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#and again people were biased against andromeda for being new characters and the only old character was liara
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Maybe (and I'm hoping) it'll be something like her ordering a trusted Broker agent to play the protag?
okay see that would be neat and has some kind of potential to it, and i get that she has the most plot armour out of everyone and is basically the symbol of the series and therefore is the safe character, but my god when do you retire a character instead of using them to carry the game and using them as bait
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80scartoonfan · 3 years
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My Review of Masters of the Universe Revelation - Better late then Never...
It has been two months now, and wow... Not, not many fans of the entire franchise like the Kevin Smith Masters of the Universe series do they? As an aspiring writer myself I can't say I blame them.
I know this comes literally on the heels of the LATEST series being released (obligations to projects, work, family and other things got in the way) and I have to say I wasn't all that impressed with it. If anything, compared to the dumpster fire that was Season 8 of Voltron Legendary Defender that season was more enjoyable than this first part of the mini-series. 
And if I am being honest from the first leaks of Skele-God, to the drama with YouTubers like Clownfish-TV and others, to the "race swapping" of Andra and King Greyskull, to spoilers Kevin Smith himself even made, I would give Part-1 a GENEROUS D-Minus. This is a shame because I really wanted this series to exceed all expectations and be equal to the original like 2012s TMNT is or 2011s ThunderCats. But there is too much against it. 
First, let’s talk about the animation. It was absolutely breathtaking! It was crisp, the world-building in just the scenery was a masterpiece. Out of what I saw of all of part 1, spotted one goof - dealing in episode 1 with Evil-Lyn's staff, which shows that their animators care of what they produce. I loved the animation so much that if the rights to my favorite anime were purchased by a studio to do a continuation from 2005 or a second reboot, I'd gladly give Powerhouse Animation my salary for the next 5 years!
The music, the music was gorgeous! But then I am biased towards Bear McCreary. Even though He-Man seems a bit knew to compose music to, he immediately got my vote of confidence when it was announced he was attached. Reason being, his work for the movie Godzilla King of the Monsters! His music made me actually tear up during that movie. Something I didn't do since another Godzilla movie.
With the exception of Mark Hamill - as shocking as it comes and Sarah Michelle Gellar, the voice acting was phenomenal! I loved Kevin Michael Richards as Beastman, Tony Todd as ScareGlow, even Liam Cunningham as Duncan! Chris Wood was spectacular as Prince Adam/He-Man for just being introduced to him. But the one who really stole the show for me was Lena Headdy. She killed it as Evil-Lyn, so much that if the Eternity War Saga or 2 part crossover event ThunderCats and He-Man/Injustice vs Masters of the Universe were made into live-action or animated movies, I'd pay whatever she wanted just to have her return. 
I also want to applaud the effort of getting a diverse group of voice actors. Something which I noticed few if ANY have. Actors who are both known for their VA resumes and those who are new to voice acting. But also the actors themselves, besides the white and black VAs there were if I am not mistaken a Native American and I think 2 Mixed-Race voice actors. I don't remember if there were any Asian or Middle Eastern VAs, but it is always Part-2! 
As for Mark Hamill, at first, I was excited that he was going to do the voice of Skeletor. But upon hearing him as Skeletor, I'm not sure anymore. Granted this is just the first part of the mini-series, but it didn't feel like Skeletor if that makes sense? To me, it felt like he was trying to mix Joker/Alvin the Treacherous/and Firelord Orzi all into one character.
Sarah Michelle Gellar is another one I wasn't sure about. I admit I found it hard going in unbiased because I never liked Sarah. Not as Gwendy Doll, or Andromeda, Daphne and certainly not as Buffy - mainly because I preferred Kristy Swanson as Buffy, but that is beside the point. She had some nice emotional spots, but for the majority of her performance as Teela, it just wasn't there for me. If the writing and script had been better than what it was, she could have won me over for Teela, but as I write this I am more excited for Kimberly Brooks to voice Teela.
Now let’s talk about the things I hated. This will involve anything from Characters including designs to the writing and other things. If you don't want to be triggered I advise you to stop reading this and move on. If you are still here and get triggered, like one person who always seems to be, don't say I didn't warn you. I am always open to engaging others civilly in talking and debate. But if you can't even do that, don't bother engaging. These are my opinions and MY THOUGHTS, and I will hold nothing back regardless of the topic. You have been warned!
The story, the story absolutely sucked! You can tell the writers, if you can call them that, just didn’t care about what they were doing. I’ll go into this shortly. But those writers should be ashamed to even call themselves that. Sure it was catered to be modernized and appealing to potential new fans, but they should have been more aware of what they were doing. Just in this first part, there are so many plotholes and questions I was asking myself that I filled 4 whole pages of paper asking questions and thoughts - which to the fanfic writers I will put in at the end of this if you want to explore them. 
I watched the mini-series five times now, trying to be as objective as I possibly could as an aspiring writer and not as a MotU fan, and each time got even more painful. Let’s be clear on one thing, I wanted this series to succeed. But too many things brought it down, and like with Ghost in the Shell 2045, I’m not sure I want Netflix to release part 2 or that I would watch it if they did. 
Let’s start with how it was advertised as a “direct sequel to the original.” It was not a direct sequel to the original. I have seen someone bring this up and I have to agree with him. This mini-series is more in line with Nickelodeon’s Voltron-Force from 2011. I remember watching that series when it premiered and then had to hunt down my VHS tapes that had them to get a feel for the series again. 
Both played off their respective originals as direct sequels, but both are in fact pseudo-sequels/soft reboots. They have the characters we grew up with and we can identify these characters because they are close to their original counterparts, but that is as far as the “sequel” goes. They bring in newer characters who we know nothing about or characters who have maybe been unimportant to the main characters, but we have to accept them now. It was like that with Mona Lisa in the 2012 TMNT who I enjoyed WHEN they used her, Larmina of Voltron-Force being Allura’s niece, and Andra of Revelation who had maybe 2 or 3 appearances in the entire run of the Masters of the Universe franchise.
Like Voltron-Force, Revelation, had no real ties to the original. There were no mentions of battles, events, and characters who played critical roles in the original. Instead, it starts off with a narrative deposition to set the series up (not matching how the original ended) and just starts in with new adventures. For it to be a direct sequel to an original,  you need to have more than just characters we can identify as He-Man/Skeletor/Keith/Lotor/Allura/or Teela.
Next, let’s talk about the length of this mini-series. This is still a bitter subject amongst Voltron fans because so much Netflix could have done more with it if they didn’t do four seasons that were  6/7 episodes. We can all agree that with the “story telling” they wanted to do, just five episodes just were not enough for the first part and potentially the second part. The amount of time needed to portray the journey from Adam’s death to Skeletor taking the power sword and becoming Skelegod could have easily been an entire season. Even 9-10 episodes would have been acceptable with the proper writing that wasn’t going for deliberate shock value goals or “shipping.”
With a 9-10 episode first part, they could have given everyone what they wanted. They could have had He-Man solidly in the first 3 episodes killing him off in the 3rd in such an emotional way it would leave us old-timers not only devastated but eager for more. Use episode 4 to transition into a dying magical world trying to survive with the loss of He-Man and Skeletor and set up the following episode where we see Teela and Andra meet, rather than “next episode we meet Teela and her ‘friend’ Andra on a practically dead world.” Hell, if this was supposed to be a series which wanted to emotionally cripple old timers like me, I’d have been fine if were three season 13 episode series where He-Man dies at the very end of season 1, season 2 picks up with the aftermath of his death, and season 3 is He-Man’s return to defeat Skeletor.
Let’s now talk about the plotholes in this series which tie together with the amount of episodes. These are the biggest things that damage the series the most! The biggest plothole and the most important one is “SPAN OF TIME!” How long has it been since Prince Adam’s death and we see Teela with Andra - days/weeks/months/years - WHAT?! When did they meet? Where did they meet? What happened to Eternos? Did King Randor go all Mad-King Targarian or was Eternos get sacked and destroyed now that He-Man was no longer there to protect its people? Did King Randor put a bounty on Teela’s head for leaving? Remember she was a sworn member of the guard to the King. I doubt he would have just let her leave unless he had a good reason not to go after her. What happened to all the other Masters - Clamp Champ/Ram-Man/Stratos/Buzzoff/Tusk Man and many others in the aftermath of Adam���s death? These are questions and things fans should have been focusing on rather than “will Teela and Andra be together?” Kevin Smith said this series had what others didn’t... STAKES. What are those stakes?
Speaking of Teela and Andra and I know this will be a touchy one for most. I feel that their dynamic is directly done to “queerbait” people. Now I am not saying we can’t have LGBT couples in series, it’s just that writers either need to commit to establishing these couples or not at all. Only doing glimpses or hints at, is for a lack of a better term a Kobayashi Maru - (a No Win Scenario for the Non-Star Trek fans) like it was with Shiro in Voltron Legendary Defender. And if and when this blows up in their faces, like it did the Voltron writers, they have no one to blame but themselves. 
Star Trek Lower Decks like every other Star Trek since “The Next Generation” have no qualms in establishing certain characters as LGBT. It is how you do it, and many of these shows need to follow the example from Star Treks TNG/DS9/VOY/LD. This series are a clear testament that you can have Straight/Gay/Lesbian/Bisexual relationships without “queer-baiting” or overtly shoving it in people’s faces.
The writers have made it clear that there is something between Teela and Andra but while also making it clear there is still something between her and Adam. Which regardless of how part 2 ends is liable to upset the fans they “catered” this series to. Who do you make happy and who do you ostracize? And with today’s social media are you going to handle the backlash of giving one and not the other? I personally would prefer Teela and Adam to be what kids today call “Endgame,” but ever since the Keith & Allura tradition was soundly destroyed in Season 2 of Netflix’s Voltron, that when it comes to Netflix series I just simply don’t care anymore who ends up with who, I want a well thought-well developed story. 
The character designs of Teela/Andra/Evil-Lyn I understand they wanted a more “modern” realistic feel to them, which I am neither for nor against. Because let’s face it spandex-clad or barely covered barbarian fantasy women with chainmail is a product of the 70s/80s/90s. It is alright to have modern designs for characters but not too modern. Especially when we have shows like Game of Thrones and others to draw references from.
I do admit, I am not a fan of Teela’s design. I understand the reasoning is to make her a “Strong Female Character” but there is more to being a strong female character than looking strong. Strength is also one’s character, how they grow and develop. Teela’s stubbornness, fear, and anger at her “past life” are preventing her growth. If this is the way they portray a strong female character then they have no business doing so. 
Kimberly Brooks’ Allura is a far stronger woman than this Teela ever will be. The burdens she shouldered, admitting she was wrong and not gloating when she was correct, the forgiveness of a race responsible for the genocide of her’s, being a diplomat while also being a warrior, sacrificing her well being for others all contributed to her growth from “Princess who just woke up” to Strong Female Character by the end of Season 6. 
Teela understandably was hurt by the lies that filled her life. Sure she built a life away from those lies, but she was running away from them. Rather than confront the reason why she became bitter and ran away essentially. She was only forced to confront those lies to save Eternia and the universe and even then there really wasn’t any humility about it. Instead, it is all about her. Not once in this series have I seen growth for Teela’s character like Legendary Defender’s Allura, and let me be perfectly blunt - I had no love for Allura after Season 2. Not once did she admit she was wrong or apologize. Not once was she willing to sacrifice her life for the greater good - instead she was willing to let the whole universe die because of the lies she was fed her life. 
Now let me address the whole Race-Bending “controversy.” As with the new designs, I am neither for nor against them. I understand the arguments on both sides when it comes to Andra and King Greyskull. One side argues it appeals to young black girls and boys while the other argues they are being tired of being handed “Hand-Me-Down” characters. Both sides have valid arguments. But honestly, as an old Masters of the Universe fan, it took the so-called “race-swapping” of Andra for me to even remember her because she was never that important and even betrayed Teela for Faker in the Injustice vs Masters of the Universe comics and even then she appeared in maybe 5 panels at most.
Now King Greyskull, at first I was against, I’ll admit it but then I changed my tone looking at myself and my family. See I am Bi-Racial, my mother is white and my father is black. My father’s sister married a white guy and had 6 bi-racial kids. Two who in turn gave birth to white-skinned blond-haired blue-eyed kids. Had they gone the “bloodline” path Prince Adam could have been a representation of not just blacks, whites, but bi-racial and mixed-blood peoples. 
I realize this is coming out on the eve of that new He-Man and the Masters of the Universe series, which as a He-Man fan since 1984 (when I was potty training) I will give it a shot, maybe even write a review of it. But I still have my reviews of Godzilla: Singular Point, Pacific Rim: The Black, Star Trek Lower Decks, Ghost in the Shell: Stand Alone Complex 2045, and other series to write on top of work and my family life.
-------------------------------~ Question and Thoughts Time ~---------------------------
As I mentioned above,  had many thoughts and questions which I believe were pivotal in the development of this series. Questions and thoughts should have been vocalized during the writing stage rather than fans asking them. These are of the first 3 episodes and some of episode 4. If you are a fanfiction writer who wants to explore these feel free to do so, I will be more than happy to read if they answer these questions and make the mini-series more enjoyable.
Keep in mind these are questions and thoughts I had because I am also an aspiring writer of my own fiction - that I am keeping close to my chest until I feel ready to release it.
Any true He-Man fan would question why is He-Man on a mechanical horse when he would be using battle cat
I do like the celebration happening at the same time quote-unquote He-Man is approaching Castle Grayskull it makes you think Adam is missing out on an important event
In the original series, Castle Grayskull had defenses that the Sorceress could call upon to confuse and combat an enemy who breached its walls how did Skeletor learn about the true secrets of Castle Grayskull when it should only be the Sorceress that knows of such secrets
If the Sorceress is so powerful and so smart why was she tricked by the faker He-Man he doesn't have the power sword?
I love that Orko is still a bumbling magician in Eternia’s realm. Shows how different realities have an effect on others
Adams entrance to “I have the power” let alone his playful jab at who “He is” should have been a hint to Teela
I do like the scene between Adam and Teela in the hall. It really makes you think that they actually are friends from childhood that grew up together and possibly have a future together.
My knowledge of the 38 years of the canon may be a bit shady now, but hasn’t Skeletor always needed the Power sword to get into Castle Grayskull like he always needed it in the comics?
They hinted that his mother knows he's He-Man and that she does reveal that he is He-Man after the battle. I know a mother knows these things about her child. But how did she learn Adam was He-Man and how did she not tell King Randor
Again how did Marlena know He-Man was her son and not tell her husband?
King Randor’s response is feasible but Teela’s response, because everyone lied to her is understandable - but she's a warrior. She is also a sworn captain of the royal guard, sworn to the King. She can’t just quit like that, can she?
How much time has passed between the death of Adam and when we see Teela with Andra
What has happened to the Royal Family in this time? What about Eternos? Has King Randor and Marlena revealed that he-man was their son Prince Adam? With He-Man out of the picture Has Eternos Fallen? Did Randor go all Mad-King Targaryen and become a ruthless tyrant?
What has happened to all of the other Masters? Ram-Man/Buzzoff/Clamp Champ/Fisto/Stratos/ and so many others? Were they killed off? Did they disband? Or were they exiled, WHAT?!
What about Snake-Mountain? What happened in the aftermath of Skeletor’s apparent death? Did Triclops and Beastman betray Evil-Lyn?
How did Teela meet Andra? What is the “When, where, and how” behind their meeting? What did she do to gain Teela’s trust when she felt betrayed by the world?
What is Andra’s background or history in this series besides being an engineer?
When old hag gives Teela and Andra their mission you can obviously tell it's evil-lyn
He-Man flashbacks are kind of nice but it would have been nice to have a build-up for such flashback or have a series season before his demise with such flashbacks that way it could be more poignant
I do like the idea of Triclops and Trap-jaw building a technical but what put them on the path for this techno cult
The cult kind of feels like the Borg as much as I like the idea of Trap-jaw and Triclops making a cult I don't know how I feel about it being Borg-like
This may be controversial but Andra feels like the stereotypical POC Rooky sidekick you see join the main character on their quest.
Like Grace Randolph said this whole Teela/Andra angle may come up and bite everyone in the ass later on if they don’t follow through which will piss off all the old-time fans and if they don’t follow through with the Teela/Andra angle and make Prince Adam/Teela are a couple then all the LGBTQ fans will be pissed off about that
I can already foresee it happening just like it did with Voltron Legendary Defender with Shiro being gay and his ex-partner Adam being killed in combat
We do get a hint of what the king did after the final battle but still what happened in that time after Prince Adam was killed? Did king Randor go off the deep end and become a dictator, what? These are questions that needed to be asked and answered during the writing stage
When did Evil-Lyn, Cringer, and the Sorceress make an alliance to save what little magic is left and in essence the entire universe?
I have the suspicion that was the Sorceress finally trying to tell Teela she's her mother Ford Shadows that the Sorceress is going to die and Teela is going to take her place
Did Teela really name Cringer, or was it something to boost her up in this mini-series?
Did cringer really tell Tela the Adam loved her?
Thus Begins the quest to reforge the sword to go to heaven and hell to get the parts and rebuild the Power sword thus queue Duncan
How much time has passed between the end of the previous episode and the beginning of this new one?
How is time measured on Eternia? 
If Skeletor truly wanted to kill He-Man why didn't you take his power sword when he was shackled up?
Kevin Conroy is ma as Mermaid Man if he gets more roles as mermaid man he might grow on me
Instead of gloating, why didn’t they take He-Man’s sword if it was their prize all along?
Typical 80s cartoon ponds very nice
If Evil-Lyn preached that Man-at-Arms was the most dangerous man in Eternia why didn't they act like it why did they act like He-Man was the most dangerous one?
I do love the jobs both Teela and Evil-Lyn take at each other because they are pretty much the same. Evil-Lyn is Skeletor’s version of the Sorceress and Teela is practically He-Man sorceress when she accepts her destiny.
Teela has seen her father fight hundreds of times how could you not recognize his fighting style?
I like how beast man's loyalty never swayed from evil when I also like Kevin Michael Richardson parentheses? As Beastman I thought I would like him as King Grayskull but I I do like him as beast man
Orko like Castle Grayskull does provide a little hint as to King Randor’s reaction to Prince Adam’s death. I feel this is something they should have put into the series
I feel that all of Orko's scenes in episode 3 and my Following episode 4 are tainted because of Kevin Smith revealing he gets killed and why he decided to have Oracle killed
Why should Beastman show a little fear to Andra who is she to him?
I like that you can still see that Man at Arms still loves the Sorceress and I also find it funny that when it comes to that one huge secret something always gets in the way
Again I hate how they portrayed the span of time in this? 
How did they go from a Forest Village so halfway across the world?
Something's been nagging me lately could Evil-Lyn be related to both Teela and the Sorceress somehow?
It could be a reference to how similar the Figures were in the 80s but in some scenes, Teela and Evil-Lyn’s facial structures look almost identical could you be separated sisters?
The further this point it's funny how Evil-lyn and Kela can just cut through the bullshit between their infatuation with He-Man and Skeletor
Again what time something happened between evil-lyn and Merman we don't know what just that he seems bitter that she didn't take over the land while he took a while he tried to take over the seat
It seems that there are undertones to a massive war and the wake of Prince Adam’s death.
I kind of like how even evil-lyn kind of shows that she may be afraid of subterranean
With half of part 1 ended could Skeletor have them influencing her? Why did she have to retrieve the Havoc staff head?
How does Evil-Lyn know so much about the Subterranea?
Teela facing a false He-Man could be a hint of her feelings for Adam. But I think it would be more of a visceral scene if it was Prince Adam and not He-Man.
Was that a hint of Teela becoming the new sorceress? 
Scenes between Orko and Lyn were a nice touch. Maybe a better connection between Orko and Lyn than Teela, He-Man, and the others?
Orko’s sacrifice could be the beginning of the Dark-Orko storyline?
Was that the Sorceress’ most recent ancestor, Teela’s Grandmother or GREAT-Grandmother?
Why didn’t Adam finish the chant? If Kevin Smith borrowed aspects from everything relating to He-Man, then why didn’t Adam finish the chant? A few times Adam has been run through in which he could finish the chant to become He-Man.
If Teela is such a badass, why didn’t she attempt to stop a reconstituting Skeletor from stabbing Adam?
Really Andra? You are going to sass Skeletor? He doesn’t know you and would sleep like a baby dispersing you. You are nothing to him, you are lucky he didn’t decide to run you through with the power sword.
And really Skeletor? Because no woman could love a face like your’s? Thats your motivation?
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priorireverte · 3 years
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Congratulations Ash!
Your application for Harry Potter has been accepted. I think we’re all really excited to have such a central, pivotal character in plan. Not just me in my entirely biased excitement for Lily to have her son around. Make sure to let us know if/when you settle on a faceclaim for him.
Please look to the checklist for the next steps and reach out if you have any questions!
OUT OF CHARACTER
NAME & PRONOUNS: Ash & She/her
TIMEZONE: est
ACTIVITY LEVEL: On average, I tend to get online every other day to get through my replies. Although weekends I’ll usually be on daily.
ANYTHING ELSE: Experience - I have been in the Harry Potter rp community for almost ten years now, and have been doing so on Tumblr for about six.
CHARACTER DETAILS:
NAME: Harry James Potter
BIRTHDATE: 31 July ,1980 Zodiac - Leo. Starting with the obvious, let’s put the Leo in Gryffindor, I see what you did  there sorting hat. Harry spent his entire life from the young age of eleven, thrown into the spotlight. Others were interested in him for things outside of his control as long as he could remember, but he’s embraced that attention and put it to good use. He is very compassionate and caring, going out of his way to help others around him. His pride can get in the way at times, and tied with the ability to hold a grudge Harry has a sense of there’s my way and the wrong way.  Respect from those he most admires is vital to him. He had spent days obsessing over why Dumbledore hadn’t shared their similarities with him, and has never felt a sense of pride as strong as when McGonagall stood up for him to Umbridge. Harry is a leader, the type of person everyone around him looks towards for the answers to their largest problems.
GENDER, PRONOUNS, and SEXUALITY: Gender and pronouns do not have much meaning to Harry, even though he had grown up with his entire identity being centered around his title as ‘Boy Who Lived’. He has never necessarily felt a connection to this title, but has not thought about it anyplace outside of logistically knowing when someone shouts for ‘the boy’ that can mean him. Harry’s Bisexuality however, is something he has been learning to embrace after years of confusion. His Uncle Vernon of course had a few select words for people who liked the same gender, but outside of pushing away the nerves in his stomach whenever he had to listen to his relatives derogatory language he had not realized that being attracted to multiple genders was an option. Harry has has dated during his teen years; He went on dates to the Yule Ball and Hogsmede, as well as his former relationship with Ginny, but he always felt slightly behind his peers in terms of sexuality and maturation. He assumes it was the fact that he spent so much time feeling unsafe and afraid that he didn’t have the time to explore those feelings, but there was also so many things he simply didn’t know that he is only just learning now in the start of his twenties. BLOOD STATUS: Halfblood. Harry’s status as a halfblood may have been the deciding factor in the course of his entire young life if Dumbeldore’s theories were to be correct, and they usually were. Harry and Tom Riddle shared this trait, both half-blooded wizards and in the end it seemed to have been a deciding factor in Riddle’s choice to mark Harry as the chosen one to become his own equal. However another similarity they share is how out of place they had felt in the muggle world and the strong sense of home the Hogwarts walls had provided both. Harry has no prejudice against those of muggle blood, one of his best friends is muggleborn thank you very much, but he has no connection to the muggles who raised him and were supposed to have been his family.
HOUSE ALUMNI: Gryffindor - While he strongly believes it was begging that landed him in red and gold, Harry is very much a Gryffindor. Being brave doesn’t mean never being scared, it’s what you do when faced with fear and Harry has stood up to nearly every terrifying challenge sent his way. He needed that house, as much as he also fit in. Harry grew up the one who was going to end a war, being surrounded by other brave, chivalrous people helped him greatly obtain his own confidence to do what he needed.
OCCUPATION: Harry Potter’s refusal to join the Auror Department sparked quite the buzz once he had finally made the announcement, and the decision had absolutely been one he had not taken lightly in the slightest, but at the end of the day Harry’s fear and distrust in the Ministry won out over his need to constantly swoop in and save the day. That doesn’t mean he hadn’t helped with the effort, he spent the first year out after the war off to help with trials and giving the right information to people who needed it, but after years of being branded a liar he simply couldn’t bring himself to work for the same Ministry who endangered lives by refusing to see what was right in front of them. Instead Harry went home, to the one place that he had always felt he belonged and once again did the impossible. Harry Potter has been the Defense Against the Dark Arts Professor at Hogwarts for two whole years.
FACECLAIM: tbd
CHARACTER BACKGROUND
POSTBELLUM
While he had not been given the instructions to die at the hands of Voldemort until he had been seventeen and only moments away from walking towards his own murder, after seven years of nothing but waiting for the next fight a part of Harry had assumed from a young age one of them was going to have to ultimately kill the other in the end. The lead up to a final showdown at the end of each school year had been convenient, and while he refused to accept the thought, likely planned out to go that way by a certain headmaster, but it couldn’t have continued on forever. So Harry had never allowed himself to think of a life after the fall of Voldemort, or of happiness and family and one day growing old. He was nothing more than a soldier, a child so deprived of affection he put everything he had into fighting back for the approval of his Professor and put little value on his life outside of being the Chosen One, so the first year following the war was especially hard. From the second he had entered the magical world he had been ‘The Boy Who Lived’. Since the age of eleven years old he had been expected to fight the dark wizards and save the day and he did not know how to be anything else. Harry couldn’t see his value outside of his willingness to jump to the occasion and solve problems. After the war his life’s purpose felt complete at only seventeen years old and it was extremely difficult to accept.
But then the Ministry expected him to be the poster boy for everything they had been doing towards the cleanup process- sending owls on a near daily basis asking Harry to sit on death eater trials or begging him to speak out in favor of the Ministry and their new laws. Just how much of himself Harry was willing to give had been one of the most difficult choices he ever had to make. Fighting injustice was all Harry knew. The Death Eaters had done horrendous things and even after the fall of Voldemort Harry felt a responsibility to ensure they were taken down, however Harry’s trust in the Ministry had been greatly punctured over the years he had been in the magical world, even before the Death Eaters had taken over. It was a delicate balance, and the power his word suddenly held brought a level of anxiety he was unfamiliar with, but he knew that there were too many people who would never see justice without his intervention.
His involvement in the war had only increased his fame and suddenty the Ministry of Magic and every paper in wizarding Britain were harassing him once again. Harry’s friends had been encouraging him to step back and take the time to recover; live a normal, quiet life, whatever that meant. He had never even gotten the time to properly grieve over Sirius’s death, let alone the countless other people he had lost since then who had died in his mind, because of him. He didn’t know how to step back and live a normal life, but he had craved it as long as he could remember so Harry put his everything into attempting. It took a year to realize that Harry that he would never feel that pain in his scar again, that even if he had never wanted it there to begin with an entire piece of someone’s soul he had been living with since he was a year old was gone forever and his only purpose in life had been completed before he ever had a chance to finish his NEWTs.
So He pulled back, isolated himself for a while in a way he wasn’t proud of, but didn’t know how to cope without. Going to anyone but Ron and Hermione with his problems had always seemed incomprehensible, and even then it was always easier to tell them about whatever crazy thing was happening to him at the time than discuss the feelings behind everything he had been through. He busied himself with mindless projects, spending all of his time hiding out from his friends by putting all his energy into restoring 12 Grimmauld Place. The house was now his and he didn’t want to leave the reminder of how horrible his godfather’s own childhood had been. It was the baby Teddy Lupin that was the only one who could get Harry’s undivided attention and compassion for a short while during the beginning of life after the war. He told himself it was so easy to share such raw emotion with the little boy because at first he couldn’t even understand what Harry had been saying, but Harry had felt a strong bond to the boy the second he learned of his godson’s birth. He hadn’t taken over raising Teddy, he was too young and unsure, Andromeda was the right choice as Teddy’s guardian, but Harry made a point to be a large part in his upbringing.   He refused to allow him to grow up as lonely and afraid as he had been himself, and Harry felt a personal responsibility to make sure Remus and Tonk’s sacrifices of their lives weren’t for nothing and Teddy would grow up loved and in a world better than any of them grew up in.
Turning down a position in the Auror Program had surprised himself more than it had seemed to any of the people who knew him best, which had only confused him more. His dream job since he had been only fourteen had never truly been a dream, but a logical choice for someone whose entire life revolved around being manipulated into fighting. He had truly believed he would never get past his back and forth with Voldemort, and the auror office only fit the narrative. Even knowing these things didn’t make knowing he was going to be letting people down any easier and he nearly said yes solely out of fear of saying no.
His time back in the castle has been everything he never thought he would be allowed to have and Harry is taking full advantage of that fact. Teaching is something Harry had felt so strongly about in the short time he was doing so with the DA, and in the proper setting where he had the ability to ensure this next generation was not going to have to ever fear their time in the castle was the calling he never knew about.
All the lives lost during the war was something that sat in Harry’s thought even still, more than anything else. He never knew anything but loss, but the grief he felt the past few years was different. He hadn’t been grieving the loved ones he never had, instead the people he loved and cherished who were torn away from him too soon. Watching the Weasleys without Fred had to have been the hardest part of anything after the war’s end. He had envied Ron’s family for so long, now all he wanted was to take the hurt away from the people who he grew to call his family that were now going through this pain he knew too well.
As hopeful as the returned made Harry, it all scared him as well. He knew what happened when wixen played around with death, and even more so he knew just how dark the magic around it could be. But he also doesn’t want to feel the pain again of getting his hopes up to have family by his side to have it ripped away. He doesn’t trust it to last. 
PERSONALITY
“There’s no need to call me Sir, Professor.”
Harry for some reason unknown to me, has started to be perceived to be this hypsteresque, bad-ass. A smoker, rogue auror who doesn’t play by the rules. Harry Potter is a sassy and sarcastic. But also a quidditch obsessed nerd who loves his friends with everything he has and stands up for what he believes in. He has that stereotypical Gryffindor temper, and does not always think about the consequences of his sharp tongue, but he has never been one to allow people to walk over him or anyone else. He was a victim of abuse and neglect and his words, that wit was the one thing he had to cope as a child treated like nothing more than an unwanted freak. But Harry is also the person who told Snape his nickname was Roonil Waslib. He’d spend hours on end talking to his bird and one of the first moments of the entire series he is empathizing with a snake who had been trapped and never knew their family. His friends are everything to him and Harry’s loyalty can be seen almost as a fault. There is no difference between his friends and family, and to betray or mistrust them is one of the worst things he can imagine of himself.
BRIEF OVERVIEW OF FAMILY
Harry’s memories of life before Privet Drive do not consist of anything more than flashes of colors and the occasional face. Perhaps a voice he wasn’t able to place. Family has always been Harry’s greatest desire, the things he wanted most in the world. The Durleys had been Harry’s closest living relatives, but made it clear they were not Harry’s family. His aunt and uncle made sure to remind him constantly that Harry was nothing more than an inconvenience in their home, and that he would never be as loved or cherished as their son. The idea of family was nothing more than that for a very long time; an idea and a dream. At thirteen the possibility of family had been dangled over his head in the form of a fugitive Godfather. Harry’s time with Sirius was too short, they should have had years together to make up for the twelve apart and it was after his death that Harry felt ready to give up on the idea of ever having a real family of his own. Of course that makes him feel selfish. Ron and Hermione every bit as much his family as any last name or title could make them. Harry could argue they were more family to him than Sirius and him ever had the chance to be. And the night Mrs. Weasley had called Harry ‘as good as’ another son still plays in his mind on a loop some nights when he’s looking for a reason it’s all worth it. Harry’s family isn’t blood, but he loves them all just the same. That doesn’t change the fact that he’s thought this return could mean him getting the only thing he’s ever truly wanted.
HISTORY
Harry really does wonder at times what it would be like to have an easy life. He had only been a baby when the weight of a war was thrown onto his tiny shoulders, marking him the one chosen to defeat the greatest dark wizard of their time. As a small child however, Harry would never have believed it. He had known nothing more than he was an orphan, living in cruel circumstances under the stairs in his aunt and uncle’s home and getting bullied by his cousin. It wasn’t until Harry’s eleventh birthday that his life truly began. When Hagrid had stormed down that hut to tell Harry about the truth of himself and his past, Harry felt a sense of self for the first time in his life. He had gone off to Hogwarts school of Witchcraft and Wizardry and made friendships for the first time in his life. Even before the rest of the world had been sucked into another war, Harry had been drawn in from a mixture of a hero complex and clues laid out only slightly too conveniently to test and discover the boy who lived that would one day become the chosen one. Harry fought back every year, somehow always granted a new challenge and more pain until his fourth year when it had become more than a challenge that any reasonable adult would consider too dangerous.
Cedric Diggory’s murder had sparked the beginning of the war, but the greater meaning to Harry lied in the young boy who lost his life solely because he had been in the wrost place at the wrong time. He had gotten between Harry and for that reason alone he was dead. It was something Harry never learned to forgive. And it sparked the belief that people around Harry somehow always ended up dying because of him.
Sirius’s death left Harry inconsolable. He never had the proper time to grieve, with a target on his back and the war picking up quickly, but losing the one family member he had left destroyed Harry in a completely different way. And again, Harry came to the conclusion if he had only checked in the mirror Sirius could have still been alive.
The hunt for horcruxes was something else entirely. He had no connection to anyone outside of Ron and Hermione and when Ron had left it broke Harry’s heart in an entirely different way. He kept waiting for the ball to drop and one of his best friends to get hurt because of him. He clung closer, forgave quicker, and fought harder trying to keep anyone else he loved from dying.
Remus and Tonks’ deaths held a significance just as strong but different for Harry. He was a Godfather and when Remus had named him so it had become the new most important thing about him. Being the Chosen One, or the Boy Who Lived didn’t matter when there was a little boy who depended on him to stay alive and watch out for him.
OOC EXPLORATION
WHAT ARE YOU MOST LOOKING FORWARD TO?
This group is every guilty pleasure I have ever had mixed in with a wonderful plot and beautiful writing. Even though recently role plays set in the trio’s era are few and far between, the ones I have been a part of always seem to either lack writers willing to write for Harry or his character is quickly taken by someone who does not know the story beyond either solely the movie franchise or random bits of knowledge. I’ve noticed a stigma in the Potter fandom, especially the role playing community, that the ‘true fans’ have to prefer secondary or background characters. While I also love building on characters we do not see as much of in the books, it has always saddened me that this character that I grew up with is seen as the easy write up. Because we as readers have so much on Harry I’ve actually found his character more difficult to write for, but equally enjoyable.
As per Harry as an actual character, he has been like a friend since I was seven years old.
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homenum-revelio-hq · 4 years
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Welcome (again) to the Order of the Phoenix, Kat!
You have been accepted for the role of ISLA SELWYN-MACMILLAN! We really enjoyed reading the motivations behind Isla’s decisions to join the Order and stay in the Order. We like that she’d been questioning her place until the recent capture which, instead of pushing her away, ended up pulling her more in! We’re looking forward to having her on the dash!
Please take a look at the new member checklist and send in your account within 24 hours! Thank you for joining the fight against Voldemort!
OUT OF CHARACTER:
NAME: tis I kat
AGE: 25
TIMEZONE: est
ACTIVITY LEVEL: what are activity levels? It is here and there but I love yall and I am here for the long haul ya feel?
ANYTHING ELSE: I have experience writing overly sad things too late at night does that help my qualifications?
CHARACTER DETAILS:
NAME: Isla Slewyn-Macmillan
AGE: 25
GENDER, PRONOUNS, and SEXUALITY: cisfemale, she/her, asexual Isla has never felt the need for a sexual relationship. She feels some attraction at times but the thought of having a romantic partner at any point in time has never appealed to her.
BLOOD STATUS: Pureblood
HOUSE ALUMNI: Gryffindor
ANY CHANGES: nope
CHARACTER BACKGROUND:
PERSONALITY: 
Isla has never been weak. Never the type to be a wilting flower and yet she has had to play at it for most of her life. Her family always having been indulgent with her she was allowed the freedom to rebel as long as she toed the line that was so clearly set before her. She would rail against any kind of limitation given to her and yet she has always known her place. She has always worked her charms to get what she desired and when the reins were held too tightly a pretty smile or whispered word would loosen them once more. At least it lasted that way through her childhood. Lasted through her schooling. Through her short lived career as a beater. Limitation cannot be escaped forever though and the insistence of her parents to settle down. To take up the responsibilities that were hers by birth right had her wilting herself just a touch once more. 
Isla is known for her fiery spirit to those closest to her. Though her inner circle is small and those she places her trust in even smaller. On the outside to the world at large she Is a quiet proper young woman. Her fire shows through at times but it is tempered and she is the picture of what she was raised to be. She moves with grace through the elite in society. It is her natural birthright to do so and so she has no fears when attending a party. Whispered confidence wraps around her and she is prepared for all things that may be thrown at her.
Headstrong and vibrant she’s always been a leader. She has never known how to follow anyone else and perhaps that is part of the reason she harbors doubts about the order. She watches in dismay as the leadership seems to drive them more and more off course and she can’t help but wonder if she had more of a voice if it would be different. The inexperience keeps her quiet. Holds her tongue. She watches. Listens. Observes. Gains knowledge that she can pull out at a moments notice later.  
BRIEF OVERVIEW OF FAMILY: 
The golden child. Isla could do no wrong in the eyes of her family. They were well respected and it offered them more room to do as they wished. Isla grew up with that freedom. With the assurance that while others in her circle were nothing but a disappointment to their parents she was the only thing her family wished for. She grew with many cousins. All of them constantly at her home and she would play with them often. They would spend hours just running through the gardens and causing as much trouble as they could.
She was a happy child. A happy child all throughout her life. Even when she was sent off to school her parents would dote on her. They would encourage her in her odd endeavors. They would make special trips to attend the quidditch games that she insisted she loved more than anything. Her grades were kept up and the rebelling that she did in school was of little concern for a family such as hers.
They were the elite. The highest of the high or at least high enough that some odd quirks from the daughter wouldn’t be looked at too closely. She was raised knowing she was better. Knowing that those with blood not as pure as hers were of little value. Though she had never been raised to be cruel she did know the look of indifference. The refusal of regarding one who could not possibly hope to meet her level.
After graduating she rebelled still. Not wishing to settle down she decided to play Quidditch instead. She would do as she wished for after all she was the only daughter of one of the most powerful families. She played for several years happiness found in her victory on the field. When her star was starting to rise to a higher point though her parents put a stop to it. They could no longer allow her to act as she wished. It was time to take her rightful place in the world. It was time to marry.
Enter her closest friend Archie. The only one she could see spending so much of her life with though she knew she would never love him as a wife was to love her husband. It was with relief that she heard his confession. Marriage with him has been as much bliss as she could ever hope to find in such an arrangement and it has satisfied her family for now.
OCCUPATION: 
Housewife though the very thought irks her beyond imagining. She regrets that she no longer has her promising career but appearances must be kept regardless of if she has joined the order or not she must appear the perfect pureblood girl.
ROLE WITHIN THE ORDER/THOUGHTS ABOUT THE ORDER: 
The thought of being part of something that is not supposed to be is a draw more than a deterrent for Isla. She has spent her whole life rebelling against the rules laid against her. Up to a point anyhow. The order represents something that she believes. At least it always used to. With each failure there’s a part of her that wonders if they made the wrong choice with joining. Her recent kidnapping though it was brief has left a foul taste in her mouth though. She knows they are on the right side. It has strengthened her resolve to make this work. That this is the way to keep the old ways from coming back. The old ways that she cannot stand to live in once more. The people in the order are good though she still sees the distrust in the eyes of some of those who surround her. She knows that her name is what they whisper about. So prominent a name in the order. The same ticket that would normally save her from any suspicion with her peers put her into suspicion with those she chose to work with.
Isla hopes that the order can be more successful in the future. The longer she resides in the order the more that she learns that she cannot turn back. This is her life now. This is her future. The fate of the order is to be her fate and most of her would have it no other way. She’s always been a fighter and she isn’t prepared to stop now.
SURVIVAL: 
Until recently Isla has moved among the two worlds with ease. Never having been suspected to be anything connected with the order and certainly not part of the death eaters she had lived her life in relative peace. Though the recent capture of her and her husband has her worried that the death eaters will start to look upon them with suspicion and she wonders if they should be preparing for more questioning.
RELATIONSHIPS: 
Isla first and foremost is loyal to Archie. Though she is the one in their duo always forging ahead and making the decisions his words are the ones she cares for most. She adores him more than anything and he is her ride or die. She wishes happiness for him but she fears that the romantic in him is going to land him into a world a hurt.
Isla adores Ryalnd more than she can even say. She has developed a sisterly relationship with him and she wants nothing more than to help him through the hard time that he has been having since returning to the fold. She fears that he won’t ever be able to fully move past it. She believes him to be one of the kindest people she has ever met.
She finds Andromeda to be a fascination. The woman was always a warning to her and the girls her age. The whispers of never doing what the woman has done were always present but Isla wants to get to know her more. She wants to learn the mind of woman.
The order overall is where her loyalty lies and she has proved it more than once. She still feels some friction with those in the inner circle but finds that she is able to move among those in mid and lower level positions with more ease. Perhaps even able to drop her guard just a touch around them.  
OOC EXPLORATION:
SHIPS/ANTI-SHIPS: IslaxIsla? Idk lol I don’t see her as a ship character at all but if the chemistry is right she’s not opposed to falling in love.
WHAT PRIVILEGES AND BIASES DOES YOUR CHARACTER HAVE?
Isla is well aware that she has lived a privileged life. She has known it her entire life and yet it was only when she joined the order that it was shown to her just how much has been handed to her. How much is still handed to her. She expects things to be given to her with ease. It has been that way all her life and she has never thought that it would change. She looks down upon those who are not pureblood because that is the way that she was raised. She is aware that the order fights for those who are the very ones she looks down on but she cannot help it. Joining the order was in part a selfish cause and she cannot drop everything that has been pushed into her since she could remember. Though she tries more now to be understanding. To now be quite so cold to those who surround her. After all most of her companions now are people she would never have dreamed of speaking to. She finds that she still tends to treat some of them life servants in a way. Ordering them about before catching herself and offering one of her signature smiles that would naturally wash her sins away. Isla is a hypocrite through and through. Once her outer shell is cracked and someone has wormed their way into her heart. Into her graces they can be anything they wish. Muggle born. Half blood somehow her affection for them covers those flaws that she would hold against anyone else.
WHAT ARE YOU MOST LOOKING FORWARD TO? I love you guys so much I cannot control the need to pick up another character. I am looking forward to everything.
PLOT DROP IDEAS: I don’t know you guys. Yall were not very nice with the most recent happenings on the dash. <.<  
ANYTHING ELSE? I love you guys so much I cry.
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burnouts3s3 · 6 years
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Fist of the North Star: Lost Paradise, a review
(Disclaimer: The following is a non-profit unprofessional blog post written by an unprofessional blog poster. All purported facts and statement are little more than the subjective, biased opinion of said blog poster. In other words, don’t take anything I say too seriously. Just the facts 'Cause you're in a Hurry! Publisher: Sega Developer: Sega CS1 Manufacturer’s Suggested Retail Price (MSRP): 59.99 USD How much I paid: 59.99 USD Rated: M for Blood and Gore, Intense Violence, Strong Language, Suggestive Themes How long I played: 12 Hours to complete the story mode (while watching the cutscenes) on Easy Mode. Microtransactions: An alternate Skin that is free if downloaded between October 2nd through October 16th. Pre-order bonus of 6 Destiny Talismans, equipable items that boost stats or other effects, all which are earnable in-game. Dual Audio: Yes. Both the Japanese and English Audio is available. English Cast: Robbie Daymond as Kenshiro, Sarah Williams as Yuria, Greg Chun as Shin, Allegra Clark as Xsana, Imari Williams as Jagre, Kirk Thornton as Toki, Kyle Hebert as Rihaku and Patrick Seitz as Raoh. What I played on: A Regular PS4, not a PS4 Pro Performance Issues: For the most part, Fist of the North Star runs very smoothly, with little to no hiccups that’s beautiful even to look at, even on a regular PS4. One instance of a game pausing for a brief moment before transitioning to a quicktime event. My Personal Biases: I only recently got into Fist of the North Star and have to say I quite enjoy following Kenshiro and his many adventures in the wasteland. My Verdict: Get ready to say “ATATATATATATA!” as you kick, punch, slap, and brutally kill any bandit you come across. While the open world element doesn’t offer anything new in terms of revolutionizing the genre, there’s such a plethora of content, mini-games, challenges and sidequests that even after the short campaign is finished, you’ll be busy mixing drinks, playing baseball with steel girders and managing your own nightclub. It maybe a Yakuza game reskinned as a FOTNS game, but that doesn’t mean it’s not a whole lot of fun. Buy it! Fist of the North Star: Lost Paradise, a review
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Sega is at it again. After their successful Yakuza series getting prominence in the West, the same developers decide to do the same thing, but using the Fist of the North Star license. Will they succed the same way they did with Yakuza? Let’s find out in this review of “Fist of the North Star: Lost Paradise”! The story takes place in a post-apocalyptic alternate timeline Earth. After a nuclear war, the oceans have dried up. Kenshiro, a successor of the martial art Hokuto Shinken, was defeated by Shin, who proceeded to kidnap his fiancée, Yuria. Kenshiro thus travels through the wastelands to find his beloved. He eventually hears rumours that a woman called Yuria could be found in the city of Eden - he makes his way to Eden to find Yuria. Newcomers don’t have to worry about being lost as the game takes place in an alternate continuity and explains all the events occurring so they can catch up. So while the series’ iconic villains, such as Shin and Raoh, and familiar faces, such as Bat and Lin, make an appearance, the game’s narrative changes the context of such settings to fit into the world of Fist of the North Star and the new land of Eden. The city of Eden itself might alienate fans of the original show. Eden is a fully working city with services, guards, food and currency. It’s such a departure of one usually expects from Fist of the North Star. But, if you’ll give it a chance, you’ll find yourself loving the city but also invested in its characters. Things actually get less interesting outside of Eden. While the Wasteland is vast and allows for lots of exploration in your buggy, it’s mostly empty save for the occasional group of enemies and item to be found and sold. Occasionally, defeating an enemy will unlock a treasure map, markers that show valuable loot on the map. But most are under a timer so Kenshiro will have to drive fast before it’s lost for good. Combat is the game’s strength. While it doesn’t evolve much between light and heavy attacks, the variety of foes and situations he can use his abilities always surprised me. Just when I thought it would get tedious, Kenshiro finally pulls off a move that has my jaw dropped to the floor. Should a foe be in a staggered position, players can press the circle button to active a quick time event, leading to a cinematic kill. Sometimes Ken punches an enemy 100 times. Sometimes, he uses both thumbs to make the enemy’s head explode. Should Kenshiro use the circle button to ‘channel’ at just the right time, it leads to an instant death of the enemy, causing them to explode into gooey bits! And what Sega open world would be complete without mini-games? Remember that manga chapter where Kenshiro played some arcade games? Or worked as a bartender? Or used his healing ability to treat the sick? Or managed a nightclub and had to deal with troublemakers? That’s right, in this game you get a plethora of sidequests (called ‘substories’) where Ken can earn experience and money by playing mini-games. Working at the hospital activates a rhythm mini-game using timed button presses. Managing the nightclub means having to manage your ‘girls’ put them in the right table and manage their money, the customer type and their energy levels. Of course, if you’re feeling up to something more manly, you can fight off waves of enemies at the colosseum. (My personal favorite is using a large steel girder to play baseball against incoming motorcycle gangs and hitting their bikes away).   Completing story missions, doing substories or playing minigames will earn Experience, causing Ken to level up and gain Destiny Orbs, blank orbs that can be used to progress the game’s skill tree. In the colosseum, he can earn Battle Points and use it to buy Technique, Body or Mind orbs to progress your tree. The skill progression is surprisingly varied, allowing for different branches to explore and can give significant boosts or techniques in combat. Ken soon learns that in the city of Eden, Yuria has locked herself into the sacred chamber, a mysterious room that somehow provides power to all of Eden. But invaders and combatants would soon loot Eden for its resources and Kenshiro finds himself teaming up with the city’s guard to stop the bandits before they destroy everything. The game’s plot is serviceable. Granted, much like the source material, it relies more on coincidence than character action and reaction. (It find it a bit odd that many of the main players just ‘happen’ to know each other) as well as the reliance of weird rules to generate stakes (when you find out why certain plot devices work, you’d have to question the logic of what the architects and engineers were thinking). It’s too bad the game’s main story is all too short and the game attempts to hinder speedrunners by scaling the enemies to ridiculous amounts of levels so that players will have to grind mini-games and coliseum fights or be overpowered. What’s surprising is that the English dub of the game is actually very well acted. Robbie Daymond  (who voiced the English Goro Akechi from Persona 5) manages to capture the cold yet gentle nature of Kenshiro (though I think my favorite will always be Lex Lang in the old dub). At first, I thought Daymond would be too young and high pitched for Kenshiro but he actually delivers at the moments that matter the most. And it’s great to hear voice acting veterans such as Kyle Hebert, Patrick Seitz and Kirk Thornton voicing the NPCs. But praise should be put on Allegra Clark. Bioware fans (what few are remaining) will recognize her as Josephine from Dragon Age: Inquisition and Nakmor Kesh from Mass Effect: Andromeda, but she’s also done some anime work (such as in Jojo’s Bizarre Adventure) and she does a really good job as Xsana, growing a scared girl who doesn’t know what to do to a leader willing to leader her people into prosperity.   THE JAPANESE VOICES ARE AVAILABLE TO THOSE WHO PREFER IT. CAVEAT: Fist of the North Star is by no means a revolution or an innovation to the open world genre. Like Yakuza, it’s a polished, well-made entry that offers a lot to both fans and non-fans alike. A lot of critics are going to say that the open world element feels restrictive or that the level scaling is attempting to make up for the short campaign or that the combat, at times, feels repetitive. While all those criticisms are true, I still had a great time with the game. It’s a game that’s more about style than substance, but I’ll be damned if it doesn’t have one helluva style! Verdict: Buy it!
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homenum-revelio-hq · 4 years
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Welcome to the Order of the Phoenix, Jess!
You have been accepted for the role of ANDROMEDA TONKS with the faceclaim of Natalie Portman! We really enjoyed your focus on the ambiguity of Andromeda’s beliefs and choices; how choosing Ted doesn’t mean she stopped loving her family, how things aren’t perfect now any more than they were wholly miserable before. We look forward to seeing you dig-into her conflicted feelings and lingering prejudices. We are so excited to have you as part of this roleplay!
Please take a look at the new member checklist and send in your account within 24 hours! Thank you for joining the fight against Voldemort!
OUT OF CHARACTER:
NAME: Jess
AGE: 20
TIMEZONE: EST
ACTIVITY LEVEL: I’m a full time student, but I usually have time to spend an hour or so writing a day, and I’m always reachable by mobile!
ANYTHING ELSE: I have a lot of experience with Tumblr RPs, but I haven’t been part of anything for about a year! I’m really excited to re-enter the fandom with a new character.
CHARACTER DETAILS:
NAME: Andromeda Tonks
AGE: 29
GENDER, PRONOUNS, and SEXUALITY: Cis-female, she/her, heterosexual
BLOOD STATUS: Pureblood
HOUSE ALUMNI: Slytherin
ANY CHANGES: I’d like to use Natalie Portman as her FC- for me, Natalie always comes across so poised and graceful, which is a trait I really want my Andromeda to have.
CHARACTER BACKGROUND:
PERSONALITY:
All middle children act out, the Blacks used to say to themselves. Andie’s stubbornness and fire, her petulance and ferociousness were absolutely natural for anyone who grew up aside an elder sister as prominent as Bellatrix, and a younger sister as pristine as Narcissa. Regardless of the occasional dinner table outbursts and the Muggle books hidden under her bed, her fierce love for her sisters convinced Cygnus and Druella they had nothing to worry about. Nobody would have chosen her as the rebel of the family. Sometimes, Andromeda can’t even believe it herself.
While her parents urged her to spend her Hogwarts years searching for a suitable match, Andromeda was almost always found in the library. Slytherin cunning manifested in a thirst for knowledge, a trait that serves her well in the Department of Mysteries. A built-in lie detector and a keen eye for bullshit got her through teenage drama and now, get her through pre-teen squabbles with her daughter. As she grew, she learned when to share her opinion (almost never) and when to keep her mouth shut and listen (most of the time). She prefers to get a good read on people before sharing any of herself with them.
Like every Black, she has her own tempestuous streak. Andromeda can be impatient and particular, liking things done a certain way and at a certain time. A childhood in a controlling family has left her with a need to control her household the same way Druella ruled hers- of course, unlike her mother, Andromeda works full-time and lacks the small army of house elves. Her mother’s influence also left her with a too-sharp tone and a habit of bossing others around. Passion comes easy, but steady, everyday love is harder. Adulthood and responsibility hit her like a brick. She’s a little too measured for spontaneity these days, too concerned about the future to be present in the now. Andromeda is at her best when she’s having fun- but it seems those moments are too few and far between now. Maybe that’s just part of growing up.
BRIEF OVERVIEW OF FAMILY:
Cygnus and Druella never appeared to enjoy having children. To them, children weren’t something to be enjoyed. They were walking trophies, representations of the long and storied history of Black. Andromeda was hardly raised, more cultivated, like a rare orchid or crossbreed of roses. A Black is poised, she is lofty, she is obedient. A Black does not slide down staircases, or speak to the house elves, or make faces at her parents. In time, she became two women- stoic Andromeda, to her parents, and goofy Andie, to her sisters.
Who’s lucky enough to be born amongst their best friends? Andromeda never needed anybody but her sisters growing up- they were her anchors, her compass, her roots. Being a Black was important, as her parents beat into her, but being a sister to Bellatrix and Narcissa was her priority. As her built-in confidants, she confided in them about every impulse and doubt and fear. Until Ted Tonks.
Finally, something was just for her. She hadn’t anticipated how delicious it was to have a secret, how much of an adrenaline rush it was to sneak around. She felt seen for the first time, seen and loved and wanted, and by someone who was indisputably good and kind. Ted shone a light on the fear and confusion that had gradually begun to fill her heart, and in return Andromeda gave Ted her whimsy, her joy- all the parts that were disagreeable to her family. But she also hadn’t anticipated how difficult it would be to lie to her sisters. Or how difficult it would be to watch them walk away from her. The rejection of her parents hadn’t stung as much as she thought it might. Yes, there was shame, but perhaps more from an accidental pregnancy than from being disowned. The sting was from the upturn of Bella’s nose, the curl of Cissy’s lip. She would have died for them- and they wouldn’t even bend over for her. Becoming Ted’s Dromeda was easy. Shedding Cissy’s Andie was hard. She knows she made her choice, but some days it’s all she can do to keep the lump out of her throat when she looks at her life. It’s worth it, she knows that. She loves her husband and her daughter just as fiercely, if not more so, than she loved her sisters years ago, but that love for them still hasn’t faded. She’s grown to accept that it might never. But even a core as iron as Andromeda’s can fail sometimes, and she sometimes wishes she could have raised Nymphadora in the same palatial luxury she came from.
OCCUPATION:
It’s almost ironic- the woman who’s name is verboten in certain social circles is an Unspeakable. Andromeda loves her work- for the first time in her life, she feels as though she’s contributing to something important, helping people without rocking the boat. The Department of Mysteries is her sanctuary. It feels like nothing from her past followed her here, no petty gossip or snide looks. She’s truly thrown herself into the werewolf project, fascinated by every difference between herself and the subjects that look just like her for all but a few nights a year. She began this study to find a cure for lycanthropy, to make werewolves like everybody else, but the project’s evolved over time to focus on the unique talents and gifts of the werewolf and how they can be exploited. Her whole life has emphasized homogeny, but it might be time for her to start seeing the power of divergence.
ROLE WITHIN THE ORDER/THOUGHTS ABOUT THE ORDER:
She’s given up her last name, her family, her inheritance. She will not give up her daughter’s safety. It’s not that she doesn’t believe in the cause, because yes, of course she believes Muggleborns have a right to be in this society. She just doesn’t see why she should put her life at risk for it. Of course, the occasional slip of information from her department hardly counts, it’s not as if she’s on the front lines. It could never even be traced back to her. And if she doesn’t tell Ted about it, it’s only because it’s unimportant, not because she’s afraid. Andromeda Tonks would never confess to being afraid.
SURVIVAL:
She flies under the radar as much as possible. Sometimes that means signing her name as A. Tonks in fear of someone putting puzzle pieces together, sometimes that means waiting for the next elevator when the faces inside don’t look friendly, and sometimes it means spending Friday night til Monday morning locked up in their house, afraid of something she can’t put a name to. She’s fortunate enough that her parents are content to only act like she’s dead, but her eldest sister may change that any day. There’s still a part of her that cares for her sister, but if Bellatrix even glanced in the direction of her family, Andromeda would rip her apart in an instant.
RELATIONSHIPS:
The problem with leaving your world behind for a man is that, suddenly, that man becomes your world. High on hormones and righteous fury, Andromeda told Ted over and over he would be all she needed. But she can’t help feeling as though she gave too much and he gave too little. With every slip of the tongue, each not-progressive-enough viewpoint, she wonders if he’ll ever look at her without disappointment in his eyes. If she’ll ever feel worthy of his love. She tries to give hers freely in return, but showing appreciation is hard for her, and recently their relationship has felt more like business partners than man and wife.
She’d love to fill that void with some friends, but frankly, she was too busy following her older sister around like a lost puppy at Hogwarts to make that many. She recognizes surnames in her new social circle from the old- Selwyn, Macmillan, Yaxley- but she doesn’t miss the way these people look at her (she thinks it’s the pity that’s the worst, worse than the disgust or the amusement). And so many others hear the implicit Black when she introduces herself and flee. She never forgets that she still has some family, but Sirius still looks at her with distanced eyes. It doesn’t make sense to Dromeda- in her mind, the two black marks of the family tree should look out for each other, but then again, blood has always taken up a disproportionate amount of Andromeda’s thoughts.
OOC EXPLORATION:
SHIPS/ANTI-SHIPS: I think Andromeda really loves Ted, but there’s definitely a lot of room to explore in such a high-pressure relationship! She’s lost her family, given her all in raising a child, and is keeping a secret from her husband about helping the Order, all of which I think could be major stressors in their marriage. I’m really very flexible with ships, I just love to write through conflict like that!
WHAT PRIVILEGES AND BIASES DOES YOUR CHARACTER HAVE?
Andromeda grew up in the lap of luxury, with any privilege imaginable. Having all those taken away from her in a heartbeat (the money, the family cache, the status, the family, oh Merlin, the money), left her with more frustration than compassion. These are things she silently feels entitled to, and wishes she could have given to her daughter! Basic responsibilities were foreign to her a decade ago, but she’s been made painfully aware of what her privilege enabled her to do, and what she no longer has access to. It’s made her colder and more serious, and if she was confronted with any of the privilege she still has (being a white, cisgender, straight pureblood), she’d be highly defensive. I’d really love to explore how this silent resentment is building up inside Andromeda- it’s her own choices that led her here, but self-reflection was never her strength, and it’s just easier to pin this loss on Ted, her family, really anyone but herself.
Andromeda was essentially raised in a fundamentalist cult, and she’s only just begun to really confront those implicit biases. While she can say all the right things when prompted- Ted, of course I don’t think Muggleborns are genetically inferior, would I have married you if I did?- she’s not interested in exploring any deeper. To Andromeda, being a pureblood still means something, she just can’t elaborate on what something is without revealing the blood superiority still in her heart. She works with werewolves, but she still sees them as beasts to be feared. She’d be embarrassed if her daughter was born a Squib, and she’d never let her marry a Muggle. In Andromeda’s world, these aren’t viewpoints, but indisputable truths, and she reacts to any attempts to change these truths with a laugh and a wave of an ivory hand. No point in being naive- this is just the way the world is.
WHAT ARE YOU MOST LOOKING FORWARD TO? I LOVE exploring duality within characters, especially ones seen as “good” in canon. The focus on the gray in all the skeletons really drew me in, and I would really love to write the messier parts of Andromeda.
PLOT DROP IDEAS (OPTIONAL): It would be really exciting to get to write Andromeda when the threat of Death Eaters becomes more immediate, and she begins to recognize faces under the mask. Her love for her family is still very real, and I’d love to write out that internal conflict.
ANYTHING ELSE? Nothing!
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