It took me like two hours to process that Caleb's description of dunamis actually was somewhat new information and then go back to grab the transcription because, uh, both "form of magic that exists between the fabric of all of forces of power" and "one of the oldest and most fundamental forces" are far more confidently firm descriptions than we ever got in campaign 2.
Was I actually roughly correct about what dunamis was??? HELLO???
VINDICATION?!?!
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I feel like at some point in the Familiar AU, someone (Ford? Secret Flirtagent who's made it his personal mission to ""rescue"" Dipper from Bill after nearly getting murdered?) snoops through Dipper's magic cellohone for clues on how to destroy Cipher. And this really is 70% of their texts.
Obviously Bill would have made it so if anyone besides he or Dipper tries to use the phone, they get a nasty surprise, but still.
(Thanks as always for the amazing writing!)
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wait. wait. wait. ive been staring at ur latest comic for awhile now and i think i've noticed something about the colors? which are amazing, first of all- just gotta get that out there cuz i adore that soft pink and deep green combo
but i just realized that throughout most of the comic u use both in equal parts it seems. to separate bg + fg and such, to highlight characters/objects, etc.
but then when vash gets back to their room, all the walls are that dark green. and, bit by bit, the pink totally falls off. by the end, it's nothing but constant dark green as vash starts to cry
but then wolfwood slams in and he's backed by that soft pink. and suddenly the comic is nothing BUT pink. soft lines and whites and gentle pink tones EVERYWHERE to just. SO tastefully highlight the little details.
LIKE. WAS THIS INTENTIONAL?! i almost wanna guess that it wasn't since all those green panels w vash crying are all closeups focused on his expression so it makes sense to just put the simple green behind it and all attention on him so the pink just isn't Needed
BUT AT THE SAME TIME THE EFFECT IS SO MASTERFUL THAT I WANNA BELIEVE IT WAS ABSOLUTELY INTENTIONAL
HEHE..... first of all, thank you for looking at my comic so closely, THAT'S LIKE... REALLY SWEET and a huge compliment to hear, thank u thank u
and yes, it was intentional, especially more towards the end!!! in general, the colors are meant to serve as a mood indicator, so a balance of them in a scene would just mean a neutral "okay-ness" and have a functional serve to separate background / foreground / subject matter... deep green signifies introspection or incoming sadness (especially on pg5 when vash cries), and pink signifies wolfwood, which, not an emotion but he is happiness, someone that helps vash lose his doubts in a matter of seconds -- which is why those last few pages are just pink white and lines, and the panels are gone for the majority of it. i wanted to show their unity and togetherness!
while vash still has his issues of just Not saying anything about his loneliness, his feelings are alleviated temporarily with wolfwood's presence and he's just grateful that his paranoia didn't become true, and that wolfwood is genuine, true to his word, when he means he'll be following vash/staying with him. even though it's mission-bound, vash would probably still feel guiltily comforted by that fact.
I'M GLAD IT WAS PARTICULARLY EFFECTIVE IN THIS COMIC because i definitely could've pushed it more... i figured it was a minor thing that not a lot of ppl would care for, but more ppl enjoyed it and noticed the colors than i thought, so i'm glad it worked out!!!
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Hello, I've been thinking about your actors au. Are you doing anything about Rei and Mikio being the only side characters with faces in the first trial? Because I do have a theory about that which I haven't posted but I always thought that was really interesting. Even Yamanaka pointed it out in the first anniversary stream.
Ah, I definitely want to!! Mikio is the man in Harrow, right? (There's also maybe-Rumerie in Bring it On who drives me crazy to this day asdfsd) I'm hoping once the project ends and we get the bigger picture, I can really highlight their relationships more. I'll touch on some of my ideas real quick, but I'd love to hear your theory if you ever end up posting it 👀
My problem is, I originally thought the faces show the prisoners' love towards them, and not necessarily mutual relationship -- which causes some hiccups with including them as characters in the au... (Including t2 faces), Haruka hungers for his mother's love, but given her abuse, they couldn't in good conscience have her on set with him. Rumerie may have been some sort of friend, but he didn't seem so close that he'd be okay seeing Fuuta again and being implicated in his crime. Muu cares very deeply for Rei, but even if the murders never occurred, I can't picture a young girl would feel safe filming her own death at the hands of her bully... I ran into a similar issue with Mahiru and Kazui's partners, but as adults I felt like it was easier and safer for them to consent to the situation.
However! The fact that Kotoko's victim has a clear face really interests me, because that's the only one that (seemingly) has no established relationship or love between them. What could Muu's realtionship with her classmate have in common with Kotoko's and the victim she hunted down from a distance? So I'd love to compare with your thoughts and reevaluate my theory as the new mvs come out...
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