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onryou-onryou · 20 days
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Bhob Rainey - A Desert of Consolation (from Two Bites of a Bitter Sweet)
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dustedmagazine · 4 years
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Nonlocal Forecast — Holographic Universe(s?)! (Hausu Mountain)
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Holographic Universe(s?)! by Nonlocal Forecast
Angel Marcloid is a restless experimenter and collagist whose work as Fire-Toolz mashes a wide-range of electronic and acoustic elements into a thrilling often alienated mélange. Under her Nonlocal Forecast guise she conjures her fascination with Yacht Rock, jazz fusion and Kankyō Ongaku, the Japanese environmental music of the 1980s, into a mix that treads a razor thin line between homage and parody with utter seriousness to form new fractal shapes that distort and repurpose tropes even while celebrating them. COVID lockdown appears to have triggered both a questions about what “normal life” means and a wave of musical nostalgia across the world as people seek comfort and consolation in the familiar. Although recorded during 2019 Holographic Universe(s?)! interrogates and celebrates the yearning for simpler times when fans, united by their favorite radio stations as much as their favorite bands, were happy to share common information sources and pursue niche interests. Marcloid adroitly but gently subverts the genres she so clearly loves and brings out the blitheness, empty technical sophistication and inherent oddity of much of this music.
Marcloid builds these universes with computer, midi controller and guitar. The programmed drums are immediately familiar, the keyboards likewise and her guitar solos are memory triggers for cadences that were, whether loved or hated, seemingly ubiquitous. Echoes of Michael Brecker decorate “Interactions Between Brains & The Foam of Potentiality” on which Bhob Rainey garnishes a tricksy prog ballad with a lyrical solo straight from the 1985 AOR charts and “Space-Time = Infinity-Eternity Objectified” with Ian Smith’s saxophone beaming in from the lost world of 8-tracks and topiary   ‘tashes, smoothing its way through a satin cloud of billowing synths and beanbag drums. “The Bubbling Up Of Duality On An Autumn Night By A Forest Stream” is as comforting and disquieting as the title suggests, gentle acoustic guitar over building keyboards, is that a lamb bleating lost and lonely in the distance? gated drums set the stage for the big electric solo that shakes its decadent fist as the world turns, indifferent. 
Marcloid mines memory to engage experience and dig into duality. Whether balm or diversion, music remains Pavlovian, beyond articulation if not reproach. Holographic Universe(s?)!  dissects the gap between what we know in the here and now and what we may have dreamt of becoming, enjoy it in two dimensions as an entertainment and a third as inner space exploration. Either way it is a transporting 42 minutes. 
Andrew Forell
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specialistmorgenj · 7 years
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Damon & Naomi - In The 21st Century / Everything Quieter Than Everything Else (Live In Japan)
Here’s a double shot of Damon & Naomi for your Bandcamp Monday. First we’ve got a compilation of cherrypicked highlights from the duo’s last few LPs, all released on their own 20-20-20 imprint. Each record is worth owning, but if you’re interested in getting just a taste, In The 21st Century flows perfectly from song to song. “Time won’t hold me, time won’t own me,” they sing, and, yeah, Damon & Naomi’s music has always seemed beautifully untethered, its own universe, playing by its own rules. Added bonus -- for fans of Michio Kurihara, the masterful guitarist shows up on several tracks here. 
Kurihara is also on board for Everything Quieter Than Everything Else, a Damon & Naomi live album that I’m just getting around to for some reason. Michio’s erstwhile Ghost bandmate Masaki Batoh is here too, as is Espers cellist Helena Espvall and saxophonist Bhob Rainey. Recorded at Tokyo’s O-Nest club in 2007, it’s a wonderful companion to Song to the Siren, D&N’s previous live release. The closing “Araçá Azul / The Earth is Blue” is almost 10 minutes of sheer perfection. 
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buttererer · 2 years
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Jesse Kudler & Graham Stephenson - Apposite Rejoinder
Recorded pre-pandemic but evoking its rollercoaster moods - tentative calm, nervous anxiety, claustrophobia, and confusion giving way to moments of excited release - "Apposite Rejoinder" is the debut release from the duo of Graham Stephenson and Jesse Kudler. Long-time free improvisers and staples of their respective Chicago and Philadelphia musical communities, Stephenson and Kudler bring their distinctive approaches together for the first time in the studio. Stephenson plays amplified trumpet, close-mic'd to reveal a wealth of interior detail derived from circular breathing and other extended techniques. Kudler performs in stereo on guitar, radios, transmitters, tapes, and electronics. "Apposite Rejoinder" was improvised live to multi-track in two sessions before being carefully mixed and edited by Kudler for maximum hi-fi impact. A world of layered and shifting spaces is revealed from the sundry amplification techniques at hand: a microphone close on the trumpet's piping, the pickups of electric guitar, contact and cassette recorder microphones, and live room sampling on tape. At a moment of renewed appreciation for in-person group activities and live collaboration, "Apposite Rejoinder" is a thrilling reminder of the possibilities of collective free improvisation. Carefully-honed voices join to create a unique music, where individual contributions are frequently impossible to distinguish within rushes of noisy energy. *** Graham Stephenson uses amplification to bring interior aspects of the trumpet to the fore. Through the use of highly pressurized breath, valve rotation, and extreme embouchure, the instrument becomes an unpitched sound generator adaptable to improvised settings combining acoustic and electronic sound palettes. He was initially influenced by Greg Kelley and has performed with Zoots Houston, Carol Genetti, Fred Lonberg-Holm, claire rousay, Jason Stein, Richard Kamerman, and others. Recordings are available on Erstwhile Records, Pilgrim Talk, and Hideous Replica. Jesse Kudler is a musician, composer, performer, and sound artist working in improvisation, collaboration, and site-specificity to examine authorship, intention, agency, ambiguous affects, and modes and practices of listening. He uses guitar, electronics, recordings, keyboards, synthesizers, radios, tapes, movement, and text. Kudler lives in Philadelphia, PA. Current projects include solo acoustic guitar improvisation, solo church organ performance, and performance duo with dancer Christina Gesualdi. Kudler has also performed with Tim Albro, Ian Fraser, Chandan Narayan, Matt Bauder, Kyle Bruckmann, Chris Cogburn, James Coleman, Tim Feeney, Brent Gutzeit, Bonnie Jones, Jason Kahn, Mazen Kerbaj, Matt Mitchell, Toshimaru Nakamura, Pauline Oliveros, Bhob Rainey, Vic Rawlings, Christine Sehnaoui, Mike Shiflet, Jason Soliday, Howard Stelzer, Christian Weber, Matt Weston, Jack Wright, Jason Zeh, and many others. JMY81 Limited edition of 200 CDR in digipak
released April 1, 2022 Jesse Kudler: guitar, electronics, radios, tapes Graham Stephenson: amplified trumpet Recorded and mixed by Jesse Kudler Photo by Graham Stephenson Mastered by Bill Harris
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opsikpro · 5 years
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Denman Maroney, Jack Wright, Reuben Radding - Fuse (self-released, 2019) ****
Denman Maroney, Jack Wright, Reuben Radding – Fuse (self-released, 2019) ****
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By Keith Prosk
Jack Wright (saxophones) and Reuben Radding (contrabass) join Denman Maroney (hyperpiano) for six freely-played tracks across 63 minutes on this studio recording from 2005. Around that time, each musician was in the midst of collaborations that now characterize their careers thus far: Wright with Bhob Rainey, Bob Marsh, and Tom Djll; Radding with Daniel Carter and Nate…
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goodalbumcoverart · 5 years
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Chris Cogburn, Bonnie Jones, Bhob Rainey Arena Ladridos
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halas1 · 5 years
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PRIMATE ARENA – program # 4 Part 1
 – 18/3/09: Living la Vida Vova    PRIMATE ARENA is a bi-weekly freeform platform for experimental and outsider muzak events, dedicated to Psych, EAI, Weird Noise, Outsider Muzak, shabby weirdo stuff, Speech/Sonic/Concrete Poetry, fucked up DIY buried deep in tape hiss, Avant Rock, post millennial obscurities, pre millennial obscurities, the history of 20th century experimental music and other adventurous ventures.   PRIMATE ARENA events take place mostly in Tel Aviv, usually in the complex of Zimmer studios.   Now it is also a radio program, ho ho ho.    Hosted by Alex Drool and Eran Sachs    artist – track name – album title – label – year?  Popcorn! Music! –  HYPERLINK “http://www.youtube.com/watch?v=TmTQHkvV3bQ” http://www.youtube.com/watch?v=TmTQHkvV3bQ – 2007    Pickaxe – Recorded Live at CalArts, California 2008 – unreleased    Kevin Drumm – Track 1 – Malaise – Hospital Recordings – 2009    Remcko Scha – Thrash – Machine Guitars – Kremlin – 1982    Frost / Hayut / Wollscheid / Sachs – Live at Sonic Process 2003, Jerusalem – unreleased   ———————————– DJ speaks —————————–    Music from a live special studio session for Primate Arena:  Daniel Padden, various acoustic instruments  Adam Bohman, amplified objects  Arnaud Riviere, bashed or destroyed turntables  Eran Sachs, No-input-mixer, assorted electronics  Alex Drool, Voice, electronics, springs and magical straw  recorded by Dani Meir      Daniel Padden / Arnaud Riviere / Adam Bohman / Alex Drool / Eran Sachs Live in Halas Studio – 2009    Adam Bohman / Alex Drool / Eran Sachs Live in Halas Studio – 2009    ALEX DROOL set:    1.  Alexander von Schlippenbach Trio – Ein Husten fur Karl Valentin – Pakistani Pomade – FMP/Free Music Production – 1973??2.  Smegma – Glamour Girl 1941 – Ladies Nite At The “Ortho Lounge” – Los Angeles Free Music Society – 1979??3.  John Butcher & Phil Minton – Dead Men’s Bells – Apples Of Gomorrah – GROB – 2002??4.  Daniel Padden – Our Earthly Balloon – Pause For The Jet – Dekorder – 2008??5.  Will Guthrie – Taken – Body And Limbs Still Look To Light – Cathnor Recordings – 2006??6.  Strange Water – Untitled – Enviornments – Arbor – 2008??7.  Hans Grusel’s Krankenkabinet – Crackle Box Duo / Xmas Pageant 03 – Happy As Pitch – Crippled Intellect Productions – 2005??8.  Eric Lunde – Fire Truck – When You Wish Upon A Scar – Povertech Industries – 1997??9.  G*Park – Buxy’s Traum – Seismogramm – Schimpfluch – 1990??10. X.O.4 – Untitled – All Alien, Part One – Wabana – 2005??11. Coyote Ugly – Untitled – Halloween Slaughterhouse – American Tapes – 2003??12. Bhob Rainey & Ralf Wehowsky – Awaken Elsewhere, Unforeseen – I Don’t Think I Can See You Tonight – Sedimental – 2007??13. Hanatarash – Untitled – Total Retardation – Vinyl Communications – 1995??14. Bryan Ruryk – Untitled – Piece Of Shit Guitar – Cast Exotic Archives – 2005??15. Gastric Female Reflex – Untitled – Page Out Of Scatophilic Locker Room Drama: “I Consider Myself Rather Likeable…” – Beniffer Editions – 2006??16. Hair Stylistics – The Perfect Bongo Sessions – Custom Cock Confused Death – Daisyworld Discs, Cutting Edge – 2004??17. Oneohtrix Point Never – Plastic Season – Hollyr – Sound Holes – 2008  
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tinymixtapes · 7 years
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Bhob Rainey (nmperign) announces first solo electronic album “From null lands led, starrily”
After essentially two decades, it seems almost contrary to supposition for a musician/composer who's had his hand in so many pots to be only now announcing his "first" solo (electronic) album. http://j.mp/2xyutxT
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onryou-onryou · 2 months
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nmperign 12/18/98 Highwire Gallery, Philadelphia PA
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jsoliday · 6 years
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specialistmorgenj · 7 years
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pismoblog · 9 years
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(Bhob Rainey)
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radiostaticphilly · 9 years
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New Music Tuesday – 05/26/15
RADIO STATIC PHILLY’S RECOMMENDED RELEASE OF THE WEEK! Go Outside “Something’s Up”
Awesomely upbeat lo-fi, indie, punk that will have your head nodding within the first couple of seconds of pressing play! This band has insane hooks that will get stuck in your head for days! Their completely off the wall sound embodies Philly’s punk scene perfectly.
Featured Track “Sleep” Follow Here: Facebook / Twitter / Instagram
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Bhob Rainey “Bhob Rainy / Angst Hase Pfeffer Nase – Split”
Highly experimental noise that is abrasive that sounds like heavily manipulated voice tracks with no distinguishable pattern. Noise people, you’ll love it. Normals beware!
Featured Track “Ain’t it Grand” Follow Here: Facebook / Twitter / YouTube / Website
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Darko The Super “Commercial”
More insanely killer experimental hip hop / rap that is weird as fuck but totally catchy as hell as well by Darko The Super. Every release gets better and better from this artist and these four tracks are no exception! Click play now to listen to this exceptional collection of tracks!
Featured Track “Coca-Cola” Follow Here: Facebook / Twitter / Tumblr
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Darla “Darla Comes Alive”
Live tracks featuring this insanely talented Indie, funk rock band accompanied by a horn section, synthesized guitars with psych undertones. The sax solo on Sooz Clues is fucking amazing!
Featured Track “Sooz Clues (MDM Session)” Follow Here: Facebook
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  Haldol “Self-Titled 45 LP”
Nashville transplants doing goth rock totally right. This collection of darkened post punk is above and beyond some of the goth rock in town, currently. Their noisy guitar work over chorus effected bass lines, pounding drum work and awesome punk vocals makes this an exceptional effort by this killer band.
Featured Track “Law of Indifference” Follow Here: Facebook
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Harmony Tividad “Two Songs”
Fragile and soft, lo-fi, indie rock that is severely emotionally driven. The harmonized vocals and chill aspects of this EP make it rule that much more.
Featured Track “Jungle Gym”
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Plainview “I’ve Seen This Before”
Upbeat folky punk rock that has a truly unique sound Philly! The gang vocals set this whole album off! There’s also a barrage of instruments not often heard in punk, but their brand introduces you to them in a really awesome way! From the killer musicianship to the totally honest and relatable vocals, everything about this EP is absolutely FUCKING PERFECT!
Featured Track “Eye To Eye” Follow Here: Facebook / Twitter
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Senium “Out of Range”
New Jersey sludgy, grunge rock that has some serious edge and straight up fucking rocks like it’s the early 90’s all over again. The songs are heavy as hell, the mix on the recording is sick and overall, this record doesn’t let you down at all!
Featured Track “Let’s Get Ready” Follow Here: Facebook
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This Way To The Egress “Great Balancing Act”
One week after releasing a ton of great rarities and B-sides, this killer gypsy, folk, punk act releases an entire album of new tracks! Their third full length release “Great Balancing Act” delivers twelve awesome tracks that gives you everything you’ve come to expect with their genre and expand upon it with their own unique sound.
Featured Track “Earworm” Follow Here: Facebook / Twitter / Website
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Toy Cannons “2015 EP”
The release of their new single “The Score” is an interesting mixture of rock, punk and psych! This track absolutely rocks hard while delivering a very different approach than most bands in town, completely differentiating themselves in an awesome way. Their 2015 EP is coming soon! Get stoked!
Featured Track “The Score” Follow Here: Facebook / Website
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non-event · 9 years
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Third in a series of Year-in-Review podcasts, featuring musicians who played shows with Non-Event in 2014.
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tinymixtapes · 7 years
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Bhob Rainey (nmperign) announces first solo electronic album, reassures his sax that he still has feelings for it
After essentially two decades, it seems almost contrary to supposition for a musician/composer who’s had his hand in so many pots to be only now announcing his “first” solo (electronic) album. Of course, Rainey’s done a ton of collaborating throughout his generally improvisation-minded career, and From null lands led, starrily — the new album out October 2 courtesy of the dynamic Anòmia outfit — promises to showcase his solitary mind likely more than any other previous release. In other words, get ready to hear the Philly native’s prodigious outbursts unornamanted by the likes of Jason Lescalleet or Greg Kelley (in nmperign). But hey, who says you always need a friend to accompany you to the movies, anyway? (Although, Raine doesseem like a guy whose post-movie commentary would be in high demand, despite his constant annoyance at being desperately asked to deliver his insight regarding “Megatron’s newfound role.”) Again, this is Rainey’s first solo, electronic, full-length album; which means that all of the non-saxophone and specially-conceived synthesis stuff that you might’ve heard over the years is taking center stage for the prescribed length. And that “length” then takes on a new significance when you consider the role that space plays in his music, because it essentially makes the album the musical equivalent of that “so much room for activities” meme. And Rainey’s apparently been working on this one for a while. Stay tuned for official pre-order and tracklisting info, but in the mean time, check out an excerpt from the track “Sinter” below: http://j.mp/2fRFKiX
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