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#anyway wille is the Main Character of all time and people oversimplify him a lot
billfarrah · 1 year
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@unfortunate17 and I were discussing Wille’s anxiety and how we don’t feel like Wille’s reluctance to partake in public speaking was a result of his anxiety, but rather his history of being forced to speak and say things he doesn’t mean and follow a script in order to preserve the reputation of his family and control the public’s perception of him. He was forced to follow a script three times in season 1 - the first when he had to apologize on TV for a fight he was not sorry about, when he had to read a written speech to his classmates regarding his brother who had just died, and when he was forced to lie about the video leading to the destruction of his relationship with Simon.
In my opinion Wille’s fear of public speaking in season 2 is not related to general or social anxiety - as I do not believe Wille has social anxiety at all and is not shy at all despite some people in the fandom tending to believe he is - but rather a fear of being perceived, because that is ultimately Wille’s main struggle in the series - not being with a boy, not being in love with a gay, not being queer, but being perceived by others and feeling forced to live up to a certain standard or expectation when all he wants to do is live his life truthfully and without people having opinions about the things he does.
What’s so powerful and beautifully written about the scenes with Boris is that even though Wille is made to see a therapist by his mother, the Queen, who is the one who persuaded/forced him speak out when he didn’t want to, Wille’s sessions with Boris are the first time he is told he doesn’t have to say anything if  he doesn’t want to, and the confidentiality of their sessions and Boris’ position as an unbiased professional allows him to be more honest with not only himself, but with another person without feeing like he is being judged or forced to feel or believe something he doesn’t.
We see in season 1 episode 4, when Wille goes off script and speaks from the heart about Erik, and in season 2 episode 6 when he once again goes off script, that Wille really has no issues with speaking to a crowd, but only when he feels he’s being truthful and honest and in control of the narrative. His fear of speaking in the class presentation, in my opinion, has a lot to do with how out of control of his own narrative Wille felt throughout season 2 as a result of the lie at the end of season 1 and the events of season 2 - he is perceived by his classmates now as having denied being a part of the video, as if it was something to be ashamed of, he is perceived as being interested in Felice when in reality he’s desperately in love with Simon. He just wants to exist and stay true to himself and it scares him to do it in front of an audience, and that’s what makes it so powerful when we see him slowly begin to accept how he feels about himself and the circumstances of his life through the sessions with Boris, and how that results with him re-taking control of his own narrative at the Jubilee at the end of the season, and that’s just beautiful writing.
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foeseekerwriter · 6 years
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VLD Cast, Sorting Hat Chats Style
So if you aren’t aware, the Sorting Hat Chats are an absolutely incredible method of character analysis (and it’s lots of fun for real people too!) and I use it all. The. Time. So, since I’m working on a VLD project, I decided to do a breakdown. Cliffnotes version of the SHC sorting method: everyone has a “primary” house - why you do something - and a “secondary” house” - how you do something. Here’s a really oversimplified breakdown of both sets.
Primaries Gryffindor - gut instinct, “this is the right thing to do” Ravenclaw - analysis, a morality system, “this is truth” Hufflepuff - community-oriented, loyal to groups, what is best for everyone Slytherin - loyal to their people, take care of them above all else
Secondaries Gryffindor - charge, take things head-on Ravenclaw - contingency plans, mix and match premade methods to adapt Hufflepuff - toil, steady work, often lean on other people to help get things done Slytherin - adaptability in the moment, a tendency to swap masks
All the houses, both primary and secondary, can be “burned”. In the case of a primary this means losing faith in your natural primary (e.g. a Gryffindor who no longer trusts their gut instinct). For a secondary, this means you’re just slogging through trying to get things done any way possible. Primaries and secondaries can also be modeled. Slytherin primaries, for example, often model other primaries in situations where what they’re dealing with doesn’t touch upon “their people”, but everyone can model to some degree for another (for both healthy and unhealthy reasons). A less strong version of modeling is performing, where someone takes on the appearance of another house but it doesn’t feel natural to them.
For a variety of reasons, unless otherwise indicated, I am only using material up through season 6, just so you’re aware.
Anyway, here goes.
MAIN CAST
Shiro—Gryffindor/Hufflepuff
This boi is an overwhelmingly Gryffindor primary. He is willing to throw himself into any and every situation, no matter how hopeless or deadly, if he thinks that is the right thing to do. Witness his determination to find Ulaz and the Blades despite Allura's outspoken protests and the fact that he was going off hazy memories and a gut feeling. It is worth noting, though, that if Allura had really put her foot down on that matter I do think Shiro would have obeyed—reluctantly, but he would have. And although he willingly allows other people, people he cares about, to go into danger—or even sends them there—if that's the right thing to do, whenever possible he does the dangerous thing himself or leads the others into the danger. He's not actively looking to get killed, contrary to all the "guess I'll die" Shiro jokes, but doing the right thing is definitely higher on his priority list than keeping himself safe.
Shiro is a Hufflepuff secondary. He is steady, dependable, works hard, makes people feel safe, is quietly caring, and chips steadily and persistently away at problems ranging from convincing his friends get some sleep to saving the universe. It is this trustworthy, community-focused secondary that gives his primary its great warmth. It also lends to his tendency to “feel” his way through things instead of “think” through them—not that he doesn’t think at all, but he is willing almost more than anyone else in the cast to make decisions off gut feeling instead of careful logic.
(Incidentally, this Gryffindor/Hufflepuff combo may be where the writer criticisms of “Shiro is boring” come from. Healthy, passionate Gryffindors, especially those with the warm and loving Hufflepuff secondary, have a totally undeserved reputation for being uninteresting because they tend to be uninclined to moral angst - which a lot of people seem to think is the only thing that makes characters interesting - and typically don’t spend huge amounts of time thinking through problems. What makes them interesting is not how much they beat themselves up or agonize over their decisions but the depth and passion of their convictions in the face of all odds, and their ability to inspire others toward something better. They are strongest in a group, and they often wind up the leader not from any desire for power but because they engender trust in others. Steve Rogers and Clark Kent, two other fantastic characters who are often unjustly labeled as boring or shallow, share this sorting, by the way. Steve’s sorting you can find on the Sorting Hat Chats. Clark is my own analysis, mostly based in the Young Justice cartoon.)
The overall resilience of this Gryffinpuff sorting can truly be astounding, especially considering that it tends to be a highly idealistic, optimistic combination—ideals and optimism that at best the world often laughs at and at worst spits on and crushes underfoot. In the short term this can be horribly debilitating, which we see most clearly in Shiro after Allura is captured near the end of S1. When he steps out of that escape pod to face the rest of the team is perhaps the lowest we see him in the entire show. But the paradoxical resilience of this combination also allows him to bounce back quite quickly, the strength and passion of his ingrained beliefs and convictions buoying him up in the longer term as he plunges back in to right the wrongs. This is likely how he survived Galra captivity without burning either his primary or his secondary. Most of the others would likely have burned at least one of these, emerging broken or angry and with a much grimmer outlook on the world. Shiro makes it through with his optimistic approach to life largely intact based on what we see of him pre-Kerberos—acknowledging that the world can be gritty and cruel and painful but determined to do everything he can to make it better, determined that it is possible for it to be better, and trying (without much effort) to see the best in every person and situation.
This is how Shiro leads, and this is how he best fights: with people he has brought together at his side to watch his back, to trust and to be trusted, to point the way and inspire others with his convictions and then to lead a motley but effective team toward a chosen goal with the noblest of desires and intentions at the fore. He is certainly willing to fight alone, but whenever he does his fights have a desperate, last-ditch feel—taking Matt’s place in the arena, defending Lance and the Castle against Sendak, facing Haggar on the Galra ship. He is much more comfortable—and much more effective—when he has a team around him on whom he relies and who rely on him. As the leader of Voltron, Shiro regularly leans on the improvisational secondaries of Keith and Lance to come at a problem, and on the foundational secondaries of Pidge and Hunk to figure out how to come at the problem in the first place. It is this natural tendency to encourage and foster teamwork, combined with Shiro’s determined Gryffindor moral compass, that makes team Voltron under Shiro so effective and unified.
Interestingly, it is this trustworthiness and tendency toward reliance on gut instinct that get everyone in trouble with Kuron. Because they’re used to Shiro’s “I can’t necessarily explain this but I have a feeling” MO, and because he’s simply a dependable person who engenders trust in those around him, the rest of the team doesn’t question (much) Kuron’s insistence that they support Lotor until it’s far too late.
 Keith—Slytherin/Gryffindor
Keith's Achilles heel is his friends—first, last, and always. He is willing to throw aside the fate of the universe to save one person, and he wouldn't even bat an eye about it. He breaks into a Garrison facility to rescue Shiro, he jeopardizes their mission to the Blades' base because he hopes to find out more about his family, he fights Zarkon alone to save Shiro, his desperation to help his friends allows him to join with astral-Shiro to unlock the Black Lion’s teleporting ability... His friends and family are his whole world, Shiro more than anyone else.
He tries really hard to model Shiro’s Gryffindor primary, but the poor boy is so bad at it that it really is only a performance, and a half-baked one at that. Almost every single attempt to use this performance gets him into trouble, even with Shiro, whom he’s trying to emulate in the first place. A couple examples of this are when he proposes leaving Allura in Zarkon’s captivity and his kamikaze attack on the Galra cruiser. Neither of these choices feel natural to him; he is trying and failing to do what he thinks he is supposed to do, not what he feels is right or what he wants. He does pull it off successfully a couple times, most notably in the first episode when he advocates for staying on Arus instead of running away, but this is definitely the exception versus the rule and likely had some of his Slytherin primary loyalty behind it (“if these people knew what was happening they’d be counting on me, I can’t let them down”).
I think Keith is actually a burned Slytherin and has kicked himself out of his loyalty circle. He remains devoted to his friends, especially Shiro, but he shows little to no concern for himself. Shiro’s return loyalty and devotion helps keep this burning in check, at the very least by watching out for Keith when Keith won’t watch out for himself, but when Shiro disappears and Keith is forced into a leadership role the burning spirals out of control. It reaches its climax with his kamikaze attack in S4. This burned state gives a desperate edge to his Gryffindor secondary.
Keith’s Gryffindor secondary is loud and brash and is basically summarized by his go-to strategy in almost every circumstance, that being, “I run in and I stab it.” This makes him prone to open-mouth-insert-foot moments, as well as jumping into hot water and needing his friends to bail him out, but it can also make him highly effective when this charging tendency is properly applied. For example, when he and Lance were infiltrating the hangar on the balmera Lance got them there using his come-at-things-sideways Slytherin secondary, but once in the control room he kept looking for a complicated solution to getting the doors open. Keith saved them a lot of time and effort by just putting his hand on the handprint.
This overall Slytherdor combination is what makes leadership so difficult for Keith. Without a reliable primary model to fall back on when something doesn’t land within the bounds of his Slytherin primary, and not having developed a way to keep his charging tendencies in enough check to prevent him and his friends from getting killed, he is not prepared to have team Voltron dropped on his shoulders. He already doesn’t have much confidence in his own ability to handle things or his own instincts about what he should or shouldn’t do, a confidence that Shiro was only just able to keep afloat. Sans Shiro, Keith falls into further loss of self-loyalty and trust in his own ability to manage a given situation (greatly exacerbated by the epic failure of his first mission as Black’s pilot, where Lotor spent the better part of a day running circles around them). In an attempt to cling to something, anything, to give him a foundation as a leader, Keith winds up leaning heavily on a combination of Lance’s Ravenclaw/Slytherin personality and his own very contrived Gryffindor performance. This doesn’t work very well and is one of the reasons team Voltron under Keith feels a lot shakier than it does under Shiro.
In addition, when Kuron takes over Black and Keith leaves for the Blades, the team still feels unbalanced without Keith’s Slytherin primary to help them stay focused on nearest people and priorities first and his Gryffindor secondary to help them charge at the problems that can be charged at. Just because Keith has loose cannon tendencies on his own doesn’t mean he’s not an effective and necessary part of the team makeup. (And by the way, leaving for the Blades is about the only healthily selfish choice we see him make in the whole show, and even that was largely motivated by his Gryffindor performance of “this is the right thing to do so I should do it”; whatever idiot on the writing crew decided that the whole team would jump on his case for this decision needs to step on a Lego.)
In Keith’s (and Shiro’s) defense, given enough time to grow and mature his true primary; develop a healthy, workable Gryffindor (or really any) primary model; and get a bit more control over his Gryffindor secondary tendency to charge, Keith really does have the potential to be a downright incredible leader. A couple great examples of Slytherdor characters are Han Solo, who winds up an excellent and effective leader in the resistance by the end of Episode VI, and Zuko, whose leadership potential gets most fully explored in the truly epic and renowned fanfic Embers by Vathara in which he… well, it’s awesome. (The Sorting Hat Chats folks narrow Zuko down to either Hufflepuff or Slytherin primary. Based on Embers, I think he’s modeling burned Hufflepuff primary at first and eventually loses it in favor of his natural Slytherin primary.) This sorting combo in potential leaders means they tend to take a long time to get to the point where they can be reliably trusted with the lives of others, and even when they do get there they’re often fighting for the cause of “this affects my people so I need to do something”. That doesn’t make them any less effective at what they do, however, and Keith has the potential to reach this place given time, nurturing, and proper motivation. He’s just pushed into a leadership role way too early and not given the sort of support system that would actually allow him to grow and mature while in this position.
Krolia especially has the potential to really help him with this growth, because that woman is an amazing and unapologetic Slytherin primary and her entire life and work is built around it. This both baffles and awes Keith, who assumes Krolia left him and his father for “the mission”—a Gryffindor-esque reason that Keith thinks he should have and tries so hard to believe in, and fails. Krolia without a moment’s hesitation replies, “I did it to protect the person I love most in the world—you.” Given time and the chance to see her in action I think Keith could really grow and mature his own primary based on what he sees in his mother. Add in the return of Shiro to regain his basis and guide for a Gryffindor primary model, plus learning to rely on other people to get things done when he can’t, and down the road I do think Keith could be a leadership force to be reckoned with.
 Lance—Ravenclaw/Slytherin
This guy was hard to pin down, as not only is the Ravenclaw primary typically the most adaptable primary (and has the potential to resemble any of the others) but also Lance starts out with the least mature primary of the whole cast, and he changes quite a bit over the story. He's definitely got a feel for right and wrong, which is assisted in its maturation by the confident and outspoken Gryffindor primaries of both Shiro and Allura, but more than either of them Lance approaches situations acknowledging his gut feeling and then asking "why". See 1x04 when he and Coran are leaving the bridge and Lance senses something’s wrong. Instead of immediately bolting he goes, “Wait, where’s Pidge?” and tries to figure out what’s going on.
Unlike some Ravenclaws he doesn't entirely dismiss his intuition, but he's much more laid-back about his approach to a situation then his Gryffindor leaders, interested in looking at all the angles of a problem before finding a middle ground that best fits the facts of the scenario. With said Gryffindor leaders he usually gets along fine, and he plays an important role as Shiro’s lancer by poking at the black paladin’s gut instincts to see the logic behind them, as well as by utilizing his spur-of-the-moment Slytherin secondary to get things done. He does tend to get frustrated with charge-in-half-cocked Keith, however, since an approach like that for Lance means risking the possibility of jumping to conclusions before an accurate picture has been obtained.
Lance's Slytherin secondary is what makes him the yin to Keith's yang, at least when it comes to combat, as this secondary’s highly adaptable strategic abilities makes him excellent at handling himself and other people in the heat of battle. The red and blue paladins work best together when Lance comes up with a plan and then lets Keith charge it headlong. It's worth noting that Lance is not involved in pre-combat strategy all that much. It is in the middle of combat where he shines, taking situational awareness to a whole new level and quickly formulating battle plans on the spot to adapt to changing circumstances and take advantage of unexpected opportunities.
This Ravenclaw/Slytherin combo makes Lance a quiet information gatherer—not the “knowledge for the sake of it” type like Pidge, or even actively seeking knowledge at all, but more someone who quietly files away facts and tidbits gathered through passive observation for when they might be useful. No one realizes he does this until he casually spits out a perfect conversion of minutes to doboshes or points out an alternate route nobody else noticed. This means he doesn’t always come across as intelligent, but when everything hits the fan he’s probably got a supremely practical collection of data that will be hugely useful in getting everyone out of whatever scrape they find themselves in this time.
When push comes to shove Lance has the potential to be an immovable rock—a Ravenclaw primary certain in his truth and a Slytherin secondary who knows where he stands. We haven’t really had the opportunity to see this in the show, however, both because Lance hasn’t been put into a situation where it’s called for and because he struggles with insecurity. Unlike Keith, whose insecurity comes from a belief that his instinctual priorities are screwed up and he can’t trust himself, Lance’s insecurity stems from the fact that, especially as a Slytherin secondary, he swaps masks moment to moment and so struggles with a two-fold problem of longing to “be real” and fear of being “found out”. He very rarely drops the masks to enter the Slytherin secondary “neutral state”, something that takes confidence and trust in the people around him; we really have only seen him do it for more than a few seconds when he’s talking to the mice in S5. (For an example of a confident Slytherin secondary who actually spend most of her time in the neutral state, look no further than Toph Bei Fong.) This exacerbates the insecurity problem because Lance is so desperately attached to his masks that he hasn’t looked beneath them much, so he struggles with self-understanding.
Lance has additionally been further crippled by the fact that Keith, as team leader, latched on to him as both a moral compass and strategist. The net result was that Lance effectively led the team by proxy, figuring out what they should do in a given situation and even if they should do it at all. It also locked Lance into the role of Keith’s right-hand man when Lance actually operates at his best shifting to fit whatever position is necessary at the time. He is most naturally a jack-of-all-trades (further exacerbating his feelings of isolation and uselessness, as he doesn’t have a “thing”), but being forced to act as Keith’s steering wheel and leash didn’t leave him much opportunity to do anything else. With Kuron as black paladin Lance still is stuck in this position to a degree, since he has to take over the role of charger that Keith left vacant (which leaves some of the adaptability to Allura, who is able to pull it off thanks to her Ravenclaw secondary but isn’t as natural as Lance when doing it). This situation, especially taking on the charger role, is threatening to burn Lance’s secondary. I get the impression that this has already started to occur, as our favorite blue boy is starting to seem more and more worn down as the story goes on.
What Lance needs is for someone to help him see that having masks isn’t a bad thing, and also that taking them off is okay. He actually could learn a lot from Shiro, who was quietly supporting him through S1 and 2, and from Keith, whose brash honesty about who he is (even if he doesn’t like it) is a great opportunity for Lance to gain some confidence. He needs to grasp firmly at truth so that truth can set him free, and then that freedom will give him the solid foundation to plant his feet when the need arises and tell the world, “No, you move.”
 Pidge—Slytherin/Ravenclaw
At first gloss Pidge looks like a straight Ravenclaw, nerdy and obsessed with knowledge. And she definitely has a strong love of truth for truth’s sake and seeks out knowledge like a squirrel does acorns. However, once you start poking under the surface, this Ravenclaw primary-ness is in fact a very robust model bolstered by her Ravenclaw secondary. Her true primary is Slytherin, made evident by the fact that she is willing to throw everything out the window, go to any and all lengths, in order to help her family and friends. She even tells us this in 1x04 when she says to Allura, “My first priority is finding my family.”
This Slytherin primary is healthier and more mature than Keith’s, and it’s clearly been Pidge’s driving force her whole life. She’s got that healthy Slytherin self-interest, always pushing herself to be the best (at least when it comes to science, tech, and engineering). This drive is fueled by her honest love of knowledge, certainly, but also by her desire to be the best, not because she has any interest in rubbing it in people’s faces but because it’s something she wants. (What pride we do see in her usually stems from a job well done versus being smug about her intellectual superiority as such. One thing that’s fantastic about her journey as green paladin is her coming to realize and appreciate how much she doesn’t and can never know.)
She is fiercely devoted to her people above and beyond any semblance of logic. Witness her decision to leave team Voltron to go find Matt and Sam, despite the fact that (as the team and circumstances eventually convince her) she is best served in that endeavor by remaining with the team. When Zarkon uses Sam as a hostage to bargain for Lotor Pidge is beside herself at even the slightest suggestion that they won’t do everything possible to get her father back. Even Matt, who is definitely upset, doesn’t show nearly the same amount of wild desperation. And it is her devotion to her team that enables her to unlock the Green Lion’s vine cannon. She can and often does channel her Ravenclaw secondary when going about her commitment to her people—for example, creating an entire new identity for herself in order to infiltrate the Garrison and find her family, as well as building technology capable of scanning alien radio chatter. But that application of knowledge serves the larger purpose of finding and helping those she loves the most.
With her Ravenclaw secondary Pidge hoards knowledge of all kinds, though she tends to focus on science—specifically physics, engineering, and computers. She is all about contingency plans, tinkering with things to see what new stuff she can get it to do, breaking things into their component parts and mixing them up. She’s not an on-the-spot improviser like Lance; instead, she has a vast array of systems and methods that she switches between and sometimes smashes together in order to tackle a problem. On Olkarion she takes her understanding of binary and puts it into a new environment, enabling her to use their plant-based tech. She reverse engineers the maze walls to develop her own cloaking tech. Like her “Galra tracker” she puts the world through a filter of logic and data and breaks things apart to find patterns and methodologies. This gives her an impressive amount of adaptability within the wide limits of these operational methods, as she is able to take plans and processes and apply them or rearrange them to fit her purposes.
 Hunk—Hufflepuff/Hufflepuff
I don't think there's any doubt in anyone's mind that Hunk is a Hufflepuff primary. He loves people and community and has a deep, iron streak of justice that is terrifying when it comes out. A gentle soul, he still is willing to do whatever it takes to help the most in need, even if that means laying down on the wire or borderline bullying people into getting things done. This desire for justice overrides even his strong sense of self-preservation, which does tend to come across as cowardliness when contrasted with bold Gryffindor primaries like Shiro and Allura or everything-for-my-tribe Slytherin primaries like Pidge and Keith. Lance is the bridge between Hunk and these others, advocating for leaving to fight another day in the first episode. But both Lance and Hunk learn to think beyond themselves over time, and for Hunk the tipping point was the balmera.
Before going to the balmera, Hunk had agreed to participate in team Voltron but his heart wasn’t really in it. He was more doing it because it was expected, that’s what his friends were doing, and in all honesty he didn’t have much choice. Once he visited the balmera, however, and met its residents and saw what the Galra were doing to them, he committed entirely to the cause—and for him, it’s not “because it’s the right thing to do” (Shiro and Allura) or “my people are in danger” (Keith and Pidge). It’s because people, people and communities he cares about, are suffering, and they need someone to help them. That’s not to say he doesn’t still have moments of fear or nerves, but his devotion to this cause of helping the needy gives him the courage necessary to overcome his fear.
This dedication to community gives Hunk a commitment to justice that can be truly unnerving to see come out in someone so gentle. It happens only rarely, but when it does we see the full extent of Hunk’s quiet power and unyielding foundation. The best example is Rolo and Nyma when the bounty hunters hold up team Voltron on their way to the balmera. This incident happens largely because of Shiro and Allura’s idealistic Gryffindor primaries, and although Hunk doesn’t like the delay he hasn’t yet learned to push his point with his leaders (or to trust his instincts; Hunk is someone who has been a follower for most of his life, if only because he’s gentle and laid back enough to get pushed around by stronger personality types, and part of his growth is learning to stand up for himself and his beliefs). Once the bounty hunters’ true motives are revealed, the depth of Hunk’s fury is terrifying. Months later, when he encounters Rolo and Nyma again after the bounty hunters have joined up with the rebels, he is still angry—because they upset the scales of justice and injured the community and the overall good, and violating trust like that takes lots of time and lots of effort to overcome. It’s possible, but although he is willing to give new people the benefit of the doubt this Hufflepuff does not forgive serious grievances easily.
Hunk is a Hufflepuff secondary—the quiet, trustworthy, reliable guy who often gets overlooked until as a last resort he throws back the curtains to reveal a powerhouse surrounded by an unswervingly dedicated group of people - and often he doesn’t even throw back the curtains. People he didn’t even know were dedicated just show up to punch the lights out of whoever dared to mess with their precious cinnamon roll, often to Hunk’s surprise. He’s not an obviously inspirational community builder like Shiro, but he nevertheless quietly and unconsciously builds a loyal community that often takes him for granted because he blends in with the scenery most of the time. Even as they don’t notice he’s there, however, they pick up the bits of comfort and safety and quiet trust he offers them, making him a sort of glue in the woodwork—invisible, but holding everything together when the rubber meets the road. He lacks the Ravenclaw ability to adapt, but he still is a foundational secondary that the others lean upon in times of trouble.
He also has a wonderfully down-to-earth approach to things, pointing out that “we are in some kind of futuristic alien cat head right now” and, though he is certainly able to be impressed, he much prefers to see things as they truly are than as he would like them to be. As an extension of his sense of justice, he much prefers pure honesty to half-truths, and he really doesn’t seem to have a deceptive bone in his body. He pushes steadily through information until he uncovers the foundational truth of a matter.
To a degree he models a Ravenclaw secondary, gathering information about food and cultures and science (especially engineering and chemistry) and asking questions that often don’t even seem to occur to the others. But he lacks the adaptability of a true Ravenclaw secondary, instead using that secondary’s toolset only to the extent that it furthers the needs of his true Hufflepuff secondary.
 Allura—Gryffindor/Ravenclaw
Allura’s strong Gryffindor primary is fed through her Ravenclaw secondary, making her a far more logical (and even coldly ruthless) Gryff than passionate, Hufflepuff secondary Shiro. This makes for an interesting paradox with their roles, as Shiro—the head—is deeply centered in feeling and instinct, while Allura—the heart—approaches things from a much more logic-based viewpoint. At the end of S1, when Allura is captured and Shiro is leading the team alone, he is undeterrable from his commitment to rescue Allura because he feels that’s the right thing to do, darn it, and to heck with all the reasons why it’s not. (There are actually some very solid strategic reasons for rescuing Allura, but Shiro is totally uninterested in them. This is simply the right thing to do; reason and cold logic is secondary.) Upon the team’s arrival Allura’s immediate reaction is “why the heck did you come here, that was so stupid.” Shiro’s role as the passionate head is guided by Allura operating as the rational heart.
Now, that’s not to say Allura is always actually truly rational about her choices and beliefs. Witness her “never trust a Galra” mentality of most of the first two seasons. Granted, she has some pretty good reasons for it—the Galra kind of massacred her entire people and destroyed her planet, after all—but when faced with a heap of evidence that there actually are trustworthy Galra it takes her a while to warm up to the idea. The fact that she does eventually come around is evidence of her willingness to actually listen to reason, not just the way she wants or believes things to be, but her difficulty in doing so is rooted in her Gryffindor passion and stubbornness.
She seems to be a Ravenclaw secondary, but stretched thin on time, resources, energy, and mental capacity, she focuses much more on practical knowledge, whether that be the ins and outs of the Castle systems, alchemy, or matters of state and diplomacy. She doesn’t have the luxury of delving into something just for the sake of learning about it, but she tends to know a bit about everything. And she does have a wide range of strategies and behavioral structures that often emulate the other secondaries—Gryffindor charging (probably learned from Alfor, and this is usually just in combat), Hufflepuff caring and toil (she’s taken on a task that can’t be solved in a day, after all), and even Slytherin manipulativeness (she never speaks untruth but she does lie by omission during S1, avoiding telling the paladins who the previous black paladin was until that lack of information puts all their lives in jeopardy).
This extensive and varied array of mechanisms at her disposal indicates a widely applicable and decently adaptive Ravenclaw secondary. However, the clear demonstration of traits of other secondaries, plus her “whatever is necessary to get things done” mindset, suggests that Allura is in danger of burning her secondary. There is a satisfaction when she completes a task that seems to indicate she hasn’t yet done so, but the risk is definitely there. She continues to take on more and more in order to further her goals, and although she is devoted to her team she’s not quite as capable as Shiro at fielding out tasks to those best suited to them. Granted, quite a bit of what she does can’t be fielded out—piloting the Castle, making wormholes, flying Blue, alchemy. But she’s stretching herself dangerously thin, and especially without Shiro there telling her to take a break when she’s pushing too far she is getting very close to tipping over the edge into exhausted slogging through tasks using whatever methods necessary.
Part of the problem, too, is she is not as well suited to Blue as Lance is. Blue is the middle ground Lion in pretty much every way—speed, armor, combat ability. It is a Lion meant to fill in the gaps between the others wherever and whenever necessary, which requires some degree of jack-of-all-trades functionality. Allura can do many things, but she doesn’t fit this description as well as Lance does, if only because there are other things she can do much better. Her Ravenclaw secondary means she is intellectually adaptable, but not necessarily situationally adaptable, at least to the same extent that Lance is. She’s able to make up the difference enough to get by, but the resulting adaptability isn’t as fluid as Lance’s and is hindered by her Gryffindor primary fixation on the end goal. This puts yet another bump in the cogs of team Voltron when Lance and Allura are in Red and Blue, and it gives Allura yet another ball to juggle, taxing her even more. She needs to get out of Blue and hand over to others those tasks that do not absolutely require her to do them, which will allow her to better and more fully do those things that do require her.
 SECONDARY CAST and VILLAINS (Note: Most of these sortings tend more toward speculation, as we have often seen very little of these people on screen and so it is harder to make calls about some of them.)
Coran—Ravenclaw/Ravenclaw
Coran is hard to figure out because his whole life and person are channeled through his role as Allura’s servant, steward, and advisor. He’s definitely a constructionist house, but I ultimately peg him as a Ravenclaw primary because he doesn’t throw everything to the winds when Allura (the person he is devoted to above all else) is in danger the way you’d expect with a Slytherin primary. This doesn’t make him any less loyal to her, but threatened loyalties don’t have the same kind of earth-shattering power over him as they do over, say, Keith and Pidge.
He’s a situational secondary, but I have to go with Ravenclaw again here because he doesn’t have quite the Slytherin make-things-up-as-I-go tendency. And when everything hits the fan and he’s out of typical options he tends to panic instead of jumping on the duct tape and string and making something up on the fly. When we do see him improvise (e.g. that thing he did jumpstarting the Castle system with the bottle of alcohol at the end of S6) it’s with materials and data he’s noted and catalogued previously.
He definitely has a rather eclectic and not always useful mental hodgepodge of information, and he’s prone to get sidetracked on tangents about this or that interesting factoid. While not a scientist in the same sense that Pidge is, or dedicated to practicality like Allura, he still is curious and is happier the more he knows.
Krolia—Slytherin/Slytherin
This woman is a gorgeously unapologetic Slytherin primary and I love her for it. Her entire life is built around her deep motivation to protect those she loves most, especially Keith, and she demonstrates far more confidence and trust in the rightness of this drive and desire than he does. She may have a Gryffindor model for handling things outside of this primary—we don’t know what her reason for joining the Blades was, but although I can imagine several Slytherin motivations it could also have stemmed from a modeled Gryffindor idealism—but we haven’t had the chance to see much of anything except her Slytherin primary in canon.
I have to go with Slytherin secondary for Krolia, too. She seems to spend much of her time in her neutral state (and as such Lance may actually be able to learn a lot from her—I totally want to see her adopt our favorite blue boy and aggressively mother him to his wits’ end), which results in a beautiful bluntness that looks a lot like her son’s Gryffindor secondary. However, she sorts into the Slytherin secondary because she is a master of subtle manipulation and deception. Witness how effectively she’s able to integrate herself into not one but multiple high-profile Empire missions, manipulating the people around her into believing that she is entirely committed to the mission—and even getting them to self-destruct.
 Romelle—Gryffindor/Gryffindor
Dedicated to doing the right thing come hell or high water, Romelle exemplifies the Gryffindor primary. She distrusted Lotor based first on nothing but a gut feeling, and maintained that stance despite her brother’s protests (and all evidence) to the contrary. Then, when her brother’s death validated her concerns, she grieved, but she was also furious and determined not to let such a thing happen ever again. So when an opportunity arose to take Lotor down—offered by another half-Galra and a full Galra, no less—this Gryffindor secondary carpe diemed so hard she broke Lotor. I am so on board for her and Krolia teaming up, the best of Gryffindor and Slytherin united as a force to be reckoned with.
 Matt Holt—Gryffindor or Hufflepuff/Ravenclaw or Slytherin?
Sheesh, we just don’t have enough info for this guy. He doesn’t have quite the dedication to his people that you’d expect from a true Slytherin primary—see my analysis of Pidge—so not that. I kinda like the idea of him as a Gryffindor primary like his father, but I can also see him as a Hufflepuff or even maybe a Ravenclaw. As for his secondary… I’m leaning toward one of the improvisational ones, probably Ravenclaw, since he doesn’t really seem to have the role-switching and manipulativeness of a Slytherin. But he could be a Hufflepuff secondary with a Ravenclaw model… argh. We just don’t have enough canon info to sort him.
 Sam Holt—Gryffindor/Ravenclaw
One of my few exceptions to sorting people based on material from S7, Sam’s got a commitment to doing the right thing that breaks through even the somewhat laid-back, nerdy professorial persona he usually demonstrates (not an act, it’s just the way he is when he hasn’t had that Gryffindor passion stirred). This persona feeds from his Ravenclaw secondary, and though he may model Ravenclaw primary when in a science setting his love of truth is motivated by a deep belief that truth aligns with the right thing to do. (Interestingly enough, in a family of scientists, with the possible but unlikely exception of Matt, none of the Holts are Ravenclaw primaries. At least two secondaries, but no primaries. Yay for bucking stereotypes.)
 Colleen Holt—Slytherin/Gryffindor
Again an exception to my desire not to use any material past S6, this sorting is also based a bit on my own headcanons and plans for this character. Colleen is devoted to her family before anything and everything else, and she’s willing to tear apart institutions, governments, and other people if that’s what it takes to protect her loved ones. She’s got an Irish passion as befits her name, and that passion is focused entirely on her husband and children. She’s incredibly direct about this passion, too, cutting right to the heart of things instead of weaving around and greasing up the problem the way Krolia does, though she’s certainly willing and able to at least assist with subterfuge. She helped Katie get into the Garrison, after all.
 Lotor—Ravenclaw/Slytherin
Lotor has constructed a belief system that is totally foreign to every other character in the show, comfortable in the dichotomies and contradictions of that belief system and convinced that everything he does is for some vague greater good—a good he, conveniently, gets to define. He has sought truth and information, certainly, as befits a Ravenclaw primary, but instead of trying to learn the way things truly are and shape his beliefs around the reality he uncovers he has created a system built upon his own desires about the way he wants the world to be. It is beautiful in a terrifying way—a man so thoroughly convinced that he is right that he’s willing to harvest the very life-force of others in order to further his ends, convinced that this is the right thing to do and that not doing so would be a failing on his part.
He exemplifies the ultimate levels of Slytherin manipulativeness and role-shifting, to the point where he seems to have deceived himself into believing in some of the masks he puts on (e.g. the noble hero who sacrifices the few for the sake of the many). When the masks are finally all stripped away at the end of S6, he hates what he sees so much that he can’t accept that what lies beneath is truly him. It is someone else’s fault, it is because someone else has denied what he wanted, and so he lashes out.
This guy is kind of evil Lance, which is a really frightening thought—and probably part of why Lance seemed to dislike him the most out of the whole team (aside from Lance’s crush on Allura). Lance was possibly able to see, at least subconsciously, through some of the scheming and persona, something like “if that were me I wouldn’t trust myself”. I wish we’d seen more of them going intellectually head to head. Having two sides of the same coin pushing at each other—one who’s had centuries to delve for truth and has chosen to use that time and knowledge to shape his beliefs the way he wants them to be, not as things are, the other who is not yet twenty but despite his facades and many broken wishes tries to take the world as it is and is willing to accept truths he doesn’t like—man, that would just be fantastic to watch. And a great chance for Lance to shine.
 Zarkon—Gryffindor/Hufflepuff
This is largely speculation and mostly based on what we see in the flashback episode, but… Zarkon, at least in his younger years, had the gut instinct thing going as a leader, and he put his nose to the grindstone and plowed ahead with a course of action once it had his convictions behind it. Witness his very much felt dedication to Honerva and her cause—investigating the rift—despite any evidence to the contrary. Obviously he got his priorities screwed up, but the passion he put into his decisions really feels Gryffindor to me, coupled with the rooted stubbornness and the community building of the Hufflepuff secondary (note how readily the other original paladins respond to him as a commander).
I actually don’t think he’s burned his Gryffindor primary by the time we get to the show’s present day. Quite a few of his decisions—e.g. dragging off one of his generals based on very little evidence, as the guy actually made a decent strategic move all things considered—feel like they’re being made based on feeling versus logic (or anything else). Again, the guy’s obviously got his priorities and methods screwed up, but the Gryffindor primary MO is there. He looks like he may have shifted to Gryffindor secondary, or at least a model, but I think that’s more because he’s got a (not unfounded) high opinion of his own prowess in combat, so he charges right in ready to hack enemies to pieces. This actually only backfires on him once Shiro gets the black bayard back and Voltron is able to stab Zarkon with the flaming sword. (Haven’t watched the Zarkon vs. Lotor fight lately so I can’t call anything based on that.)
So all things considered I think Zarkon is an example of what happens when a Gryffinpuff (I’m convinced the Lions have types, by the way) falls—not burns, but falls. Goes bad. Uses his ability to inspire for evil purposes instead of good, and denies evidence that the course he’s set himself on is wrong. In all likelihood, considering this sorting’s penchant for gathering people close to them and relying on those people, I would imagine that bad influences contribute in a large degree to this fall—at the very least because the Gryffinpuff can’t bring himself to acknowledge that he’s been wrong about his beliefs, choices, and loyalties once problems start cropping up.
 Honerva/Haggar—Ravenclaw/Ravenclaw
One of the very first things we hear Honerva say is a dismissive comment about any knowledge that doesn’t stem from science: “our ancestors thought lightning was shot from the bows of the gods until science proved otherwise”—in other words, if we haven’t studied it, tested it, poked at it, that knowledge is suspect at best. She is dedicated to her alchemical work beyond any bounds of reason, pursuing truth in such an obsessive, reckless way that she jeopardizes and ultimately brings about the destruction of her husband’s planet. She’s the sort of scientist who thinks that if we can do it we should do it—truth is to be pursued at all costs, and all possibilities must be explored. While in theory noble, this Ravenclaw primary drive needs to be tempered with reason to prevent injury and loss of life. Honerva refuses to listen to reason and so dooms herself and millions of others.
This primary is so overpowering that we don’t really get a good feel for her secondary, but she’s got a methodical approach to things that suggests Ravenclaw. We don’t actually see her much in situations where everything’s hit the fan and she has to pick up the pieces, but the one time this happens—at the end of S2, when Allura faces her down and destroys the quintessence-draining device—Haggar can’t improvise fast enough to prevent it from happening, and seems to short circuit when something unexpected happens. So she’s got plenty of knowledge and data, but if something falls outside any and all operational systems that she possesses, she can’t really make something up on the fly. I really don’t think she could be a Hufflepuff secondary, because despite her methodical way of functioning she doesn’t have the community-building qualities of a Puff. She really doesn’t seem interested in people at all, actually, having friends and family but willing to jeopardize those people and relationships for pursuit of knowledge. Definitely not a Hufflepuff.
 Sendak—Gryffindor/Gryffindor, Slytherin, or Ravenclaw
Really not sure on this guy, though I do get a passionately evil Gryffindor primary vibe off him. Kinda Jayne Cobb from Firefly. And potentially any secondary except Hufflepuff. I think. Slytherin doesn’t seem all that likely either, though, so I’m going to guess at a straight Gryffindor.
 Alfor—Slytherin/Gryffindor
Further evidence that the Lions have a type, Alfor shares the Slytherdor combo with Keith. He’s a lot more cheerful and optimistic about it than Keith, at least in his younger years, and he sometimes seems to charge more as a lark than a grim necessity, trusting his friends to bail him out if he gets in over his head. That’s not to say he’s irresponsible—he seems to be a highly competent and reasonable ruler and alchemist—but when he’s got loyal companions backing him up he’s much more willing to go, “Hey guys, bet I can’t do this!” and jump headlong into something crazy.
It is his Slytherin primary that gets him into trouble when Zarkon and Honerva start to slip. Loyal to a fault, Alfor is willing to give his trusted friends the benefit of the doubt, assuming that they know what they’re doing. He is devoted to those he holds dear and is optimistic enough that he doesn’t see their faults until it’s too late.
I do suspect that he burned at least his secondary, because the few glimpses we see of his last hours suggests a much more worn, damaged person than the enthusiastic young king we first met. He may have even burned his primary, at least to a degree, though he remained loyal to at least Allura.
 Iverson—Gryffindor/Gryffindor or Hufflepuff
I can see much younger Iverson and Sam Holt bonding over their shared primary, gung-ho about the world and space and adventure with Sam providing the Ravenclaw brains and Iverson providing the inspirational enthusiasm. His secondary could go either way, I think—we don’t get to see him in action much, and the one time we do, when he stands up to defend the Holts against the admiral (again breaking my past S6 rule), it’s driven from his passionate Gryffindor primary. Though he’s a very direct sort of person, suggesting a Gryffindor secondary, I could also see him as a rough-around-the-edges Gryffinpuff in the same vein as Shiro. Their friendship is important to me.
 Slav—Ravenclaw/Ravenclaw
This crazy genius is the most eccentric Ravenclaw of all time. In all his speculations about realities, pursuing truth in an unbelievably intellectual way, he’s become so disconnected from this reality that he just doesn’t seem to be functioning on ground level with everyone else. He is all about systems, methodologies, poking and testing and experimenting and running analyses on the statistical likelihood of X event happening in this reality. Brilliant, insane Ravenclaw all the way.
Anyway, that’s it. Hope you enjoyed!
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Tonight, on “Unasked For Character Studies”:
Anatomy of a Well-Written Sociopath: A Look at Lyle Tiberius Rourke
              Lyle Tiberius Rourke is the surprise third-arc antagonist of Atlantis, and while many do think the turn is weak (They’d be rich anyway, why are they doing this for money?), I do not find the weak point of the twist to be the characters involved but the story. And so we will leave the story for another time. The strongest point of the turn is, in fact, the characters, who we were already informed were on the expedition for the sake of money. But the genius of the twist regarding Rourke himself is how there is no change in his character between introduction and betrayal. It is easy to believe that this man who early on donned the mask of Friendly Uncle Type could really be a mercenary. Likewise, when he turns on his – eventually – only ally for his own sake, and then snaps before his death during the climax, none of this seems outside the bounds of reality. Why is this? Because the multifaceted man that is Rourke was written to be incredibly believable as these different men. He is the Disney world’s Hannibal Lector in how well he portrays sociopathic behavior… without the original benefit of the audience knowing he was in the wrong from the beginning.
              But what is it that makes Rourke as a sociopath so well done? A sociopath as a main antagonist is hard to write into a film because of the traditional three-act structure; the buildup, the main adventure, and the turn. The turn is where things get shaky. How to make a character’s turn in such a regard believable but still enough to upset the plot and other characters? Upset here meaning to mess things up, not to anger. Too sharp from the original character, and you get a strange disjointed feeling that removes cohesion from the character’s original being. Too little, and you have a weak antagonist. Rourke, despite the weak reasoning for his treachery, proves himself to be a formidable antagonist for the end of the film. He achieves this balance by a consistency in setup and payoff throughout the plot and proper and subtle displays of sociopathic behavior. For the purposes of this study, the film and the Atlantis Wiki will be used.
 I.                     The Setup and Payoff of Rourke a la Plot
When we are introduced to Rourke, his first shot is half-obscured. We do not see his full face until the group shot taken in Iceland. The combination of these two faces, the full and impassive one as well as the partially visible one, do a lot to give us a first impression of the man, even if they are fleeting. The half-shot is sterile, front-facing, and devoid of personality (which we see in all the other pictures of the crew). He is a blank slate. He could be anything or anyone. He blends in. This is one of the key traits of a sociopath, this blending into their environment. They look like normal people. His later reveal at Whitmore’s side divulges nothing new; he is wearing the same expression he did in the photograph, and this is an expression that barely changes through the film. We learn nothing new unless he tells us something new (example: he likes Westerns). He is merely a dryly-jovial Military man. This plays into his favor, something that will be further examined in the second point of conversation. Even when the stakes get higher (ie the sub is sinking, Atlantis getting sacked, the Crystal Chamber) he maintains these same expressions with very little variance. Everyone else has run a full gambit of emotions, yet Rourke stays often quite detached. In the end, and only when he is confronted by the fact that he is going to die, does the expression change and his demeanor switch. His sardonic banter remains despite the wildness in his eyes, showing that this is the same man from before and that he has been this all along, hiding behind a mask.
 II.                   What Makes a Sociopath?
              The Psychopathy Checklist was created in 1970 as a means by which to judge an individual and how long they should be imprisoned for their psychopathic behaviors. The difference between a Sociopath and a Psychopath is how well they do in a social setting. Oversimplified: psychopaths do poorly, sociopaths do well. Ultimately, they have the same base, and that is where this list comes in.
              A quick look at the list compared to the behaviors displayed by Lyle Tiberius Rourke within the film already show many similarities: Glib and Superficial Charm, Pathological Lying, Lack of Remorse or Guilt, Callousness and Lack of Empathy, and Irresponsibility (he is a military man, after all, moonlighting as a mercenary). Preston McAcfee created a list of related qualities, and Rourke fits many of these well: An inability to perceive themselves as in the wrong, Authoritative, rarely in trouble with the law but in positions where their behavior is tolerated, conventional appearance, goal of creating a willing victim (either Milo or Helga here). But out of thirty combined points, we only see Rourke display a third of them. Surely this makes him nothing more than a bad person.
              This is where a look at the information not disclosed by the film is important. The Wiki gives us many details regarding Rourke’s military career and personal life leading up to the film. Of note are his juvenile delinquency issues, his censuring for use of excessive force and refusal to acknowledge a surrender, multiple awards but also censure for “summary execution of prisoners”. Also worth noting is his marriage of only four months, his difficulty in making friends, and his habit of discarding what he considers baggage, both in his personal life and professionally.
               A new look at the Checklists now brings the count to between eighteen and twenty (I say depending because of personal headcanons. For the nonbiased, go to nineteen). Two-thirds of the checklists combined attributes in one man. Rourke certainly fits the bill for having Psychopathic behavior.
               Combined with his seemingly normal outward appearance and “dutiful” nature, Lyle Tiberius Rourke displays all the criteria of a sociopath who only breaks his cover when he knows there is no point in keeping it.
                Therefore, Rourke works. Between that which is shown in the film and the supplemental information given to us, his actions are justified from the beginning to the end of the film. There are no surprises in how he acts once the extra information is brought to light. Were he not so good at covering himself, as sociopaths are often inclined to do, Rourke would certainly have been a transparent psychopath. But he did blend in, and that is what made him capable and terrifying at the end of the film, as well as a very well-rounded character and worthy third-act antagonist.
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