Tumgik
#and you know what's even fucking crazier than that??? casual queerness in background characters that aren't used as punchlines
nothankyoudear · 9 months
Text
I think it genuinely cannot be overstated how important that kiss in season 2 of Good Omens was.
From a plot standpoint, that kiss showed Crowley's desperate attempts to keep Aziraphale, to reel him in and back to the Us that they had built upon.
But from just a show standpoint, they. fucking. kissed.
Obviously their love transcends physicality, and Neil has said that Good Omens is a love story even before season 2, but the outright confirmation of a widely popular queer ship ON SCREEN is just so... Unheard of.
Every fandom or show has their trademark gay couple that aren't-really-gay-but-also-kind-of-are-gay: Merlin and Arthur, Sherlock and John (very heavy offender), Dean and Castiel (okay this one was canon, but we all know what happened IMMEDIATELY afterwards), and I suppose at some point Ineffable Husbands had just been included in the same category as the rest of them.
And to have it be moved from mostly fandom and fan work fuelled to outright canon - like 'they fucking kissed on screen' canon - is just so fucking fantastic.
It's not vague, it's not lines that are blurred for the sake of being on the fence of appealing to two audiences at once, and it's not only canon because the creator just said it's canon without rhyme or reason purely for the sake of appealing to a queer audience (looking at you, Ms J. K. Rowling) - it's undeniable, blatant evidence that Crowley and Aziraphale are in love.
And yes, at the moment it's devastating, but it's also devastatingly real. And that's so important.
Especially with the release of Our Flag Means Death, I really do hope we are entering a new era in mainstream media where queer ships finally aren't treated as some sort of mysterious prize that the writers dangle in front of you like a carrot on a stick, and are just simply treated like any other ship out there.
Because if so, then queer kids will be growing up to these shows, see this new era of unabashedly queer media, and won't have to hide away their ships like some dirty little secret. They won't have to wonder if their representation is even representation. They won't have to get excited over being able to see the small chance of themselves represented in a character only to be let down so incredibly badly, because queerness is good only when it's marketable.
So sure, ending season 2 like that is fucking crazy, but you know what's crazier? Whatever the fuck Neil just did with that kiss.
1K notes · View notes