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#but bandori has more content + their songs have my heart
mitternz · 2 years
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should i stick w bandori or go for d4dj instead…?
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no-brand-gays · 3 years
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okay here are my thoughts on and a very loose rating of the discographies of the major idol anime franchises (disclaimer that i haven’t listened to Every Single Song of any of these series and i’m 
-love live: i think...i’d be biased in saying ll has the best idol franchise discography...but i don’t think it’d be a stretch to say that they pour a LOT into their music production. i do think there’s a lot of ll stuf that sounds the same and none of the full groups have a sound that differentiates them from each other but ll’s also good at mixing up sounds and concepts, so there’s no character or unit that’s really locked into just one style. i feel like ll prioritizes catchiness and energy a lot of the time so there aren’t many songs that aren’t fun to listen to, which i definitely think is one of the most important things in idol music. there aren’t even that many bombs which you’d think would mean they play it safe but i don’t think you can talk down the variety in the discography. aki hata is also a lyric writing god and i do think it’s saying something that even 10 years into the run as a series we’re still getting songs that sound new. you can tell when they’re being lazy but that’s a pretty uncommon situation and you’d be damned to find a ll song that isn’t at least fun to listen to. favs: mermaid festa vol 2, blueberry train, angelic angel, snow halation, ps no mukougawa, shoujo ijou, doki pipo emotion
-idolm@ster: before you come at me i want you to know that i have felt this way about idolm@ster’s discography for the last 7 years and my opinion Has gotten better over time but wow. so many idolm@ster songs are so boring. i think one thing you can really say abt love live is they’ve mastered the art of making OPs and EDs and group singles that all kinda sound the same but are still fun to listen to. i think what makes im@s discography good is that they’re not afraid to really jump into weird concepts for their more out-there characters. like what other franchise is delivering to us ai like hamburger. nobody. so those more unique songs are almost always hits but a lot of the generic idol pop songs feel pretty watered down and hard to get into. they do get that right pretty often too but bc their discography has gotten so huge over the years there’s a lot of filler. favs: kyun! vampire girl, do dai, s(mile)ing, romantic now (uzuki mix)
-aikatsu: honestly? i would place aikatsu’s discography at LEAST at 2nd place. they’ve gone through a lot of changes in producers in the last few reboots but there are sooooo many consistent hits and i feel like it gets written off for being a kids series when the music is honestly so top tier. aikatsu doesn’t do big group songs all that often and each season only comes w a few one-size-fits-all generic songs so most of the discography is tailored to one or two characters in particular which makes for some amazing variety. the fact that it’s for kids even means the songs are more catchy and energetic so even the ones that are kinda dumb stick in your head. i don’t know how much i can speak for these past few seasons but you can really feel the passion that went into most of the songs. the general sounds of aikatsu are clean and bright pop and emotional pop rock and theatrical ballads and genuinely i have no clue why the music alone hasn’t made it mega popular. there are definitely duds though, especially when it comes to songs that weren’t made to be performed. favs: diamond happy, koisuru mitai na caramelize, summer tears diary, hello new world, heart skip, dramatic girl 
-pretty rhythm: kinda similar to im@s in that a lot of their music is kinda boring in its early 2000s idol sound but i’d honestly argue that pririzu does that sound better. like it all sounds very nostalgic and classic and gets this quality of timelessness from that. this is probably the franchise i’ve listened to the least though so i’m not the best authority on this. favs: you may dream, cherry picking days
-pripara: pripara is definitely an acquired taste and the franchise i’d be least likely to listen to with my friends in the room but the one thing you can’t deny is that the production is so crazy tight. pripara definitely gets most of its fame for how off the walls crazy it is and since that’s such a part of its identity i can’t fault it for how many songs are similarly whole hog wild but even though i never want to hear the omurice song again in my life pripara has continuously delivered hit after hit. their generic idol songs (like make it and dream parade) are some of the best in the genre and whatever subgenre they’re pursuing they never fail to bring the energy. i do think a lot of their out of the box songs (like the ones that are made for visual-based performances that aren’t really meant to be cohesive songs) are flops but the entire first season is made of 10/10s which is so crazy. the crazy concept songs usually hit too. favs: marble makeup a ha ha, zero week old, suki suki sensor, realize
-bandori: hot take but bandori has some stinkers. i don’t know why the first few months of bandori songs had so many flops (tokimeki experience...yes bang dream...that’s how i roll...) but i do think they’ve stepped up their game since then!! i think...as time has gone by bandori has become a franchise people really care abt and with it the content has gotten better too. like holy shit. NOW you can see how much the producers are putting their hearts into the music but it definitely took a little while (not that there weren’t good songs at the start too, shuwarin dreamin is one of my absolute favorites). i think it’s really impressive how much they’re found their footing w each band’s sound, they all really feel believable as artists, and it’s blown up so clearly they’re hitting it out of the park these days. favs: hidamari rhodonite, kimi ga inakucha, shuwarin dreamin
-bonus shoutout to zombieland saga bc the production is so all over the place. when they wanna write a good song holy shit do they write a good song but sometimes you get To My Dearest. which im still sort of baffled by. could the writers not figure out how to rewrite those 20-syllable lines to sound even half singable or 
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iheartgod175 · 3 years
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A Re:Dive into Re:LIVE: Priconne and Starira Thoughts
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Firstly, happy 2nd anniversary to Shojo Kageki Revue Starlight Re:LIVE! I may have gotten started only a month after it was released the previous year, but the game still holds a near and dear place in my heart as it was my first start into something other than Love Live and Bandori.
I had considered getting back into RevStar for a while, but I just didn’t have the time. For one, I was playing Princess Connect! Re:Dive as well as Love Live All Stars, and I just couldn’t fit the game in with those two, so I dropped it for a while. But with the second anniversary and the addition of the Arcana Arcadia storyline, I figured it would be good to get back into the game again and finish the storyline. I’m still on chapter 10, for crying out loud.
Plus, the music in this series is TOP NOTCH. I still get chills when I hear “Tear”, the bonus song from the Blu-Ray. Moepii’s voice is 👌
And I have a host of 4 ⭐️ Stage Girls that I really, REALLY need to build up.
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Like, a LOT.
And speaking of 4 ⭐️s...
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I FINALLY GOT HER. AFTER A YEAR AND A HALF OF PAIN, I FINALLY GOT HER.
Well, it was through the 4 ⭐️ Select ticket...BUT STILL
THE KING HAS ARRIVED
Funny story, I was struggling between choosing Saber Karen or Lupin Yachiyo (another card I was after couldn’t get for a year and a half), but I figured I’d take the chance and get Saber. I had some leftover Brilliance Fest Tickets, so I did a chance roll. And guess who showed up?
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I can’t tell you how happy I was Wednesday night. So much so that I went to bed about an hour later than I should have (but it was the day before my vacation, so who cares? :) ).
I was VERY tempted to buy the Arthur pack to get started, but I figured it’d be better to start from scratch; ditto for Lupin. So, I’ll be taking advantage of the campaign to start building up some 4 Stars, including Arthur, Lupin, Hifumi and cheerleader Maya.
Oh, and I also got Benzaiten Fumi from the Tank 4 ⭐️ Select ticket, since she was the only tank unit I DIDN’T have:
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So yeah, an overall good pull on RevStar. And with the Takamagahara Priestess revival event going on, I figured it’d be good to participate and get some more items as well.
Now, onto Princess Connect.
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I haven’t played Princess Connect in a while, to be honest. I got stonewalled in getting past Area 8, and with my current mission to build up a few three star characters, it’s made the game somewhat cumbersome to get through. And the Little Lyrical Adventures event was kinda long as well, so I stopped playing right around that time. But with new content about to be added, I figured it’s as good a time as any to start playing the game again.
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Unlike Love Live and RevStar, I’m trying to build up every character so I can have at least a few units to fall back on in case I can’t progress. I’ve finally gotten a decent healer in Yui, who I ranked up to Rank 7 and ascended to 3 stars, and a good fighter in Kaori, who I ranked up to 7 and ascended to 3 stars. But 8 3 star characters aren’t going to carry me through this game, so I think it’s time for me to take a break from powering through the story and start building my characters up again. To this end, I started watching Borkono Gaming’s videos on Priconne, and it’s really helped me learn which units to focus on and which ones to save for later.
Before I really dive into these games, of course, I want to update my accounts AND do my homework for the week. I just barely managed to get my grades up, don’t need to fall into that trap again.
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mocarena · 4 years
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post of Chu2 rambles and predictions
i realized i actually needed to make this now that S3 is knocking me down with anticipation
blabla this thread is long as heck and incomprehensible so aha good luck if youre actually trying to read thru it. i just wanted a place to write my predictions down to see how right or how utterly wrong i am! whole thing’s under a read more cuz its a lot
spoilers for S2, the RAiSe! manga, and small spoiler for Film Live
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Exhibit: Songs
I’m starting off with talking RAS’ songs because they give me a good basis to talk on several things regarding the band & Chu2.
There might be mentions of other songs, but I will focus on 2 in particular.
Takin’ My Heart
Imo, the most important piece in regards to Chu2 and her character.
That is due to Radio Riot #7 having revealed that the song is literally about Chu2’s beliefs/feelings.
It is also written by her in the Bandori canon (as all RAS songs are since she is the producer, but we know for sure with the Radio confirmation & also how the song came out past Season 2 that this is a song written with Chu2’s perspective in mind).
Raychell even said that she once cried singing the song during her own practice time.
Information source: Iviachupichu on Twitter, a faithful translator who often talks about the contents of Radio Riot episodes. Link https://twitter.com/iviachupichu/status/1106469855757164544!
TL of the song taken from http://www.rizuchan.com/bang-dream-cardfight-vanguard-takin-my-heart/ !!
Long falling down again I’m immature, building up lies and distancing myself from others I feel all torn up; I hold my heart Try to fake a smile… hey, my cheeks hurt
Cry… I hide my rusted eyes Cry… I want you to notice Oh, Come here, Please…
Takin’ my heart Does my voice Takin’ my heart Reach you now…? Takin’ my heart I don’t want to vanish pathetically Takin’ my heart Into a sea of loneliness I’ll just keep crying out to you Today, tomorrow, and for a long time after (Without giving up) I hope my feelings reach you…!
^ not the full TL, just a taste of the beginning
Clearly I don’t have to point out how heartfelt that song is, the lyrics speak for themself and aren’t very subtle (which is very much the point since she’s asking for her feelings to be reached after all).
I’m stupidly annoying when it comes to talking about Takin’ My Heart, I absolutely need to emphasize on the fact that these lyrics are Chu2’s honest feelings.
Expect parts of this song to be brought up throughout this a whole lot.
2. UNSTOPPABLE
Now this song has no confirmation on being composed with Chu2 in mind, considering it’s a very early RAS song and has been sung before we even got the reveal of the RAS characters.
However, I believe it DOES hold significance:
-I have no doubts that the introduction of RAS characters together with the band were in mind early on already, due to how early Bushiroad plans things months in advance.
-RIOT, the first RAS original, has very clear tones of it having been written by Chu2 in Bandori canon (a very arrogant sounding song, sure of its music and it almost seems like it’s directed at Yukina). Thus I wouldn’t put it past the production team having formed Chu2’s character around RIOT and UNSTOPPABLE, or they already had her type of character in mind when first composing these songs.
-It’s not far-fetched to say this song might have some ties to Chu2’s feelings since we’ve got the even more blatant song Takin’ My Heart.
I won’t copy paste all of the lyric translations, it’s simply too long, but here are several parts that stick out to me:
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The emptiness springs forth like I'm helplessly thirsty
My back droops... I put too much hope in each day
(Hurry up)
「Don't let me down」, I'm always told
(Hurry up)
Cornered, mouth covered, difficulty breathing
I'm caught in a trap
Please indulge in my annoying ramblings
I just won't stop seeking approval every day
Me, I'm my own accomplice,
with a fake me, dance! Dance! (Lullaby)
Doubt and worry stick their tongues out,
pointing at and ridiculing me
Are you enjoying? Are you excited?
Yes? Do you really get it?
Then that's fine
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Please ignore my annoying ramblings
I'll just abandon seeking approval every day
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My belief of UNSTOPPABLE still having an intended Chu2 connection also lies within the lyrics:
“Please indulge in my annoying ramblings, I just won't stop seeking approval every day”
From what we’ve seen in the anime, Chu2 definitely seems very attention and approval-seeking, specifically when it comes to Yukina.
I will talk about more specific parts of these songs (+ other one-liners from RAS lyrics) within the rest of this big time ramble.
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Exhibit: Chu2’s Past….?
A big emphasis on the question mark at the end, as we barely know anything about her past. One thing we know is that due to her excellent grades, she is in her first year of high school despite being only 14 & she studies/studied(?) in an international school, explaining her use of English.
However, based on RAS songs + some bits of the anime I can try to theorize on her past. It might be completely wrong, or I might just get it right, who knows, this is just for fun & speculation.
Family Situation
The anime made a point of how luxurious of a building the studio Chu2 works and has band rehearsals in, there’s even a ~50 seconds scene of Tae just staring at the building and the insides of it in awe.
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Now whether or not that building entirely belongs to Chu2’s family, or only the studio, or it’s only being rented out, it still is clearly very expensive either way. The studio is often being used after all, too.
What that very glaringly hints at is that Chu2 is wealthy. Well, not Chu2, but moreso her family, who we know virtually nothing of.
Now that could mean that her family situation isn’t of significance at all like how it is with a lot of characters in Bandori. But that could also not be the case, considering that Bushiroad does dip into family stuff with a few characters (Saaya, Ran and Yukina come to mind).
Chu2 is 14 years old, so having her lyrics be based off of feelings regards her family/overall social situation isn’t that far fetched.
I’ll go ahead and say that personally I theorize that this might fall into the tropey category of “Kid of rich parents gets practically anything but barely gets attention from their parents”.
I can easily believe that Bushiroad would want to take a route different from this, but there’s a lot of freedom for theorization and I think going with the common route is a pretty safe bet for a theory.
Unlike Betadori they don’t dip into territory that is too angsty, it seems, but it’s not like they’d need to be blatant about something like that either.
「Don't let me down」, I'm always told
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Please indulge in my annoying ramblings
I just won't stop seeking approval every day
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Please ignore my annoying ramblings
I'll just abandon seeking approval every day
^UNSTOPPABLE lyrics
I think it’s important to point out the difference between the last two bits. The lyrics first start out as a plead for listening to her and approving of her achievings, later in the song that part changes to ‘just ignore me please’.
Those lyrics also explain Chu2’s personality pretty well, in my opinion.
Even after being rejected by Yukina she kept trying to get her to watch her band, basically asking for approval from someone whose talent she looks up to.
I also believe that Chu2 might be an unhealthy perfectionist, which seems like a thing that might rise the tension within the band, but more to that later.
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Exhibit: Chu2 in the Present
The childish child who won’t let herself be a child
Now if that ain’t a mouthful of a title, but hopefully I can explain my thoughts well enough so it’s somewhat understandable.
Chu2 clearly has a bratty personality and throws tantrums when she doesn’t get what she wants, but to me it doesn’t seem as shallow as that.
The official website describes her as a professional who is arrogant at times, but not rude.
Need I remind you that this girl’s just 14?
Here’s what I think:
Chu2 is a child at heart. But she doesn’t want to let that part of hers show too much due to how she wants to be treated: like a professional.
But she’s clearly an excitable child, as it was shown with how excited she got over the studio when she came to talk to Popipa in Arisa’s basement. For that moment she lost herself and probably could’ve gone on for a while Maya-style if Pareo hadn’t reminded her of her “official greeting”.
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What I think is that Chu2, due to wanting to be treated with high respect   as a producer, doesn’t want to appear childish, so she holds herself back unless the heat of the moment gets her or she feels like she can express her excitement without it damaging her ‘professional’ manners. Like when she got pumped after a RAS live, for example.
A quote that could be overlooked but might actually have a little bit of relevance if the words were carefully chosen was the following:
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“She thinks playing “band” like a bunch of kids is better than being in my group?!”
Tbh this literal child using the phrase ‘like a bunch of kids’ for something like…well, a band of friends being a band, just makes her seem like she wants to take herself incredibly seriously compared to other bands. To show that they’re not “kids” like the others.
In addition to that, she skipped a grade. In an international school. She seems to be really set on providing the best grades and world-changing music to appear worthy without letting herself indulge all that much in living a childhood. I could totally be exaggerating things, but I think it’s not too far-fetched of a thought.
Tantrums
Not a subject I’ll talk long about, but I think there’s things worth pointing out.
She’ll wait until whoever she’s angry at is out of her sight.
With Yukina she started yelling once Roselia was completely gone.
With Otae it’s a bit of a different case. This time she verbally even told her to get out of her sight before letting off steam, though Popipa weren’t completely out of hearing reach either.
2. She looks genuinely distressed.
The purpose of pointing out #2 is that she seems to have deeper reasonings as to why exactly she’s this desperate to have the perfect band/band members. Especially paired with the line of “I finally found what I’ve been looking for…”, she clearly isn’t doing this stuff just for fun and has got some sort of inner turmoil dealing with the fact that things aren’t going her way to which she responds, well, like that.
She’s not entitled to any bands or like anyone else obviously, and she needs to deal with that fact more maturely in the future.
But still, something HAS to be the root of exactly why she feels like this, to finally have found something.
It’s of importance to her, but why…?
I’d throw out the theory of seeking for approval again. She wants the perfect band that could make impact on the world. Maybe she wants the approval of someone (not Yukina, as she’s been searching for a while and clearly already felt this way before even seeing Roselia), probably someone older and personal to her. So I’d bet it on parents again, it IS the easiest answer after all, but who knows. There just seems to be someone (or more) she wants to impress.
Probably related to her bc it seems personal, if not maybe someone else she looks up to.
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Exhibit: I wrote all the above way before I’m writing this part
I genuinely haven’t revised the above at this point of time, the 7th of January. So some stuff might be outdated, but I kinda wanna leave it like that, to see what past me has come up with. I vaguely know and have skimmed, but I wanna write more beyond this point now without knowing the details.
Aka I might repeat a lot of things here now!
CHU2 is actually very much in tune with people’s feelings & desires...when they express them through music.
Now I’m pretty sure this is something I haven’t talked about (or at least not much). Chu2 doesn’t strike one as a very empathetic character, as one has seen with how she was still willing to get Otae back into her band, despite Popipa’s deep bond.
But hear me out. This girl actually can understand other’s feelings well, under specific circumstances. And the RAS manga “RAiSe!” proved that.
With each RAS member, it seems like she just knew their desires upon hearing them play. It’s not yet confirmed with Pareo due to Pareo’s 2nd chapter not having been published yet at this point of time, but chapter 1 already leads up to what I think is Chu2 confronting Pareo (online invitation first), and understanding that Pareo holds her true self back.
With Layer she knew she was unhappy- she knew she didn’t want to keep playing support. She knew she didn’t look very happy, especially for someone who played at Budokan. And through that knowledge she was able to persuade her to listen to her music and to imagine what it’d be like in a band together with other members who’d give it their all.
Very much the same with Masking. Masking’s drumming is intense, and she feels like she cannot express herself well outside of drumming. Her desire was to have fun in a band with others on her level, where every member gave it their all on their instruments. Once again, Chu2 was able to convince her to join her band, she let her listen to her track, and Masking did improv drumming on it, in turn also impressing the producer.
Pareo’s desire is to be accepted for who she is. Since she was small she hid her true self that loves cute things, and kept her distance from classmates, pretending to be the perfect student in the eyes of them, her teachers, her parents...and when she first saw Pasupare on TV, she cried due to seeing how much support they got, something she didn’t feel like she received. She found joy in uploading videos of her doing keyboard pasupare covers online without showing her face. The simple prediction here is that Chu2 finds her covers, meets with Pareo in one way or another, and is able to tell that she hides her true self. Somehow she convinces her to change that and embrace her true self, and that she’ll be supported by the band.
RAS songs often are about going against the norm- RIOT for example symbolizes a rebellion. Masking heard the demo song Chu2 gave her, and got the impression that it made one feel like you want to declare war against the world. That it seemed like “that girl” was trying to raise hell itself with her intense music. Even short bits like in DRIVE US CRAZY, one lyric line goes “Never Say Never Crazy”. RAS is a band about expressing your true self. And Chu2 very much could be putting those kinda desires and feelings into these songs.
A little thought here about Chu2 watching Popipa performances on two occasions with very different reactions. When Popipa played a supporting band at Roselia’s self-sponsored live, Chu2 was shown to be very disinterested in them. Whilst Popipa was great, Chu2 might’ve felt the anxiety that Popipa had in them at that point of time and thus had that disinterest. At the Popipa self-sponsored live at the end of S2 however she showed a completely different reaction, dancing happily along to Dreamers Go! and being embarrassed upon Pareo noticing. Maybe at this point she truly felt Popipa’s real confidence, and the bond that they share.
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Not to mention she admitted to having felt moved by Popipa later on.
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Chu2′s got something big coming. Hopefully in S3. Maybe later on. (Cough RAS in game COUGH)
There’s just a whole lot of signs pointing to that. Especially since Lock, the future RAS guitarist, really is an opposite to Chu2′s own ideals. All Lock wants to do is have fun in a band with anyone at any level of playing instruments, as long as she feels the dokidokis. Chu2 is very profession-oriented. It also has a great potential to be a little bit of a Roselia parallel, since that was the band Chu2 originally wanted to be the producer of. And Roselia had their struggles with the just-pro approach, learning that forming strong friendships within the band very much are beneficial.
A little step towards that I feel is already hinted with the Film Live, in which she appeared backstage with the rest of RAS, bringing flowers together with Pareo.
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Even if she is huffy about it and it’s hard to admit for her that she does want to be nice and that she had been in the wrong regards past issues, it’s a step in the right direction.
Chu2 will have great development, and a lot of depth behind her character will be revealed.
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