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#crucifucks
hellsinnerbrazil666 · 2 months
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ourladyofomega · 10 months
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📷: Tapehead City (FB)
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gotankgo · 6 months
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1982
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12xurecs · 9 days
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https://www.ravensingstheblues.com/winged-wheel-2/
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I CAN'T EVEN BEGIN TO IMAGINE WHAT VERBAL ABUSE THOUGHT ABOUT THEIR SUPPORTING ACT.
NOTE: Dig the bass drum head in the back. But did VxAx perform before or after Doc Dart's shrill-voiced depravity?
PIC(S) INFO: Mega spotlight on one of the more unsung acts of the American hardcore punk era -- Lansing, Michigan's THE CRUCIFUCKS, with Doc Corbin Dart on vocals, playing live in Minneapolis, Minnesota, c. 1984. 📸: Michelle Strauss Ohnstad.
"Don't need a fucking cop to tell me what to do, Or grab me in the street whenever they want to. I haven't got a penny but I don't ever steal. If they hassle me again I'll show 'em how I feel.
So let's kill the fucking pigs If they get in our way. It'll set a good example For the children today. It'll keep kids out of trouble Shooting pigs after school. WASTING COPS WILL BE THE HERO'S GOLDEN RULE."
-- "Cops for Fertilizer" (1984) by THE CRUCIFUCKS
Source: www.picuki.com/media/3347027477371647730.
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swymbols · 4 months
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Starting a tradition where I post anti-cop music whenever I feel like it.
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possible-streetwear · 2 years
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skol1 · 1 year
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radioattic · 2 years
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onryou-onryou · 2 months
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The Crucifucks : Self titled album [full vinyl rip]
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figurefourdicklock · 6 months
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Put a gun to my back and I'll do what you say but I'll burn down your house if I get away throw me in jail and I'll spit in your face cuz anarchy is gonna take your fucking place -Doc Corbin Dart
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wordwizards · 1 year
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Had another stress dream about buying crucifixes lads
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gotankgo · 1 year
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1985 - Chicago
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12xurecs · 2 months
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The second Winged Wheel album, ‘Big Hotel’ is out May 3. Preorder the LP today (links below)
Winged Wheel :
Whitney Johnson
Cory Plump
Matthew J Rolin
Steve Shelley
Lonnie “Palmtree” Slack
Fred Thomas
Recorded in Kingston NY by Chris Turco
Mixed by Fred Thomas
Mastered by Carl Saff
Art by William Schmiechen
Vinyl pressed at Smashed Plastic, Chicago IL
Fig 2 📷 : Chris Turco
(Preorder : https://wingedwheel.bandcamp.com/album/big-hotel
http://12xu.bigcartel.com/product/winged-wheel-big-hotel-lp-12xu-160-1)
‘Big Hotel’, the sophomore effort of Winged Wheel, is an evolutionary document. Core members Cory Plump (Spray Paint, Rider/Horse, Expensive Shit), Fred Thomas (Tyvek, Idle Ray), Whitney Johnson (Matchess, Damiana), and Matthew J Rolin (Powers/Rolin Duo, solo) expand their lineup to include Lonnie Slack (Water Damage) and Steve Shelley (Sonic Youth), and instead of the entirely remote method utilized to create their 2022 debut No Island, the far-flung party convened in person in Kingston, NY for a long weekend of live studio recording.
The results are undeniably compelling. The band’s signature cyclonic energy is simultaneously augmented and refined with the approach of real-time collaboration. After tracking three days’ worth of group improvisations, weirdly-born songs, and other spontaneous creations, the hours of material were edited with a similar intensity. Half-hour jams became three-minute ragers and fragments were looped into infinity, calling on the same spliced aesthetic as some of the most adventurous material by Can, Faust, or more recently the experimental production of the International Anthem camp. The stereo field has been torn apart and sewn together again, rerouted with strange and mesmerizing left turns. Vignettes of ambiguous construction, both tightly coiled and exploding, revolve around themselves, gathering intensity and mass, coalescing into something greater than the sum of its parts.
“Demonstrably False” swells into existence like a motorik tidepool, tossing fauna onto the shoreline where it sprouts legs with a steady gait lying readily in wait within them. The controlled frenzy of “Sleeptraining” marks a determined dash to a patch of reeds that are given form by the propulsive and minimal “Clean Blue Shelf,” where lush terror and the balm of shelter seem equally likely to dwell. “Grief in the Garden” describes itself like the eventual, fleeting triumph of eyeing the sun as it rises to declare the end of a starless night.
“Smudged Textile” seems another gesture from the sun, where it begins its work of burning swaths of cloud away to uncover the stark and perfect sky; it is around here that the sensation of flight becomes all but irresistible. The aerial coolness of “Aren’t They All” maintains a reassuring pace much more like a heartbeat than a flapping of wings, which flows naturally into “Soft Hands,” a piece that widens and ultimately splits the perception, somehow evoking an even, landbound march even as it continues to narrate that endless, gliding flight. “Short Acting” is blissfully ambiguous in its suggestion, managing to hint at the vault of heaven before descending unhurriedly but inevitably back to earth. “From Here on Out Nothing Changes” completes the vast arc, teeming as it is with the wild and singular energy of conscious life.
Where ‘No Island’ was born out of distance and murk, these songs breathe and erupt in close quarters. Though the band isn't necessarily concerned with finding new levels of clarity, there’s a newfound power in the steady drive of Shelley’s unmistakable rhythmic style, and the unexpected interplay that builds on this foundation. Big Hotel is the sound of what happens in the rare and intriguing moments when Winged Wheel are all in the same room.
-Jen Powers, March 2024
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godandalsojesustoo · 1 year
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maquina-semiotica · 2 years
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The Crucifucks, "Go Bankrupt and Die"
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