via David Rudnick, Tomb CXLX – SHADOW, House — Are.na
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David Rudnick / Warp Records / Oneohtrix Point Never – Love In The Time Of Lexapro / Album Cover / 2018
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Heaven Knows What (2014), dir. Safdie Brothers
Fade Into You, Elara
British Quad (24x32) Folded 3x
Comes in protective Mylar sleeve
Designed by David Rudnick
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Evian Christ — Yxguden (feat. Bladee)
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Evian Christ - Revanchist
Limited Edition CD
Designed by David Rudnick
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https://twitter.com/losingmyego/status/1645526707942854657/photo/1
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Nokiawave™ was a term applied by designer David Rudnick on twitter in 2018 to refer to thriller/action films that incorporated:
“mid-to late 90s fascination with "Budapest" as an impossibly sexy backdrop of spy intrigue”*
He went on to apply the label to several films of the era:
“provisional NOKIAWAVE shit-tech espionage canon (please suggest additions, ambiguous depictions of eastern europe as one enormous physical black market a plus) Mission Impossible (1996) Goldeneye (1995) The Saint (1997) The Bourne Identity (2002) The Jackal (1997) Ronin (1998)”
The ideas behind what connects these films was more seriously written up by Jacob Lindgren at Mubi who suggests a post Cold War malaise where the certainties of good and bad (Communism vs. Capitalism, East vs. West) dissolved in a post-communist, post-modernist swirl of corruption, consumerism and civil conflict** (most notably in the former Yugoslavia) that defined the West up until September 11th attacks.
*Rudnick’s original thread on twitter here
**Adam Curtis’s provocative documentary essays have explored this period extensively, Hypernormalisation is a good entry point and well worth a watch.
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Oneohtrix Point Never, Love in the Time of Lexapro
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David Rudnick / Tomb Index / Book / 2021
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David Rudnick - Black Midi: Hellfire-era, 2022
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