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#chirutha
cherrycharam · 19 days
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Guess who!
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hag-lad · 6 months
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Not yes! Say yes SIR! Charan SIR!!!!
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rambheem-is-real · 2 years
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i forgot how Feral he was in this
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erizee · 13 days
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every day the urge to rewatch chirutha becomes stronger
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nightinpinkunderwear · 5 months
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ramfanatic · 2 years
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it’s funny how ram has acted in like 13 films and 6-7 of of his roles in those films include his actual name 😭
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mlentertainment · 1 year
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i love my brother so much he is so understanding of how my brain works (and he only razzes me about it a healthy sibling amount) and i am never having as much fun as when we're showing each other new music and i'm frantically yelling about some dogshit movie i watched for the sake of a crush
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voidsteffy · 1 year
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Hey, could you rank every SSR movie from Absolutely Goated to Still good but worth watch again, and please provide reasons as to why you've ranked them as they are please? Pretty please 🥺👉👈
Ooo, what a task (I'm going to get beat up I'm afraid!)
but here goes, putting my life at risk: SS Rajamouli's movies (not in chronological order) with my ranking
Absolutely GOAT
Eega - Before he was Shyam Singha Roy in the body of Vasu, Nani was Nani in the body of a housefly and I find cinematic poetry in that. + The graphics, the music, the exaggerated comedy... Sudeep knows exactly what he's doing with his lines
Magadheera - (he really has it out for reincarnation stories doesn't he?) Charan's first real role (I hate Chirutha) The grandeur of the sets, the background here and there... Also the mass CGI with the gladiator audience was the new hot toy that SSR introduced. Anaganaganaga crawled so Ettara Jenda could run. (You know i'm right)
RRR - Just for Bheem's intro, it deserves an oscar. I'm one of the people who think Naatu Naatu was good, but not THAT good as they made it out to be. Also, RRR gave me the first himbo couple I could ship openly. My grandma agrees because the only dispute she had with RRR is that Ram had to pee and poop in that cell. No disagreement against RamBheem being the Tollywood IT couple
Chatrapathi - it gave teluguvallu fantastic inside jokes like: a. Tala tintada mondema? (will the shark eat his head or body first?) b. Suridu? YADUNDAVAYYA? SURIDUUU (Suridu, kaha ho? Suridooo) c. OKA ADDUGUUUU☝🏽👣 (one step, I want one step) d. Violin champakura babu (chatrapathi and simhadri kill our brain cells with the violin music in the climax emo moments, i always want to pull my hair out) - but also, Chatrapathi had a good bgs, worked fantastically for hero-uplifting moments like the interval and okka adugu scene
Bahubali: The Beginning - Only and only for the interval scene and the architecture of Mahishmati. TOP TIER. The loopholes and characterization of Avantika could have been way better. Pacha Bottesina was totally unnecessary
Good, Can Watch Again
6. Vikramarkudu - Chintata chita chita chintata TA! (teluguvallu can translate this into literally anything) 7. Yamadonga - just for the RAMBA, OORVASI, MENAKA moment I take away 5 points from the 10 points it earned. Tarak and Priyamani was a pairing I didn't know I needed 8. Maryada Ramanna - Sunil anna I love you anna but this wasn't your movie. This is the cycle's story, and that one song in the train. the screenplay is a cart wheel without the cart. It's funny in some places but Brahmaji dies FOR NO REASON. JUSTICE FOR BRAHMAJI 9. Simhadri - I didn't really feel for the characters. BUT. BUT BUT. I have to say this because it's been stewing in me for so long: Simhadri's interval scene ran so Bahubali 1's ending twist could fly. I said what I said y'all know it's the same vibe we all catching.
Eh, One Time Watch
10. Sye - it doesn't seem like an SSR movie, but it's not that good. Young Adult revenges were in trend when this was made and it fit well with its counterparts. Sometimes I even forget that Genelia and Nithiin did indeed work with Rajamouli 11. Student No. 1 - not that special, honestly early-career Tarak's movies just blend in my head: SN1, Aadhi, Samba... but hey at least SN1 started a long lasting kinship 12. Bahubali: The Conclusion - THAT IS NOT SIVAGAMI! HOW DARE YOU! this is beyond ooc, it's not a character at all. At one point I thought they'd bring out a tantrik doing black magic to change Sivagami... And Devasena is not the best written character in SSR's filmography. This movie makes me want to scratch my eyeballs out. If only my mom had the audacity and hardheadedness to talk to grandma like this. Also... Avantika's leader, who is killed by Bhalla in the seige, IS DEVASENA'S BROTHER. and she just LOOKS as he's getting the life choked out of him? oo don't make me start about this movie I can rant for a loooong time
and so.... *flaps hands* that was it ig? thanks for the ask babu!
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dedicated post to @vidhurvrika <3 thank youuu
lovelies who also suggested films: @ink-ity - thank you for the Allu Arjun list (def needed that)
===================== Original Post Date: July 18 2022 Last Updated Date: Sept 20 2022 =====================
I'm new to Telugu cinema and so alongside my adventure to watch Tarak's and Ram's filmography, some of here are additional:
Tarak's Filmography
Jai Lava Kusa
Aravinda Sametha
Janatha Garage
Yamadonga
Baadshah
Temper
Nannaku Prematho
Brindavanam
Rabhasa
Sakthi
Ram's Filmography
Magadheera
Chirutha
Rangasthalam
Yevadu
Dhruva
Bruce Lee: The fighter
Naayak
Govindudu Andarivadele
Acharya
Other recommendations (not limited to Tollywood):
KGF 1 and 2
Baahubali 1 Baahubali 2
Sardar Udham
Gangubai Kathiawadi
Major
Ramayya Vastavaiyya
Sita Ramam
Bimbisara
Pushpa 1 Pushpa 2
Darlings
Brahmāstra: Part One – Shiva
Wedding Season
Liger
Karthikeya Karthikeya 2 (upcoming)
Chennai Express
Happy New Year
Eega
Naa Peru Surya Naa Illu India
S/O Sathyamurthy
Duvvada Jagganatham (DJ)
Arya 1
Arya 2
Malli malli idhe rani roju
Jersey
Ninnu Kori-Nani
(feel free to comment if you want to recommend me more films 😉)
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madmundtsmom · 10 months
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First of all, let's watch this fighting scenes sequence. There is a lot of whump here. I would advice you to watch the entire clip, but if you are a cherry picker, that's my guide for you.
02:20 - during the prison fight, his face cover is torn off. A perfect moment of beauty reveal, which I somehow find irresistably whumpy. And it's softly implied that Charan was raped by the man whose ass he had so royally kicked. Unleash you imagination.
06:15 - Charan is rudely grabed from behind and held by the goons of his sworn enemy. Of course, he frees himself and beats the crap out of them.
11:20 and on - Charan is brutally beaten by his girlfriend's father's goons. Nice acknowlrdgement tothe future father-in-law!
25:02 and on - my favorite! Charan gives himself in for his girlfriend's life, tied, manhandled, interrogated, beaten, face bloodied, hunted. "Chirutha" is a real whump fest.
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cherrycharam · 19 days
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Apparently, since Ram and Samantha were reluctant to kiss for real because it might not go over well with their respective spouses, the director explained to them that they didn't have to actually kiss, just act it out by getting close, and he promised that the team would fake it in the graphics in post-production.
Source: Editor Breakdown
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hag-lad · 8 months
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My Extremely Official Telugu Movie Watchlist That I Will Take Eight Hundred Years to Burn Through Because I Basically Never Watch Movies
RRR Bahoubali Bahoubali 2 Jai Lava Kusa Rangasthalam Dasara Chirutha Yamadonga Magadheera Temper Dhruva Janatha Garage Bruce Lee the Fighter Chatrapathi Simhadri Rakhi Devadas Maryada Ramanna
Pray for me on this endeavor.
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rambheem-is-real · 2 years
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thinking some very 18+ thoughts
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erizee · 3 months
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chirutha is not a good movie but fortunately ram charan remains beautiful
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nightinpinkunderwear · 2 months
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a little jaicherry smoochin
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pavitrtimes · 3 months
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Ram Charan and Chiranjeevi: A Stellar Father-Son Duo in Telugu Cinema
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Telugu cinema, popularly known as Tollywood, boasts a rich legacy of cinematic excellence, and at the heart of this magnificence, we find the phenomenal father-son duo, Chiranjeevi and Ram Charan. Their individual achievements are remarkable, yet, when viewed together, their combined brilliance creates an unparalleled constellation in the cinematic cosmos.
Chiranjeevi, the stalwart actor who reigned over Tollywood for many years, has become an enduring symbol of the Telugu film industry. With a career spanning four decades, he emerged as a cultural icon, and his influence extends far beyond his cinematic roles. Known as the "Megastar," Chiranjeevi has delivered a plethora of unforgettable performances in his diverse filmography, leaving an indomitable legacy behind.
Born into this legacy, Ram Charan had considerable shoes to fill. While the pressure might have been overwhelming, he embraced the challenge and embarked on his cinematic journey with confidence and grace. Ram Charan's debut with "Chirutha" was a clear marker for Tollywood, signalling the arrival of a worthy successor to the "Megastar." He quickly proved to be more than just Chiranjeevi's son, carving out a unique path marked by landmark performances and incredible versatility.
Given their shared passion and commitment to cinema, it's no surprise that Ram Charan and Chiranjeevi have been inspirations for each other. Honoring his father's immense contribution to Telugu cinema, Ram Charan ventured into film production and founded Konidela Production Company. His first production was "Khaidi No.150," marking Chiranjeevi's grand comeback to films after nearly a decade. The film was a resounding success, a testament to their shared passion and common ambition for cinematic excellence.
Their captivated fans have always wanted to see this dynamic duo share screen space. Their wishes were finally granted when Ram Charan made a special appearance in his father's period film "Sye Raa Narasimha Reddy."
Ram Charan and Chiranjeevi's commitment goes beyond their personal and professional bonds. Their philanthropic endeavors are equally remarkable, from Chiranjeevi's blood and eye bank to Ram Charan's contributions towards environmental causes, thus demonstrating how they never cease to serve the community.
Reflecting on their individual achievements and their collective contributions, Chiranjeevi and Ram Charan's journey shapes like an illustrious tale of a father and son united by their love for cinema. Despite the inevitable frame of comparison, they have carved out their distinctive paths and left their marks on the industry. While Chiranjeevi's era as the "Megastar" may be irreplaceable, Ram Charan's continued evolution promises an equally compelling legacy.
To conclude, it's fair to say that the journey of Ram Charan and Chiranjeevi is not just a shared narrative of a father and son but also a celebration of their acting prowess, shared vision, community commitment, and, most of all, their undying love for cinema. Together, they have played a significant role in shaping and transforming Telugu Cinema, thereby creating a legacy that will be cherished for generations to come.
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