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peripatetico · 1 year

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The Lecture Nut

This is an essay by Vanessa Barbara originally published in Portuguese. Translated here without consent.

Last December, Brazilian writer André Czarnobai—Cardoso—published a short essay entitled “Pasfundo calipígia.” If I am not mistaken, this was the first time the term “lecture nut” was used in print. Immediately, it gained scholarly significance and became popular on Brazilian university campuses, stimulating dormant nuts and alerting the public health system to the problem.

The lecture nut is the individual who, during a lecture, raises his hand to ask a completely random question. Or to make a long and meaningless remark about anything that comes to mind. He is the delight of bored listeners and the nightmare of speakers, who spend the entire event waiting for his inevitable appearance, as if ready to face death itself.

There are myriad categories of lecture nuts, which attentive eyes and ears can identify in any event of argumentative or reflective nature in which the audience can speak.

There is the classic nut: the one who stands up, gives a long speech on any subject, rarely addresses the topic being discussed, and concludes without asking any specific questions. His only goal is to intellectually impress the plebs, including the official speaker. He always asks permission to “make a remark.”

There is the militant nut, who always seizes the opportunity to blame the exploitation by the ruling class, even when the subject of debate is tapestry and embroidery.

There is the disoriented nut, who understood nothing of the lecture—and hasn’t since second grade, when the teacher told him that the sun is bigger than the earth—and who, after going around in circles, asks an obvious question.

There the one who’s careful to include the word “surreptitiously” in his speech: the vernacularist nut.

A careful classification of our object of inquiry cannot omit the conspiracy nut, who, according to members of the conspiracy itself, is “the one who believes that the press meets every night with the government or the opposition to get the bag of money.”

Or the sycophant nut, who spends the thirty seconds allotted to him telling in ten minutes how divine the speaker is. The Deleuzian nut, who doesn’t know what he is talking about but uses the word “rhizome” a lot. And the poor poor pitiful nut, who apologizes for not knowing how to express himself, which does not stop him from not expressing himself for endless minutes.

After saying “I would like to make a remark,” anyone can use the expression “in the key of...”. As in this typical remark, “Journalism, understood in the key of sociology, is undoubtedly a rhizomatic occupation, in terms of its coming-to-be.” There are few who say that something happens because of something else. It is always “on account of” the something else in question.

For Cardoso, it is uncommon for a lecture nut not to be lying in wait whenever he is lecturing (or sitting on a panel, having a debate, or even sitting in the audience). The most recent case occurred at a meeting of bloggers and editors in São Paulo. On that occasion, a colleague who had been listening attentively—but silently—until then asked for permission to speak. “First of all, I would like to say that I am not a blogger, I don’t read blogs, I don’t understand anything about these things, but I too have the right to an opinion,” he said by way of introduction.

And the nut went on: “I am a community doctor, I organize soirées in the suburbs, and I want to say that I disagree with everything that’s been said here. Everyone is sucking up to Companhia das Letras,” a local publishing house.

And he added: “The publisher’s blog is very ugly. It doesn’t look like a blog. It looks more like a website, and I don’t think anyone wants to read about the behind-the-scenes of how books are made.”

In a few minutes, he brazenly refuted everything that had been postulated up to that point. This is the majestic nut, who listens to the lecture with an air of superiority and finds it’s all big, fat stupidity.

A good lecture nut is always the last to speak, since he spends all his time digesting what has been said. Only then can he make a statement that’s unrelated to the topic, mistaken, ill-intentioned, or just plain unintelligible. According to journalist Matinas Suzuki, the character contemplates the discussion with contempt, waits patiently for his turn, and then disagrees with virulence. “Correct me if I’m wrong,” he says at one point, to sound democratic. “I agree with everything you said, but the other way around,” he continues. Or yet: “My comment includes and expands on my colleague’s,” in a typical condescending comment of the student movement meeting nuts.

One must distinguish between the lecture nut and the student movement or union nut. In the latter, there is no speaker; everyone has the right to sign up and speak without necessarily having to stick to a theme.

According to one survey, one of the best-known representatives of this category in the 1970s was Gilson, an economics student at the University of São Paulo. He was a chubby Trotskyite with a thin voice and sparse mustache. The other was Reinaldinho, a social sciences student who, no matter what the topic, always found a way to insert the phrase: “The concrete is the synthesis of several determinations.” That is true. Even Marx knew that. But to repeat the idea in all the assemblies of the student movement of the 1970s would be too much even for Engels.

Although these two categories of nut (“lecture” vs. “student movement”) are distinguished for obvious reasons, there is the possibility of infiltration of lecture nuts into a typical student/union assembly. The infiltrator is usually the one who takes the microphone without the consent of the others and announces, “Point of order!” even if the request is unfounded. From then on, the performance is unrestrained.

That’s how lecture nuts are: reckless, unpredictable, ruthless, devoid of any sense or clue. Cardoso also recalls a debate in Curitiba, in southern Brazil, when “a gray-haired man with a shoulder bag in front of his chest and the look of a yoga teacher proclaimed that ‘the Internet is like a magic cow from which everyone gets the milk they want.’“

Unfortunately, that is all he remembers from that long and bizarre remark.

There are those who come across a contemplative nut, one of the most difficult to deal with, especially when you’re chairing a panel for the first time. That’s what happened to writer and editor Emilio Fraia, who chaired a debate between filmmaker Hector Babenco and writer William Kennedy in São Paulo on August 11, 2010, while nervously flipping through dozens of yellow papers.

“First, this lady raised her hand and said, ‘I have a question,’“ Emilio Fraia said with the acuity of someone struggling with post-traumatic stress disorder. “Then she said she didn’t know why she was there. She saw there was a lecture and walked inside. The girl was from another state, Minas Gerais, and had been alone in a hotel room for four days. “But I really like what Mr. Kennedy said about being rejected by thirteen publishers before being published. I’m an artist.”

At that moment, boos from the audience began, “Question!” Undaunted, she made no bones about it, “I have a work based on color and...” More boos and jeers.

At the end of her speech, Fraia could show no reaction. He turned red, paralyzed. “Until the lecture ended on its own. That was the end, nothing could happen after that speech,” he says.

Another recent case of a contemplative nut occurred recently during a lecture by writer Fred Vargas in Rio de Janeiro about the story of Cesare Battisti, an Italian revolutionary who received refuge from the Brazilian government. One man came forward and spoke for twenty minutes about his activism in northeastern Brazil in the 1950s, without mentioning Battisti’s name once.

With that kind of nut in view, cartoonist Laerte Coutinho confessed to wondering what the nuts themselves would take away from the experience. “I think it all comes down to their own participation,” Laerte philosophized. And she added a theory: of the debates, the lecture nut might only remember their own performance. “Remember that time in Curitiba when I raised my hand and compared the Internet to a magic cow?” the subject would say delightedly at the meeting of a hypothetical Unified Lecture Nut Support Group.

What few know is that the origin of the lecture nut goes back in the history of thought. “I believe it first appeared in the Greek agora: Democracy is full of lecture nuts,” posits editor Milton Ohata.

In the play The Clouds (423 B.C.), for example, the playwright Aristophanes pokes fun at the Sophists—the most prominent lecture nuts of classical Greece. At that time there were already “prophets, chiropractors, hairy young men, dithyrambic poets, astrologers, charlatans, impostors, and many others,” says the script. People who have surrendered to the rapture of discourse and the lust for articulation, a bunch of skillful swindlers, verbose and shameless. Like Chaerephon, a disciple of Socrates, who once raised his hand and asked the master, “From which end of the mosquito does the buzzing come?”

In ancient Palestine, perhaps during the Sermon on the Mount, there were probably lecture nuts ready to act. One of the questions thrown at the Son of God that doesn’t appear in the canonical record would have been, “So, how do you like it here in Capernaum?”

Speculation aside, one thing is certain: it was a Pharisee lecture nut who approached the Messiah with a malicious question and received in response, “Render unto Caesar what is Caesar’s, and unto God what is God’s” A divine response to a malicious interlocutor.

This brings us to the difficult role of the panel chair. It is well known that the chair has few options when confronted with a lecture nut. One is to take a predetermined escape route, throw her arms in the air, and leave the audience to its fate. The second is Emilio Fraia’s preferred solution: complete and resigned paralysis, followed by an early end of the lecture and acceptance of ruin. In a slightly more elegant variant, the facilitator can utter an embarrassed “That’s indeed a question” and end the lecture with a certain air of mystery.

The third way out is to play crazy and ignore the speech altogether. This tactic is defended by seasoned speakers such as journalist Humberto Werneck. During a talk about his book O Santo Sujo(The Dirty Saint) in Belo Horizonte, a young man requested the floor and didn’t ask any questions—he rambled on about things no one understood. “I think he was a little crazy, and I didn’t do anything wrong waiting for him to empty his verbal pool. It took several minutes. The guy finished with no question mark. I thanked him for his participation and moved on to the next questioner,” he says, without embarrassment.

The fourth and last possible reaction is the most artistic and professional of all. Experienced chairs such as art critic Alberto Tassinari are skilled in this technique. He says he has a lot of patience when a nut says something, “because it always touches on something that can be answered, and the dialog ends up oscillating between, on the one hand, its intrinsic rationality and, on the other, the irrationality that comes from outside, out of time, and renders almost everything useless.”

Professor Samuel Titan Jr. of the University of São Paulo is part of the same team. “My favorite nut starts by asking to make a remark and immediately embarks on self-promotion, which can be pseudo-academic, pseudo-literary, or of resentful nature (in the variables of race, gender, class, sexual orientation or all of the above),” he reveals with the wisdom that comes from experience.

In these cases, he advises that the only way out of the situation is to “respond with something that has nothing to do with what the person said, but that has something to do with what you were trying to say, all while looking into the creature’s eyes and using some difficult words to see if they feel intimidated – generally, they don’t.

One must look at these things philosophically, says Titan, who dealt with a fine representative of the species a few months ago.

The episode occurred on March 25, 2010, at Casa do Saber, a cultural center in São Paulo, during a debate on literary essays. Present were architect Guilherme Wisnik, artist Nuno Ramos, Matinas Suzuki Jr. and, as mediator, Samuel Titan Jr.

The video recording of the colloquium is a tragicomic masterpiece. By a happy coincidence, the camera remains focused on the four speakers during the long peroration of a girl in the audience, who must have taken a breath before standing up. Each of the aforementioned intellectuals reacts in his own way, scratching his head, rubbing his nose, looking up and trying desperately to keep his composure in the face of such an alarming occurrence.

The intervention takes place in two phases. In the first, which lasts almost five minutes, the girl shows her energy: “My question is about places and borders,” she begins, in a didactic tone that assumes prior reflection on the subject. “I see the essay as a free spirit of thought expressed in written form. So I think it deserves a place of prominence, but from what I see in the discussion, from the debate among you, there is a question of place and borders when we talk about a place called ‘among us,’ or when we talk about Brazil, the world, and, going even further beyond those borders, reality itself.”

Dominated by an understandable gut reflex, Nuno Ramos begins to drink water compulsively. Samuel Titan alternates between vigorous head scratching and distracted removal of the skin around his fingernails. In everyone’s heart, there is hope that the question will not be long in coming. The girl continues, “I see the essay as this free spirit of written thought, because it goes beyond written thought, reaching into reality, with all this freedom of connections between subjects, and not just intellectual or conceptual or academic subjects, but the events of reality itself.”

Oddly, the four speakers lean on their left elbows, leaning back in their chairs and folding their arms as if to defend themselves against the avalanche of concepts mercilessly thrown at them.

And the girl continues, “So I see a way to resolve these dilemmas, these questions that have been presented, and considering what has been discussed among you, that writers should present themselves as free spirits.”

It is worth pointing out that she refers to the discussion and promises to stick to what has been debated, as if to distract the audience. But then she continues, “Creating as if a wave, the essay as a stone that falls into the water and creates waves of not only what it sets out to do, but going beyond. Going beyond the subjectivity of the person who writes, or the arsenal of limited academic knowledge, so the Brazilian essay itself must take the stance of breaking through that boundary and placing itself as a point of convergence of forces that are present in the world today, politically, literarily, scientifically, artistically.”

After that questionless speech, Samuel Titan interrupts the girl and does what he can to get the debate going. The speakers comment on an alleged “comfort zone” in Brazilian essayism, a term the girl happens to mention in her own context. It looks like the debate is off to a good start. But it isn’t: in a moment of inattention of the chair, the girl from the audience catches him off guard and manages to resume her reasoning: “I have seen some very rich things,” she interrupts, and again abuses the adverbs: politically, literarily, scientifically.

This is the second moment of her treatise, in which she concludes, in summary, that it is necessary to cultivate an essay “that also dilutes, also fights surreptitiously. There has to be the courage to get out of the comfort zone, break through those boundaries to create new ones, and make a difference in reality.” This is how her speech ends, and with it the debate.

After seeing Nuno Ramos drinking so much water, one feared that he might have a congestion.

The legend is diffuse, but it must have happened in the 1960s during a lecture by Professor Bento Prado Jr. at the Department of Philosophy. At the end of his explanation, in which the professor quoted the philosopher Plotinus several times, a student respectfully raised his hand and said, “Excuse me, Professor. Isn’t this Plotinus the same as Plato?” To which the master replied, “No, Cretan.”

As proof that times change but nuts remain, writer Antonio Prata recalls a recent nut at the University of São Paulo. His nickname: Saint Augustine. “He was a hairy, bearded, dirty guy, who always came in with some newspapers that we did not know if he read or slept with,” he describes. He had read only one thing in his life: Saint Augustine. “And no matter what course it was, no matter how long he had to wait, at some point he would find the connection. He wouldn’t ask a question, he’d throw up, “Professor, professor, these things you are talking about—Descartes, Plato, Adorno, neoliberalism, land reform, strikes, sunscreen—doesn’t it have to do with that concept of Saint Augustine?”

It’s the monothematic nut, with obsessive-compulsive tendencies.

It is worth mentioning that not even the great personalities are immune from the verbal assault of a deranged spectator. The story goes that during a meeting of the Latin American left in Paris at the time of the military dictatorships, a lecture nut went on a rampage against writer Mario Vargas Llosa. A bearded man rose from the audience and shouted: Mientras Obregón se moria en la selva por el pueblo peruano, tu, que hacias?

The audience fell silent. Without trembling, Vargas Llosa answered that he taught Spanish literature at a university. And he returned the question: Y tu, que hacias?

Yo tenía la hepatitis, said the bearded man.

A popular category is that of the lyrical nut. “That guy who wants to read a poem, a short story, the first chapter of a novel, at any cost. I’ve had people take the microphone from my hand and start talking,” said writer Marcelino Freire. For him, poets are the worst: they always ask for the microphone.

Cartoonist Laerte particularly appreciates the super-specialist nut, who knows his own work better than you do and points out inconsistencies and contradictions in what has just been said. This type can bring advantageous profits, and it is even possible to implant one of them to perform in your own lecture—the fellow raises his hand and says that in this passage you have certainly made a covert reference to the idea of witzelsucht as discussed in Heidegger. Genius, great thinker, you answer with an “mm-hmm” out of modesty and move on to the next question.

For the critic Rodrigo Naves, who teaches a course in art history in São Paulo, the most common nuts are the needy, who talk about their affective, existential and marketing problems. “There’s one Asian man that I have seen speak on three different occasions,” he says, himself an occasional lecture nut, of the aggressive kind, albeit in recovery. At one point, Naves got up from his chair and said indignantly of the lecturer’s opinion, “No, no, no. No, no, no, no,” as only a good professional in the business could express it.

There is a subgenre of latent nuts that, according to journalist Elio Gaspari, are those who go to conferences, listen carefully to everything, but their business is the food offered at the end of the event. “I met one such nut in the United States, a very elegant man who wore a three-piece suit. The joke was that one day he would ask a question reciting all the lectures he had heard,” he says.

The most recent formal record of a lecture nut occurred on August 10, 2010, after a discussion between cartoonists Gilbert Shelton and Robert Crumb in São Paulo.

The wacky intervention appeared in the Estado de S. Paulo newspaper, reported by Jotabê Medeiros: “A crazy man shouted from the top of the mezzanine and asked which dead personality Crumb would have a beer with.” Crumb replied, “I don’t drink beer with dead people. In fact, I don’t even drink beer.” At another point in the evening, the cartoonist asked a fan to contain his anger. “‘Shutupfuckoff!” he growled, and the boy laughed.”

Blessed be the anonymous nut, the voluntary nut, the one who gets up indomitable in the middle of a lecture and sets off toward consecration. Cursed be the written questions, the rules against audience participation, the impatient boos, the obligatory applause sign, the people who throw tomatoes at those who disrupt the progress.

Damned be the anthropologist Claude Lévi-Strauss, who in a book thanks his students for their “silent but perceptible” reactions, which allowed him to develop his thinking without too much trouble.

Long live those who attend lectures only to kill time, and yet do not miss the chance to express themselves, because they are interested in sharing their opinions with others. Long live the lack of sense, shame, and respect for the authorities present.

Everyone has a lecture nut inside, waiting to emerge. We are only repressed by the shackles of composure, mental sanity, and adulthood, which make it impossible for us to be protagonists at conferences of great moments in the history of human argumentation—like in 2005, at a literary fair, when a 5-year-old audience member raised his hand and asked author Luis Fernando Veríssimo, “Do you like grape juice?”

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gazeta24br · 2 years

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Estamos no início da 14ª edição de “A Fazenda”, um dos realities de grande repercussão nas mídias tradicionais e sociais e em todas as edições que começam, as primeiras discussões são sobre os participantes, quais serão os mais habilidosos, trabalhadores, carismáticos ou barraqueiros. Nesta edição teremos 21 participantes, dentre eles, Deolane Bezerra (advogada e viúva de Mc Kevin); Deborah Albuquerque (participou de Famosas em Apuros, o qual foi campeã, e também do Power Couple 5), Ellen Cardoso (a mulher moranguinho); Kerline Cardoso (ex-BBB); Rosiane Pinheiro (atriz e dançarina); Tati Zaqui (funkeira); Vini Buttel (De Férias com o Ex); Iran Malfitano (ator); André Marinho (ex-Broz e Power Couple); Alex Gallate (ex- A Casa); Bruno Tálamo (jornalista e repórter do Programa A Tarde é Sua); Barbara Borges (atriz) e Tiago Ramos (ex-namorado da mãe de Neymar). A pergunta que fica é: se algum dos participantes cometer injúrias, difamações, agressões físicas e assédios dentro do reality, podem ser responsabilizados judicialmente fora do confinamento? De acordo com Francisco Gomes Júnior, advogado especialista em direito digital e presidente da ADDP (Associação de Defesa de Dados Pessoais e Consumidor), não há impedimento de ordem legal para se ingressar com uma denúncia, que pode ser realizada pelo(a) ofendido(a) ou um representante legal nomeado antes do confinamento. “A escolha de um elenco potencialmente explosivo deve gerar muitas discussões acaloradas e o que se deve ter em mente é que o que é crime fora do reality show, também é crime se cometido no confinamento. Uma agressão física, por exemplo, é uma lesão corporal fora ou dentro da casa, assim como assédios e crimes contra a honra. Nos últimos realities verificamos que os participantes deixam um staff para alimentar suas mídias, o que inclui um jurídico para tomar as providências cabíveis que acharem necessárias”, explica o advogado. “O que deveria se observar ao selecionar os participantes são normas de compliance e ética, por exemplo, se é mesmo conveniente a uma empresa que possui um código de conduta que valoriza certos valores, escalar para o programa pessoas que pela busca de audiência atropelam qualquer restrição ética”, complementa Gomes Junior. Ainda segundo o especialista, o show está apenas começando e promete fortes emoções. “Torcemos para que tudo se desenvolva como entretenimento atraente e saudável aos telespectadores, mas estaremos atentos e comentando os acontecimentos mais relevantes. Que comece o “fogo no feno” em Itapecerica da Serra”. Francisco Gomes Júnior – Sócio da OGF Advogados. Presidente da Associação de Defesa de Dados Pessoais e do Consumidor (ADDP). Autor do livro Justiça Sem Limites. Instagram: https://www.instagram.com/franciscogomesadv/ *Todos os artigos publicados são de responsabilidade exclusiva de seus autores e não expressam a linha editorial do portal e de seus editores.

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automaticjoywithcoinoperatedboy · 2 years

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Creative Arts Emmys for Stranger Things and Severance, 2 of my all-time favorites! (And other wins that bring me joy)

Outstanding Sound Editing for a Comedy or Drama Series (One Hour)

Stranger Things • Chapter Seven: the Massacre At Hawkins Lab • Netflix Monkey Massacre Productions & 21 Laps Entertainment for Netflix Craig Henighan, MPSE, Co-Supervising Sound Editor Will Files, MPSE, Co-Supervising Sound Editor Ryan Cole, MPSE, Sound Editor Korey Pereira, MPSE, Sound Editor Angelo Palazzo, MPSE, Sound Editor Katie Halliday, MPSE, Sound Editor Ken McGill, MPSE, Foley Editor Steven Baine, Foley Artist David Klotz, Music Editor Lena Glikson-Nezhelskaya, Music Editor

Outstanding Music Supervision

Stranger Things • Chapter Four: Dear Billy • Netflix Monkey Massacre Productions & 21 Laps Entertainment for Netflix Nora Felder, Music Supervisor

Outstanding Main Title Design

Severance • Apple TV+ Endeavor Content / Red Hour Productions in association with Apple Oliver Latta, Director/Creative Director/Art Director/Editor/Animator/3D Artist Teddy Blanks, Typographer/Typography Animation

Outstanding Original Music And Lyrics

Schmigadoon! • Schmigadoon! / Song Title: Corn Puddin’ • Apple TV+ Broadway Video / Universal Television in association with Apple Cinco Paul, Music & Lyrics

Outstanding Main Title Design

Outstanding Prosthetic Makeup

Stranger Things • Chapter Four: Dear Billy • Netflix Monkey Massacre Productions & 21 Laps Entertainment for Netflix Barrie Gower, Special Makeup Effects Department Head Duncan Jarman, Special Makeup Effects Department Head Mike Mekash, Special Makeup Effects Artist Eric Garcia, Special Makeup Effects Artist Nix Herrera, Special Makeup Effects Artist

Outstanding Stunt Coordination for a Drama Series, Limited or Anthology Series or Movie

Stranger Things • Netflix Monkey Massacre Productions & 21 Laps Entertainment for Netflix Hiro Koda, Stunt Coordinator

Outstanding Sound Mixing for a Comedy or Drama Series (One Hour)Stranger Things • Chapter Seven: the Massacre At Hawkins Lab • Netflix Monkey Massacre Productions & 21 Laps Entertainment for Netflix Will Files, CAS, Re-Recording Mixer Mark Paterson, Re-Recording Mixer Craig Henighan, CAS, Re-Recording Mixer Michael P. Clark, CAS, Production Mixer

Outstanding Fantasy/Sci-Fi CostumesWhat We Do In the Shadows • the Wellness Center • FX FX Productions Laura Montgomery, Costume Designer Judy Laukkanen, Costume Supervisor Barbara Cardoso, Assistant Costume Designer

Last night:

HBO’s Last Week Tonight with John Oliver picked up its seventh consecutive Emmy for Outstanding Writing for a Variety Series.

Shortform awards went to James Corden’s Carpool Karaoke: The Series and to the team behind Full Frontal with Samantha Bee Presents: Once Upon a Time in Late Night.

Outstanding Technical Direction, Camerawork, Video Control for a Series Last Week Tonight with John Oliver • Union Busting • HBO/HBO Max HBO in association with Sixteen String Jack Productions and Avalon Television Dave Saretsky, Technical Director Dante Pagano, Camera John Harrison, Camera Rich Freedman, Camera Ken Thompson, Camera Yayo Vang, Camera Elizabeth Cavanagh, Camera Wyatt Maker, Camera John Schwartz, Camera Augie Yuson, Video Control

Outstanding Short Form Nonfiction or Reality Series Full Frontal with Samantha Bee Presents: Once Upon a Time In Late Night • TBS TBS in association with Full Frontal Digital Samantha Bee, Executive Producer/Host Allana Harkin, Executive Producer Elisa Kreisinger, Supervising Producer Caroline Dunphy, Producer Anthony Zaccone, ProducerOutstanding Short Form Comedy, Drama or Variety Series Carpool Karaoke: the Series • Apple TV+ Apple presents a CBS Studios production in association with Fulwell 73 Ben Winston, Executive Producer James Corden, Executive Producer Eric Pankowski, Executive Producer David Young, Co-Executive Producer Sheila Rogers, Supervising Producer Diana Miller, Producer

Outstanding Short Form Animated Program Love, Death + Robots • Jibaro • Netflix Blur Studio for Netflix

Outstanding Writing for a Variety Series Last Week Tonight with John Oliver • HBO/HBO Max HBO in association with Sixteen String Jack Productions and Avalon Television Daniel O’Brien, Senior Writer Owen Parsons, Senior Writer Charlie Redd, Senior Writer Joanna Rothkopf, Senior Writer Seena Vali, Senior Writer Johnathan Appel, Writer Ali Barthwell, Writer Tim Carvell, Writer Liz Hynes, Writer Greg Iwinski, Writer Ryan Ken, Writer Mark Kramer, Writer Sofía Manfredi, Writer John Oliver, Writer Taylor Kay Phillips, Writer Chrissy Shackelford, Writer

Outstanding Directing for a Reality Program Lizzo's Watch Out For The Big Grrrls • Naked • Prime Video • Amazon Studios Nneka Onuorah, Directed byOutstanding Picture Editing for a Structured Reality or Competition Program Lizzo’s Watch Out for the Big Grrrls • Naked • Prime Video Amazon Studios Deidre Panziera, Lead Editor Hannah Carpenter, Editor Brian Murphy, Editor Jeanie Phillips, Editor

#sadiesink jamiecampbellbower strangerthings severance schmigadoon whatwedointheshadows taika lizzo creativeartsemmys katebush

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fanfiqueirodestorybrooke · 2 years

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Lista de identificação

Hades/Sheol Von Strucker - Hugo Vianna

Perséfone/Dakota Aksoy - Patricia Aguillera

Tânatos/ Ender Kaya - Theodore Kaiser

Hercules/ Hector Bartosz - Harry Black

Mégara/ Narcisa Cromwell - Margarita Chaves Vianna

Athena Triton/ Maribel De La Cruz - Allison De La Cruz

Emily Van Dort/ Zoey Fischer - Emilia Fortune

Glinda/ Cornelia Altopiani - Glenda Alvez

Fiyero/ Fuego De La Mora - Francis D’Amour

Elphaba/ Nittha Bextiyar - Elena Briar

Oz/ Han Seo Joon - Oscar Kim

Amadora - Amarante Arcane

Chapeleiro maluco/ Edward Maddox - Edmund Mayfair

Alina/ Fedora Volkov - Alice Vasquez

Cheshire/ Lotus Lux - Camilo Lucero

Valete de copas/ Nathaniel Duke - Nicholas Doux

Rainha Iracebeth/ Queenley Cyrene - Isla Carmine

Henry Jekyll/ Callisto Elsher - Horacio Eckel

Edward Hyde/ Morpheus Elsher - Esteban Eckel

Lewis Robinson/ Cody Jefferson - Lucas Jones

Claude Frollo/ Damien Donadieu - Cesar Durand

Franny Robinson/ Filippa Demarco - Felicia Declan

Egeu/ Frederick Balthazar - Edgar Beaumont

Musa da música/ Liana Goldleaf - Larissa Green

Mula sem cabeça/ MC Muller - Maria Christina Moreira

Rita Malone/ Ruya Perihan - Rita Porter

Rosella/ Reyhan Durmaz - Renata Dias

Hawthorne/ Florencio Romanis - Helio Ruas

Rei Shiver/ Leo Herrera - Silvio Herrera

Sugar Plum/ Sydney Taylor - Susan Thorne

Mãe ginger/ Jolene Turner - Gretel Taylor

Glimmer/ Ceyda Ozdemir - Giulia Orvalho

Wendy Darling/ Holly Moore - Willa Marshall

Gancho/ Kartal Bartosz - Kieran Black

Vidia/ Kitana Vega - Valesca Vesper

Nebula/ Eden Allard - Nicole Albuquerque

Park Kitae - Kayn Lee

Havoc/ Pietro Ness - Heracles Newton

Lyria/ Regina Whisper - Luiza Woods

Peter Pan/ Reve Von Strucker - Pietro Vianna

Tinkerbell/ Tifanny Griffin - Tabitha Galahad

Alana Triton/ Aethra Waller - Arabela Willson

Arista Triton/ Felicity Waller - Astoria Willson

Andrina Triton/ Fiora Waller - Alexis Willson

Adella Triton/ Kyra Waller - Amanda Willson

Attina Triton/ Rory Waller - Ananda Willson

Aquata Triton/ Star Waller - Aqua Willson

Ariel Triton/ Winter Waller - Anika Willson

Rei Tritão/ Titus Waller - Travis Willson

Romeu/ Alejandro Marino - Rodrigo Mattias

Aurora/ Alina Belenus - Amara Beau

Jafar/ Alvah Isra - Joel Isra

Sarah Sanderson/ Ashia Devlin - Sophia Scott/Amora Dupree

Mary Sanderson/Elizabeth Villiers - Madalena Scott/Eliza Valente

Winnifred Sanderson/ Circe Von Stein - Wanda Scott/Celia Verah

Adam/ August Duppont - Alastair Donavan

Belle French/ Ayla Andrews - Anne Arcane

Bloody Mary/ Barbara Harvey - Mary Harvey

Drácula/ Cain Dalbert - Dorian Diamandis

Fada Madrinha(Corinne)/ Clio Cheong - Calliope Cardoso

Gato de botas/ David BOTZBERGER - Davi Borges

Dorian Grey/ Draven Mortimer - Diego Caixão (Quem pegou a referência pegou)

Diaval/ Dwayne O’riain - Derek Oswald

Hansel/ Eamon Karkaroff - João Karkaraoff

Espelho Mágico/ Elena & Elliot Kwon - Esther e Elijah Karter

Sophie Hatter/ Ellowyn Hwang - Sophia Heart

Malévola/ Evory Moreau - Marina Marinno

Rainha má/ Hazel Drozdova - Helia Dumont

Flynn Rider/ Isaac Rafiq - Fabricio Rafiq

Gaston/ Javert Allard - Javier Albuquerque

Mushu/ Lorenz Kwang - Mario Kairos

Tata/ Lorenzo Rodriguez - Tristan Roosevelt

Principe Kit/ Lucien Yoon - Kaio Yvess

Maurice French/ Mert Bayrak - Matheus Barreto

Marlye/ Nesrin De Vries - Matilda Valencia

Roxelana/ Roxanne Faualkner - Raissa Fagundes

Rasputin/ Ruzgar Olum - Richard “Dick” Ockerman

Celeana/ Sabrina Schneider - Catarina Schneider

Caçador/ Anthony Mendez - Antonio Bandeiras

Tarzan/ Tyrone Gallagher - Tyler Garden

Lobo Mau/ Vaughn Huang - Vitor Holland

Godric/ Viktor Burke - Goliath Brooke

Victor Frankenstein/ Vincent LEICHMANN - Vladmir Lensky

Sanderson Soneca/Silas D’Morgan - Scott Donald

Kozmotis Breuner/ Bruno D’Morgan - Kaique Donald

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barbiebraganca · 2 years

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AMANDA VIDAL | HEAD OF STAFF — barbara doesn’t handle her own staff, she has a person assigned for that job only. amanda has worked for their family long enough, having once been her grandmother’s lady-in-waiting. she is now barbara’s most powerful employee: the only person above amanda is barbara herself. anyone else answers to her. she does the hiring, the firing and anything else that falls into her area of expertise, all barbara does is tell her what she’s in need of or not happy about

MARIANA BRAZ | ROYAL ADVISOR — it was only recently ( three years ) that barbara hired an advisor of her own and mariana started travelling with her. before, the position would be filled by general employees of the palace and that’s where they’d stay. mariana, just as most of her staff, is of noble blood and has history of working alongside the braganças.

ADRIAN GONÇALVES | ASSISTANT — there is only one man in this world that barbara blindly trusts and that is adrian. he is with her at all times, be it at meetings or the gym. wherever barbie goes, adrian is right behind her. he’s been working with and for barbara since she was fifteen as a coiffeur and earned his position as her closest and most trusted man over the years.

ALICE D’OLIVEIRA | HEAD OF SECURITY — her second closest and most trusted employee. just as adrian, alice has been with her since her fifteenth year, her father is king henrique’s head of security and got her the spot to work as a bodyguard back then and she earned her way to the same position as him, making daddy proud and all that.

OLÍVIA DA VEIGA | BUSINESS MANAGER — even though her businesses are barbara’s favourite things to work in, she could never really do that on her own. hence olívia. she handles her branding and everything else in that field so that barbie only needs to hear from her what’s most important and sign shit.

BEATRIZ ÁLVARES | HEAD OF LEGAL — the legal team has five members but barbara doesn’t feel like she needs to travel with every single one of them so beatriz alone will do. the other four stay back in portugal and/or travelling if it’s necessary, dealing with everything they must while bea stays with barabara as a counselor.

CAROLINA ALBUQUERQUE | HEAD OF PUBLIC RELATIONS — the most likely hardest working one of her team, the poor woman. if people can sometimes forget barbie’s wrongdoings you have this woman and her team to thank for. has been with barbara for ten years.

MADALENA VAZ | LADY-IN-WAITING

ANA COIMBRA | STYLIST

SARA CRUZ | NANNY

CAMILA MARRONE | NANNY

MARIA BRAZ | NANNY — mariana’s sister.

EINAR SOUSA | DANIEL’S TUTOR

ALEXANDRE GOMES | DANIEL’S FOOTBALL COACH

DIEGO CARDOSO | DANIEL’S MARTIAL ARTS COACH

GUILHERME FRANCO | BODYGUARD

MARCOS MENDES | BODYGUARD

LUCAS COSTA | BODYGUARD

RICARDO SILVA | BODYGUARD

JOSUÉ FRANCO | BODYGUARD

MARCELLO SERRA @mvrcellc | BODYGUARD

#she has a small army as u can see #this is long af and i didn't even write a lot #hshqtask028 #* ⠀ ⠀ 🐝 ⠀ ⠀ / ⠀ ⠀ viii.⠀ ⠀ 、 ⠀ task ⠀ ❫

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leonardoantiqueira · 4 years

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histórias afro-atlânticas [afroatlantic histories]

29/06/2018 - 21/10/2018 masp

eleita pelo new york times a melhor exposição do ano de 2018 eleita pela artnews a terceira melhor exposição da década catálogo da exposição indicado ao prêmio jabuti

curadoria [curatorial project]

adriano pedrosa, artur santoro, ayrson heráclito, hélio menezes, leonardo antiqueira, lilia moritz schwarcz, matheus araújo e tomás toledo.

histórias afro-atlânticas apresenta uma seleção de 450 trabalhos de 214 artistas, do século 16 ao 21, em torno dos “fluxos e refluxos” entre a áfrica, as américas, o caribe, e também a europa. a exposição parte do desejo e da necessidade de traçar paralelos, fricções e diálogos entre as culturas visuais dos territórios afro-atlânticos—suas vivências, criações, cultos e filosofias. é importante levar em conta a noção plural e polifônica de “histórias”; esse termo que em português (diferentemente do inglês) abrange tanto a ficção como a não ficção, as narrativas pessoais, políticas, econômicas, culturais e mitológicas. essas histórias possuem uma qualidade processual, aberta e especulativa, em oposição ao caráter mais monolítico e definitivo das narrativas tradicionais. nesse sentido, a exposição não se propõe a esgotar um assunto tão extenso e complexo, mas antes a incitar novos debates e questionamentos, para que as histórias afro-atlânticas sejam reconsideradas, revistas e reescritas.

artistas

aaron douglas / abdias nascimento / ad junior, edu carvalho e spartakus santiago / adenor gondim / agnaldo manoel dos santos / agostinho batista de freitas / agostino brunias / albert eckhout / albert huie / alberto henschel / alexander "skunder" boghossian / alfred weidinger / alfredo volpi / aline motta / alma thomas / alphonse garreau / andré cypriano / andy warhol / anita malfatti / antonio bandeira / antonio gomide / antônio obá / antônio parreiras / antônio rafael pinto bandeira / archibald j. motley / arthur bispo do rosário / arthur timótheo da costa / augustus earle / babalu / barbara jones‑hogu / barrington watson / bauer sá / beauford delaney / belmiro de almeida / ben enwonwu / benny andrews / blair stapp / bruno baptistelli / cameron rowland / candido portinari / canute caliste / captain stedman / carlos moraes / carlos vergara / carybé / castagnez pierre / castera bazile / celina / charles landseer / chico tabibuia / cícero dias / coletivo de artistas de cachoeira / cristofano dell’altissimo / cyprien tokoudagba / dalton paula / david driskell / david miller senior / dicinho / dimitri ismailovitch / dirk valkenburg / disbrow & few photographers / djanira da motta e silva / dumile feni / edinízio ribeiro primo / edna manley / edouard antoine renard / edsoleda santos / elisa larkin nascimento / ellen gallagher / ellis wilson / emanoel araujo / emiliano di cavalcanti / emma amos / emory douglas / enrique grau araújo / ernest crichlow / ernest mancoba / eustáquio neves / faith ringgold / felix beltran / félix émile taunay / félix farfan / flávio cerqueira / flávio gomes / françois auguste biard / françois désiré roulin / françois froger / frans post / frederico guilherme briggs / frente 3 de fevereiro / gary simmons / gaspar gasparian / george valris / gerard sekoto / gilberto de la nuez / gilberto hernández ortega / glauber rocha / glenn ligon / hank willis thomas / heitor dos prazeres / henry chamberlain / howardena pindell / hyacinthe rigaud / ibrahim el‑salahi / ibrahim mahama / iracy hirsch / isaac mendes belisario / ismael nery / j. cunha / jacob lawrence / jacques arago / jaime colson / jaime lauriano / james phillips / janaina barros / jaime fygura / jean chauffrey / jean‑baptiste debret / joão cândido da silva / joaquim lopes de barros / johann moritz rugendas / john biggers / john wood / jorge henrique papf / josé alves de olinda / josé correia de lima / josé gil de castro / josé segura ezquerro / joshua reynolds / juan roberto “diago” durruthy / juana borrero / juarez paraíso / julien vallou de villeneuve / kara walker / lasar segall / loïs mailou jones / luiz braga / lula cardoso ayres / lynette yiadom‑boakye / mallica “kapo” reynolds / manuel mendive / manufatura de gobelins / marc ferrez / marcus rainsford / marepe / maria auxiliadora / mariano de zuñiga y ontiveros / mário cravo júnior / marius‑pierre / le masurier / martinho patrício / maurício simonetti / maxwell alexandre / mcpherson & oliver / mestre didi / mídia ninja / militão augusto de azevedo / moisés patrício / nadia taquary / nina chanel abney / no martins / noemia mourão / nona faustine / norman lewis / octávio araújo / osmond watson / pascale marthine tayou / paul cézanne / paul harro‑harring / paulo nazareth / pedro américo / pedro figari / philip thomas coke tilyard / pierre verger / radcliffe bailey / rafael borjes de oliveira / rafael rg / ram geet / ramiro bernabó / rené portocarrero / revert henry klumb / richard bridgens / rigaud benoit / roberto burle marx / rodolpho lindemann / rogério reis / romare bearden / rosana paulino / rosina becker do valle / rubem valentim / samuel raven / sénèque obin / seydou keïta / sheila pree bright / sidney amaral / solomon nunes carvalho / sonia gomes / tatewaki nio / theaster gates / theodor kaufmann / theodore géricault / thomas jones barker / tiago sant’ana / titus kaphar / toyin ojih odutola / uche okeke / uzo egonu / vicentina julião / victor meirelles / victor patricio landaluze / victoria santa cruz / vincent rosenblatt / walter firmo / wifredo lam / william henry johnson

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paraquepossa · 3 years

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✷ quem são as participantes da segunda edição da poça? ✷

com a chamada aberta em 2020, a segunda edição da publicação conta com a participação de 87 inscritas espalhadas por diversas cidades do brasil.

✷ foram reunidas a partir da proposta de envio lista poética em até 1 página e compõem a segunda edição:

martis, bruna chung, anna mattos, liz murassaki, luana arrieche, camila nu, raíssa leal, talita lopes, jaks, raphaela ikeuchi, júlia lole, camila cuqui, lays magda, tais galindo, ingrid béssen, paula barbosa, raquel zepka, alexandra maia, victória caetana, cidinha oliveira, francielle rosa, gabrielle du lírios, wemilly soares, maria eduarda nectoux, luli morante, alice duarte, pâmela fogaça, jaq lucas, bella kacelnikas, ligia torres, bibi lelis, luha, fig, bianca araújo, dara blois, marcelli von reisswitz, emanuella martins, heloísa silva, sara cardoso, ana schneider, andressa moraes, maria olivia aporia, julia pema, camila kohn, carolina jordão, lanú, cecília rosas, marília jeffman, julyana mattos, anne checoli, gabrielli motta, lia petrelli, fernanda fedrizzi, victória sales, karina gouveia, sofia pulgatti, maria eduarda vale oliveira, clara garibalde, alessandra deifeld, siaht izroz, isabelle rocha, jozieli weber, abih rapozzo, lana maciel, isis santos, lurde_luísa gonçalo dai prá, malena cardoso, eduarda vaz, rafa, barbara magalhães, thays mendes, priscila farias, carô calsone, natália laurino, hannah lima, sky terra aqui em mar, luisa lemos, a velha sem face, anna raquel, camila hickenbick, katarina martins, tais beltrame, anne nimrichter oliveira, nubia mobo, andreia camisa, anna thereza hanel, sol ----

o volume dessa edição conta com 1 página feita por cada uma dessas autoras, são 87 listas poéticas sob os mais variados pontos de vista e experiências de mundo. sons, vontades, memórias, saudades, situações, sentidos, do que é formada uma lista poética? como listar a partir de uma fotografia? a partir de atravessamentos do cotidiano, o que sua lista organiza?

Projeto executado através do Edital Criação e Formação Diversidade das Culturas realizado com recursos da Lei Aldir Blanc nº 14.017/20.

#editalfundacaomarcopolo leialdirblanc sedacrs fundacaomarcopolo poça poçan2 publicaçãoindependente textopoetico poesia desenho artesvisuais

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healiapp · 3 years

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Cognitive function pertains to memory, perception, attention, decision making, comprehension, and behavior. All of these skills are vital for our survival and health. A systematic review published by Oxford University Press in December of 2020¹ consisting of evidence-based research supports the link between nut consumption and cognitive performance. This systematic review is based on research including dietary surveys that were used to capture relative nut consumption. In particular, nut consumption was studied as it relates to those at higher risk of cognitive decline. The effect of nut consumption on memory, attention, processing speed, executive function, visual-spatial ability, and risk of cognitive impairment were the outcomes investigated. The results of this systematic review were conclusive in that nut consumption was positively associated with higher cognitive scores. Nut intake of more than 10g/day was associated with a 40% decreased likelihood of poor cognitive function². These results show that nuts serve as functional medicine leading to decreased risk of disease resulting from cognitive decline, such as Alzheimer's and dementia.

¹Lauren E Theodore, Nicole J Kellow, Emily A McNeil, Evangeline O Close, Eliza G Coad, Barbara R Cardoso. Nut Consumption for Cognitive Performance: A Systematic Review. Oxford Academic. https://academic.oup.com/advances/advance-article-abstract/doi/10.1093/advances/nmaa153/6039535?redirectedFrom=fulltext. Published December 16, 2020. Accessed January 6, 2021.

²A Prospective Association of Nut Consumption with Cognitive Function in Chinese Adults Aged 55+ _ China Health and Nutrition Survey. The Peanut Institute. https://peanut-institute.com/research-library/a-prospective-association-of-nut-consumption-with-cognitive-function-in-chinese-adults-aged-55-_-china-health-and-nutrition-survey/. Published March 11, 2019. Accessed January 6, 2021.

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tasksweekly · 4 years

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[TASK 189: NAMIBIA]

In celebration of March 21st being Namibian Independence Day, here’s a masterlist below compiled of over 190+ Namibian faceclaims categorised by gender with their occupation and ethnicity denoted if there was a reliable source. If you want an extra challenge use random.org to pick a random number! Of course everything listed below are just suggestions and you can pick whichever faceclaim or whichever project you desire.

Any questions can be sent here and all tutorials have been linked below the cut for ease of access! REMEMBER to tag your resources with #TASKSWEEKLY and we will reblog them onto the main! This task can be tagged with whatever you want but if you want us to see it please be sure that our tag is the first five tags, @ mention us or send us a messaging linking us to your post!

THE TASK - scroll down for FC’s!

STEP 1: Decide on a FC you wish to create resources for! You can always do more than one but who are you starting with? There are links to masterlists you can use in order to find them and if you want help, just send us a message and we can pick one for you at random!

STEP 2: Pick what you want to create! You can obviously do more than one thing, but what do you want to start off with? Screencaps, RP icons, GIF packs, masterlists, PNG’s, fancasts, alternative FC’s - LITERALLY anything you desire!

STEP 3: Look back on tasks that we have created previously for tutorials on the thing you are creating unless you have whatever it is you are doing mastered - then of course feel free to just get on and do it. :)

STEP 4: Upload and tag with #TASKSWEEKLY! If you didn’t use your own screencaps/images make sure to credit where you got them from as we will not reblog packs which do not credit caps or original gifs from the original maker.

THINGS YOU CAN MAKE FOR THIS TASK - examples are linked!

Stumped for ideas? Maybe make a masterlist or graphic of your favourite faceclaims. A masterlist of names. Plot ideas or screencaps from a music video preformed by an artist. Masterlist of quotes and lyrics that can be used for starters, thread titles or tags. Guides on culture and customs.

Screencaps

RP icons [of all sizes]

Gif Pack [maybe gif icons if you wish]

PNG packs

Manips

Dash Icons

Character Aesthetics

PSD’s

XCF’s

Graphic Templates - can be chara header, promo, border or background PSD’s!

FC Masterlists - underused, with resources, without resources!

FC Help - could be related, family templates, alternatives.

Written Guides.

and whatever else you can think of / make!

MASTERLIST!

Barbara Kahatjipara (1975) Namibian - model.

Daphne Willibard (1981) Namibian - singer-songwriter.

Beate Baumgartner (1983) Namibian / Austrian - singer-songwriter.

Frieda Haindaka (1984) Namibian - singer-songwriter.

TeQuila / Tekla Iita (1985) Namibian - singer-songwriter.

Marichen Luiperth (1986) Namibian - model.

Sally Boss Madam / Sally Ephraim Keya (1986) Namibian - singer-songwriter.

Lady May / Martha Namundjebo (1986) Namibian - singer-songwriter.

Venantia Otto (1987) Namibian - model.

Odile Gertze (1988) Namibian - actress, model, dancer, and Miss Namibia 2010.

Paulina Malulu (1989) Namibian - model and Miss Namibia 2013.

Brumhilda Ochs (1992) Namibian - model and Miss Namibia 2014.

Assumpta Gahutu (1993) Namibian - instagrammer (asssumpta).

Selma Kamanya (1996) Namibian - model and Miss Namibia 2018.

Tulimelila Shityuwete (?) Ovambo Namibian / English - actress, singer-songwriter, and dancer.

Mikiros Garoes (?) Namibian - actress, singer, and comedian.

Christi Warner (?) Namibian / Liberian - actress, singer-songwriter, tv presenter, director, poet, and journalist.

Oteya (?) Namibian - singer-songwriter.

Jessica Roy-Fawl (?) Namibian - actress, comedian, and dancer.

Valeria Mununga (?) Namibian - model and Miss Face of Namibia 2014.

Stella Kavendjii / Stella Tjazuko !Naruses (?) !Kung Namibian - singer-songwriter.

Tsakana Nkandih (?) Namibian - model and Miss Namibia 2012.

Sharon van Rooi (?) Baster Namibian - singer-songwriter.

Mariane Pembe (?) Namibian - actress, tv host and director.

Beth Haluodi (?) Namibian - actress and model.

Charmy Kurz (?) Namibian - instagrammer.

Dillish Mathews (?) Namibian - actress, reality star, and entrepreneur.

Jessica Loner (?) Namibian - Miss Charm Namibia 2020.

Top Cheri (?) Namibian - singer and actress.

Sharon Tjimbundu (?) Namibian - sports anchor.

Lioness Nam (?) Namibian - rapper.

Ashley Nangombe (?) Namibian - model.

Hambeleleni Haleshu (?) Namibian - model.

Kamoli Hangula (?) Namibian - model.

Liopa Haidula (?) Namibian - model.

Valery Shaninga (?) Namibian - model.

Ndapewa Matheus Kerau (?) Namibian - model.

Martha Kamati (?) Namibian - model.

Ndatelela Henock (?) Namibian - model.

Fabiola Mogotsi (?) Namibian - model.

Uzepa Kandanga (?) Namibian - model.

Sharene Swartbooi (?) Namibian - model.

Kenny Karamata (?) Namibian / Chinese - model.

Pefimbo Shipunda (?) Namibian - model.

Ester Mandume (?) Namibian - model.

Isadora Simone Cardoso (?) Namibian - model.

Annely Shigwedha (?) Namibian - model.

Theresia Nambambi (?) Namibian - model.

Aina Ekandjo (?) Namibian - model.

Helen Domingo (?) Namibian - model.

Sophia Petrus (?) Namibian - model.

Ndapewashali Immanuel (?) Namibian - model.

Maria Iipinge (?) Namibian - model.

Soini Ndeshi Shikwambi (?) Namibian - model.

Albertina Paulus (?) Namibian - model.

Ester Tuyenikumwe Ananias (?) Namibian - model.

Adelaide Mavara (?) Namibian - model.

Gabby Puuahee (?) Namibian - model.

Judy norma Bauleth (?) Namibian - model.

Apronia Shiimi (?) Namibian - model.

Elizabeth MbiMbi (?) Namibian - model.

Amupolo Freedom (?) Namibian - model.

Ottilie Kamusheetha (?) Namibian - model.

Hèrthä Bèrthä Uushønä (?) Namibian - model.

Brihana BriBri Lee Vries (?) Namibian - model.

Paulina Fernando (?) Namibian - model.

Salmi Joe (?) Namibian - model.

F - Athletes:

Elizabeth Mongudhi (1970) Namibian - long-distance runner.

Agnes Samaria (1972) Namibian - middle-distance runner.

Jacqui Shipanga (1976) Namibian - footballer.

Agnes Kauzuu (1979) Namibian - footballer.

Helalia Johannes (1980) Namibian - long-distance runner.

Beata Naigambo (1980) Namibian - long-distance runner.

Shirley Cloete (1982) Namibian - footballer.

Alina Armas (1983) Namibian - long-distance runner.

Elmarie Fredericks (1986) Namibian - footballer.

Lydia Eixas (1986) Namibian - footballer.

Iina Katuta (1986) Namibian - footballer.

Juliana Skrywer (1987) Namibian - footballer.

Uerikondjera Kasaona (1987) Namibian - footballer.

Tjipekapora Herunga (1988) Namibian - sprinter.

Esty Amukwaya (1988) Namibian - footballer.

Johanna Benson (1990) Namibian - paralympic long jumper and paralympic sprinter.

Lavinia Haitope (1990) Namibian - long-distance runner.

Stacey Naris (1991) Namibian - footballer.

Merlin Diamond (1991) Namibian - sprinter.

Susanna Eises (1991) Namibian - footballer.

Twelikondjela Amukoto (1991) Namibian - footballer.

Vistoria Shangula (1992) Namibian - footballer.

Veweziwa Kotjipati (1992) Namibian - footballer.

Lorraine Jossob (1993) Namibian - footballer.

Thomalina Adams (1993) Namibian - footballer.

Eveleen Kejarukua (1993) Namibian - cricketer.

Zenatha Coleman (1993) Namibian - footballer.

Lena Noreses (1994) Namibian - footballer.

Lovisa Mulunga (1995) Namibian - footballer.

Annouscka Kordom (1997) Namibian - footballer.

Lesedi Sheya Jacobs (1997) Namibian - tennis player.

Memory Ngonda (1998) Namibian - footballer.

Sylvia Shihepo (2000) Namibian - cricketer.

Wilka Mwatile (2000) Namibian - cricketer.

Victoria Hamunyela (2003) Namibian - cricketer.

Ras Sheehama (1966) Namibian - singer-songwriter.

D-Naff / Naftalie Shigwedha Amukwelele (1974) Namibian - actor, rapper-songwriter, singer, and motivational speaker.

Atushe / John Namweya (1976) Namibian - singer-songwriter.

Gazza / Lazarus Shiimi (1977) Namibian - singer-songwriter and keyboardist.

Big Ben Kandukira / Venaune Ben Kandukira (1978) San Namibian - singer-songwriter and guitarist.

OmPuff / Belmiro Hosi (1980) Namibian / Angolan - rapper-songwriter and singer.

Jericho / J-Twizzle / Jericho Jerome Gawanab (1980) Namibian - rapper-songwriter.

Tre / Tre Van Die Kasie / Tretius Kauhangengo (1981) Namibian - rapper-songwriter.

Becoming Phill / Tshuutheni Emvula (1981) Namibian - rapper-songwriter, DJ, producer, composer, and editor.

Sunny Boy / Sunday Shipushu (1983) Namibian - rapper-songwriter.

The Dogg / King TeeDee / Martin Morocky (1983) Namibian - singer-songwriter, keyboardist, drummer, and producer.

Samuel Ngodji / Qonja / Tukonjela Haiyambo Ngodji (1984) Namibian - rapper-songwriter.

D-Jay / Diogene Ochs (1987) Namibian - rapper-songwriter and producer.

Quido / Le-Roy Quido Mohamed (1989) Namibian - rapper-songwriter.

Exit / David Shikalepo (1989) Namibian - singer-songwriter, keyboardist, drummer, and producer.

WilliamMustBeControl'd / Willy G (1992) Namibian - rapper-songwriter and producer.

Saint-Angelo Eimann (1997) Namibian - model and Mister International Namibia 2019.

Elemotho / Elemotho R.G. Mosimane (?) Tswana Namibian - singer-songwriter, guitarist, and producer.

Luis Munana (?) Namibian - singer-songwriter, model, tv host, and producer.

Ike Adonis IXA (?) Baster Namibian - rapper-songwriter.

Ronaldo Aibeb (?) Namibian - model.

Abner Kevin Vilho (?) Namibian - model.

Perfecto Rooinasie (?) Namibian - model.

Duncan Mouers (?) Namibian - model.

Sylvester Silver Tjinotjinice (?) Namibian - model.

Mondaes Crum (?) Namibian - model.

Albert Alberto Moses (?) Namibian - model.

Julian Afrikaner (?) Namibian - model.

Shaun Eugene Speedy (?) Namibian - model.

Dennis Hendricks (?) Namibian - model.

Albert Moses (?) Namibian - model.

Theo Perez (?) Namibian - model.

M - Athletes:

Frankie Fredericks (1967) Baster Namibian - sprinter.

Harry Simon (1972) Namibian - boxer.

Mohammed Ouseb (1974) Namibian - footballer.

Ricardo Mannetti (1975) Namibian - footballer.

Paulus Ali Nuumbembe (1978) Namibian - boxer.

Paulus Moses (1978) Namibian - boxer.

Collin Benjamin (1978) Namibian - footballer.

Japhet Uutoni (1979) Namibian - boxer.

Quinton Jacobs (1979) Namibian - footballer.

Sherwin Vries (1980) Namibian - sprinter.

Richard Gariseb (1980) Namibian - footballer.

Paulus Ambunda (1980) Namibian - boxer.

Bethuel Ushona (1982) Namibian - boxer.

Burton van Rooi (1982) Baster Namibian - cricketer.

Julius Indongo (1983) Namibian - boxer.

Willbeforce Shihepo (1983) Namibian - boxer.

Ivan Namaseb (1985) Namibian - footballer.

Jonas Matheus (1986) Namibian - boxer.

Ananias Shikongo (1986) Namibian - paralympic short-distance athlete.

Willem Mwedihanga (1986) Namibian - footballer.

Eugene Jantjies (1986) Namibian - rugby player.

Tangeni Shipahu (1987) Namibian - footballer.

Ronald Ketjijere (1987) Namibian - footballer.

Muna Katupose (1988) Namibian - footballer.

Ashley van Rooi (1988) Baster Namibian - cricketer.

Chrysander Botha (1988) Namibian - rugby player.

Lazarus Kaimbi (1988) Namibian - footballer.

Maximilian Mbaeva (1989) Namibian - footballer.

Virgil Vries (1989) Namibian - footballer.

Pikky Ya France (1990) Namibian - cricketer.

Tjiuee Uanivi (1990) Namibian - rugby player.

Johannes Nambala (1991) Namibian - paralympic track and field athlete.

Deon Hotto (1990) Namibian - footballer.

Joslin Kamatuka (1991) Namibian - footballer.

Willy Stephanus (1991) Namibian - footballer.

Larry Horaeb (1991) Namibian - footballer.

Petrus Shitembi (1992) Namibian - footballer.

Hendrik Somaeb (1992) Namibian - footballer.

Des Sethie (1992) Namibian - rugby player.

Chris Mbamba (1992) Namibian / Kenyan - footballer.

Mathias Hamunyela (1992) Namibian - boxer.

Sadney Urikhob (1992) Namibian - footballer.

Benson Shilongo (1992) Namibian - footballer.

Peter Shalulile (1993) Namibian - footballer.

Jonas Jonas (1993) Namibian - boxer.

Wangu Gome (1993) Namibian - footballer.

Pyry Soiri (1994) Namibian / Finnish - footballer.

Tukhula Jacobs (1994) Namibian - tennis player.

Max Katjijeko (1995) Namibian - rugby player.

Lesley Klim (1995) Namibian - rugby player.

Zane Green (1996) Baster Namibian - cricketer.

Ryan Nyambe (1997) Namibian - footballer.

Isaskar Gurirab (1998) Namibian - footballer.

Chad Plato (1998) Namibian - rugby player.

Prince ǃGaoseb (1998) Namibian - rugby player.

Sakaria Lukas (?) Namibian - boxer.

Problematic:

Judith Mwinga (?) Namibian - model. - Has a dreamcatcher tattoo/appropriation of dreamcatchers.

#namibian fc #black fc #poc fc #fc list #rph #task: 189 #task: namibia

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