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genevieveetguy · 1 year

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All the Beauty and the Bloodshed, Laura Poitras (2022)

#Laura Poitras #Nan Goldin #David Velasco #Megan Kapler #Marina Berio #Noemi Bonazzi #Patrick Radden Keefe #Harry Cullen #Robert Suarez #Soundwalk Collective #Joe Bini #Amy Foote #Brian A. Kates #2022 #woman director

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jacobwren · 5 months

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“The art world is the only unregulated market that’s also legal. It’s a great place to hide money. It’s a great place to pretend you’re somebody without having any particular gifts, which means that for people with talent, it’s disheartening a lot of the time. Those who don’t have connections come in thinking they have to play all these games to participate. I’ve often wondered what I’m doing in one of the world’s least meritocratic industries. I’m constantly running into people and wondering how they got where they are, and I’m almost never made happier by the answer.” - David Velasco

#david velasco

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nofatclips · 1 year

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Pájaros by Porter, acoustic live on Sopitas

#music #mexican music #acoustic #acoustic live #live #live music #porter #david velasco #david velasco bartolomé #diego rangel #fernando de la huerta #victor valverde #video #live video #live session #acoustic sessions #sopitas #el corral estudio

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boardgametoday · 2 years

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Synergic Games' Harakiri: Blades of Honor opens its Late Pledge

Synergic Games' Harakiri: Blades of Honor opens its Late Pledge #boardgames #tabletopgames #dungeoncrawler

Harakiri: Blades of Honor, by the Spanish publisher Synergic Games, has opened up its late pledge on the Spanish platform Kick & Go. Four months after becoming the most funded dungeon crawler board game in the history of Spain on Kickstarter, Synergic Games offers the last chance to acquire the board game. Set in a fantasy version of the Japanese feudal era, Harakiri: Blades of Honor offers an…

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#barruz studio #bjorn barends #david benzal #david velasco #dungeon crawler #harakiri: blades of honor #henning ludvigsen #roberto chaudon #synergic games

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the-hottest-band-tournament · 8 days

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Round one

Berlin

Formed in: 1978

Genres: New wave

Lineup: John Crawford- bass, synthesizers, vocals

David Diamond- synthesizers, guitar, vocals

Terri Nun- vocals

Daniel Van Patten- drums, drum programming

Chris Ruiz-Velasco- guitar

Ric Olsen- guitar

Albums from the 80s:

Information (1980)

Pleasure Victim (1982)

Love Life (1984)

Count Three & Pray (1986)

Propaganda:

The Replacements

Formed in: 1979

Genres: Punk, alt rock

Lineup: Chris Mars – drums, vocals

Bob Stinson – lead guitar

Tommy Stinson – bass guitar, vocals

Paul Westerberg – lead vocals, rhythm guitar, piano, mandolin, 12-string electric guitar, lapsteel guitar

Albums from the 80s:

Sorry Ma, Forgot to Take Out the Trash (1981)

Stink EP (1982)

Hootenanny (1983)

Let It Be (1984)

Tim (1985)

The Shit Hits the Fans (1986)

Boink!! (1986)

Pleased to Meet Me (1987)

Inconcerated Live EP (1989)

Don't Tell a Soul (1989)

Propaganda:

#round 1 #berlin band #berlin #the replacements #john crawford #david diamond #Terri nun #Daniel van patten #Chris ruiz-velasco #Ric olsen #chris mars #bob stinson #tommy stinson #paul westerberg #the hottest 80s band tournament #The hottest 80s band tourney

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lovecatnip · 5 months

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Rec

2007

#rec 2007 #horror movies #manuela velasco #pablo rosso #javier botet #jorge yaman #ferran terraza #david vert

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medievaltemptress · 2 years

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Ale Velasco | makeup by David Razzano

#ale velasco #david razzano #upload #instagram #makeup

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thecreativemillennial · 8 months

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They've all been green and black and they've been in power rangers turbo

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fancypantsrecords · 2 years

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Various Artists - Mass Effect Trilogy: Vinyl Collection | Spacelab9 | 2022 | "N7" Black, Red Translucent & White Tricolor

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thebowerypresents · 3 months

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THE HOUSE LIST TAKES A LOOK BACK: A DECADE AGO TODAY Jonathan Wilson Wallops Music Hall of Williamsburg

Jonathan Wilson – Music Hall of Williamsburg – February 14, 2014

For some, Valentine’s Day is about love and romance, while for others it’s nothing more than a contrivance. And for those in the latter group, Music Hall of Williamsburg was the place to be on Friday night. The tone was immediately set as Jonathan Wilson and his band — Jason Borger on keys, Richard Gowen on drums, Dan Horne on bass and Omar Velasco on guitar — took the stage and launched into the opening (and title) track of Wilson’s second full-length, last year’s excellent Fanfare. It was nearly four minutes of simmering instrumentals before he sang the night’s first words, and it was a signpost of what was to come.

Wilson and Co. performed 16 songs over the course of two-and-a-half hours, putting on an impressive display of ability — while Wilson is supremely talented (as a producer, singer, songwriter and guitarist), his four skilled companions equally matched him. It was like everything that could go right onstage did. Of course, this wasn’t for everyone: Some lose attention when songs are any longer than, say, four minutes, and there were very few, if any, only twice as long as that. However, the jamming was never indulgent, but rather exploratory, as if the songs were trying to figure out where to go next. But none of the tunes ever lingered; instead, it was like that was just how long it took to tell each tale.

If you’re familiar with Wilson and his albums, Fanfare (which features appearances by Jackson Browne, David Crosby and Graham Nash) and Gentle Spirit, you’re no doubt aware of his ’70s influences. And in less capable hands, those influences would be all you’d notice, but his music builds on what came before, like the next logical step in the evolution of that ’70s-rock sound. Highlights included an upbeat “Love to Love” and “Moses Pain” — with many, eyes closed, smilingly singing, “Keep on riding” — Wilson and Velasco, face to face, waging a guitar battle during “Dear Friend” beneath a turning disco ball, “Can We Really Party Today?” with the crowd singing along, “Angel” accompanied by Pearl Charles (drummer for the night’s opening act, the Blank Tapes) on percussion and backing vocals, and an extended, slow-burning “Valley of the Silver Moon” — almost a suite of jamming — with those remaining hooting and hollering in response.

The performance could have easily ended right there, at 15 songs in two hours and 20 minutes. The house lights even came on, but then the band suddenly returned. “Here’s a Madonna song,” said Wilson, and they launched into a 10-minute guitar-shredding “La Isla Bonita.” Sure, it was only the middle of February, but by year’s end, it’s certain to remain one of the top shows of 2014. —R. Zizmor | @Hand_Dog

Photos courtesy of Mike Benigno | www.mikebenigno.com

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honey-and-pie · 4 months

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la vida es dolor (yo cuándo no puedo encontrar posts de porter (banda) aquí) 🍊

#todo que quiero son posts de david velasco ;-;#porter #porter (banda)#.esp

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jacobwren · 6 months

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#artforum #david velasco #gaza ceasefire #boycottartforum

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nofatclips · 2 years

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Para ya by Porter from the album Las batallas - Director: Alexis Gómez

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cagesidepress · 1 year

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Scouting Prospects for Dana White's Contender Series Season 7

Read the full story on cagesidepress.com

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fryesmoviereview · 1 year

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Rec - 2007

Manuela Velasco, Ferran Terraza, Jorge-Yamam Serrano, Pablo Rosso, David Vert, Vincente Gil, Martha Carbonell

Review: This movie doesn't mess around. It knows exactly what it is, and what it wants to do. It sets the story, and then just throws you right into it.

It's a found footage movie, so sometimes you feel the need to yell at the camera man because you literally can't see what's going on. I think it's interesting that they were able to tell a linear story, in the most chaotic way possible.

Part of what makes this movie so uncomfortable to watch is that it is so chaotic throughout the whole movie. It made me very anxious, and it really makes it so you have no idea what's going to happen next. It keeps you on edge the whole time, and I'm glad that the movie is shorter then usual.

The acting is great, It really makes you feel like you're watching a documentary team just getting in way over their head. The despair, and fear looks and feels real.

The movie is very bottled. You're limited in what can happen, because the characters are limited. They were able to develop characters in that limited situation. I just find it so interesting that they were able to do that in such a chaotic environment.

This has been a horror movie that has cemented it's place in the history of horror, I'm glad I was able to watch it. I was so anxious and uncomfortable throughout the whole thing that I probably will never watch it again. That's what a good horror movie is.

7/10

#Manuela Velasco #Ferran Terraza #Jorge-Yamam Serrano #Pablo Rosso #David Vert #Vincente Gil #Martha Carbonell #movie review #review #reviews #movie reviews #movies #2000s #2007

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rogerdeakinsdp · 2 years

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FINAL GIRLS + WHITE TANK TOPS

Sigourney Weaver in ALIEN (1978) dir. Ridley Scott Hilary Swank in THE REAPING (2007) dir. Stephen Hopkins Lupita Nyong’o in US (2019) dir. Jordan Peele Jessica Alba in THE EYE (2008) dir. David Moreau & Xavier Palud Eliza Dushku in WRONG TURN (2003) dir. Rob Schmidt Mary Elizabeth Winstead in 10 CLOVERFIELD LANE (2016) dir. Dan Trachtenberg Manuela Velasco in [REC] (2007) dir. Jaume Balagueró & Paco Plaza Elizabeth Olsen in SILENT HOUSE (2011) dir. Laura Lau & Chris Kentis Taissa Farmiga in THE FINAL GIRLS (2015) dir. Todd Strauss-Schulson Odette Annable in THE UNBORN (2009) dir. David S. Goyer Jennifer Lawrence in HOUSE AT THE END OF THE STREET (2012) dir. Mark Tonderai Jessica Biel in THE TEXAS CHAINSAW MASSACRE (2003) dir. Marcus Nispel Elisha Cuthbert in HOUSE OF WAX (2005) dir. Jaume Collet-Serra Jennifer Love Hewitt in I STILL KNOW WHAT YOU DID LAST SUMMER (1998) dir. Danny Cannon

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