#fania records

[guessimdumb]

Joe Bataan - Under the Street Lamp (1969)

Los Angeles soul group the Exits (see yesterday) recorded the original, but there’s something so believable about this tune with Joe Bataan singing.  And you gotta love any song that mentions Willie Mays:

Willie Mays' a fella like you and me He made it big in the major leagues But before he became the major league champ He stood around just like me and the fellas

#Joe Bataan #Under the Street Lamp #Singin' Some Soul #Fania records #Latin Soul

[soulmusicsongs]

Too Much Lovin' - Joe Bataan (Gypsy Woman, 1967)

#Soul #Soul Music #Soul Music Songs #Music #Music Songs #Joe Bataan #Gypsy Woman #1967 #Fania Records #Latin Soul #Too Much Lovin' #Youtube

[latinalbums]

Siembra - Willie Colón & Rubén Blades

1978

#salsa #salsalovers #salsamusic #puerto rico #latin music #musica latina #album cover #70s music #70s #willie colon #ruben blades #vynilrecords #fania records

[karmaalwayswins]

Cheo Feliciano, Jorge Santana, and the Fania All Stars perform "El Raton" live in 1974.

Video Credit: Fania Records

#cheo feliciano #jorge santana #fania all stars #fania records #cha cha #latin music #live music #music #video #1970s #seventies #1974 #Youtube

[metroroobin]

RALFI✨(Hombre De Bien).🍻🌹🙏

#ralfi pagan #fania records #nueva york #no soy de ti #boricuas #cubanos #chicanos #latin soul #el hijo de mama #fania all stars #chicano soul #Youtube

[fusilsapompe]

FUSILS A POMPE PRESENTS FANIA MIX (Mixé par Zetray)

Fania All Stars - Introduction Theme (1972)

Fania All Stars & Celia Cruz - Encantigo (1980)

Johnny Pacheco- Guaguanco Pa'l Que Sabe (1975)

Willie Colon & Hector Lavoe - Jazzy (1972)

Louie Ramirez - Ungawa (1968)

Ray Barretto - El Nuevo Barretto (1968)

Tipica 73 - Muriendome De Risa (1979)

Che Feliciano - Comadrita (1973)

Celia Cruz & Johnny Pacheco - Ni Hablar (1975)

Justo Betancourt Y Su Conjunto Borincuba - Presencia (1978)

Orchestra Harlow - El Doctor y La Razón (1973)

Willie Colon & Hector Lavoe - Que Lio with Hector Lavoe (1972)

Fania All Stars - Juan Pachanga (1977)

Ray Barretto - El hijo de obatala (1973)

George Guzman - Hierba Buena (1968)

Willie Colon - La Murga (1974)

Latin Tempo - Papa boco (1972)

Ismael Miranda Con Orchestra Harlow – Vengo Virao (1971)

Bobby Valentin - Te Vas A Arrepentir (1972)

Tito Puente And His Orchestra - Virgen De Regla (1981)

Hector Lavoe - Amor Sonado (1981)

Fania All Stars - Closing Theme (1972)

#SALSA #fusils a pompe #fusilsapompe #latinjazz #fania all stars #fania records

[cepheacephea]

“El auge actual de la música urbana tiene un antecedente directo en la llamada salsa brava, que proyectó a nivel mundial el gusto por los ritmos caribeños durante la segunda mitad del siglo XX. Surgida en Nueva York con el sello Fania Records, reunió un elenco de músicos latinoamericanos que hoy son leyenda. En su legado, el barrio es una seña de identidad, así como sus letras, composiciones, intérpretes e instrumentistas de grabaciones y orquestas memorables”.

#Fania Records #Fania All Stars #Salsa brava #Salsa music #La Razón #El Cultural

[radiofauxshow]

Song of the Day: April 3, 2024

Ralfi Pagán: Wonderful Thing Wonderful Thing on Amazon Prime Music I’ve been listening to a lot of music by Ralfi Pagán since discovering him a few days ago. He was born in the Bronx to Puerto Rican and Cuban parents, and that heritage defines his sound. He started out as an R&B artist in the late 1960s, with a style that combined his Latin roots with ’60s soul and a voice reminiscent of Johnny…

View On WordPress

#Fania Records #Latin Music #Ralfi Pagan #Wonderful Thing

[pangurlban]

Hector Lavoe

De Ti Depende

De Ti Depnde (It's Up To You)

1976

#hector lavoe #de ti depende #it's up to you #fania records #salsa music #70s music #music #fantasias #Youtube

[themillpond]

Ismael Miranda — Así Se Compone Un Son

#ismael miranda #salsa #fania records #Youtube

[kaywavy]

nothing makes me want to continue relearning spanish more than listening to spanish music

#been listening to a fuckton of music from fania records #it’s such a pretty language in song

[naitoshi]

the complete naitoshi universe

#fania #florayume #focw #naitoshi's $h!% #insert drive to continue #KatBoBO #mirrored records #kiriko and the book of bad omens

[soulmusicsongs]

Chickie's Trombone - Joe Bataan (Gypsy Woman, 1967)

#Gypsy Woman #Soul #Soul Music #Soul Music Songs #Music #Music Songs #joe Bataan #1967 #Fania Records #Chickie's Trombone #Latin Soul #Youtube

[omegaplus]

# 4,091

Uni label swirl 7″ paper sleeve (1966-1973)

From the label’s inception in 1966 to ending in 1973 on MCA’s volition, Uni /  Universal City Records pressed some of their 45′s with this smooth swirl motion and in Starburst colors. No relation to the Fania label who shares a similar typeset.

#Uni #Fania #magenta #yellow #swirls #records #vinyl #omega #music #mixtapes #reviews #playlists #MCA #Universal City Records

[everydaylouie]

GORON CITY SALSA (been listening to Fania Records stuff!)

(youtube)

#salsa #music #botw #zelda #louie's tunes

[lboogie1906]

Ramón “Mongo” Santamaría Rodríguez (April 7, 1917 – February 1, 2003) was a Cuban percussionist and bandleader who spent most of his career in the US. Primarily a conga drummer, he was a leading figure in the pachanga and boogaloo dance crazes of the 1960s. His biggest hit was his rendition of Herbie Hancock’s “Watermelon Man”, which was inducted into the Grammy Hall of Fame in 1998. From the 1970s, he recorded mainly salsa and Latin jazz, before retiring in the late 1990s.

He learned to play the congas as an amateur rumba musician in the streets of Havana. He then learned the bongos from Clemente “Chicho” Piquero and toured with various successful bands such as the Lecuona Cuban Boys and Sonora Matancera. In 1950, he moved to New York City, where he became Tito Puente’s conguero, and in 1957 he joined Cal Tjader’s band. He formed his charanga, while at the same time recording some of the first rumba and Santería music albums. By the end of the decade, he had his first pachanga hit, “Para ti”. He became a pioneer of boogaloo with “Watermelon Man” and later signed record deals with Columbia, Atlantic, and Fania. He collaborated with salsa artists and became a member of the Fania All-Stars, often showcasing his conga solos against Ray Barretto. In his later years, he recorded mostly Latin jazz for Concord Jazz and Chesky Records.

He was inducted into the International Latin Music Hall of Fame and the Billboard Latin Music Hall of Fame the following year. #africanhistory365 #africanexcellence