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#edit jeebus creebus how obvious is it that my last long form fandom engagement was in the livejournal days
nanomooselet · 4 months
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Episode Three: Bright Light, Shine through the Darkness
Okay, let's try this whole meta thing.
Bright Light, Shine through the Darkness was the episode where I realised I was in some deep trouble. I was aware of Trigun, but never really got around to looking into it until this ep was airing, and the two episodes before were, how can I say, everything I'd been lead to expect? Meryl is so angry and kind and Rosa so cool, and of course to look upon Vash is to adore him, precious darling boy. But I was still waiting for the hook, the reason to continue. Episode three, then: the one where the series finally begins. It's done saluting the work of the past and pivots to the story it's here to tell.
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And I had no inkling it would be a story of such deliberate, implacable terror. It opens by telling you a storm is coming, but given that in minutes people are dying by land mines and remote drones, you'd think the storm was already here. Blood splashes! Meryl nearly gets her dumb ass flattened! E.G.'s motives aren't the kind receptive to Vash's forgiveness and whoo boy, for a moment you almost believe Vash will withdraw it. But Meryl turns it around (waaah she's so brave, she and Vash and Roberto made such a good team) and it seems the next challenge will be talking the elder Nebraska out of revenge, because anyone will pick up a gun when their loved ones are killed.
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Then the piano rings out, right as Nebraska demands to know whose side Vash is on. It's a haunting, wistful tune and the score fell silent for quite a while first, which makes the notes even more out-of-place. The colour has been drained, everything is shrouded with smoke, and the cinematography has shrunk to mid shots and close-ups. Vash stands there in paralysed in fear for over ten seconds. You forget, in what follows, that we were given fair warning.
Nai was present in the opening scene, and Knives stated his intentions clearly enough at the end of the first episode. We saw this fuse being lit and the detonation still comes as a surprise. Not to mention Knives's influence is felt absolutely everywhere once you know to look for it – the bounty and the threats it inevitably attracts, the military police (and boy do I have thoughts on them, but it's only the final episode that'll come back), even the environment, the insects and birds. Tonis's little cage of buddies that Vash promised he would keep safe! Nothing hasn't felt Knives's fingertips - playing, pushing, manipulating.
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Vash has to accept at the end of the episode that there was no longer any way he could avoid facing his brother, not if he wanted the people around him to be safe. While I don't think Knives was out to get Vash on this particular trip, I think he's just fine with Vash believing that's why he was there. Let him think it really is his presence, his “bad luck” that led to this destruction.
It's at least consolation to know Gofsef and his father are still alive at the end, though they're not in the best shape. I missed it the first time. But my God, poor Rosa. Poor Tonis. We never get that manga bit where Vash explains that if he took a life, Rem would never forgive him, but we don't really need to after that.
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And when it took time out of Vash's self recriminating angst to show us Meryl also feels responsible, I sat up. She'd been so directly driving the plot so far, but I hardly dared hope for more. It was oddly reassuring.
All in all, fantastic episode, and I haven't even talked about the strongest portions. I hope everyone who worked on it is proud of themselves. I couldn't have asked for better. I'll close on what might have been my favourite moment (and by that I mean for me the most emotionally devastating): Vash crying as he flees the destruction of Sodom and Gomorrah, pulling blood-spattered Rosa after him.
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