne Alchemy community, passed away last year. I probably wore this for a solid month, it brought me so much comfort. Osiris is the dark amber version of OP Isis, there's a wonderfully fresh amber here, it's almost sweet, but it's a deep, viscous and mysterious. It's balanced against a smoky note and the OP base, a beautiful incense with this. It curls around you in a fragrant warmth. There's a feel of protection and comfort here.

OP SET: God of Chaos, Storms and Darkness; Lord of Sepermeru – With NAVA Egyptian Temple Oudh at the base of this perfume, the chaos of incense and rich dark smoky woods permeates this God of storms and darkness. Set has one of my all-time favorites featured, Egyptian Temple Oudh. I've raved and raved about this Icon, so I'm sure regular readers know how much it has my heart. Here are the notes: "A more intense Oudh that softens over time on the skin. Egyptian Agarwood Oudh is represented here and it is recommended for first time Oudh enthusiasts to inhale from the bottle softly or fan the open bottle toward you with your hand to catch the nuances of smoking embers, dried honeycomb and sandalwood." It's a smoky, deep, and a little sticky wood, and my bottle is so thick at this point, it's almost gummy. And I adore it. If this sounds pretty amazing to you, I really encourage you to get a bottle of OP Set and age it - it's one that I would more firmly advocate needs a good long time to come into its own, but I promise it's worth it to sock it away in a dark corner of a box and just walk away. Set is pretty simply Egyptian Temple Oudh and incense, but it's an experience. The incense adds a subtle sweetness to it, but it doesn't take away that incredible, deep dark sensuous smoke and wood. For me, this is like going into a temple at night. There are piles of smoky, fragrant incense, and immediately you are drawn away from your daily worries, and into a sacred space where you are calm and at peace. It's wonderful for meditating, but of course, I wear it more often than that. This one might possibly be my favorite, but of course I can't make that decision, I love them all so much.

OP SOBEK: Alchemist against evil, protector from crocodiles and the Lord of Faiyum; controller of waters – deep blood red Kashmir and Crimson musk flow throughout the OP perfume. Two of my favorite musks ever, combined with incense. Of course I love Sobek! Unapologetic, sexy red musk of Kashmir, against the cleaner, brighter red musk of Crimson. What a great combination here. So appealing! The incense base definitely provides a balance for Kashmir, which can be absolutely full speed, no stop - here, you're able to get all three aspects, and that's really awesome. However, if you're looking for a softer musk scent, this is definitely not it. This is definitely a warm red scent, and it isn't shy. I get a lot of compliments from random strangers when I wear this - people find it very appealing, and unusual.

I forgot something, and I feel like it's important to add this in. So, the OPs are all quite potent - especially aged. They last a wonderfully long time on me, and they are not in any way skin scents - a little does go a long way. I would start out with a light hand, and if you want more, you can always add to it! Also, I wanted to mention that I wear these year 'round. You might think, looking at the notes, that they're too heavy for spring or summer, and in my experience, they actually do great in the humidity down here in Florida. So give them a try, you might find yourself really enjoying them in warmer weather!

Okay, so that's the last of the OPs that I have. I'm missing Ammut, Horus, Khepri, Khnum, and Sekhmet. Hah, and I want all five! I've especially had my eye on Ammut, Horus, and Khepri, but I have definitely been loving myrrh and frankincense a lot more than I used to, so they'll have to come home one of these days. Which ones do you have? Which are you wanting to bring home? Who is your favorite? Gods, I couldn't choose one, if I had to. It's such a sublime collection, a magnum opus to incense. A love letter to the Egyptian pantheon. And now, the promise of more, with the arrival of the Spring collection! I'm beside myself. I hope y'all have a wonderful Sunday. Wear something beautiful today.