The World is Amazing, Actually (Part 11 or 12, I lost count)
It's been awhile since I made a post about how fucking rad the world actually is, and amidst all the pandemics and climate change and economic troubles, I felt the need.
So:
Today’s Wild Place (The Earth is An Alien Planet):
The Danakil Depression, Ethiopia:
The Danakil Depression is probably the closest you'll ever be able to come to standing on the surface of Venus (without the crushing atmosphere, of course). Choking sulphuric acid and chlorine gases fill the air, while acid ponds and geysers pepper the landscape.
- Daisy Dobrijevic, published July 4, 2022
(BTW scientists recently discovered microbes capable of surviving in this toxic, extremely hot environment, which means...well, even if we kick the bucket, life will continue. There's something comforting in knowing that no matter how bad we screw up...life will go on.)
Today’s Incredible Feat of Engineering (look! at what! we made!):
Ouarzazate Solar Power Station in Morocco, which has gone solar in a big way.
(Which means they are making a huge contribution to helping fight toxic pollution, noise pollution, water use, land destruction, and carbon emissions. No really, there are charts. Reducing carbon emissions charts. Reducing irresponsible land use charts. Charts! Graphs! Data samples!)
Today’s Cool Life Form (the rare, the weird, the beautiful):
The Hispaniolan Solenodon.
A very rare, nocturnal, shrew-like creature that is one of the few mammals able to produce venom. Look at him! Look at his snout! He's just a little guy! He will bite you and run away on his back legs! He's rare, and endangered, but not gone! Not gone yet, bitches!
(Bonus: 10 Fun Facts About the Solenodon)
Today’s Bizarre Mystery (no, seriously, wtf?):
The Great Unconformity.
Hey, remember the Grand Canyon? Remember how we can see the passage of time through each layer, going back hundreds of thousands of years?
Did you know that apparently, on this massive record of earth's geological history, there's a chunk of time missing? Science has some hypotheses about how and why this happens (and yes, it's been found in more than one place), but they are really only hypotheses, and no one's really sure what happened to, oh, 1.6 billion years, give or take.
Today’s Act of Humanity (yes, we are worth the effort):
After fleeing a war, Ukrainians rush to help Mississippi tornado victims.
"They made the 16-hour drive south to donate bottled water and volunteer with aid workers, buoyed by the idea that they could help a community facing a similar struggle to theirs.
“We had to leave our home,” Pavliuk told The Washington Post in Ukrainian, in an interview interpreted by Hrebenyk. “And they don’t have a place to go back, either.”"
NEW CATEGORY:
Today's Good News About The Future (No, It's Not Too Late and Anyone Who Says Otherwise is Selling Something):
The Saiga Antelope, a species critical to the continued survival of huge swathes of grassland, that in 2003 was down to 6% of it's population and already extinct in it's natural habitat of China and Ukraine, has rebounded back to almost 2 million strong thanks to conservation efforts.
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Have you seen The Amazing Digital Circus yet?
If so, what's your opinion on it?
I LOVE TADC! It’s my favorite indie show at the moment! There’s just so much I like about it but my main ones are
1. The setting and execution being unique.
A horror-like project taking place in an late 90s/early 2000s digital game is not a new idea and same goes with characters being stuck in a purgatory however it’s how the artists reinvent those idea that makes it new. The digital Circus made its own aesthetic that makes it stand out from other projects with similar concepts and designs. When I first watched the pilot, one of many things that stuck out to me was how new the story ideas felt. I couldn’t think of any other pieces of media similar to TADC beside for surface-level comparisons. The TADC created its own aesthetic and knows what it wants to be and I like it!
2. Soundtrack.
Speaks for itself, the soundtrack for the pilot is so good especially Your New Home. That song is very catchy and emotional too. It has such a unique melody, everytime you hear the first few notes you instantly recognize it. It does a great job highlighting the dread and existentialism crisis of Pomni’s situation. I recommend to give it a listen if you haven’t.
3. The characters dynamics.
I just love how the characters interact with each other. The majority of the jokes comes from characters’ interactions and dynamics and how well everyone plays off of each other. The best example is Jax with everyone, Jax is a funny jerk who likes bullying his peers. It’s funny to see what creative ways Jax will bully the other people whether it’s being sarcastic and making quips at them, or though goofy pranks and how the characters react because of their contrast in personality. Every character beside Jax is openly stressed or worried in someway while Jax, at first seem like a chill layback dude.
4. The characters differences.
I adored the differences between each character from how they talk to their poses. After watching HH and HB, I learned to have an appreciation for character differences. It’s just refreshing to see characters allowed to be different instead of the same tired reused tropes and repeating the same type of dialogue again for every character.
5. Mystery and lore.
There is so much to explore in the pilot, it’s make you wanting more. When going in to watch the pilot, I made the mistake of thinking the series will be predictable. I didn’t see how they could make this premise work because by the end of it, Pomni will go insane but then I watched the pilot and was speechless. The pilot does a good job setting up questions for the audience to ask. If Caine lied about the exit, what are other things did he lied about? How long has the cast been stuck in the circus? Who are these people? Are they previous game developers? Who were they in their previous lives? What is the company’s motivation to create the headset? What are the abstractions in game? Are they viruses to the game program? Who were the former cast? What horrors has Kinger seen to be as paranoid and easily frighten as he is now? Do the abstractions still have a consciousness? You just want to find out more about the lore to solve the many mysteries in the show. I find it impressive Gooseworx was able to stir up the theorists because they have admitted in an ask, there are already theories floating around that are almost right about the show.
One problem I did have for the pilot were the scenes containing the Gloink Queen. The pacing of the pilot was fine until we got to her then it was slow. I feel it dragged longer than it needed too but beside that, my issues for the pilot ends.
I can’t speak for the fandom on other platforms but the tumblr one is great! Most of the time everyone is being respectful towards each other and I love seeing what creative theories, AU, fanfics, and art the fans created. The only people causing drama are the anti-shippers, and it’s just dumb. All of the cast are adults, if age gaps ships makes people uncomfortable, that’s valid but they shouldn’t make it into other people’s problems. Gooseworx themselves admitted they don’t care for romance and they don’t want fans in the fandom getting harassed over shipping.
Overall despite what issues I had for the pilot and fandom, they’re overshadowed by the positives and I can’t wait to see the full show and the fandom’s growth.
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it is so funny to me that margaret is only 24 years old but since most of the party has either been alive for way less than that (barry was "born" as a 25 year old super soldier, sid is a super new protoype droid) and everyone else is so new to living the Spacer lifestyle or just living on their own at all (riva and gunnie and skip and also kind of everyone) that she is by process of elimination the Most Experienced member of the gunner channel and somehow both the Fun Aunt and the "we have mcdonalds at home" mom. and she is also truly having a quarter-life crisis the entire time.
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Enemies to lovers kousano.
Thats all.
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And in starting off the new year in typical workplace fashion, we have me once again, not working as the bookkeeper’s assistant I was hired to be, but as “Yes, I can listen to your problems. No, I am not licensed as a therapist; all I can do is listen and give my personal thoughts. No, I cannot give medically-approved advice. No, you cannot hire me for mental health purposes regarding your family.” for 5hrs and having someone start crying.
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im curious, do you think there is any good way to portray a redemption by death? like, can a character truly be made a better person by dying? or is it just an all-around bad trope? i vaguely saw what the authors were trying to do with tom and sandgorse's situations, but they just sucked too bad and gave it the absolute wrong effect imo
I think there's a way to make anything work! So I won't say "NO NEVER." But personally, I have a big bone to pick with it so I avoid it
A redemption death doesn't give the character time to meaningfully change, imo, or truly make up for their actions. That all has to come before the death itself. And even the very idea of giving your life up to "redeem yourself" just... sits uncomfortably with me.
Dying never makes a person better. It just kills them. A person who's dead is not changing nor growing.
So Tom and Sandgorse... what their deaths are supposed to do is re-frame everything they did before that point. With no apology on Sandgorse's end for how badly he hurt his son or wasn't there for his mate, he was a good enough person to die for someone else and thus must be forgiven. Tom thrashes two women and they both die because of him, but he was still willing to heroically throw his life down for his child, and so he is 'worthy' of being avenged and honored.
No growth. No change. No acknowledgement. The death is supposed to add sympathy to them, while there's no actual reckoning of how they hurt their victims. Not even a real consequence. "Their intentions were good, and this is proven through the ultimate sacrifice." As if that changes anything. It doesn't.
I think if there's an decent example of a redemption death in warriors, it's Bluestar's. I still have problems with how it believes Stone and Misty have to "forgive her" for some reason, REALLY don't like the fact that this series has always equated redemption and forgiveness... but that aside? Just focusing on Firestar, ThunderClan, and Bluestar?
I think what makes the moment so strong is that it is a moment of clarity through her cruelty arc. We saw the heroic person she was at the start of TPB. We know that her actions are coming from anger, spite, and paranoia. That is never shown as a thing to be excused. But while she's wrapped up in her own misery, Fireheart is being the leader she isn't.
And her last life is a return to form, spending it the way she is supposed to, as a leader, and as his mentor.
Her arc could never be about 'growth' because... she WAS a great leader. She WAS selfless, long ago. Her redemption death is a return to that, and a plot necessity. Bluestar and Firestar cannot both exist.
But, anyway, it's generally a trope I'm not fond of. I think that nearly anything can work in the right context, but I think it's so situational that I personally avoid it when possible.
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Having the wrong kind of people in positions of power such as something as simple as assistant manager in a gas station, can seriously fuck up any kind of good employee you had that is now under that thumb of power. I used to love my job, some days I still do when said people aren’t around for a couple of days. But gosh..when they’re back and saying ugly shit about you and your work ethic..it makes you want to give them the only kind of employee they so wrongly expect out of you. Leaving me feeling incomplete in my work that supplies my means of living…I want out. I just want to be appreciated for the hard work I do that leaves my already aching young body broken at home. Is that too much to ask?
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ALLO!!!!
how are you, love?!?!!? I hope driving practice has been good!!
I was wondering this the other day, cuz I was rereading one of my favorite posts of yours about Rudy, and I’m curious, why does he feel the need to be strong and not be seen as weak? Like, why doesn’t he initiate that besides feeling like it would bother his partner? I wanna know who HURT MY BABY!!! >:(
Hey there!
I'm doing fine, thank you! How are you! Driving has been alright! I passed my exam and soon I will be driving with my mother for practice! I plan to get the practical exam done sometime before November :D
I can actually give you two answers to your question, a short, but truthful one, and a longer one! Under the read more so I won't clutter anyone's dashboard ^^
In short: Rodolfo is, surprisingly, the character I project onto the most while writing! So, yeah, him being the way he is is just me projecting my personality onto him!
The long answer would be that he's actually got a bit of toxic masculinity in him. All those characters have been in the military ever since they were young, where I always liked to think the men would be rather toxic, not wanting to be seen as weak and just wanting to show off how strong and cool they are. I don't usually show too much of it in other characters, but another character who grew up and internalized some toxic masculinity, in my writing, is Soap. But he handles it a bit differently from Rodolfo. However, he would want to be seen as a traditionally strong man as well.
Rodolfo was shaped by his time in the military and started believing that he was not to show very many emotions either. Sure, he will show that he's happy, that he's somewhat annoyed, but not usually to the extent he really feels it, unless there's not a lot to that emotion in that moment. Everyone around him was a show-off, was cocky and somewhat immature as well. He has always been more mature than others his age, but it still rubbed off on him. Deep inside he does still want to show his emotions. But that's showing weakness to him. Sometimes he just wants to cry and have someone comfort him, he almost always wants someone to hold him and be sappy with him, telling him how much they love him. It doesn't even need to be a romantic kind of love, if a good friend of his was to ever tell him that they loved him then he'd be over the moon, even if he'd just answer with a simple "thanks".
Ever since he joined all those wannabe machos that believe that being strong means never showing how damaged you are, he sort of became like them. Sure, he usually has his emotions under control, you usually can't tell he's too upset unless he's about to tear someone's throat out, but that also means that the people close to him will never really hear the truth. He needs to be the big, strong man in your relationship, anything else just isn't acceptable. While he may not believe in all that alpha male nonsense, he does believe that he should be the one to make more money than his partner, that he should always take the bullet for them, that he should fight off any and all competitors out there.
It's more extreme when his partner is a woman, or female aligned, because in that case he really feels as though he has to be her pillar, that he can't show any "weakness" at all. With enough persistent persuasion, he could slowly change his mind, but it would take a while.
That toxic masculinity is also the reason why Rodolfo, as I write him, prefers men. Don't get me wrong, he still loves women, but when with a man it's not as extreme. He won't show everything he feels, but he'll be a bit more at ease. Even initially, he can be more open with a man because there's a kind of kinship he doesn't immediately have with a woman. If his partner is more open with his feelings, then he has a slightly easier time as well. If his partner is a "weak" man, who needs to be protected, then that's alright too. It shows Rodolfo that men don't always need to be those strong, aggressive beings. Besides, that toxic masculinity he believes in applies to him the most, it's not as severe with other people. So he won't hold his partner accountable for showing emotions or being affectionate with him. In fact, Rodolfo actually likes it when his partner is being affectionate with him, it means that he loves him. Rodolfo is affection starved anyway. Sure, Alejandro is affectionate with him, but it's not nearly enough to satiate him. He's very much like a black hole in that regard: No matter how much affection you throw at him, it likely isn't enough. He loves affection, but he won't show it through "normal" means, such as initiating a cuddling session, unless explicitly asked.
If asked, he will do just about anything since that's his job as a strong man, to make his partner happy. If you ask to hold him, then that's one of the only times he'll "swallow his pride". In reality, he could cry because he really just wants to be held. Deep down he wants to be pampered and taken care of as much, if not even more so than, his partner. He's actually a real sweetheart, he just can't show it all the time. Wants to be peppered in kisses and be told that he's the most handsome lad in the world. But alas, he can't even ask for comfort. If he's sad then he'll just swallow it down, not wanting to bother his partner, and, of course, to "seem stronger than he actually is".
So yeah, Rodolfo really suffers from all that toxic masculinity nonsense.
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I'd love to see Lotura get a happy ending.
Hi, anon--SAME. Although what if I told you...a version of one exists in old Voltron canon? In the DDP Comic of Voltron, called A Legend Forged, Lotor and team Voltron accidentally travel 1,200 years into the past and ally to defeat the evil regime run by Lotor's great-great (lots of greats) grandmother. In it, Lotor helps to save Allura from being corrupted by an evil magical entity, and his love for her helps to save the day and Voltron too!
I know it's not the same as the lotura setup in VLD, but it was fun to see Lotor ally with Team Voltron and have it all end well. Lots of snarky, sassy Lotor too. If you're still feeling down, maybe it could help!
Lotura fandom's also got some great art and fics that explore different AUs of what a happy ending could be. I hope exploring those can help as well.
Thanks for the note!
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idk why my boss is giving me attitudetoo maybe cuz some parent prob complained abt me cuz i was talkjng to my coworker for a min during pick up bc we were trying to coordinate how we were going to close two classrooms with 30minutes left of the day and we didnt break up this ladys kid and some other kid who were having some petty ass two yr old fight on the playground
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every time i think the "staff can do no wrong and any form of complaining or expressing literally anything other than "yaaay love it <3" with no further comments is bashing and literally evil we should never say anything that could even potentially be interpreted as mildly critical ever because ~some artist who worked hard on this is probably reading the forums and might feel bad if we ever express anything but praise~ also we must be constantly positive at all times unless we're passive-aggressively shaming someone for having an extremely polite and apologetically worded criticism and if you ask the staff for literally anything you had better be prepared to preface it with 3 paragraphs of apologizing for breathing air" attitude is bad on tumblr, i take one look at the forums, and holy fucking hell is it SO much worse on site
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im too fucking empathetic i just went from fully planning on keying my shitty neighbors car to being a free therapist and babysitter for them
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how can you offer 10.50 an hour but require 5 years of experience. a starbucks barista gets paid more than that and i’ve literally picked one out of the lobby and put an apron on them with no experience required. wtf.
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idk chief i hate when people are too enamoured with their vision of what the sex industry could be like in their perfect utopia to see the present reality of it. we live in a society where every industry is inherently exploitative. add sex to that and you get... sexual exploitation. now add far less oversight and regulation, more gender inequality and a far more vulnerable population for good measure.
you can't just look at the few people who found secure positions that they found preferable to other forms of exploitation. it's like, when we talk about other industries we focus on the practical exploitation that occurs + the systems of oppression that fuels it.
but as soon as it comes to the sex industry it's suddenly just an idea. and i have seen with my own eyes people willing to dismiss the negative experiences of trafficking survivors and survival SWs right to their faces in defense of that idea. the same people that insist sex work is just like any other work and the sex industry is just like any other industry never actually apply the same standards to them as other work and other industries??
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Some silly little headcanon I have on Gap the Series.
Down the road, after they have sorted the mess (and themselves) out, I like to think that Mon, with the help of their friends, will be trying to guide Sam to be more…human. And when I say friends, it includes Mon’s friends and parents.
And I mean it not in the dramatic way. It’s more in the silly way, something similar to how The Gang tries to help them in getting them together and having their first time. It’s like:
Sam: *does something outrageously silly again but in line with how warped her perspectives are*
Mon: Khun Sam darling, the love of my life. That’s not how most person do [insert some inane things that somehow Sam doesn’t seem to grasp]
Sam: but I’m not most person. You know that
Mon: *deep breath* of course you’re not. You’re the most amazing person in this world. But [proceed to explain]
Or alternatively:
Sam: *does/say something mean without meaning to*
Mon: Khun Sam, you’re being mean. I might have to punish you
Sam: *getting turned on and it shows* uhhh, I’m sorry?
The Gang: you’re such a mess and such a useless lesbian Sam. But Mon is right, you’re being mean.
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