Tumgik
#crystal bridges museum of american art
Text
Tumblr media
De Scott Evans (1847-1898) "Daisies" (c. 1885) Oil on linen Located in the Crystal Bridges Museum of American Art, Bentonville, Arkansas, United States Depicted is the artist’s signature, in the pseudonym S. S. David, appearing on a scrap of paper nailed to the wooden panel beneath the precarious bouquet, at risk of being washed away.
201 notes · View notes
lionofchaeronea · 5 months
Text
Tumblr media
Bleecker Street, Saturday Night, John French Sloan, 1918
154 notes · View notes
clairity-org · 2 years
Video
George Catlin, Indian Encampment, ca. 1852-1859, Oil on canvas, 9/8/21 #crystalbridges by Sharon Mollerus
8 notes · View notes
mthupp · 10 months
Text
Northwest Arkansas: Crystal Bridges Museum of American Art, and Other Attractions
My husband and I drove to Northwest Arkansas last weekend, just to get away from home for a few days. Our primary objective was to re-visit the Crystal Bridges Museum of American Art. We’d been there in May 2012, but hadn’t spent a lot of time at the museum, which had just opened in November 2011. On that trip, we had my mother-in-law with us, and we had other places we wanted to stop on our…
Tumblr media
View On WordPress
1 note · View note
vizuart · 1 year
Text
Tumblr media
84 notes · View notes
justkarliekloss · 2 years
Text
Tumblr media
📸 via BFA
5 notes · View notes
Photo
Tumblr media
Enrich the lives of your friends and family members by introducing them to all of the fun things to see and do within driving distance of Bentonville, AR. At Crain Hyundai of Bentonville, we’ve experienced almost everything that our city has to offer. Discover our favorite Bentonville attractions on our blog.
0 notes
Text
Tumblr media
Maxfield Parrish :: The Lantern Bearers, 1908; oil on canvas. | Crystal Bridges Museum of American Art, Bentonville, Arkansas
American illustrator Maxfield Parrish originally created this painting to be reproduced in Collier’s magazine. The Lantern Bearers captures the sense of imagination, theatrical appeal, and luminous paint that made Parrish’s work so popular. He applied layers of pure pigment and varnish to create a brilliant depth of color. Figures dressed as clowns hang gold-hued lanterns, which glow against the blue night sky. While the six lanterns being handled by the clowns appear clearly, the nature of the four spheres in the distance is more ambiguous. Perhaps one of them is the moon...
3K notes · View notes
nobrashfestivity · 11 months
Photo
Tumblr media Tumblr media
Georgia O’Keeffe
The Black Place c. 1970 Black-and-white Polaroid Georgia O’Keeffe Museum, Santa Fe Georgia O’Keeffe Papers
Small Purple Hills 1934 Oil on panel Crystal Bridges Museum of American Art, Bentonville, Arkansas
517 notes · View notes
SET SIXTEEN - ROUND ONE - MATCH THREE
Tumblr media Tumblr media
"Memorial to a Marriage" (2002 - Patricia Cronin) / “The Island” (2009 - Walton Ford)
MEMORIAL TO A MARRIAGE: This is a very skilled piece, and there are all these little details, like the blanket over the couple, and the way their feet touch.  And it's the artist and her (now) wife - made in a time when they couldn't marry.  As a lesbian I can acknowledge that marriage is not the 'end all, be all' of gay rights, but this makes me feel a lot of things and I could stare at it for hours. (@beelzeblogging)
THE ISLAND: I first saw this in a museum when I was 12 and it completely wrecked my brain. Art about extinction has a major pull to me and this is probably the genesis of that. At the time as a pre-teen I was both horrified and allured by this work and its violence and vulgarity, but also the delicate beauty inherent to the thylacine. There's a sort of latticework to all of the spindly interlacing limbs and tails. I think this is a piece of art that wears its meaning on its sleeve but it communicates the horror and tragedy of human-driven extinction in such a potent and wordless way that it doesn't feel heavy handed to me. This topic makes me feel guilt and despair, the intensity of wish makes me feel like I'm being crushed within machinery, and this is sort of an organic crushing machine, which I think exemplifies that feeling. I think about this painting all of the time and I love it very much. (@catboyclarity)
("Memorial to a Marriage" is a mortuary sculpture made of carrera marble measuring 27 x 42 x 84 inches (69 x 107 x 213 cm) and weights three tons. It is located Woodlawn Cemetery, Brooklyn. Artist Patricia Cronin modeled the sculpture after herself and her wife Deborah Kass before same sex marriage was legal in the United States. It has been exhibited in over 50 locations and there are bronze versions in permanent collections of various museums, including the National Portrait Gallery.
"The Island" is a watercolour triptych by Walton Ford. Panel 1 measures 95 ½ in. x 36 in. (242.6 cm x 91.4 cm), panel 2: 95 ½ in. x 60 in. (242.6 cm x 152.4 cm), and panel 3: 95 ½ in. x 36 in. (242.6 cm x 91.4 cm). It is held by the Crystal Bridges Museum of American Art.)
142 notes · View notes
thunderstruck9 · 5 months
Text
Tumblr media
Richard Hunt (American, 1935-2023), Slowly Toward the North, 1984. Welded Cor-Ten steel, 59 x 34 x 84 in. Crystal Bridges Museum of American Art, Bentonville, Arkansas
84 notes · View notes
Tumblr media
William Mason Brown (1828-1898) "Raspberries in a Wooded Landscape" Oil on canvas Located in the Crystal Bridges Museum of American Art, Bentonville, Arkansas
53K notes · View notes
lionofchaeronea · 6 months
Text
Tumblr media
Moon and Sea No. II, Arthur Dove, 1923
156 notes · View notes
dailyrothko · 1 year
Text
Tumblr media Tumblr media Tumblr media
No. 210/211 (Orange)
at Crystal Bridges Museum of American Art
January 10, 2016
June 15, 2017
May 6, 2023
87 notes · View notes
x-heesy · 11 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Jen Stark’s art is driven by her interest in conceptualizing visual systems to simulate plant growth, evolution, infinity, fractals, mimetic topographies, and sacred geometries. Using available materials—paper, wood, metal, paint—Stark strives to make work that balances on a razor’s edge of optical seduction and perceptual engagement. In recent years, Stark has introduced new technologies into her diverse practice, delving into the digital realm of interactive projections and distinctive NFTs.
The resulting works often resemble organic, molecular, cloud-like structures, and are imbued with kinetic, undulating effects that serve to dislocate the viewer from staid reality into an immersive ecosphere of echoing patterns and the implausible designs found in nature. Even her vivid colors are in direct conversation with the natural world; the attractant/repellent properties of flowers encouraging pollination or insects warning birds of their poisonous traits, and the luminous mystery of phosphorescent sea creatures are among Stark’s concerns.
Via these corporeal abstractions, spectators are led onto the astral plane; there’s a transcendence to Stark’s work where the vibrational phases become a sacrosanct and curative experience for the viewer. Traces of mandalas or nautili reveal themselves as sacred geometric forms in Stark’s spiritual reservoir.
Stark’s ability to create atmospheric, minimal, naturalist configurations that only reveal themselves after deep engagement align her with the artistic legacies of Yayoi Kusama, Sol Lewitt, Tara Donovan, Tom Friedman, Andy Goldsworthy, Ernst Haeckel, and the Finish Fetish artists of 1960s Los Angeles.
Not limited to the confines of museums and galleries, Stark’s diverse practice—a series of sculptural objects that rely on a commitment to process and hypnotic repetition; charismatic wall works; widely seen murals; intricately animated films; NFTs (non-fungible tokens) and interactive projections—has been exhibited throughout the world, permeating both the physical and digital realms. By adopting cutting-edge techniques to showcase her aesthetic, Stark activates her universe through constant adaptation and transformation.
Stark was born in Miami, Florida in 1983, and studied at the Maryland Institute College of Art, graduating in 2005. Since then, Stark has realized exhibitions globally, with major shows in New York, Los Angeles, Miami, Chicago, Thailand, and Canada. Recently included as one of Fortune’s “NFTy 50,” Stark made history as the first female artist to make Foundation’s top 10 highest selling NFT creatives. Her work is in the collections of the Smithsonian American Art Museum, the West Collection, Crystal Bridges Museum of American Art, NSU Art Museum and MOCA Miami, among others.
Stark lives and works in Los Angeles. Part1 Part2
#sculpture #sculptureart #sculptureartist #sculptures #sculpturelovers #sculptureoftheday #sculpturepark #sculpture_art #sculpturegallery #sculpturesofinstagram #sculpture_gallery #sculpturesurbois #contemporarysculpture #sculpturecontemporaine #sculpturephotography #sculptured #modernsculpture #abstractsculpture #handsculpture @frenchpsychiatrymuderedmycnut 🌈 #artsculpture #instasculpture #skulptur #skulpturen #skulpturer #skulpturensammlung #skulptures #skulptūra #skulpturia #skulpturenausstellung
Soundtrack: I Feel Space by Lindstrøm 🌈
Tumblr media
70 notes · View notes
nancydrewwouldnever · 2 months
Text
Tumblr media
Marsden Hartley, Hall of the Mountain King, ca. 1908-1909, oil/canvas (Crystal Bridges Museum of American Art, Bentonville)
Had the good fortune to see this in person in Bentonville in November 2021 and it is spectacular in person.
11 notes · View notes