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yuikomorii · 2 months

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might be wrong about this but I think the thing that really differentiates Ayato from his brother is that he actually values life in a ''pure way''. Both Subaru and Shu didn't really have the will to life until they met the MC, Reiji's only will was to overcome his father and become better than his brother due to his jealousy, and even if it doesn't seem like it from the surface both Kanato and Laito were too mindbroken due to their trauma to actually enjoy life in a non-twisted way.

Ayato went through a lot of traumatic experiences just like the rest of his brothers but unlike them, he actually had a pure reason to live, that's why he didn't abandon his brothers and was desperately searching for them when they arrived to Rottienburg (I think that's the name) and prioritized them after he got saved by reiji and was willing to go look for them with no plan ahead and he's never changed. Even after they obviously drifted apart he still wanted to save his siblings (like in Lost Eden) even if they didn't want to save him when he got kidnapped by Kino.

Or when he was the only who saved yui in the anime when she got kidnapped by the mukami (Ik it's only fanservice because the anime shows Ayato as the ml). Or when he was the only one worrying about mc in the Olympics cd when the whole thing crushed down. I know mc has had her effects in everyone (because even reiji got worried in the CD drama when he though someone was drowning, turns out it was just Shu being weird) but at the end of the day, Rejet made it very clear that ayato always was different from his brothers even as kids.

Too long? Maybe, I just like rambling a lot about ayato lol

// This franchise is longer than a decade, it’s time for people to stop pretending that Ayato isn’t different from the rest, because it annihilates his purpose like that. Now I’m not saying that everyone else sucks and Ayato is the only cool character there, it’s just that Rejet wrote him in a way that genuinely gives off main character energy. Heck, even other characters have confirmed that he got *something* nobody else does, which is true.

Credit to: dialovers-translations, tournesolia

One thing about Ayato is that he might roast and prank you, but the moment you need help, he’ll be the first to lend you a hand. He’s by no means perfect, of course, he has flaws and makes mistakes too, but his good qualities are just so many that they’re easily able to outshine his bad ones.

Another example is the DF prologue scene. The most normal reaction would have been fighting with the wolf, as Subaru did, but instead of trying to get rid of it, Ayato used himself as shield the moment he saw it, so as to protect Yui. What makes this scene so powerful is that not only they weren’t a couple back then, but in the other Sakamaki routes, he’s still severely injured. He values life, yet he still sacrificed himself for her, no matter if she dates someone else afterwards, and guess what? Even after waking up from the coma in the other routes, he holds no grudge against her for that, but rather is on good terms with Yui. I would also like to talk about how self-sacrificing he is in the Daylight CD, but I feel like everyone listened to that one already, given that it was the most liked of the Daylight series.

While I understand that some people out there prefer more rational and/or introverted characters, I can’t stand those who deny the essence of a character. And, for all people who blame Rejet for “making him more special than the rest”, let me remind you that he’s the Diaboy who got the worst journey ending. Let that sink in. :”)

#admin

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unoriginal-and-dumb · 2 months

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Df ghuffehugefghugfueyguyefgyyfrgygryf?

Do you like dead space? The dead space franchise?? Do you want to hear about dead space?

Last year they released a remake for the first game! Anyway my favorite game from the series would have to be dead space 2, I love the new necromorphs and the added lore to unitology and the whole thing with convergence actually being a thing. In the first game released 2008 convergence actually wasn’t a thing yet. All we knew was the marker, the necromorphs, and unitology. Which is honestly why I like dead space 2 so much. I mean also the advanced suit which is literally the coolest fucking suit EVER. Anyway, did you know that the original dead space game was actually gonna be way different? As it is now it’s a survival sci-fi horror where you play as Isaac Clarke, an engineer who is trying to make sure the entire ship (USG Ishimura) doesn’t go under since everyone is either dead or now a necromorph. More importantly he is actually looking for his girlfriend who was a nurse on the ship. How the game was originally going to be was actually how Callisto protocol is. In other words, it was going to be that you were a prisoner, but some sort of infection is going around and turning people into horrible monsters that go and kill everyone else. I’m really glad they decided to not go with that idea, because the whole thing with unitology and convergence with the added PAIN of Nicole (Isaac’s girlfriend) really makes for a great game. Callisto protocol kinda fell flat for me, the weapons were kinda lame and the fighting was a bit jank but the designs were pretty cool. Nothing will ever beat necromorphs though. My favorite of the single body necromorphs would probably be the unitologist slasher, the puker, or the stalker. The unitologist slasher in specific areas doing the unitology hand symbol thing and the fact that their faces are completely obliterated is kind of poetic given what unitology is (it’s the belief that death, conversion to necromorphs, and convergence into a sentient meat planet essentially is the final steps of evolution for humanity when in all reality it is just the brethren moons way of reproducing). I like pukers because of how severely messed up they are, their faces are hollow and their flesh is melted due to the acid they hold their lungs. It’s twisted and malformed and the designs for the legs are absolutely so cool. Stalkers im biased for because I loved dinosaurs, I loved xenomorphs, I mean it’s a human contorted into basically a raptor and it screams at you and looks awesome ITS COOL! But god Isaac Clarke is such a great character. Like I said he’s just an engineer who in the end of it all wants to find and save his girlfriend because he was the one who encouraged her to take the job on the ishimura. Spoiler warning in case anyone was actually reading this and wanting to play the games. Anyway Nicole is dead, even before you start playing she was already dead and Isaac knew that. He received her last transmission, all she could really say is everything was falling apart and how scared she was, but she ultimately decided it was better if she did it herself instead of being turned into a necromorph. Isaac watched Nicole die, the one person in his life that was there for him, that tried to help him, that stayed with him and he loved her soooooooo much, so seeing that transmission kind of just broke him. He pushed it out of his head and refused to believe it. And it just gets so much worse because the marker, the thing that created necromorphs, is capable of creating hallucinations and delusions for people making them more susceptible to being killed, killing, or helping the marker reach the convergence event in order to create a brethren moon. Throughout the game Isaac experiences hallucinations, they get worse and worse until he finally finds what he thinks is Nicole and because he jsut wants her alive and well he chooses to believe it, in the end healing the marker get exactly what it wanted.

Convergence events are triggered by the markers when there is enough biomass. So these brethren moons, are moon sized living beings. They literally farm species. I’m dead space lore, the asteroid that hit the earth and killed the dinosaurs was the red marker. It was designed to take out the dinosaurs as the brethren moons know what they need in a species in order to reproduce a new moon. The marker sends out signals to the species, encouraging growth in intellect, and also creating the internal greed leading to over using the environment and being forced to find new ways to get materials such as going to the stars. This influence is key not only to create an intelligent species but for small cues in their genes to be easily triggered when they have reached their peak. This is when a necromorph outbreak will begin to occur. First, people have to be near the marker. It produces energy signals that are highly desired as it looks to be free energy, so obviously this draws attention and leads to people studying the marker extensively. Then it starts to hit those genetic cues. It depends on the person, but most will exhibit signs of heightened stress and anxiety, hallucinations as well. People who are unable to hold the knowledge of how to create more markers are driven insane, often times becoming extremely hostile as they hallucinate others to be monsters or believe that others are trying to harm them in some other way. It begins with a body, the marker also has something similar to a viral bacteria that it used to create the first few necromorphs. Once there is a dead body in proximity, it takes a bit of time but eventually it can “reanimate” it (necromorphs are NOT alive, they are simple a collection of muscles being moved around, they can’t be killed but dismemberment can stop them) the first few necromorphs are always slashers. They have large blades and strong legs, they can quickly crawl through vents and are quick and good at killing. Once there’s enough slashers around to protect the marker it moves on to creating infectors, those are severely mutilated human corpses, but their main purpose is to speed up the infection. They have a long proboscis that is designed to stab through human skulls and inject the bacteria. With infectors, the switch from human to necromorph only takes seconds. This allows for other forms of necromorphs to be created. It depends on a number of things for what determines what type of necromorph will come from a human, but the marker uses the materials to the best of its abilities. People with somethingike acid reflux may be more prone to becoming a puker, people who have been cut in half or just have a much stronger upper body may become a leaper (leg less torsos that can crawl and jump extreme distances) if the infection is along far enough the marker may begin to attack in other ways, such as creating wheezers (oo wee ooo) that cough up poisonous gasses to kill off any remain in survivors passively. Sometimes a corpse just becomes part of the corruption, which is often seen as meaty growth along the walls and floor of any areas. In the ishimura it blocks door ways, slows people down, grows tentacle like things that can grab and drag people down. It can also work a bit like the wheezers by relaeasing the poisonous gasses but it works much slower than the wheezers do, much more passive stuff. The most dangerous thing the corruption can do is create wall guardians. Humans can be absorbed into the corruption and have a stationary necromorph that can prevent survivors from traversing as easily. They are extremely dangerous and hard to kill without proper weapons. As mentioned necromorphs are dead, all you can do is dismember them to make it so they are unable to attack you so it’s not just an easy one and done shot.

Brethren moons are so super cool. They are the signs of previously powerful species, they are the reason we are alone. They harvest and kill in order to create life for themselves. A brethren moon requires an intelligent species in order to become what it is. They are hyper intelligent hive minds that are all connected. They share the same abilities of the markers but scaled to like times 100. In dead space, there is a level of intelligence that shows itself as the ability to read others minds, or if cultivated act as a hive mind. Every human has the ability to be born with it but it is rare and again one human could have that ability but it is such a low level it will likely never be noticed unless convergence occurs. Isaac Clarke does not have this ability, but he does have the other form of intelligence that makes him much more dangerous and thus more desired by the brethren moons. He is able to withstand the marker signal better than others (that doesn’t mean he can fully withstand it but yknow) which means he is able to have the instructions for HWO to create more markers implanted in his head. But that also means he can defeat the markers plans (if we are going by dead space 3 non dlc ending that means he can also defeat brethren moons but I don’t like dead space 3 very much so im not counting it) the entire idea is built around levels of intelligence, and there’s so many different levels of it. Humans as a whole are smart, but everyone has different intelligences in different areas and I’ve always been really interested in stuff like that

Anyway im gonna go now I have about 385828578385739 more words to say but I need to do other things

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ruki--mukami · 2 years

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I read your post about Ruki's redemption being difficult to write. I wanted to ask how do you see his canon redemption arc, especially in MB. The afterstory really threw me off because it seemed so abrupt.

I mean in the sense that it looked as if Yui's suffering had no meaning whatsoever. The transition from hateful to caring was never shown [Eternal blood took the same stance, an already caring Ruki from Track 1]

That's why i wanted to ask your views on the canon redemption arc and his development, whether they really were given justice or not.

🧩 Hello, Anon. Thank you for the very intriguing ask. In fact, it compelled me to even re-read his More, Blood route, which admittedly isn’t something I do often at all. If anything, I read his Dark Fate route the most because I find his characterization in that route in particular very heartwarming compared to the others. Anyway, his More, Blood route is pretty much what I remembered from the last time I read it, and suffice it to say it actually made me feel pretty good about my portrayal of him because I’d like to think I’m not making him act more sadistic than he really is, which was quite reassuring to say the least. Immediately when he meets Yui, he already threatens to kill her, and throughout the route he is constantly hating on humanity and dismissing the idea of love altogether, which makes one question how Yui can even develop romantic feelings for him in the first place.

Now, just as a disclaimer, I haven’t read very many other DL routes outside of Ruki’s. I’ve read all of Ruki’s content, but I’ve only read Ayato’s HDB and MB routes, as well as Shu’s DF route, so I cannot speak in general for the formula the franchise tends to opt for, but from what I’ve noticed… Love tends to be developed out of Stockholm Syndrome (when victims cope with their imprisonment by bonding with the captor). All throughout Ruki’s MB route, Yui is getting tortured, bitten, degraded, and psychologically manipulated in every single chapter. There is very little letup from him, minus the few times he decides to free her from the dungeon or stops his punishment midway (i.e., opting not to put her in a collar and chains, saying he’s merciful for not ending her life, etc.) but he does have his moments of “kindness” which is probably giving him more credit than I should since I’m biased and I love him.

For instance, there is a scene at school where Yui begins to feel sick from the lack of blood. Ruki then takes her to the infirmary, and what’s special about this moment is that she is so shocked he would even help her get there in the first place. Another scene is when she is swimming to retrieve Azusa’s knife, but he dives in and saves her despite all that he has done. Now, I’m not saying these are reasons to forgive what he has done by any means, but that’s just the kind of protagonist Yui is in general. Not just with Ruki, but with everyone she meets, she often tries to see the absolute best in them and tends to disregard the abuse even if she is on the receiving end. After she sees the flashback of his past and is taken away by Ayato, Yui deems Ruki as a “kind person,” wishing she was back at the Mukami estate. Even before this, she has a little monologue to herself as she polishes the silverware (one of the very basic punishments he frequently assigns to her), wondering if she has genuinely taken a liking to living under Ruki’s rules and if she has accepted herself as livestock.

There is this phenomenon they will teach you about in psychology class called the Ben Franklin effect, and honestly, I’m not certain how strong of an effect it is or if it’s just a load of baloney, but basically it asserts that if you carry out a favor for someone, your brain begins to rationalize that you must be doing it for them because you like them in order to prevent a cognitive dissonance from eating away at your sanity. After all, who wants to act benevolently for people they hate? I believe it’s possible Yui might’ve undergone this same effect under Ruki’s care. Constantly carrying out these chores, following his every order, and drilling it into her brain that his rules must be followed not only for her survival but also to avoid his brutal punishments. He certainly doesn’t make it easy, either. Even for the smallest mishap, Yui is always being ridiculed by him. Though, that isn’t to say his discipline is purely cruel. Ruki is known to be a very possessive man, much like the other DL boys. As he inflicts pain unfathomable on her, he litters in dialogue like “you belong only to me” and “it irritates me how those guys (the Sakamakis) treated you.” Those all imply he cares about Yui in a very, very twisted way, even if it’s as mere property.

It's for this reason that, whenever I roleplay as Ruki, I remind myself he is no knight in shining armor. Yes, he wants to protect Yui, and he wants to steal her away from the Sakamakis, her previous abusers. However, by no means does he want to spare her the punishment for those same reasons. In fact, nothing gets him off like seeing his prey suffer at his own hands. We all know that much. At the end of the day, he is a sadistic Vampire even if he was once human. He says this himself throughout his route as well, and even Yui comments on how much Ruki hates humans which seems to baffle her. What’s interesting about this dynamic, however, is how he comments to her “looking at you reminds me of myself,” given his past. So, yes, at least he is self-aware that he is taking her freedom away and reducing her to a human who might as well not be alive, since for Ruki, autonomy = aliveness.

So, in a corrupt sense, I do believe Yui’s suffering had meaning in Ruki’s route. Watching her suffer as much as she did probably gave Ruki a thrilling show indeed. Not only that, but over time he likens himself to her. He sees himself from his past in present day Yui, trapped, freedom stripped away, and branded like livestock. That much he can resonate with, and even when Yui comes back for him on the rooftop, he is shocked she would choose him after everything he did, saying that he would kill his own captors if he could. Which, if you ask me, is a much more realistic response than hers. But then again, that’s Stockholm Syndrome for you. Even if she wanted to appeal to Kou and the others, she could not because at every given opportunity for his brothers to intervene, Ruki put a stop to it immediately, making her reliant on the eldest for any means of survival.

This discussion also begs the question of what Ruki might’ve saw in Yui for him to suddenly care whether or not Ayato also loved her at the end of Ecstasy 10. I believe in their shared moments together, since he was able to sympathize in his own sadistic way, there was a bond that developed between them. One of mutual captivity. One that reminded him of his own humanity, whether he liked it or not.

Ah, sorry, this is getting off topic. I tend to let my thoughts ramble on subjects like this.

Anyway, I do think Ruki’s redemption arc was a bit abrupt and poorly executed, more so for people who selected his route out of mere curiosity rather than liking the character from the beginning. I can just imagine the people who chose his route “just because” being really confused by his actions. From abusing her every day, to caring whether Yui will be loved or not in the right hands, then finally betraying Karlheinz to elope with her in the after story. At the end it’s revealed he likens Yui to someone who taught him how to believe, trust, and love others again. And, this last point is more related to Dark Fate than More, Blood, but before their wedding it cuts to a screen of a vast, blue sky, and he says to himself something along the lines of “Finally… I’ve obtained it.” I don’t believe he was referring to the act of obtaining Eve, but rather the blue sky him and his brothers looked to when they tried to escape the orphanage together. Instead, he refers to the act of being free. Free of Karlheinz, free of debt, free of living for someone else’s sake. It’s the first time in any main story route that he has claimed something of his own free will, of his own volition, living entirely for no one but himself.

One might deem this as “selfish,” but to me, this life lesson hit immensely hard. Sorry to make it personal and about myself, but one reason why I will always love and cherish Ruki as my comfort character is because I think we both experienced similar hardships in life, albeit in the form of different obstacles. I know exactly what it’s like to live for someone else’s best interest rather than your own; I think we all know what that feels like. So, to finally free yourself of that burden… Nothing can be more liberating. All throughout both MB and DF, Ruki denies his true desires. He accepts the Adam and Eve plan as his will to repay his benefactor’s saving grace. However, I believe deep down he always wanted to find someone who will love him unconditionally, as much as he argues against it. Someone who will teach him what true freedom is, which is what Yui did for him. In the end, she came back to her abuser out of love, and contrarily, he wishes to love Yui not as Eve but for who she is. To do such a thing is not only betraying Karl, but also to live without caring what others may think. Which is an important lesson we all need to learn eventually.

Yet at the same time, I know not every person is like Yui. Not every story will be arranged in such a way that Ruki will resonate with the person in captivity. Which is why I also try to develop romance/redemption through shared interests and the two muses overcoming a challenge together, if you look at my rp threads. 🧩

#ruki mukami #mukami ruki #the admin speaks

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koumeowkami · 1 year

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i haven't really taken a deeper look into the DL routes except for Kou's but I wonder if there are other "good" endings similar to his MB Brute Ending.

(So far the three rejet franchises I know Ryohei Kimura is in, he's usually voicing one of the best boys)

ngl but i'm a REALLY forgetful person and i read so many routes i don't really remember which endings i liked (btw, i stopped reading the brute / manservant endings after a while cause i don't like suffering lol).

i only remember that my fav routes EVER (generally speaking) are ayato's DF, laito's MB, ruki's LE/DF, azusa's CL and kou's DF (i like dark fate a normal amount i swear). i didn't read ALL the routes yet so there may be some added in the future? ig?

(THIS IS SO TRUE!! i always like ryohei kimura's characters a lot. i don't know about the third rejet franchise he's in cause i only know him in dearvo and DL but he also voiced arthur from ikemen vampire and he's like. my third fav character in there :D he's seriously SO GOOD.)

#this is a ryohei kimura stan account btw #/hj but not really #he's one of my fav VAs ever #answered ask

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squideo · 6 months

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The Best Animated Christmas Adverts of All Time

We love a Christmas advert in Britain. Whenever the latest John Lewis or Marks & Spencer Christmas advert is released it makes news headlines. The public takes to the internet to compare it to adverts of past and rank which advert has been the best tear-jerker so far.

At Squideo, our favourite Christmas ads are the animated variety. We love to see what other animation companies are experimenting with, which pop culture characters are in the public consciousness, and what audiences are responding to. We’re ranking our ten favourite animated Christmas adverts (to date). Let us know if we missed your pick!

10 Best Animated Christmas Adverts

10. It’s a Wonderful Flight | Heathrow Airport 2017

Combining live-action and CGI, the iconic Heathrow Bears sold at Heathrow Airport take centre stage in this advert. On a series of Christmas Eve flights, a family of Heathrow Bears grows over the years in a video which promotes the staff of Heathrow Airport who work throughout the Christmas holiday as well as this classic souvenir.

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09. Paddington & The Christmas Visitor | Marks and Spencer 2017

Released in the same year as Paddington 2, Marks and Spencer took advantage of the film’s publicity by making this special bear the star of their Christmas advert. The video subtly places M&S products throughout, but it is Ben Whishaw who is the star of this advert along with Mark Benton and a cameo from Angela Ripon. M&S rarely hold back on the celebrity guest stars in their adverts, but it is the touching scene at the end of this advert that truly makes it memorable.

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08. A Comfy Carol | DFS 2020

Wallace and Gromit have been popular characters since they first graced the screen in 1989, and DFS must have known they had a safe bet when they approached Aardman Animation to make their Christmas advert. The product placement – a warm and comfortable couch – only appears at the very end of the video, with much of the advert dedicated to Wallace’s typical eccentricities and Gromit’s usual exasperation.

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07. Northern Lights | Coca Cola 1993

The Coca Cola polar bears have been a popular mascot used by the company since 1993, often appearing in their advertising in the run up to Christmas. This simple advert departed from the brand’s usual live-action human-centric videos and used state-of-the-art computer animation. The ad was so popular that even Coca Cola’s competitors Pepsi got in on the action, eventually releasing their own polar bear advert. Who knew bears loved soft drinks so much?

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06. Inner Child | McDonald’s 2020

Made in support of FareShare UK, this 3D animated McDonald’s advert doesn’t rely on characters from famous franchises. Instead it creates its own original characters, a mother and a son whose relationship is strengthened over a McDonald’s happy meal. Animation is cleverly used to show the son’s growing distance, contrasted with his inner child who longs to participate in all the Christmas traditions. Joining McDonald’s existing #ReindeerReady campaign, it ends with them setting out McDonald’s provided carrot sticks in wait of Santa’s arrival.

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05. Get More Out Of Giving | Very 2019

Another yearly campaign, Very’s Get More Out Of Giving promotes community and kindness during the Christmas holidays. In 2019, Very used 3D animation to create a neighbourhood coming together to create a gift for one of the residents. Very has used the same street of houses in previous adverts and takes advantage of the existing character development to advance the story. Using Very branding in the form of a glowing pink present, it is a subtle advert without any product placement that effectively pulls on the heartstrings.

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04. Father Christmas to the Rescue | Barbour 2020

Using the beloved animation of Raymond Briggs’ Father Christmas, this advert was inspired by a real incident which is credited at the end of the video. After the family dog rips an heirloom Barbour jacket, Father Christmas is called upon to mend it. The advert signposts the repair services Barbour offer, rather than promoting buying a new replacement. It’s a sweet story, but the best part is seeing Briggs’ characters brought to life yet again.

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03. Mog’s Christmas Calamity | Sainsbury’s 2015

Prepare for the advert guaranteed to bring tears to Scrooge’s eyes. Narrated by author Judith Kerr, the original creator of Mog who also cameos in the video, this live-action and 3D animation advert was accompanied by a Sainsbury-exclusive book and plush toy with proceeds going to Save the Children. Mog gets up to his usual antics, and the Thomas’ home catches fire – destroying the downstairs living area in a moment which brings the fun calamity to a sobering moment. Quickly the neighbourhood rallies around the family, cleaning up the house and sharing their Christmas. It’s an emotional rollercoaster which instantly became a Christmas advert classic.

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02. The Stepdad | Disney 2021

Part of Disney’s From Our Family to Yours campaign, the company continues its support of Make-A-Wish International through sales of the video’s original song performed by Gregory Porter. The second advert to follow this growing family, the titular stepdad struggles to find his place in the household but fortunately the love he and his step kids share for Disney comes to the rescue. From watching original Disney programming, reading Disney books and building a Disney-inspired gingerbread house, there’s no shortage of product placement in this advert. And yet, despite this, it keeps the characters central and creates a heartwarming story.

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01. The Bear and the Hare | John Lewis 2013

Combining 2D and stop-motion animation, this was the video that started John Lewis’ reign as the Christmas advert titan. Using Lily Allen’s cover of Somewhere Only We Know, the single became a UK number one hit and the video has over 54 million views on YouTube. Every John Lewis advert since is compared to The Bear and the Hare. From its beautifully animated characters to the simplicity of the story, there was no other advert in the running for our number one spot.

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Create Your Own Animated Video

Did your favourite animated Christmas advert make the list? Why not get started on an animated video of your own. Get in touch with us to find out more!

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fastfurious10streammdeutsch · 1 year

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Fast & Furious 10 ganzer film deutsch kostenlos stream online

Fast & Furious 10 film online - https://fast-furious-10-de.blogspot.com/

Dominic Toretto und seine Familie haben die unglaublichsten Prüfungen gemeistert und alle Feinde auf ihrem Weg überholt und besiegt. Jetzt stehen die Helden dem tödlichsten Feind gegenüber, dem sie je gegenüberstanden. Eine aus den Schatten der Vergangenheit auferstandene Bedrohung, angeheizt durch Blutfehden, kann alle zerstören, die dem Haus am Herzen liegen.

Kritiker teilten ohne Spoiler ihre ersten Reaktionen nach der Weltpremiere von „Fast X“ von Universal Pictures, die am Freitag, dem 19. Mai, weltweit in den Kinos anläuft.

Germain Lussier von Gizmondo hielt sich bei „Fast & Furious 10“ nicht zurück und nannte es „das bisher schlechteste Fast“, lobte aber auch Jason Momoas „God-Level“-Darstellung auf der Leinwand:

„‚Fast X‘ ist das bisher schlechteste ‚Fast‘.“ Ja, einschließlich [fügen Sie hier ein, was Ihnen am wenigsten gefällt]. Die Action macht Spaß, aber es ist der erste Film, der den letzten nicht übertrifft, und der charakteristische Begriff „Familie“ ist ein nachträglicher Einfall. Aber! Jason Momoa ist auf Gottes Niveau und den Eintrittspreis wert.“

Kristen Acuna von Insider neckte „das schockierendste Ende der Reihe“ in diesem neuen Film, gab zu, dass er nicht perfekt war, verglich ihn aber auch mit dem Ausmaß von Avengers: Infinity War von Marvel Studios:

Ich habe letzte Woche „Fast X“ gefangen! Es ist eine aufregende Fahrt voller wilder, ununterbrochener Action, die das bisher schockierendste Finale der Reihe darstellt. Es ist nicht perfekt (das Ende mag die Fans spalten), aber es hat mich fasziniert und ich kann es kaum erwarten, es wieder zu sehen. Universal versucht definitiv, dies zu ihrem „Unendlichkeitskrieg“ zu machen.

Forbes-Autor Simon Thompson lobte auch die schurkische Momoa dafür, dass sie dem Franchise „eine scharfe Schärfe und etwas erfrischenden schwarzen Humor“ verlieh, bezeichnete den Rest jedoch als „lächerlich“ und bemerkte, dass es genau das ist, was die Fans zu sehen hoffen:

„‚Fast X‘ gehört Jason Momoa und seinem dekadenten Bösewicht Dante Reyes. Wild und extravagant, sein gefährliches Auftreten verleiht ihm eine scharfe Note und etwas erfrischenden schwarzen Humor. Der Rest ist lächerlich mit klobigen Elementen, aber dumm unterhaltsam. Was zum Teufel, wie schnell hast du gewartet?“

Noch mehr Lob erhielt Momoa von Eric Eisenberg von Cinema Blend, der dies als den Grund dafür nannte, dass die Serie „wieder auf den richtigen Weg“ komme, und den gesamten Film als „einen Gewinn“ beschrieb:

Nach der ersten weltweiten Vorführung des zehnten Fast & Furious-Films „Fast

Bevor die offizielle Sommer-Blockbuster-Saison eine neue Runde aufregender Filme bringt, wird „Fast & Furious 10“ die unglaubliche 22-jährige Geschichte der Kinoleinwand hinter Veteranen und neuen Gesichtern gleichermaßen fortsetzen.

Der unglaubliche Hulk-Darsteller Louis Leterrier übernimmt die Regie dieses Epos voller Elektroautos und verleiht dem Franchise sowohl mit diesem Film als auch mit „Fast & Furious 11“ aus dem Jahr 2025 seinen eigenen Stempel.

Doch angesichts der gemischten Kritiken der Kritiker im Laufe der Jahre, auch wenn die Filme an den Kinokassen weiterhin hervorragende Leistungen erbringen, stellt sich die Frage, wie das erste Urteil über das neueste Weltreiseabenteuer der Fast-Familie lautet?

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#Fast & Furious 10 online film #Fast & Furious 10 filme stream #Fast & Furious 10 filme stream DF #Fast & Furious 10 film kostenlos

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lnevada · 2 years

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I have figured it all out!

Here’s my pitch for the next several installments of the Dangerverse franchise that went on for too long! ✌🏻

The untitled Henry Danger movie will pick up where we last saw Kid Danger. Leaving the Man’s Nest, he prepared himself to abandon his new responsibilities/friends in Dystopia to “hunt and put an end to Drex for good”.

The film will have at least two major action sequences: the catalyst fight sequence. Drex will defeat Henry, again. The Kid will be severely injured, ego bruised, and more than likely have to request backup/have a pep talk. He will finally come to grips with the steaks and consequences of being a Super. I am hopeful the supporting cast will be the OG kids, but this could be an opportunity to introduce new heroes/friendemies to the ever expanding universe (as the creative team seems apt to do at this point) and I don’t see enough positives being garnered with the inclusion of Captain Man or Danger Force in this standalone/solo hero film. And the climax fight sequence which will lead into the resolution. Drex is “defeated” forever(?? 👀) (with no foreseeable cause or capacity to return to any of the television series going forward).

The “plot”, or purpose for this movie, will be for Henry to shed his label of Kid Danger and take on the full depth and responsibilities associated with acting as a full time superhero, and to inherit his new alter ‘Danger Man’ (a filler name listed on IMDB or an equivalent TDB name will occur in the film).

As an avid viewer, my interests would lie less in the introduction of new allies/villains outside of the Henry & Drex pantomime, and would gravitate more towards the exploration (or suggestion) at how the +1 year in Dystopia has changed Henry’s personality and fighting abilities. How far from the path of clean cut good has he strayed? Has he gone dark after engaging with “exceptionally dark” villains (as he has hinted in appearances on DF)? Has he hurt people to solve crimes (in ways Captain Man has never been shown to)? Henry’s tone/words suggest the only way to put an end to Drex is to, quite finitely, kill him and perhaps he has taken similar extreme measures in Dystopia. I KNOW these are topics Nick cannot blatantly explore, but it would be an amazing character arc to see adapted to the little screen. What does it mean to go too far and can Henry come back, or how can his more severe actions/choices be justified? Is there a way to defeat Drex without Henry losing his humanity/what’s left of his childlike innocence? Is Henry really hero material and able to uphold the title/responsibility or has he always been in over his head? Is the boy-wonder ‘worthy’? Was he ever?

As far as the introduction of utilizing established characters and introducing new ones goes, I would recommend (for the film and the Dangerverse’s sake) sticking with the former, so far as it involves Henry’s family as well as Jasper and Charlotte.

Think of Captain Man as the Iron Man of the Dangerverse. Does IM make appearances into other heroes films, yes, but it isn’t ALWAYS necessary and would take away valuable screen time from the main hero (using the logic that this film is a one off, less than 90 mins, and there’s no guarantee it will do well or that sequels will ever be green lit).

Nods and references to past installments, especially in an interconnected universe, are fun and satisfying for fans. However, they can also be too plain face or repetitive. I don’t think Henry, in a stand alone role, should be ‘saved’ or reliant upon CM. He may call him and then Ray not answer (as is what occurs in DF), or Henry may sit and reminisce on his time with Ray and how it influenced him in the film with other onscreen characters. These subtle nods would be best received and make sense, because Henry quite literally cannot ignore Ray either in this first time standalone film. But the film (though I’d love nothing more than to see Barnes in a *film*) shouldn’t rest on it’s laurels of past achievements. In a way, I’d almost rather Schwoz’s character or past villains be utilized to make references without disrupting the flow of the plot before Ray be brought in.

The DV as a whole should be striving for new grounds at all times. It’s a very fine line to walk between nostalgia-baiting/rehashing old jokes/tropes and paying tribute to the past or playing into audience’s expectations. We’ve learned this through NWH, and it’s hard to ignore the similarities in media types between Marvel MCU and what the Dangerverse is striving towards with future installments. In this standalone movie, we are looking for a Matt Murdock cameo (satisfying), not a Wilson Fisk cameo (unresolved).

A stand-alone film is a perfect entry point to reintroduce the HD gang and catch us up quickly on what they’ve been up to. However, it isn’t uncommon for actors who are closely associated with one/their first major role to refuse or choose not to revisit it after the final wrap (for many reasons), so I would respect Fox and Downs for turning down the project. Although this point drives a wedge into my second plan/prediction, *so let’s put a pin in this argument.* As well as I think this film should focus on Henry, and the OG HD kids can be better utilized in later projects.

As for introducing new heroes or villains, a 80-90 minute film isn’t an ideal place to start. Sure we can show Henry fighting small time criminals on his way to find Drex, but I wouldn’t linger on their characters or motives for too long.

New heroes may be interesting, if the intention is fir these heroes to appear down the road in later DV properties or their own (yet more) interconnected installments. Nothing in the business is ever certain but as long as the bulk of the running time is focused on Henry, it doesn’t hurt to plant seeds for new characters/allies along the way.

***My ideal vision for the stand alone film is for it to be a PI/vigilante sleuth type of film. Henry works alone, follows clues, and punches his way through colorful villains on his way to find Drex. The twist is he uses questionable interrogation methods (which Ray is always eager to employee, yet somehow always prevented from fully executing) and illegal hacking/breaking and entering techniques (Schwoz/Charlotte’s bag of tricks) to track down his ultimate target. The film should take considerable to to show Henry doing these things in a manner that makes it clear his motives for doing so are never cut and dry. The audience should question his integrity along the way and slowly be brought over to his side through learning about his past discrepancies in Dystopia. The film on its surface may not sound comedic (the genre the audience is accustomed to seeing), but I think the best way for Henry’s character, and for the franchise to grow, is to try new things and really push The Kid’s character to new heights.***

The Mystery & Untitled Henry Danger project (still in the development/writing phase) will almost certainly be a direct sequel to Henry Danger set in Dystopia following the actions of the film. We all want that project to happen.

I’m not sure what the limitations are for child vs. adult actors and contracts - in terms of Nick. It will also, first and foremost and forever more, be a children’s show. There will be no blood or gore or “really, really bad guys” fought (thinking Daredevil or Punisher) nor will the plots ever be too deep/emotionally driven, instead the focus will be on comedy/friendship. Plus, we all saw the horribly cheap SGI effects of Charlotte’s cyborg technology. If the show sticks with continuity, Dystopia will be a highly SGI sci-fi hellscape which will require even more SGI and worse effects than anything seen on HD/DF to date. On top of this, actors have to be rehired and convinced to return to roles they wrapped more than a year ago. Roles which would hopefully carry on for an additional 2-7 seasons (I can dream).

However, with all the technicalities, legalities, and financial barriers pushed aside, the fans’ dream is to see Henry, Jasper, and Charlotte fighting crime as a unit. Using their powers in tandem. Making decisions as adults and not relying on another, more established hero to ‘save the day’ for them.

I want to see the kids crammed into a crummy, falling apart loft apartment with no technology besides their phones/those in or on their bodies/those Schwoz gifted them or that Charlotte (again, showing her on screen crafting these items) builds with scrapes in the middle of the ‘living room’ in the one room studio in a crime riddled town. The kids, young but no longer feeling as vibrant as they’ve been in Dystopia for 1-2 years, sleep in sleeping bags or air mattresses. It is nowhere near as glamorous as the Man Cave or MN, but they learn to accept it/appreciate what they have.

These kids are not doing it for fame and glory and unlimited money/resources like CM. They are doing it because they believe in truth, justice. Because their mentors taught them to always do right by others. And, most importantly, because they are not normal. Not anymore. They were raised in the life and cannot go back. ANNNNNND, they can’t comprehend the concept of living without one another. They’re friends and they’re family and they are all each of them has in the world. So far as they are young, struggling adults barely able to pay the exuberant rent each month, yet they refuse to settle and move back with their parents. Because they may have day jobs that pay less than minimum wage and life is hard, but they are the good kind of exhausted, and aged-up, and hardened from working their night job around the clock. More than they ever did in Swellview. Because it’s just them now. Three kids against a corrupt city, protecting the innocents, if any exist and fighting for one more day. A better day, tomorrow.

Just as I want to see a more mature, even hardened, Henry Hart, I want to see matured and a little bit jaded Charlotte and Jasper. They haven’t totally lost their empathy/fighting spirit/humor, but they’re adults. They’ve seen the worse the criminal underground has to offer. And, maybe they fight and turn their powers on each other from time to time, because that’s what families do. And maybe they make mistakes and go too far when pursuing justice/a case. But the audience should be shown these things and watch the kids learn and adapt from those hard mistakes.

***My ideal vision for a new series, starring Henry Hart (and hopefully the characters we know if the actors are eager and willing), is to see the young adult version of Henry Danger. I want to see Henry, now Danger Man (or TBE), leading a group of Supers who have the best intentions but stumble constantly and have to learn hard lessons. The show can still be child friendly and rooted in comedy, but lurking in the subtext/background, I’m going to ask the creative team for a little bit more in the mean time.***

NICKELODEON, give me a job dammnit! Put Mike Caron on the phone, lmao. (No but really, do you need a PA, a junior intern writer, someone to clean up/put up sets, a stenographer, anything? Anything?)

#henry danger #dangerverse #new project #dv theories #theories #predictions #wish list #coming of age #superhero #kid danger #why are you booing me you know i'm right #vigilante series #danger force #captain man #charlotte page #jasper dunlop #schwoz schwartz #long post

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theminionjcfucked · 3 years

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I think Df and Azah f2 would be one of the funniest things to ever happen in this franchise. Like I wouldn’t even be mad at that point all I could do is laugh. Two jokers in the end who would have thought

At this point, it’s the only result I want because of how outta left field that shit would be omfg

#big brother #bb23 #cbs

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pixiehollovv · 3 years

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do you think there’s any chance of disney making new tinker bell movies? I miss them so much

i don’t think Disney would make more Tinker Bell movies, as in Disney Fairies. The franchise ended in 2015 and the Disneytoon Studio that made the Tinker Bell movies shut down. There is even rumors that there was a movie after Neverbeast called “Unknown Season”. (and that comes from the Disneytoon press release) Then the studio shut down. I think there might be chance for more Tinker Bell media, maybe with her Disney fairy characterization/DF visual elements....but I don’t think there will be any Disney Fairies media on Disney+. I don’t think Disney wants to invest into the franchise again, and just waited for the Disneytoon studio to close tbh.... However, there is a likely chance for print media,like books and their Disney Fairy manga. Maybe someday Disney will realize that Disney Fairies is a nolstalgic series and revive it in a series of shorts or episodes, but I imagine it would be a bit different, like a reboot (art style change, character lineup changes, little design changes, new characters, massive changes that make it so different from the original). If Disney made a Fairies TV series/new movies would be so giddy, like a little kid. But for now, they haven’t revived the “Unknown Season” or “Tinker Academy” (TV special) projects so I doubt they are invested as me ;-; Lol anyways- Mod Dessa

#Dessa #movies #Asks #thanks for asking #honestly i am still waiting for my disneys house of mouse revival as well

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yuikomorii · 8 months

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What do you think about Ayato and Yui being parents?

By the way, I was always left wondering if in the end they had children or not T_T I always wanted to see what they would look like! (by the way I love your content (⁠≧⁠▽⁠≦⁠))

// I feel like they’d be good parents as long as he doesn’t impregnate her at 17 because both act like children already. 😭😭

Main heroes do not usually impregnate the heroine because their routes are supposed to represent the ideal outcome of the story, and raising a kid while the heroine is a teenager does not sound like the perfect ending for anyone.

While it was mentioned in an official interview the possibility of Ayato and Yui having a daughter, I don’t think Rejet will ever dare to give Ayato a child in the games, given that such a thing could come off as very controversial. Ayato is basically the teenage wet dream of the franchise, he’s supposed to be the teenage boy fantasy of the audience and according to Japanese players, he is known as the one who allows Yui to live her youth, that’s why a lot of people in the otoge jp community are very fond of him. Getting her pregnant would only prevent her from continuing to live her life as a normal 17 year-old girl. On top of that, based on how much Ayato was working in the DF short after story, having a child would be the last thing from his thoughts. :”)

Nevertheless, if they had a child I can guarantee that it’d be madly GORGEOUS. Ayato’s title is “Dialovers’ best visual”, therefore it’s practically impossible for him not to have stunning children. As for Yui, she already kinda shares some similar features with Ayato, making it easier to imagine their future offspring, lol. If it doesn’t have Vibora eyes, it’s a waste of genetics /hj

I remember when this meme about little Ayato looking like a combination between Yui & Ayato was going around and I have to admit that it’s hilarious how I actually see the resemblance. xD

#admin #(awww thank you so much btw!!)#(I’m glad you like my content <3)

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carlatsukinamistolemyhamsandwich · 3 years

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Carla’s CL Route: A Shin Fan’s Thoughts and Feelings

I have such mixed feelings on this route but I’m going to try and relay them as articulately as I can. Obligatory warning, this post contains massive spoilers for CL (mainly Carla’s route but i’m going to mention some of the other routes too). Now without further ado:

Before I delve into any of the issues I had with this route, let’s start with what I liked. Firstly, I think it’s safe to say that Carla hands down deals with the situation the best after he gets his memories back compared to the other routes I’ve played (Shin’s, Shu’s and Laito’s) and I would be very surprised if any of the other characters are able to handle things as well as he did (although admittedly that’s partly because he’s just so much more powerful than everyone else). I did like that the writers were able to show off how capable he can be, while still bringing up stuff like how it isn’t good at cleaning or cooking.

I liked the plot point about Carla being able to live without Endzeit if they stayed in the miniature garden as I thought it was an interesting concept.

I found it very interesting that Subaru was the only other character to regain his memories in this route, especially given that Carla actually played a role in his LE route which wasn’t the case for any of the other Sakamaki brothers in LE. I can’t help but wonder if the writers have them as a brotp when considering that they were also paired together in the Versus IV CDs. Regardless, I did enjoy seeing their interactions in Carla’s CL route.

The scenes between Carla and Yui after Carla gets his memory back are great and I’m sure Carla fans will have a field day with them.

Now, lets move onto to the issues I personally have with this route.

Because Carla is shown to be so capable, I never really felt fearful for the characters. In contrast, in Shin, Shu and Laito’s routes they all had moments of genuine peril outside of the bad endings, which meant I felt really concerned and was drawn into the story. Carla’s route however, went something like this: Oh no, how are they going to deal with this unexpected development? Ah wait, he solved it in an instant, as expected of Carla I suppose. Oh no, how are they going to deal with this other unexpected situation? Ah no nevermind, he dealt with it right away again... and so on.

This might just be personal preference, but in my opinion if you really want people to get invested in a story, there needs to be some element of risk for the characters (even if you know there’s going to be a good ending). If you take that away, even though the fluffy bits with Carla and Yui were lovely, every time we got to one of the more plot-orientated parts of the story, I’d start to get invested only for there to be no pay off as there never really seemed to be much of a problem in the first place. This is why you have to be a bit careful when coming up with characters to make sure that they have some sort of weakness, otherwise the audience knows they’re going to be fine whatever.

Yes Carla is undoubtedly the strongest of the boys when Karl’s powers aren’t involved (and especially when Endzeit is removed from the picture) but I still feel like there should have been something. We came a little close with Shin getting close to being killed by the Scarlet family but Carla took care of it so easily that it just felt a bit... I don’t know, flat maybe?

And now onto my biggest bugbear of the route: how they handled things with Shin.

First things first, I am fully aware that I am incredibly biased here and Carla fans, you may see no issues with this route at all and honestly, good on you, I’m glad you enjoyed it, but hopefully after the end of this post you’ll at least understand why I was a little upset.

Things started off really well on this front, I loved the scene where Carla starts to remember things, Shin cuts his arm and then says that seeing Carla kneeling in front of him makes him feel frustrated for some reason. I was pleased when Carla and Yui went to rescue Shin (and by extension Ruki) when they were being attacked by the Scarlet family and the angst when Carla and Yui saw Shin treating Ruki as his big brother. But it then just... went nowhere (well in the Euphoria ending anyway, I’ll get onto that Labyrinth ending later).

The writers threw in some token lines from Shin in chapter 15 sure, but did he get his memories back before they returned to the real world? No. Did we get any sort of scene between Shin and Carla after Shin had gotten his memories back? No. In the route to achieve the Euphoria ending could Shin have stopped existing from about chapter 12 onwards and it wouldn’t have changed anything? Honestly, yes.

I genuinely don’t think this would have bothered me so much had it not been for two things: 1) how much of a big deal trying to return Carla’s memories was in Shin’s route (although I would never have really expected anything else) and 2) the fact that all of this Shin and Carla angst was dangled in front of my nose only for there to be no pay off whatsoever.

I know this route is meant to ultimately be about Carla and Yui, not Carla and Shin’s brotherly relationship but I can’t help but feel cheated that the little Carla and Shin content we did get never amounted to anything. There was no heated discussion/argument between the two of them, there was no exciting climax where Shin tried to kill Carla because he still had his fake memories. Hell, we didn’t even get a token scene at the end where the brothers finally both had their memories back; Shin was unconscious for the conversation with Socrates and then he never comes up again.

My main point here is that I don’t think it was a good decision to include all these bits about Shin being important to Carla and then to not do anything with it in the climax of the good ending.

I acknowledge that there was no big climax in Laito’s route with the triplets either but at the very least Kanato and Ayato got their memories back and made sure that Shu and Reiji didn’t kill Subaru while Laito and Yui were trying to find a way out of the miniature garden. Shin didn’t even do that much.

Now as for labyrinth ending, oh boy where do I even begin. Putting aside the fact that Shin getting infected with Endzeit is literally the one thing I never want to happen in the franchise, I wasn’t a fan of it at all. Part of my reason for not being a fan of this ending comes back to my point about Shin playing such a small role in the Euphoria ending version of chapter 15 that he could have been replaced by a mop and I don’t think anyone would have noticed.

However my biggest issue is that we get no information on what’s actually happened to him in that ending.

For anyone unfamiliar with that ending, in the Labyrinth version of chapter 15 Shin tries to kill Yui before they reach the church (as he still hasn’t got his memories back) but Carla protects her and gets stabbed. Shin gets covered in Carla’s blood and because his wounds from earlier in the route haven’t healed yet, they suspect he’s gotten infect with Endzeit. As a result, Yui and Carla decide to stay in the miniature garden where time is effectively frozen rather than return to the real world and have Shin potentially die from Endzeit.

The actual ending is just Yui and Carla talking about whether they’ve made the right decision. They say Shin hasn’t shown any signs of Endzeit but did he get his memory back? Are they just keeping him locked in the dungeons so he doesn’t try to murder them both? Who knows.

I can’t help but feel that it was very unfair to have Shin used as a bad ending plot device and then cut him out of that ending too.

Also I am calling complete bullshit on that line about Carla being able to suppress his symptoms. I get that Rejet are probably trying to hint to his DF ending where Yui’s blood is magically able to hold off Endzeit symptoms (which was retconed for LE but might be thing again now apparently?) but then why was there any hesitation from Yui over going back to the real world versus staying with Carla in the minature garden??? Like this makes no sense at all. Either Carla is dying from Endzeit or he isn’t, you can’t pick and choose within the route itself depending on what’s convenient.

Anyway I’m starting to rant which isn’t good, so I’ll bring an end to this post here.

Do I think the route has its good points? Yes, absolutely, I think Carla fans who enjoy his softer side will have a great time playing it. Do I personally have some very specific problems with it which are likely related to the identity of my favorite character? Again, yes.

Anyway I’d be interested to know if anyone agrees with me or if I am just a Shin-obsessed mad woman. I’m going to go and listen to one of Shin’s drama CDs or something while I go and calm down. Hope you’re having a good day and thanks for reading :)

#Deep sigh #I just #I just felt so done by the time I got a couple of lines into the labyrinth ending #normally I love bad endings but the absence of Shin in the good one made the labyrinth ending feel extraordinarily hollow #it's a shame because I was really looking forward to this route but to be honest I'm extraordinarily glad I didn't leave it for last now #as I think I would it would have meant I ended the game on a sour note #I do like Carla and I'm glad he was able to deal with things so well but...#yeah...#I hope I haven't upset anyone with this #like I said if you loved Carla's CL route and didn't see any problems with it #then please ignore my ramblings #I just really needed to write out my own thoughts #own post #cl spoilers

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keinezeitzusterbenstreamdeutsch · 3 years

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James Bond 007 Keine Zeit zu sterben Film Stream German Online Komplett Kostenlose

Film stream - https://james-bond-007-keine-zeit-zu-sterben.blogspot.com/

No Time to Die ist die Fortsetzung der Filmreihe über den 007-Agenten James Bond, der sich aus dem Dienst zurückgezogen hat und ein ruhiges Leben in Jamaika genießt. Doch die Ruhe endet schnell, als sich sein alter Freund und Kollege von der CIA Felix Leiter um Hilfe an ihn wendet. Bond muss einen entführten Wissenschaftler retten und einen mysteriösen Bösewicht bekämpfen, der eine gefährliche biologische Waffe schwingt.

Auf den ersten Blick erscheint Fukunagas Beteiligung an No Time To Die etwas unpassend. Sein Ruf, durch Filme wie Sin Nombre und Beasts Of No Nation und die erste Staffel von True Detective, ist als Arthouse-Spezialist bekannt. Das einzige Mal, als er versuchte, mit It im Studio zu spielen, verließ er das Projekt und nannte den gleichen Grund, der Danny Boyles Beteiligung an diesem Film beendete: kreative Differenzen. „Das war eine Anomalie“, sagt er. „Mit jedem der Produzenten darauf habe ich Folgepläne. Und hier drehen wir wahrscheinlich einen der größten Filme des Jahres, und ich hatte das Gefühl, Barbara und Michaels Schutz zu haben. Dennoch macht Bond für Fukunaga durchaus Sinn. Ein Fan der Show seit seiner Kindheit (A View To A Kill war der Kirschknaller), er hat sich nach Spectre aktiv für den Auftritt eingesetzt. "Er ist eine kulturelle Ikone, nicht nur für meine Jugend, sondern für das, was er Generationen vor und nach mir bedeutet", fügt er hinzu. "Ich habe alle Filme von Daniel im Kino gesehen, was für mich nicht üblich ist. Dies ist das erste Mal, dass ich mich als Erwachsener wieder dazu verpflichte. " Als Boyle ging, kletterte Fukunaga an Bord und erschuf eine ganz neue Geschichte. Sein Ziel war es, das Feeling klassischer Bonds beizubehalten. „Das ist Bar im klassischen Sinne des Wortes“, sagt er. „Ich erbe eine Welt und führe sie in diesem Kapitel zu ihrem Ende. Es gibt viel Raum für Improvisation und kreativen Schwung, aber auch ein starkes Verantwortungsbewusstsein, den Apfelkorb nicht umzukippen. So ist es auch mit der Action in No Time To Die. Es wird alle Arten von Verfolgungsjagden, Motorrad-Stunts und Schießereien geben, aber Fukunaga ist entschlossen, nicht mit der Mission: Impossible-Franchise oder fünfzig Jahren actiongeladenem Erbe von Jump Schritt zu halten. „Ich hoffe, die Aktion ist spannend, aber wichtiger war, dass sie bedrohlich war“, sagte er. „Anstatt an die Handlung vor der Geschichte zu denken, wie könnte die Geschichte die Handlung vorantreiben? " Und wenn das bedeutet, Craig nicht aus einem 35.000-Fuß-Flugzeug zu werfen, das mit nichts anderem als einem Martini-Glas ausgestattet ist, dann soll es so sein. Aber es wird immer viele Bondianer für Ihr Geld geben. Empire reiste wie Sie im April nach Jamaika, um zuzusehen, wie der Direktor der zweiten Einheit, Alexander Witt und sein Team einen großen Luft-Stunt durchführten, bei dem ein Wasserflugzeug (natürlich von Bond gesteuert) der Verfolgung durch die Polizei entkam . Und bei unserem Besuch in Pinewood werden wir durch eine unglaublich detaillierte und weitläufige kubanische Straßenkulisse geführt, die eine lange Schießerei und Verfolgungsjagd beherbergen wird. Es wird auch, nur wenige Wochen nach der Tour, der Ort sein, an dem Daniel Craig seine letzte Szene als James Bond gedreht hat. Der Tag: 25. Oktober 2019. Die Zeit: verlorene Zeit. Die Aufnahme: Sprung, einen Gang hinunterlaufend. „Es war möglicherweise ein wenig Anti-Höhepunkt, weil sie es normalerweise sind“, erinnert sich Craig. „Eigentlich war es sehr emotional. Die ganze Crew kam und versammelte sich draußen. Alle küssten sich. Ich habe versucht, eine Rede zu halten, aber ich konnte nicht. Im Gegensatz zum MCU, wo ein Schauspieler nur sicher sein kann, dass er bei seiner Premiere nicht für zusätzliche Dreharbeiten zurückgerufen wird, macht Bond keine neuen Aufnahmen. James Bond mag in der Hölle zurückkehren, wie auch immer Bond 26 genannt wird, aber Daniel Craig wird nicht: Es ist das Ende einer Reise, die vor fast 15 Jahren begann, als er der Weltpresse enthüllt und sofort einer Flut von Misshandlungen ausgesetzt wurde . Eine Website, danielcraigisnotbond.com, hat Petitionen eingereicht, um seine Lizenz zum Spielen von Bond zu widerrufen, und geriet in Raserei über die bloße Vorstellung, dass ein blonder Schauspieler Bond spielt. „Ich hoffe, sie sind sehr glücklich“, lacht er. Glücklich ist genau das, was er zu sein scheint. Wenn dieser Film herauskommt, wird er 14 Jahre lang Bond gespielt haben, länger als jeder andere Schauspieler zuvor. Und obwohl fünf Filme nicht ausreichen, um die Produktion von Connery und Moore auszugleichen, ist es mehr, als er sich vor all den Jahren vorgestellt hatte. „Ich war total bereit zu sagen: ‚So sehe ich Bond. Du magst ihn nicht ? Fair genug “, sagt er.

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ranibell · 4 years

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If DF franchise were to be revived would you prefer a WDAS movie or Disney+ series?

I think I would prefer a series, because we already have the Disneytoon films.

If they were to do a WDAS movie...well, I doubt they would just continue the series from where it was left rather than rebooting the whole series. If they’re making a feature film it’s going to be its own thing, and who knows how close or far from the original Disney Fairies concept it would become?

If we got a Disney+ series I think we could end up with more content, and certainly it would be based on the canon we already have for the franchisee.

But I’m imagining individual episodes, like the Pixie Hollow Games special. I actually wouldn’t want it to have a continuous plot throughout episodes, because serialized shows can just build more and more drama to keep people watching at the cost of characters and plot—unless the series are well-planned and cut off where they’re supposed to...

Since every installment in the DF series works as stand-alone so far, I’ve come to expect self-contained stories from it. Each book and movie can be enjoyed on its own, without any cliff hangers or nonsense. And they could just keep on making more and more, without having to exaggerate plot lines and drama to keep the thread going between episodes, since each will be its own.

#maybe it’s just me #but that’s what i think

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blackwidowstreamdeutsch · 3 years

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Black Widow Stream Deutsch Film Ganzer Online 2021

Film stream - https://black-widow-de.blogspot.com/

Natasha Romanoff muss sich ihrer Vergangenheit stellen. Die Schwarze Witwe muss sich daran erinnern, was in ihrem Leben war, lange bevor sie sich dem Avengers-Team anschloss, und von einer gefährlichen Verschwörung erfahren, in die ihre alten Bekannten hineingezogen werden – Elena, Alexey (bekannt als der Rote Wächter) und Melina.

Die Marvel-Filmmaschine bewegt sich unermüdlich vorwärts. Der Blick zurück ist für Nostalgie-Kicks und In-Witze reserviert. Es ist ein Feature, kein Fehler. Diese Dynamik hält das Franchise spannend, jeder Film endet mit einem Startpunkt für den nächsten Teil, die Nebenhandlungen, die nie richtig geklickt haben, werden schnell im Rückspiegel gelassen. Die große Frage rund um Black Widow traf den Kern dieses Ansatzes: Inwiefern sollte ein Film, der sich auf eine bereits tote Figur konzentriert, für das ständig anstürmende Marvel Cinematic Universe relevant sein? Nach den Ereignissen von Captain America: Civil War und bevor sie sich im neuesten Avengers-Film, Natasha Romanov, opferte, ist AKA Black Widow (Scarlett Johansson) auf der Flucht. Kein Problem; als Superspionin ist sie immer einen Schritt voraus. Worauf sie nicht vorbereitet ist, ist ein Überraschungspaket, das den tödlichen Assassinen mit Superkräften Taskmaster vor ihre Tür bringt. Jemand muss wirklich diese mysteriösen Fläschchen wollen, die ihr geschickt wurden. Sieht aus, als hätte sie eine letzte Mission vor sich. Es dauert nicht lange, bis man merkt, dass die Geschichte von Natasha Romanov trotz vage Gesten in Richtung „unerledigter Geschäfte“ wirklich zu Ende ist. Sie steht in ihrem eigenen Film nie ganz im Abseits, aber dies ist überhaupt nie ihr Film. Die Eröffnungssequenz spielt in den 1990er Jahren in den USA und ist ein Stück tiefgründige Spionagearbeit, die eine actiongeladene Variante von The Americans ist, die uns ihre falschen Eltern Alexei Shostakov (David Harbour) und Melina Vostokoff (Rachel Weis). Er ist ein superstarker Abklatsch von Captain America, sie ist ein Kernstück des Programms, das Black Widow geschaffen hat; könnte ein Teil von Natashas unvollendetem Geschäft … die Familie sein?

Betreten Sie ihre nie zuvor erwähnte jüngere "Schwester" (nun, sie war ihre Schwester in ihrer falschen 90er-Familie), Yelena Belova (Florence Pugh). Der eigentliche Star dieses Films ist diejenige, die Natasha das mysteriöse Paket geschickt hat und sich nach einer niedlichen Kampfszene mit ihr zusammenschließt. Das liegt daran, dass sie a): den Inhalt des Pakets verwenden müssen, um den Rest der verdeckten sexy Widow-Attentäter zu befreien, weil b): es stellt sich heraus, dass das Red Room-Programm, das Black Widow erstellt hat, trotz ihrer früheren Bemühungen immer noch auf Hochtouren läuft den Chef seiner (jetzt privatisierten) Operationen, Dreykov (Ray Winston, der eine große Präsenz hat und möglicherweise nicht der Mann ist, zu dem Sie gehen, wenn Sie einen richtigen russischen Akzent haben wollen) zu ermorden. Seit dem letzten Marvel-Film ist mehr als ein Jahr vergangen, und Black Widow ist das perfekte Willkommen zurück. Es trifft alle traditionellen Beats, macht alle Standarddinge und gibt einem der Kerncharaktere des Franchise einen letzten Abschied, der nie eine Geschichte ist, die erzählt werden wollte. Vor allem ist es eine Rückkehr zu dem Genre, das Marvel am besten kann; Es ist eine Spionagegeschichte, in der die Superkräfte auf niedrigem Niveau gehalten werden und (meistens) auf unglaubwürdige Kampfkunstbewegungen beschränkt sind.

Trotz der komplexen Mythologie ist das Storytelling unkompliziert und effizient. Dies ist eher das Ergebnis der gut geölten Marvel-Drehbuchmaschine als der Hand der australischen Regisseurin Cate Shortland (Somersault), trotz des vage aktuellen #metoo-Bösewichts, der junge Frauen für einen vage definierten „globalen Einfluss“ ausbeutet und missbraucht. Ebenso sind die Action-Set-Pieces aufregend und effektiv, ohne jemals atemberaubend einprägsam zu sein. Dass der letzte Konflikt auf diesem alten Marvel-Stand-by stattfindet, einer riesigen bösen Basis, die explodiert und vom Himmel fällt, verstärkt nur das Gefühl, dass dies ein Greatest-Hits-Paket ist. Der einzige Bereich, in dem dies wirklich auffällt und wo Shortlands Hand am deutlichsten ist, ist die gebrochene Familiendynamik der Hauptfiguren. Alexei ist ein doofer Vater, der es gut meint; Melina ist die reibungslos kompetente Mama, die ihren Mann trotz seiner Schwächen liebt. Natasha ist die große Schwester, die schon halb vor der Tür steht, und Yelena ist die feurige Herausforderin, die nicht zuletzt dank Pughs charmanter Fünf-Sterne-Performance jede Szene stiehlt, in der sie sich befindet. Das große Problem mit dem Marvel-Franchise ist, dass sie nie gut mit Bösewichten waren. Das liegt daran, dass sie immer den nächsten Film im Blick haben – und weil die Bösen es nie in den nächsten Film schaffen, werden sie beschönigt. Natasha ist die Figur, die hier beschönigt wird, während Yelena eindeutig die Zukunft ist, sogar vor einer Post-Credits-Szene, die sie direkt ins Herz des Marvel-Universums bringt. Zum Abschied von Natasha ist Black Widow eine fachmännische Leistung; als Einführung in die neue Black Widow ein voller Erfolg.

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