#elizabeth zharoff

[spazoutloud]

Will excitingly enjoying Sleep Token.

Bonus:

#will ramos #lorna shore #the charismatic voice #elizabeth zharoff #the biggest fanboy #sleep token #i love their friendship #our golden retriever singer #my gifs

[higherentity]

#Elizabeth Zharoff #opera singer #singer #vocal coach #elizabeth #Youtube #youtuber

[jezzz803]

#elizabeth zharoff

[feuerkindjana]

Vocal analysis of The Chain

Guys, I have been watching Elizabeth's videos for a long time now and she's the best. Not only is she reacting to music but also taking a deep dive into singing techniques and arrangements. Over the course of the videos, you watch this opera singer become a metal head and she is so joyful and emotional in her analysis.

Please check out her channel and have some fun with it. Side note: I am in no way a singer or can even hold a tune , I have no idea what she's talking about (professionally) most of the time and yet it is so much fun to watch and I learned a lot. It made me appreciate musicians even more.

#the charismatic voice #elizabeth zharoff #fleetwood mac #the chain #music reaction #ofmd #adjacent #wonderful YouTube channel #Elizabeth is a delight #Youtube

[metalcholic]

Elizabeth (The Charismatic Voice) showed some snippets of Will's isolated vocals in her Pain Remains trilogy reaction video

and I don't think anything has made me cry as quickly as hearing the isolated vocals of the final part of Dancing Like Flames

that song already makes me cry almost every time I hear it but I was not ready for those raw vocals, damn

#will back at it again with the most beautiful harsh vocals #lorna shore and will specifically just hit a special part of my heart with their music #will ramos #lorna shore #elizabeth zharoff #the charismatic voice #pain remains

[lordguppi]

#interview #david draiman #charismatic voice #elizabeth zharoff #disturbed #Youtube

[julandran]

Oh, goodness. I'm gonna spit on a lot of things.

opera singer Elizabeth Zharoff, trying to figure out beatboxing The Charasmatic Voice — VoicePlay “Hoist the Colors” reacton & analysis

#Heh. #singer problems #understandable #Elizabeth Zharoff #The Charasmatic Voice #queued

[do-androids-dream-ao3acc]

The Witcher + Power Metal? Vocal ANALYSIS of @Blind Guardian 's "Blood o...

She’s such a nerd, I love her!

#Blind Guardian #vocal coach #analysis #Elizabeth Zharoff

[murderofcrow]

Transcript of Will Ramos' essay on Sleep Token for Rock Sound magazine

I might play in a metal band as part of my job, but I don't listen to much metal music anymore.

A few years ago though, I remember one of my friends saying to me, "Dude, you've got to check out this band Sleep Token… They're pretty cool".

I'd never heard the name before, but I'd listened to 'Hypnosis' and a couple of other songs from the band's second album, 'This Place Will Become Your Tomb', to see what they were like.

Hitting play for the first time, I was caught off guard. You hear the guitar and these slamming instrumentals and instantly you think, 'This is about to fucking kick ass'. You're so sure that the vocalist is about to come in with some gnarly screaming, but then you hear this man singing, and he's singing so beautifully. I didn't see it coming at all, and as soon as I heard it, I knew that it was exactly what I needed to hear.

At the start of a long drive that I had to make on my own, I hit play on 'This Place Will Become Your Tomb' from the beginning for the first time. As the record began with 'Atlantic', I was vibing to the sound of the music, but as it rolled through each track I started to get more and more caught up in this incredible sonic journey. By the time it was over, I realised that I'd been on this emotional roller coaster of love, pain, happiness, sadness and nostalgia.

Boom, that was it - I was hooked on that album. Every single song on that record was so freaking incredible to me, and I needed to know more about Sleep Token. Believing that my friend and I were the only people in on this hype, I spoke about it to my band one day, and they said to me, "You need to listen to 'Sundowning'!" I was so mad that they knew about this band the whole time, and nobody ever told me, but I went back and listened to Sleep Token's first album like they suggested.

I remember thinking it was very different. It's not as polished, but it's very dynamic and so beautiful. I think it definitely says something when you can see the progression of a band from just their first and second albums. From then, I knew they were onto something incredible.

It feels like more and more people have been catching onto that hype over the last year, and now it seems as though their name is impossible to ignore. I remember when they released 'The Summoning' at the start of 2023, the day after they'd released 'Chokehold', it felt like it all went crazy. They had something like 4-million hits on that song in just two days, and now, it's got over 70-million plays on Spotify. It was the beginning of a huge explosion for Sleep Token, and the first time I heard it, I was genuinely confused by it. It's so ridiculously versatile, and on my first few listens I felt like the super jazzy outro didn't fit at all, but the more I listened the more it began to click. I remember at the time I showed it to Elizabeth Zharoff, a vocal coach from The Charismatic Voice, and the outro was immediately one of her favourite parts.

She's from a completely other world of music, so to hear her approval showed me how capable Sleep Token were of reaching people outside of the metal scene.

I might not listen to metal music anymore, but Sleep Token are revitalising heavy metal. It brings back the nostalgia that I felt when I was a little kid listening to this type of music for the first time and being like, 'Holy shit, what is this? This is so cool'. I had started to lose that feeling over the years, but every time I listen to these songs, all those emotions come flooding back. In my opinion, there's no band out there that sounds like them - and that's a truly impressive feat.

Merging metal with pop, R&B, and rap influences, and bridging all these different gaps that many artists have historically been afraid to explore, there's something here for so many types of music fans. For a long time, metal bands have been putting themselves in a box. There's been this idea that a metal band needs to be heavy, that you need to have a breakdown in every song, and that you need to tick all the boxes in order to succeed. It's been so refreshing to see the evolution of the genre over the last few years, and to see bands like Sleep Token bring all these different sounds to the forefront of metal.

It brings a whole bunch of unique people into the fold. People love to say that metal is dying, but it's music like this that keeps it alive. It doesn't just move the scene forward, it expands it.

Now, there are all these people who didn't listen to metal before listening to Sleep Token. R&B and pop fans are coming into this as fans of Vessel's singing voice and hearing all these metal influences along the way. The second verse of 'Take Me Back To Eden' has this great rap-inspired singing part, and it's these little things that speak to different people in different ways. All of this feeds into our community in some crazy way, shape, or form. It's welcoming people into a genre that they may never have been exposed to otherwise, and I think that s a beautiful thing.

As a vocalist, one thing in particular that draws me to Sleep Token is Vessel's voice. I have always been a screamer, but I've always wanted to be a singer at the same time. I always practise on the side of Lorna Shore, but in my mind I'm like, 'This isn't very good. My voice is not fit for metal at all, as far as singing goes'. When I first heard Sleep Token though, one of the first things I noticed was that Vessel and I have a very similar range. Hearing him lay down all of these incredible parts, it makes me realise that I can actually sing metal vocals.

Back when I first discovered them, I wanted to cover their songs in the hopes that more people would hear them. Now, I just want to cover them so that I can sing something that is in my range.

Obviously though, his voice is much more dynamic than mine because he's been polishing it for a very long time. He does a crazy vibrato and can switch between his head voice and chest voice super easily. It's crazy stuff, and as someone who has been a vocalist for so long, I can appreciate the techniques he's using. I love to hear the different ways he's able to blend his voice into the genre.

Another thing that makes his voice so unique is that it's so emotional. When I hear Vessel sing, I can truly feel the emotion behind his words. He might be this otherworldly figure singing about an ancient deity, but there's a distinct humanity to his vocals. You can sense his sadness and pain, and whether people realise it or not that draws a lot of people to Sleep Token's music. They're the band that you can listen to at two o'clock in the morning when you're driving down the road alone. They're the perfect companion for those moments where you're upset about something, and you just need to listen to something that feels like a release.

That's a beautiful thing, because when you write music, you want people to feel the same emotions that you're feeling when you're writing it. The way that Vessel translates all of that is so incredible, and it's arguably my favourite thing about the band. Between his vocals and the instrumentation behind them, you feel exactly what they want you to feel. Even before thinking about what I knew about Sleep Token, when we were thinking about what we wanted to do with Lorna Shore, that was the goal. We wanted to bring a little bit more emotion into heavy metal music, and now they've done that and brought the singing into it too. Metal's now even more emotional because of the way he uses his beautiful voice, and I think that's what this genre has needed for a long time.

The truth is, from the moment I first heard Sleep Token, I knew they were one of those bands. Between their studio quality, their musical skill, and their ability to conjure up their own lore to incorporate into the music, I could see that they had the potential to be something truly special, they just needed that little push.

As soon as they got that with 'The Summoning', that was it - they were taking over.

First impressions are a big thing, and I think 'This Place Will Become Your Tomb' will always be my favourite album because of the way I first connected with it, but 'Take Me Back To Eden' is phenomenal. They have been able to get all of their emotion out in so many new ways on those songs because there's even more happening from a musical perspective. They've managed to strike the balance between heaviness and beauty perfectly and that's what we strive to create with albums. The goal is to create an album you can sit with, front to back, and feel the waves of emotion. A record to let yourself feel those things, and an opportunity to sit in isolation whilst you experience that journey.

It's a feeling that's amplified within Sleep Token's live shows, and I was able to catch them at Blue Ridge Rock Festival in Virginia. Lorna Shore were also playing, and we had a meet and greet scheduled for that day. It was scheduled to take place from 7pm until 7:30pm, and Sleep Token's set started at 7:30pm. I was a little antsy, because I know that meet and greets always overrun by half an hour or so, and they were the band I was most desperate to catch.

I was sitting there, it was 7:29pm, and the meet and greet line was still as long as it had been when we'd started. I started to hear 'Chokehold' playing in the distance, and I felt so sad.

People online were messaging me to tell me that Sleep Token were playing, and I was like, 'I know! I can hear them, but I'm stuck here!'

That's where it started to set in how freaking massive Sleep Token were becoming. They're one of the biggest metal bands that I'm aware of right now, and there were so many people watching that set. They refer to their live shows as rituals, their fans are the congregation, and the stage as a place of worship. It's something that could easily seem tacky if a band did it with little consideration for the details, but they're so committed to what they do.

After about three minutes, as I heard 'Chokehold' coming to an end, I stood up and said, 'Alright everybody, I've got to go. I'm so sorry, but if you know me, you'll understand'. The people who come to our meet and greets know how much I love Sleep Token, so they were like, 'Dude, go!' I sprinted out of there, leaving the rest of the band still doing the meet and greet, and made my way over to the stage. I thought I was the only one who wanted to see their set, but ten seconds into running I turned around and saw Of Mice & Men's singer, Aaron Pauley, following me. We started running through this huge crowd together, and everybody was so excited. I'm not the type of guy to leave a meet and greet early, but I needed to witness that set. It was an act of true love!

Even when they post on Instagram after shows, the captions are always like, 'The ritual has been completed in Copenhagen'. They totally absorb themselves in the spiritual aspect, physically, visually, and sonically. It's a brand, and they completely own that brand. They've made it exactly what it is, and they stick to it.

When I saw them, they had four people onstage doing harmonies with them, and they just stood there in their cloaks.

They didn't move throughout the entire set, and I began to picture it as a church choir at the side of the ritual. The whole experience does feel super spiritual, and they don't just give 50 per cent to the theming, it's 100 per cent. People feel the emotion, see the way they embody this ideal, and hear this incredible music - and I think that's why people are so ready to absolve themselves in this spiritual moment.

Everybody has a different connection to every song because of the different things everyone goes through in life, but they get to experience all of that in a place where everybody else is feeling something too.

Vessel's vocals translate into their live experience so perfectly, too. His screams are even better live than they are in the studio, and he still sings beautifully, which is so impressive. I was genuinely doubtful that he was going to be able to hit all of those vibratos and do all the other crazy vocal work he does on the albums, but he hit every note. Sometimes, he doesn't even hit the notes that he does on the studio versions, but he hits another note that is equally as stunning. He's a true performer.

You can tell a lot about a band from their live performance, but as a band in the modern age you also have to put a lot of thought into your promotion. The way you come across on social media is important, and the way that people perceive you is largely down to how you come across online. That's why I've always been fascinated by Sleep Token choosing to keep the identities of their band members a secret, refusing to do interviews and placing the focus on their visual identity.

I definitely think that's played a part in their success, because it's allowed the music to take centre stage. I remember when I was first talking to the rest of Lorna Shore about Sleep Token, they told me about the lore behind the band and that the members are all anonymous. That was before 'The Summoning' came out, but since people have caught on there have been some serious investigative deep dives, so l'm pretty sure the internet has found out who Vessel is.

I didn't look that up though, because personally for me, I always really appreciated the fact that they were totally anonymous. I like the feeling that Vessel is just a voice in the ether. You can hear it, but you can't classify it as being the voice of any one person, it's just this intriguing mystery. I've heard a lot of people say that it reminds them of when they first got into Slipknot because when a lot of people I know first listened to that band, nobody knew who was behind the masks. They were just a bunch of dudes making music with no outside perceptions, but then obviously people found out. I think that Sleep Token have that similar allure for a whole new generation, but sadly for me that mystery was shattered when I met them after a show.

It was great to meet them, but I also really didn't want to know who they were. I loved not knowing and I think that the anonymous aspect of what they do plays such an important role in the impact they're having on the heavy metal world.

It's a bit of a double-edged sword because everyone wants to know their identities, but once you do know - you miss the anonymity.

There's something special about the way they're putting their music out into the world with no need for individual validation, and I think it takes a lot of guts and confidence in what you're creating to do what Sleep Token are doing.

Usually, you almost want everyone to know who's in the band, because often that helps push you forwards. If you have someone in your line-up who's been in a well-known band before, you want to use that name to get yourselves out into the scene more. Sleep Token aren't anybody, and that takes a lot of courage and humbleness to do. There's no predisposed idea of what their music is supposed to be or what it's going to be, and that's part of the magic.

It's something that also comes out in the lore, the symbolism, and the cryptic clues that Sleep Token scatter throughout everything they do. There are Reddit threads dissecting every single word in the songs and analysing each pixel within their visuals, but it's not something I've had the chance to fall into just yet.

When I first listened to 'This Place Will Become Your Tomb', I could only find one or two articles about Sleep Token online.

They were basic articles explaining the idea of the band and what they were trying to do, which I thought were cool, but I never really looked it up again.

Over the last year or so, it seems that these conversations have spiralled. People are coming up with these different ideas about the band's story, and there are all these hints appearing constantly. I don't know any of the Easter eggs yet. I'm still just fascinated by the music and their wicked aesthetics, but I love that they've got people talking. It's become this kind of community around the band, and as someone who grew up in this scene, seeing artists who are able to foster that feeling amongst fellow music fans is such an incredible thing.

I think that's one of the reasons why Sleep Token have been able to find success on such a wide level so quickly, because there's a constant conversation about them. If people aren't talking about their music, they're talking about the lore and the stories behind it, or they're talking about the potential identities of the band members. They have this perfect package in place that lends itself to a world class metal band, but they're achieving it at such an incredible speed.

They thought out every single element of this band before they even started, from how the melodies work with the vocals, to the emotion and the quality of the sound. A lot of people put out music that sounds like they're hitting a trash can, and whilst they might have really good singing over the top of it, you can't ignore that trash can. Sleep Token have got incredible production value though, which is even more impressive when you consider how versatile their sound is.

It's so well thought out that you hear new things in each song on every listen. If you listen to 'Take Me Back To Eden', the title track of their third album, there's an allusion to a particular part of 'Chokehold', and it's details like that which make their production so unique. They wanted to make sure that it came out perfect, and maybe - like all musicians I know - they think they could have made certain parts of it better in retrospect, but I honestly can't imagine how.

Between the versatility, the emotion that people feel when they listen to it, the heaviness, the quality, and the songwriting, Sleep Token don't cut any corners anywhere. That's why they're already playing these huge, career defining shows, and putting out music that's changing people's perception of heavy music as a whole. It's so exciting to be a Sleep Token fan, and I just want them to write even more mind-blowing music and play even bigger places because they truly deserve it.

The bigger the places that they play, the better they're going to sound live. They're already playing arenas over in the UK, and with the size of those venues I just know they're going to sound absolutely incredible. They're reaching heights much higher than most metal bands that I know, and the bigger they get, the better their production value is going to be all round.

'Take Me Back To Eden' only came out earlier this year, but I already can't wait to hear them put out more music. lf what we heard on album three is the direction that they're going in, I'm very optimistic to see what the future holds for Sleep Token. I imagine at one point, they're going to make it on the radio - and honestly it could happen sooner rather than later. I knew it when I first heard them, and I'm even more certain of it now - they're going to be huge.

#tumblr if you don't post this again after i've spent over two hours on this so help me istg #sleep token #sleep token worship #will ramos #lorna shore

[spazoutloud]

Give the baby some chocolate.

#will ramos #lorna shore #the charismatic voice #elizabeth zharoff #music reacts #golden retriever man #my gifs

[acaplaya-musings]

Voiceplay Visuals: The Dragonborn Comes

("Wait, you're not doing The Greatest Showman Medley?" Nope, sorry!)

The Dragonborn Comes was released on the 5th of February, 2022, and features Omar Cardona! I've never played Skyrim (The videogame this song comes from), but apparently parts of this cover are not actually in the original song, but are in fact taken from a different song in Skyrim, called "Song of the Dragonborn", or "Dovahkiin". Mortius, The Charismatic Voice (Elizabeth Zharoff), and What It Do Dave are all big fans of the game apparently, and did some great reaction videos for this. But if you still want my "visual insight" on the video as well, keep reading!

Eli, Layne and Geoff are all credited with set design, and honestly they all did an amazing job! (Geoff is also credited with the arrangement, the video overall, co-direction, and costuming, good lord my dude).

Oh hey I think this video is in a slightly different aspect ratio to most of Voiceplay's videos?

👉👈

His grey streak of hair looking particularly prominent here (you know I'm a fan), and also shoutout to Rick Underwood and Renette Feren for the makeup in this video!

(Yeah they can all get individual shots for costume/appearance appreciation for this one, they deserve it)

Love the elf ears, and also Cesar's beard looking particularly crisp here! (Makes makeup easier if it's neat I suppose)

May be one of the heaviest/boldest eye makeup looks I've ever seen, dang

(Also note how Eli's beard is looking a bit thicker/fuller here? We're moving away from the videos/covers of 2017-2019 in more ways than one!)

Omar looking almost completely unrecognisable here tbh. Is it the elf ears? The hairstyle? The makeup? Not sure but he looks like 25 at oldest, despite apparently being like ~32 (give or take) when this was filmed? Dude.

(I really do love the makeup design on his face, so very cool)

Layne back in a fur cloak/cape! (After My Mother Told Me)

Also it's not just the lighting - Layne apparently did in fact colour his hair a very vibrant blue for this video!

More outfit appreciation! Apparently what Cesar is wearing is like legit chainmail or something and was fairly heavy. Go big or go home I guess?

Cool smoke-breath (dragonbreath?) effect!

(Shoutout to Eli, as per usual, for lighting and visual effects on this one!)

I can't help myself, don't @ me

Even more outfit appreciation! (Also cool sword, Layne!)

"FUS RO DAH!"

(It's very fun to watch the Skyrim-fan reactors get surprised by this moment 😄)

Genuinely quoting a reaction video here: "take that mallet/hammer and hit me over the head with it!" (mood)

Very cool 👌

I may not play Skyrim, but this cover is in my Voiceplay/Geoff Spotify playlist, and I love singing/conducting along with it - it's actually so fun! And as I am typing this, on the 16th of February, I am eagerly awaiting the release of another videogame song cover from Voiceplay, also featuring Omar Cardona! (The music video drops early morning tomorrow for me.) Don't know anything about that one either, but if it's anything like the quality of this arrangement/production, then it's gonna be amazing regardless! (And I guess I might even make a Voiceplay Visuals for that one too! (UPDATE: I did!))

#voiceplay #acapella #the dragonborn comes #the dragonborn comes skyrim #geoff castellucci #eli jacobson #layne stein #cesar de la rosa #omar cardona #acaplaya analysis #voiceplay visuals

[khalaris]

Tag game: Answer these questions, then tag 9 people you want to get to know better.

thanks for tagging me @lux42y

3 ships: Bibi/Ernst/Moritz (Tatort Wien, any combination of them actually :D) Boerne/Thiel (Tatort Münster) Tony Stark/Stephen Strange (MCU)

first ship: Janeway/Chakotay (Star Trek: Voyager) Yeah, it's been a while. A long long while.

last movie: We watched Ödipussi over Christmas. I loved it. (I mean, it's Loriot, how could I not)

last song: Ascension by Voyager. Not my favourite song of theirs but damn, that intro slaps.

currently reading: Nothing, really. Don't have the energy for books at the moment, so it's just the occasional fanfic for me and that's it.

currently watching: Apart from random Tatort episodes? Elizabeth Zharoff's tea time interviews with various Metal singers. Hansi Kürsch is so lovely...

currently consuming: I'm ill and not feeling the least bit like eating.

currently craving: More Tatort Wien fanfics. This is the absolute tiniest fandom I've ever been in. I wish there were more stories about those wonderful characters.

tagging @poodlewithaguitar, @dakrisart, @circuitdelasarthe (only if you want to of course, feel free to ignore :))

#tag game

[jezzz803]

#Elizabeth zharoff

[sodomyordeath]

The Hellscape that is youtube

I accidentally klicked the "explore" tab on youtube and that convinced me that this planet needs to be cleansed in a nuclear fire.

From utterly trivial "life hacks" to mindnumbingly stupid "entertainment". Only a bullet hole in the head is more fun.

And that's what you all are watching?

Life is not a competition in who's the dumbest that can get must other dummies watch 'em shitting the bed. Unless you are a "creator" or an "influencer" it seems.

Maybe all youtube needs is a new tab with content for people with a attention span above 7 seconds and an IQ above room temperature (in °C).

Thereis a bunch of really good content on yt created by people who are actually entertaining and good at what they are doing.

Names like Christopher Barnatt (all things computers for people of almost all levels of knowledge), Jessie Earl and Vera Wylde (both regular "geek" stuff mostly film and tv). Abigail Thorn (philosophy), Mia Mulder (history, politics), Jay Will (entertainment), Alok Kanojia (mantal health), Cass Eris (cognitive psychology), Justin King ( journalism) and many many more come to mind.

In fact some of the more "special interrest" channels are really good. For people who are getting into shooting Tacticool Girlfriend is a good place. Forgotten Weapons by Ian McCollum is a treasure trove. Heared about an obscure firearm from the last 150 years, chances are there's a video of Ian taking that thing apart and explaining, on detail how it works and what makes it special, or not. The dry sense of humor is also very welcome.

Elizabeth Zharoff's "The Charismatic Voice" never fails to crack me up with her joy and deep deep passion for the art of singing and the love for music. She probably forgot more about singing than I ever knew (I only have 3+ decades of experience as a vocalist)

Anyways youtube seems to be good in pushing shit to people who are happy to consume shit for everyone else it's of no use.

[mirandamckenni1]

Tea Time Interview: Cristina Scabbia of Lacuna Coil! Gamer, influencer and incredibly talented frontwoman, I got to sit down with the gothic metal legend Cristina Scabbia over some tea, and it was impressively awesome. Not only did we connect on things like Diablo, but how she creates the astounding sounds she does and has dominated the industry for as many decades as she has. This is an interview you do not want to miss! Check out Lacuna Coil's site! https://ift.tt/nt9MQ2X --------------------------------------------------------------------------------------------------------------------------- WE HAVE MERCH! Check-out the full line-up here: https://ift.tt/4aVkhgj --------------------------------------------------------------------------------------------------------------------------- 🎧 Elizabeth’s favorite headphones 🎧 : https://ift.tt/9wBT6DH Music Gear Questions? 🎤 See my list of recommendations: https://ift.tt/LZbj28T WANT MY CHAIR? I don’t blame you…and here’s a link to make it even sweeter: https://ift.tt/L67iJg8... --------------------------------------------------------------------------------------------------------------------------- 🎙️Podcast: https://ift.tt/p07AJGP 🌐Website: https://ift.tt/TMKyItg 📸Instagram: https://ift.tt/TBfvh0O 🧑‍🤝‍🧑Patreon: https://ift.tt/9PBYLjk 📺Twitch: https://ift.tt/NG6OLcp 📰Our FREE Newsletter: https://ift.tt/jcLifxJ --------------------------------------COURSES------------------------------------------- 🎵MUSIC APPRECIATION COURSE🎵 Want to understand how to listen to and appreciate music more? My Music Appreciation course is now live. Take a look at https://ift.tt/TMKyItg 🎶DEMYSTIFYING SINGING🎶 My intensive 7-week course on vocal foundations includes weekly group sessions and private lessons. Learn more at https://ift.tt/X7Pqnet. --------------------------------------------------------------------------------------------------------------------------- Elizabeth Zharoff is an international opera singer and voice coach, with 3 degrees in voice, opera, and music production. She's performed in 18 languages throughout major venues in Europe, America, and Asia. Currently based somewhere between Los Angeles and Tucson, Arizona, Elizabeth spends her days researching voice, singing, teaching, writing music, and recording TONS. She also plays Diablo and Dungeons & Dragons. --------------------------------------------------------------------------------------------------------------------------- Want a free voice lesson? Sign-up to WIN at http://bit.ly/freevocalcoaching --------------------------------------------------------------------------------------------------------------------------- Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use. --------------------------------------------------------------------------------------------------------------------------- #lacunacoil #Interview #TheCharismaticVoice------------- via YouTube https://www.youtube.com/watch?v=cKno4__CgcY

#IFTTT #YouTube #Youtube

[tellio]

"Love Winter When the Plant Says Nothing"

I am certainly the last to know about trending music, but I have been noting the rise of  rapper REN with his new CD released in 2023. One video that is especially worthy is his, “HI REN”, a wide open song that is aching with personal Truth.  Here is the vid, but I have also noted the reaction video to this particular song by the Charismatic Voice, Elizabeth Zharoff. The…

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