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luxshine · 3 years

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The Great Supernatural Rewatch Project - Salvation

I started writting this in the middle of season 13 but RL and work and some mental health issues made me take a step back from fandom in general and well, I was also fearing this would be an unending job since the series JUST.KEPT. GOING.

However, now that the series is done (And omg, what a clusterfuck that was. My tallies are going to go insane if I get there) and thus there’s an ending in sight, I will do my best to finish season 1, and try and get the rest of the seasons in a more timely manner. Say, before they do the inevitable reunion and ignore the last episode completely.

(I’m going to be honest, part of the problem was that Supernatural used to be SO good back then, and when I see the new episodes I weep a bit inside. I can’t believe they were so much better at creating story arcs when they weren’t TRYING to create story arcs)

Of course, now we all know that Dean’s plots in general will not have a happy ending no matter what, and that makes that particular tally bittersweet. But there are STILL people who claim that nope, Dean was never mistreated by the writers and well, Jack damn it, I am not going to let that claim go without bringing numbers to the table. Hopefully, it won’t take me 15 years to finish (Because by then, I would be the only one caring I guess)

In any case, last lap for Season 1 and we begin with Salvation.

General stuff

A specific reason for me having rage quitted this episode in particular for so long: For some stupid copyright thing with Netflix, they don’t have Carry On My Wayward Son as the song for the final recap –at least in Netflix Latam. And Supernatural without Carry On My Wayward Son is no Supernatural. So I had to hunt my DVDs. Then my computer DVD player died. Then I decided to make 5 webcomics at the same time. THEN I decided to start doing illustration works, and three other projects and let’s just say I am a bit of a workaholic and leave it like that as the rest is not SPN-related.

Ahem.

Funny thing about the Road so Far –you know, besides being a LOT shorter than the ones we’re getting now- is that it focuses a lot more on DEAN at the beginning, while if you watch the show, well, we know most of those Dean scenes come from MoW episodes and not the actual mytharc. Another interesting thing is that if one believes those things to be chronological, it makes it as if the Colt had been with the brothers for a lot longer than half an episode, and that Sam’s issue with the visions is not that recent. Edition Magic everyone! Also, omg, they were babies when the series started, and how WEIRD is to see John looking at them with pride and smiling at Dean at some points.

Anyway, the recap and the epicness that is Carry On my Wayward Son ends and we start the actual plot.

Hello Pastor Jim. Goodbye Pastor Jim. And here Supernatural begins the long, long tradition of killing characters who could’ve been useful later on, and more importantly, that could’ve been the boys’s support system later on. While here it’s understandable since we need to show how dangerous and vicious Meg is –ah, irony that in about 8 seasons people will be rooting for her Redemption- it also makes the Hunters kind of useless. I mean, he has all that weaponry and only uses a knife? Sigh. Really, a waste. Pastor Jim as a concept was really intriguing –and I don’t think we’ve heard of any other hunter who was also a priest. Funny, when we have so many demons free now. There’s also the fact that when Pastor Jim claims that she can’t be in the church because it’s hallowed ground, she replies that “That might work with the minor leagues, but not with her” and I wonder… did we ever got a demon that couldn’t enter a church? Because right now out of the top of my head I can’t remember, and yet Pastor Jim was surprised but later no one seems to think it weird there were signs of demonic activity around his body. Another sign that, as engaging as the series was, once we start digging the world building, things fall apart very quickly.

Actually, if I may digress for a bit, here we have the very first look at Supernatural´s second biggest problem: killing support characters that may have been useful lately. Here it is because Kirkpe had this weird idea that Hunting would never be glamorized by the show/fandom and it would be a completely miserable and lonely existence. He also didn’t think that the series would survive past season 2. So, ok, killing the guy we only knew by throw away lines didn’t seem so bad. By season 13 every single recurring character had died at least once –and there were petitions to bring back I think every one of those who haven’t come back- it’s a big problem.

As I restarted writing, I also realized that the mere existence of Pastor Jim and his room of awesome research and weapons creates a problem in the future about the Men of Letters because… ok, so ONE member of the clerigy knew enough about demons and stuff to be a hunter and have THE Hunter as his main contact (John Winchester was sort of a legend back then. And he had also fell out of contact with many others so the fact that he and Pastor Jim were still friendly? Kind of interesting), but what about the rest? Did the Vatican have any contact with the British men of Letters or the American ones? And if so, what the hell did they think when suddenly ALL the Men of Letters disappeared? Ok, so that’s a lot of stuff that doesn’t matter right now as it won’t actually exist until much, much, MUCH latter, but see what I mean when I say that they didn’t plan anything and the lack of a series bible hurts the show more than it helped it thrive? I am realizing right now I could write a whole treaty on the Men of Letters and their non-relationship with hunters ONLY using this cold beginning and the Henry Winchester episode.

But this is not the time for that, so we get our title card and a very, VERY young Jeffrey Dean Morgan.

We move to John who is explaining off camera everything he knows about Yellow Eye´s plan. We can tell it´s not much as he thinks it came out of hibernation and that the whole attacking families is part of a cycle, but back then it was impressive how much he had managed to find out about this demon. We also know that it attacks exactly when the baby in the house is six months old, which brings us to this little jewel:

JOHN It starts in Arizona, then New Jersey, California. Houses burned down to the ground. It's going after families, just like it went after us.

SAM Families with infants?

JOHN Yeah. The night of the kid's six-month birthday.

SAM I was six months old that night?

JOHN Exactly six months.

SAM So basically, this demon is going after these kids for some reason. The same way it came for me? So Mom's death...Jessica. It's all because of me?

DEAN We don't know that Sam.

SAM Oh really? Cause I'd say we're pretty damn sure Dean.

DEAN For the last time, what happened to them was not your fault.

SAM Right. It's not my fault but it's my problem.

DEAN No it's not your problem it's our problem!

Now, in the following seasons we will know that yes, it was ALL about Sam. But right now, the characters and the viewers don´t know that. We know that a lot of families were killed by the demon (That at this point was still “The demon” and wouldn´t become Azazael until later), and that he doesn´t take the children. So… how did Sam leap from “this demon attacks families with 6 month old children” to “It´s all about ME!”? He even ignores that Dean and John lost Mary for his last line, when he decides it´s his problem and not their problem. Also, and this is important for the “Dean is the most awful person to Sam” crowd… Dean immediately tells Sam that no, it´s not his fault. While he could harbor some ill feelings against Sam –and demon Dean, 8 seasons later, will voice them- at this point he is 100% on Sam´s side. There’s also a sideway glance from John to DEAN when Sam claims that everything is about him, and then I wonder exactly why, if John knew all about the fact that the demon chased six month old children specifically, he never resented Sam over it. One would think that given John’s love for Mary and deep desire to revenge, Sam would really be the outcast and the one only treated like a soldier (as he claims he was, but not really as we’ve seen), instead of Dean who was completely blameless in the whole thing.

(Also, this is the first time we see that Azazael´s plan didn´t make much sense IF we believed that Kirkpe had everything planned. But that´s a discussion for another time)

Anyway, John interrupts the argument to explain that while he has no idea what the demon is after (Another thing that later would be contradicted as he knew Sam had powers), but that he has managed to figure out his pattern of attack to the point that it even repeated it for Jessica’s killing (Even if much, much later, we’ll learn that it wasn’t Azazael the one who killed her, and Demons would completely forego the signs when attacking. Have I mentioned I miss the times when the myths made sense?) and the three of them pack up for their first real hunt together as they decide they will save the next baby on the demon’s list, in a town named Salvation.

Important thing to note: when John recites the demon signs, Dean immediately replies “that happened in Lawerence”. He remembers, quite clearly, what happened a week before his mother died even if logistically, at his age? He wouldn’t care nor notice. Sure, he remembers his mom’s death because that was traumatic. But random cow deaths before that? Weird show.

If Sam noticed or not the signs before Jessica died, we don’t know. John is the one who points out they happened.

After two gorgeous road shots where we see John’s truck being followed by Baby (yet another thing we lost, John’s truck. I know we needed to have the guys together all the time, but man, if Sam had inherited it, they would’ve been able to cover more terrain at times, have double the arsenal and maybe not being identified by everyone and their leviathan in season 7, but I digress), and just entering Salvation John stops, obviously spooked by something. As Dean stops behind him, they find out that Pastor Jim is dead, and John got a call from another hunter named Caleb to tell him. They assume it may be the demon they’re chasing, or maybe another demon that was looking for Pastor Jim specifically but that last theory is not very probable.

Here I have to pause to applaud Jeffrey Dean Morgan’s acting, as you can practically FEEL John’s despair at knowing an old friend of him died, and that HE was probably the cause for that death. A Winchester trait, of course, blaming themselves for everything bad that happens in their world, but unlike Sam’s early outburst, here it seems far more desperate. Of course, JDM had a lot more experience than Jared at that point, but I really wanted to make a note of it because we lost a LOT of that characterization for John, where he actually WORRIED about people and not just the hunt. Even as he decides the plan for finding out what baby the demon will take in a week, we can see him broken and confused. So much that while Sam calls him “sir” when receiving orders, Dean continues the conversation by calling him “Dad”.

John then declares that this ends now, obviously feeling responsible for what happened to his friend. A long shot from the flanderized man we’d hear about in future seasons who was infamous for letting his hunting partners die without so much as a second glance.

Also, and not to be mean to the writers, but in their endless accidentally making Sam unsympathetic, they made him say that there were too many children in the county that could be a victim and that it would take forever to check all of them. While I KNOW the intent was to make clear that they had a deadline of one week, it comes out weirdly as “I don’t want to do the footwork.” Seriously, writers should be careful with that.

Actually, let’s dissect that. Because I just thought of two ways they could’ve fixed it AND give us more info.

JOHN Now we act like every second counts. There's two hospitals and a health centre in this county. We split up, cover more ground. I want records. I want a list of every infant that's going to be six months old in the next week.

SAM Dad that could be dozens of kids. How do we know which one's the right one?

JOHN We check em all that's how. You got any better ideas?

SAM No sir.

So, first way to make Sam not look that bad: Give the line to Dean. I wouldn’t like it specially, but hey, he’s the sidekick, not the hero, and so far he has only wanted to bail on ONE hunt because he wasn’t sure it was a supernatural hunt so he’d be better standing than Sam in that regard.

Second way: Make Sam say that YES, he has a better idea. Because the brothers ALREADY faced Max, so he could say they could look for a baby that was a bit “strange”, like, with poltergeist stuff going around. John could not believe him, but at least Sam would be being proactive.

In any case, they separate as John planned and we see each of them get into the hospital records. We get a glimpse of John’s collection of fake IDs, that include one for a Morgue forensic doctor, then Sam getting a homely nurse giving him files and him taking notes, and Dean… getting flirty with a very hot nurse.

And I make a point of the “Oh, look, Dean is an irresponsible womanizer” trope because once again the writers shoot themselves in the foot by showing the opposite of what they were telling (And no, this time I can’t blame it on Jensen’s acting and refusal to look at his female co-stars without respect).

WOMAN Hi. Is there anything I can do for you?

DEAN (smiling) Oh God yes.

She smiles and looks down.

DEAN (Holding up his ID) Only I'm uh....working right now, so...

The writers here make us remember that a) Dean is AMAZINGLY charismatic, as the woman IS flattered and seems interested, and b) That he will NOT dump his work for a quickie. We don’t even get a “maybe later” that could make him look as if he was really into her. It’s just that he flirts naturally, or at least, this is what we can infer now, as so far he hasn’t had any one night stand fling. The one time we saw him have a sexual encounter in the middle of a hunt was with an ex-girlfriend.

And again I have to wonder what was Sera Gamble’s intention with those scenes as yes, this was written by the same team as Faith, another episode where Sam’s good intentions tend to have a darker side, and gave Dean some amazingly cool scenes.

We don’t know what Dean says to the woman, as we cut back to Sam, coming out of the hospital just in time to have a very convenient vision of a woman, a nursery and a fire. Thankfully, the vision also comes with the useful audio hint of a train passing by, so Sam gets out his map and starts checking where that could be, which leads him to the house in his vision.

And by this point, we know we’re in the right track and this is an important Myth Arc episode, because Sam only has multiple visions in Myth Arc episodes, and he has one the moment he steps in front of the house in said vision. The gods of convenience smile upon him as right then and there a woman pushing a pram comes by, and he manages to talk to her, all friendly like by pretending to having just moved. Then Sam learns the woman’s name is Monica, her baby is Rosie, and Rosie is just six months old, exactly to the day.

Also, that she’s a very quiet baby and that it sometimes seems as if she was reading your mind. Oh, and that Monica really is blind to suspicious men asking her about her family with a face that reads “Oh shit, this is bad”.

Now, HERE is where the whole “five year myth arc” story falls completely. I mean, we already knew it was pretty unlikely it was real, given Kirkpe’s original interviews, but the mere existence of Rosie contradicts every single future story beat. Because if SHE has powers before Azazael goes into her house, then it means that the babies he was hunting didn’t get powers because of him, just that his blood either connected them (hence Sam’s very specific visions), made said powers far more powerful (quite likely), or made them a little bit more prone to violence/prideful behavior. All of those possibilities match with the plan of “raising” a new King or Queen of Hell, that would be faithful to Azazael, but are a bit iffy on the “finding Lucifer’s vessel” thing. Especially since we later learn that the Angels were also helping, and all Hell knew that Lucifer’s vessel HAD to come from the Winchester/Campbell bloodline due to Cain and Abel being the roots of said bloodline, and later pretty much everyone knew Sam was Lucifer’s vessel so the whole targeting a ton of kids, in particular after Mary’s death, is kinda weird.

Oh, Lux, you will say, it is because he wanted to hide his true intentions! No one knew that Sam had been feed demon blood!

Except that the important parties, namely Heaven and Hell, did. Michael had Heaven convinced of his orders, so even if a rogue angel found out that they were speed running the Apocalypse, said angel could be killed. And any demon who was against getting Lucifer back on top would be smart enough to keep quiet so, why the secrecy?

And again, ok, I buy the original demon blood kids being important to “hide” Lucifer’s vessel but… Rosie? What good would it do to Azazael’s plan to have a psychic 4 year old when Lucifer rose? Was “little four year old girl” a good match against a grown up hunter? What was Azazel thinking, if that was the plan all the time?

Now, I want to make clear this doesn’t make THIS episode or the Season-myth arc bad. This original “Boy King of Hell” storyline WAS good. It had a lot of potential, made sense for Sam and since it was before the days of the eternal “What is wrong with Sam?” seasons, there was no boredom of a repeat. It also set a very good question of what made a monster a monster, which would be explored a bit more in Season 2. And it was long before we realized Dean having a myth arc was a pipe dream, so there was no issue there either. It made sense.

But the fact that the writers kind of forgot about everything I just pointed out with Rosie’s scene to try and weld this to the “Heaven vs. Hell” storyline in season 4, and then just promptly forgot because Sam’s powers were then firmly connected to Azazael’s blood so they never came up again and even worse, we never find another psychic kid that could’ve been feed blood by Azazael THIS year that John was chasing him? (Since we know there were no other survivors from Sam’s generation, and later we have a scene that proves that there were no previous generations to Sam’s), it's kind of weird. Personally, I dunno about you, but maybe a return to this storyline in season 6 would’ve been a lot better than we got. Maybe.

By the way, I am not counting the Boy King of Hell story arc as a dropped plot for Sam yet, as we’re going to keep with this at least until season 3. Yes, now we know it didn’t go anywhere, but at the time, and for these episodes in particular, it was THE myth arc of Supernatural. So it can’t be counted as dropped plot yet.

In any case, Sam goes and tells John and Dean about his vision and… oh, boy do we have to move John’s reaction to Emotional Violence.

It’s not good.

But before he can do more damage to Dean’s psyche, Sam gets a call from our favorite demon, Meg. Even if he doesn’t recognize her voice immediately which is weird because a) he did throw her off a window and one would think that makes a girl memorable, and b) it’s not as he knows that many girls who would call him, despite Dean’s best efforts to get him a new girl.

Meg dismisses Sam and asks for John. She makes clear that she is not playing, that she knows he has the Colt and that he will kill every single person who has ever helped John unless he gives it to her that same day at midnight. And to the brothers’ surprise, John accepts those terms (Unfortunately not before we loss Caleb too. I have a lot less interest in Caleb as a character given that he has exactly half a line in the whole show, but it’s still it’s sad to see a guy so defiant even in the face of death go so soon).

Meg also points out that John having the Colt is a “declaration of war” which is interesting as it sort of implies that if he hadn’t gotten it, then the demons would leave him and the brothers alone. And I find that incredibly funny since… no they won’t. And Azazael would’ve been ok if Sam kept the gun anyway, given why they really wanted and once again I am putting holes on the idea that this was planned from the start, aren’t I?

In any case, John declares that Meg is a demon “or is possessed by one” which… ok? First and only time we get the possibility of a demon not using a meat suit. I don’t think this is a mistake, because after all, this is back before the guys faced demons in a normal basis so they could believe that they had their own bodies besides the ones they possessed (And, more importantly, before there was a retcon that made the brothers face and know about demons since pretty much ever). To be completely fair, as much as I love Jimmy and the whole Lucifer arc once it started to make sense… I would’ve been ok if vessels weren’t needed. It added a lot of complications and ended up making the brothers actual serial killers.

Ahem.

After that little gem of wisdom that will be ignored forever, John declares that he will be taking the gun to Meg to avoid more killing and we get another questionable line for Sam. And I am curious as to how to tally it as it’s the opposite of him wanting to leave the hunt, but it’s not that nice either:

DEAN What do we do?

JOHN I'm going to Lincoln. DEAN What? JOHN It doesn't look lilke we have a choice. If I don't go, a lot of people die, our friends die.

SAM Dad, the demon is coming tonight. For Monica and her family. That gun is all we got, you can't just hand it over.

I mean, yes, it is true that the demon is coming for Monica (Well, actually, he’s coming for Rosie, the baby, but I will let that slip pass. Sam is not interested in married ladies), and that with the gun they can kill the demon but it’s not all they’ve got. By this time, Sam has already had his big hero moment when he exorcised a plane in free fall so they could do that, then chase the demon again and then kill it.

But what is jarring is how he hears “a lot of people die, OUR FRIENDS die” and he goes “yeah, whatever, we have a mission to fulfill”.

Which is precisely what later episodes will tell us John used to do, and was the reason why John was not exactly liked by the general hunter population. And at the same time, it’s an eerie reminder of Wendigo, where Sam is willing to let innocents die (his family friends, in this particular case, just as he heard Caleb choke on his own blood) in order to get his way (revenge on the demon that killed Jess. NOT revenge on the demon that killed his mom, since at this point, Sam is still on the “I never knew that woman” train of thought).

Sure, his mind is in the hunt, and that’s commendable because yes, in the long run, killing Azazael would save more innocents (And probably stop the Apocalypse, not that Sam or the writers at that time know it), but it is still strange to see our nominal hero simply not care for his friends’ lives. I mean, at this point WE don’t know about Bobby, so the closest to a parental figure that is not John that Sam had was Pastor Jim and he just DIED.

Worst part is, this could be solved really easy: Just have DEAN be the one who voices the complaint, and have “empathic” Sam mumble that there has to be a way to save everyone (Which, of course, John will mention in a second). It would make Dean look bad, sure, but we’ve been told once and again that Dean never, EVER goes against John plans. Which… not true, ut we will talk about that later. The scene continues, and John declares that he will go to Meg alone, with a fake Colt and while Dean thinks that that won’t work, Sam has a different complaint:

DEAN Yeah but for how long? What happens when she figures it out?

JOHN I just...I just need to buy a few hours, that's all.

SAM You mean for Dean and me. You want us to stay here, and kill this demon by ourselves?

JOHN No Sam. I want to stop losing people we love. I want you to go to school, I want Dean to have a home. I want....I want Mary alive. It's just....I just want this to be over.

And oh, boy. Do this four lines again hold so much weight.

First, once again, Dean seems to be worried for John (logically, he’s their dad), while Sam is making the weirdest line in the universe sort of work because he’s complaining that John is trusting them to kill the demon, something HE wants to do and not four seconds ago was saying they had to do, as if it was John shifting HIS job to Sam. Seriously, I don’t want to think the worst of Sam but when you take out Jared’s acting, the text doesn’t do the younger Winchester’s any favors.

And finally… John’s lines that encompass pretty much Dean’s philosophy in the following seasons. “I want to stop losing people we love” is pretty telling, but what comes next? He actually WANTS Sam to go back to college and not worry about the Supernatural. He actively agrees that Dean doesn’t have a home, and WANTS Dean to have one. It’s as close as love as we’ll see from John to Dean in Season 1, and it hurts. It hurts because we can tell he knows he won’t be there to see it… and now, in hindsight with the finale having aired, we also know Dean didn’t get that. (And to be fair, this is the John who did deserve Heaven. Not the flanderized version we’d get in the future)

Although, ironically, Mary got to be alive again, so… One out of three?

(No, seriously, it’s obvious the writers didn’t even remember this speech when Season 12 hit, much less Season 15)

Ahem.

Dean is sent to get a fake Colt, while Sam and John wait for him. If they talked about anything, we don’t know, but when they exchange guns, Dean voices what we all know is true:

DEAN You know this is a trap don't you. That's why Meg wants you to come alone?

JOHN I can handle her. I got a whole arsenal loaded. Holy water, Mandaic, amulets...

DEAN Dad... JOHN What? DEAN Promise me something. JOHN What's that. DEAN This thing goes south just...get the hell out. Don't get yourself killed all right, you're no good to us dead. JOHN Same goes for you. (There is a long pause) All right listen to me. They made the bullets special for this colt. There's only four of them left. Without them this gun is useless. You make every shot count.

SAM Yes sir.

JOHN Been waiting a long time for this fight. Now it's here I'm not gonna be in it. It's up to you boys now. It's your fight, you finish this. You finish what I started. Understand?

Again, I wish they remembered all they had to get rid of demons before, you know, killing everyone willy-nilly. I mean, I don’t even think I know what Mandalac IS but hey, John says it works, it works. And once more, Dean gets a line that makes clear he is the empathic, loving brother, when it wouldn’t have hurt Sam to say it. In fact, it would make clear that no matter what, he doesn’t hate John. But nope, Sam only acts like the soldier we’re TOLD Dean is, while Dean makes clear that for him, family is more important than revenge (And boy will that come to bite him in the ass later, not in the series, but in this same episode).

Also, I have to admit. When I started this rewatch, John’s final line was just a good moment for John to start letting go of his anger. Now? After that horrid finale? It hurts so, so much. But it hurts more because I KNOW that there’s no way it was intentional. Obviously, Kirkpe didn’t know the series would last 15 years, and I highly doubt Dabb remembered this scene when writing 15x20. But even so, it ends up being Dean’s epitaph. OUCH.

In any case, the Winchester separate again, and we go into act three. Get ready for the feels.

John Winchester hunting alone is a thing of beauty. Seeing him scope the place, check the water tank and immediately think of a plan? Makes me wish Jeffrey Dean Morgan had stayed longer on the show. Sure, John became an asshole, but in this episode he’s still not that bad, we still have no episodes that make clear he didn’t care for Dean, and wasn’t textually abusive. And I am willing to bet that if JDM had stayed, John would’ve evolved more to be a Bobby-like character. But well, What ifs is not why you came to this meta for.

As John is hunting, the brothers are staking out the house were they know Azazael will attack. And while they talk and decide that they have no way to get the family out (In a nice callback to how none of their excuses ever work) we get to this little gem of an exchange:

SAM I wonder how Dad's doing.

DEAN I'd feel a lot better if we were there backing him up.

SAM I'd feel a lot better if he were here backing us up.

Where once again we see where the brother’s priorities lie, and I wonder why the hell the writers ever thought they were writing Sam as an empathic character.

Because yes, Dean is wishing he could be out there helping his Dad, proving that for him, it has always been about the family. Not the hunting, but the protecting. But Sam doesn’t want to protect John. He wants John protecting Them. And helping them in the revenge hunt, not trying to save others.

Sure, we know the brothers are there to save an innocent mother, but John is also saving a ton of hunters and people who, in the past, were nice and open to the family. And it would’ve been so much easier to make Sam look better if he instead had said “I’d feel a lot better if we hadn’t had to separate” or something like that, that proved he saw BOTH missions were important.

Seriously, I do wonder why the writers made these choices, and I wish someone had asked this at cons.

We go back to John, who, really, Is an amazing hunter even if he is a horrible father. Also, I wonder if he got ordained at a web church, in order to be able to sanctify water. That would be such a John Winchester thing to do, and I do wonder why the boys never did it too. ANYWAY, he hands the gun to Meg, and to her ally that came so that we could have a scene to prove the Colt is fake as the ally shoots Meg.

As John says, Meg was lucky the gun was fake. And once again, I do wonder what the plan was if it WAS the Colt. I mean, Meg was Azazael’s second in command. Why would nameless demon risk killing her? Or did he kinow the gun was fake?

In any case, this makes the moment where we can be 100% sure that Meg’s meat suit 1.0 was dead. I mean, she could’ve survived the fall in Shadow, but a bullet to the chest? No way.

We go back to the brothers, and Sam breaks every single law of a procedural show by giving this great speech about how thankful he is to Dean for everything, and how he needs to say that “in case” something happened.

Dean is definitely not impressed and reminds him that the only one dying today is Azazael.

As we see John temporarily escape from Meg and her muscle boy, we go back to the brothers who see the demon omens start up so they get ready for the final fight.

The brothers manage to save Monica and her baby, despite the very understandable interference from Hubbard, the husband (I mean, you would not react nicely to two strangers intruding in your house and yelling to your wife to not go into the nursery room), however, before Sam can shoot Azazel, he disappears into smoke (A really interesting question here is, WHY did Sam wait to shoot and then wasted a bullet, but I digress).

Going completely against M.O, Azazael makes the CRIB burst into flames, but fortunately Dean has already gotten Rosie out of it so the brothers escape the flaming house. While Monica cries her thanks, Sam notices that Azazael is still inside, and tries to go after him, but Dean stops him because he is not going to lose his brother to the fire. By the way, I am not counting “Dean stopping Sam from going into a burning building” as “Dean forcing Sam to do something” since, uh, he was saving Sam’s life and it’s something anyone in Dean’s place would’ve done.

At the same time, we see John getting captured by Meg and her muscle boy because he didn’t think about getting a third escape route (But honestly? That was pretty much a plot necessity. John was HEAVILY prepared for that fight)

Back in the hotel, Dean is worried that John is not answering his calls, while Sam is furious that Dean didn’t let him kill himself by running into a burning house. They have a nasty fight that mirrors the one they had back in the pilot, but since it IS a fight between the brothers, you know the drill. We’re examining it under Violence.

Once Sam calms down, he tells Dean to try calling John again. Unfortunately, it’s Meg who answers and she tells Dean that they’re never seeing their dad again.

And we get the first “To be continued” for the series (Which to be honest, despite all the little continuity mistakes I mentioned here? Is still pretty epic)

Violence

Well, we had to run out of episodes where the brothers don’t fight each other at some point, didn’t we?

This fight, over Sam wanting to kill himself in his search for revenge, is a very neat parallel to the fight they had back in the Pilot, over Sam NOT wanting to even involve himself in the family’s search for revenge. Which I know it’s supposed to be ironic and a show of character growth since now Dean is the one saying that revenge is not worth their lives but… it falls a little bit flat because the reason why Sam is so gung-ho in killing Azazael is, once again, a very selfish one and the way in he expresses it makes it quite clear. (Again, I do wonder if the writers stopped to think about the implications of Sam only getting really into hunting when it was about him or his losses?)

But let’s start at the beginning:

SAM If you had just let me go in there, I coulda ended all this.

DEAN Sam, the only thing you would have ended was your life.

SAM You don't know that.

DEAN So what, you're just willing to sacrifice yourself, is that it?

SAM Yeah. Yeah you're damn right I am.

DEAN Well that's not going to happen, not as long as I'm around.

This right here? Is a nice summary of the relationship of the brothers for the whole series. Sam wants to do something stupid, like, say, running into a burning building, Dean is there to stop him before he hurts himself.

Also, let’s make clear the use of first person by Sam. It’s not “We coulda ended this”, as in the family ending the hunt, but “I coulda ended this”. Again, at this point, not something that is a problem, but considering hindsight, we can see how the writers are completely invested in SAM as a sole main character, and write him as such, while Dean is more of the sidekick.

In any case, the argument continues, still not escalating to violence.

SAM What the hell are you talking about Dean, we've been searching for this demon our whole lives. It's the only thing we've ever cared about.

DEAN Sam I wanna waste it. I do. Okay? But it's not worth dying over.

SAM What?

DEAN I mean it. If hunting this demon means getting yourself killed then I hope we never find the damn thing.

Important thing how Sam apparently forgot he left for four (two) years and wanted out of the family business, now that he is angry and into the revenge thing. It’s not “You’ve been searching for this demon your whole life”, which would’ve been correct AND a logical counterargument against Dean. Before this episode, Sam was supposedly the brother who understood that revenge was a way of living, while Dean is the one who was Daddy’s little soldier. But here, when it actually would matter to the narrative, it is as if Sam’s wishes for a normal life are completely forgotten and it’s Dean the one who understands that there’s more to living than revenge (Which, btw, is consistent through the season despite everyone claiming that Dean needs Sam to keep hunting. All season, Dean has been giving Sam outs, telling him it’s ok to quit)

And of course, Dean here proves that Sam is more important to him than revenge for his mother, as he is willing to never get to kill the demon as long as his family, his brother in particular, survives.

Poor Dean.

SAM That thing killed Jess. That thing killed Mom.

DEAN You said yourself once, that no matter what we do, they're gone, and they're never coming back.

SAM Don't you say that, not you! Not after all this don't you say that.

DEAN Sam look. The three of us...that's all we have...and it's all I have. Sometimes I feel like I'm barely holding it together man...and without you or Dad....

Unfortunately, script doesn’t quiet convey the scene as there’s a LONG pause between “That thing killed Jess” and “That thing killed Mom”. Enough so that we can believe that Sam is using that second phrase not because he cares (in the Pilot he made clear he didn’t), but to make Dean get on board with the whole “I can kill myself if it means getting revenge” plan. In other words, once again, Sam is weaponizing Mary against Dean, and that is a really nasty habit the younger Winchester never quite shakes out of. Instead, Dean shows how he LISTENED to Sam back in the Pilot and repeats Sam’s words to him on the bridge.

Which is when Sam loses it and pushes Dean against a wall, Dean not defending himself at all, and yells that Dean has no right to say what Sam told Dean the very first hunt they had together after years of separation.

And of course, once Dean mentions their father, Sam starts calming down. NOT when Dean says that he’s barely holding it together, or that he only has them. Just when he mentions their father who is, in Sam’s mind, the one who can help him get revenge.

The fight ends, but Sam never once apologizes for what he said to Dean, nor for the fight. Which, by the way, contradicts his claim that Dean “always has his back”.

Emotional Violence

Whenever we have John on an episode, we’re going to have to talk about emotional violence and I kind of hate that because on one hand, I get how John could’ve been a very tragic figure that loved his sons but still wanted to avenge his wife, and not being the abusive bastard we know and don’t love that much.

When Sam and Dean explain about Sam’s visions, and how they started as nightmares but have grown in intensity, his reaction is quite subdued, but clear. He is not happy, but the problem isn’t the visions –for a man obsessed with the supernatural, his outward reaction to his younger son being a psychic is quite calm- but that they didn’t inform him of what was going on:

JOHN All right. When were you going to tell me about this?

DEAN We didn't know what it meant.

JOHN All right, something like this starts happening to your brother, you pick up the phone and you call me.

DEAN dumps the coffee jug and cup back on the counter and strides toward JOHN.

DEAN Call you? Are you kidding me? Dad I called you from Lawrence all right? Sam called you when I was dying. I mean, getting you on the phone? I got a better chance of winning the lottery.

JOHN You're right. Although I'm not too crazy about this new tone of yours, you're right. I'm sorry.

And let’s be clear, John’s anger is not directed at Sam, it’s directed at Dean. “Something like this starts happening to your brother” is not “Something like this starts happening to either of you”. Which is also a show of how good an actor JOHN is in universe because WE know that he knew. Missouri TOLD him point blank that Sam was powerful and that he could have known that John was around during the Home episode. But here, he acts as if this was news to him when he could ALSO have told them what to expect if that happened. (Mind you, I am assuming that Sera Gamble knew or remembered about Home’s script when writing this and didn’t just forget or was unaware that John was supposed to know)

Now, all season, Sam has been complaining and yelling about how John doesn’t answer their calls, doesn’t seem to care what’s going on with them. So it’d be logical and in character for Sam to say something here. But instead is DEAN, Dad’s little soldier, the one we’ve SEEN obeying John without question finally have enough and talk back to his father with some truths. And it’s VERY interesting that his first complain is not that John didn’t care that Dean almost died, but that he didn’t reply when Dean called from Lawrence. One could almost infer that Dean expected John not to care if Dean died, but was honestly hurt that he didn’t care about a case that could’ve involved MARY.

John, surprisingly, sort of agrees. He does say “I’m sorry”, which makes him the Winchester who is quicker to say those words… but he still manages to make a threat against Dean “I am not too crazy about this NEW tone of yours”.

Making it clear that before? Dean never talked back. And John doesn’t like it when his soldiers talk back.

It makes it hard to believe John ever thought of Dean as his son and makes it very clear why Dean never understood Sam’s confidence that Dean was the favored one.

Speeches and Apologies

I considered not including this particular speech, but then I remembered that Supernatural is ALSO famous for their big emotional speeches, and this is Sam’s first, and also, Dean’s first time listening to someone he cares about give him the “I am saying goodbye because I am going kamikaze” speech and after all the drama in season 15, I guess it’s necessary to do some dissection.

It is important that despite all the things that Sam has done to Dean, the words “I’m sorry” are never uttered here.

SAM Dean...ah...I wanna thank you. DEAN For what? SAM For everything. You've always had my back you know? Even when I couldn't count on anyone I could always count on you. And ah...I don't know I just wanted to let you know, Just in case DEAN Whoa whoa whoa, are you kidding me? SAM What? DEAN Don't say just in case something happens to you. I don't wanna hear that freaking speech man. Nobody's dying tonight. Not us, not that family, nobody. Except that demon. That evil son of a bitch ain't getting any older than tonight, you understand me?

This is not a bad “freaking speech”. I understand why Dean didn’t want to hear it, because it is like jinxing the mission (And, let’s be honest, it did), but it’s not a bad speech.

Except that, reading it again, it lacks one important part. Sure, Sam thanks Dean for always being there (Forgetting that, at least three times this season alone, he has accused Dean of not having his back and being unreliable. Which will ALSO be a constant theme in the series’s long run), but he never mentions the times HE did things that would be hard to back up. Which, again, I am not counting as a bad thing against him in this precise moment in time, since he is young, in his roaring roadtrip of revenge, and we’ve only know the brothers for a year, but it is the beginning of a series’ long crutch to make us forgive all of Sam’s sins without him actually doing the work to be forgiven.

On the other hand, it all goes to waste a bit later when Sam starts hitting Dean for the horrible sin of not letting him run into a burning building and kill himself so… it’s not really a “thank you for having my back” speech but a “You better remember, you never fight me and my choices are the best” speech in hindsight. Which… not good on Sam, no.

Double narrative standards

This episode is kind of balanced, except for that little moment where we’re supposed to think Dean is wrong for telling Sam that revenge is not worth their lives. So there’s not much to write in this particular segment.

Final Tally

Ok, back in the saddle. And after all that, I decided not to tally Sam’s little slip about not caring if their loved ones die as long as he gets to kill Azazael. Let me know if you disagree.

The count is still not good on Sam’s side, but as always, you are free to disagree with me, and dm me if you think I missed a tally or I should change one. If your argument is solid and canon based, I will listen to it and may change the numbers.

Numbers (or the TL;DR summary)

(Episode/Total so far)

Times Dean has lied to Sam or to a loved one: 0 / 0

Times Sam has lied to Dean or to a loved one: 0 / 3

Times Dean has been caught in a lie: 0 / 0

Times Sam has been caught in a lie: 0 / 1

Times Dean has hit Sam in anger: 0 / 1

Times Sam has hit Dean in anger: 1 / 4

Times Dean's lies or secrets have caused someone's death: 0 / 0

Times Sam's lies or secrets have caused someone's death: 0 / 1

Times Dean has abandoned (Or wanted to abandon) a hunt in the middle for his own needs: 0 / 0

Times Sam has abandoned (Or wanted to abandon) a hunt in the middle for his own needs: 0 / 7

Times Dean forced Sam to do something: 0 / 0

Times Sam forced Dean to do something: 0 / 7

Secrets kept by Dean: 0 / 1

Secrets kept by Sam: 0 / 2

Times Dean has blamed Sam for something: 0 / 0

Times Sam has blamed Dean for something: 1 / 4

Times Dean has apologized with words to Sam: 0 / 3

Times Sam has apologized with words to Dean: 0 / 2

Times Dean has respected Sam's boundaries and/or rules: 0 / 7

Times Sam has respected Dean's boundaries and/or rules: 0 / 0

Times Dean hasn't respected Sam's boundaries and/or rules: 0 / 0

Times Sam hasn't respected Dean's boundaries and / or rules: 0 / 13

Times Dean has made fun of something Sam does or has: 0 / 6

Times Sam has made fun of something Dean does or has: 0 / 31

Times we focus on Dean's needs: 0 / 1

Times we focus on Sam's needs: 1 / 6

Arc episodes dedicated to Sam: 1 / 7

Filler episodes dedicated to Sam: 0 / 6

Arc episodes dedicated to Dean: 0 / 0

Filler episodes dedicated to Dean: 0 / 4

Arc episodes dedicated to both brothers (or to none): 0 / 2

Filler episodes dedicated to both brothers (or to none): 0 / 2

Dean's Dropped Plotlines: 0 / 1

Sam's Dropped Plotlines: 0 / 2

#Supernatural rewatch project #Salvation #Dean Winchester #Sam Winchester #not very Sam positive #John Winchester #Season 1 #Season 1 episode 20 #SPN #Supernatural meta

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weconqueratdawn · 7 years

Text

#fannibalselfrec event - Hannibal season one

Thanks to @hannibalficwriters for organising this, I’m looking forward to checking out everyone’s recs :)

I nearly decided not to take part - I have problems with self-reccing, especially when I think something has received ‘enough’ attention. It just seems greedy. But that’s a) stupid and b) I have a story I want to tell about the writing of this fic.

I have literally only one (1) which qualifies. Others have strayed too far into AU-land to count as taking place in S1. That fic is *drumroll*:

Cathexis

Hannibal/Will ~ 57k words ~ Explicit

A Season 1 BDSM AU

Summary: What if Hannibal's sadistic tendencies only find expression through consensual BDSM relationships? Set in a Season 1 AU where Will is allowed to continue teaching, relatively undisturbed by Jack, and seeks Hannibal's professional help of his own accord.

The story I want to tell is how I went from not even thinking about writing, to writing something which juuussst about qualifies as a short novel (if we go by word count) in the same bound. (And how you can too! No, just kidding - I hate those kinds of terrible advice blogs. But stick with me, there’s things in this story which might be relevant for anyone reading.)

Before this fic, I wasn’t writing. Anything. Not only that, but I wasn’t even a frustrated writer who wanted to write but couldn’t. The idea of writing had never occurred to me. Sure, I was a frustrated creative person - I have been all my life, even since I was a very small child. Just before this fic, I had been studying fine art with a load of other adult learners and trying to engage with the contemporary arts scene in a fairly amateurish but genuine way. I would have described myself as an artist. My creative friends are sculptors and printmakers and painters. We had just finished putting on a group exhibition - just to see if we could - and were thinking vaguely of other things we might do together in the future.

Enter fandom. I had come to Hannibal post-cancellation and watched all three seasons breathlessly, then wandered around Tumblr reading meta and finding great fic and thinking WHY OH GOD WHY ARE THEY LIKE THIS in a way which is familiar to anyone who has just Found Hannigram.

My gf is a fandom-savvy individual and we usually talk about our obsessions, whether they're shared or not. We came up with something which we found funny and which you most likely won’t - after steeping ourselves in Hannibal's god-complex we thought it would be hilarious to reduce him down to a common-or-garden bedroom sadist. He would make bad bondage puns and have a dungeon instead of a murder basement. Lololol etc. I even went so far as to refer to this as Fifty Shades of Graham, which if you know me, demonstrates how un-serious I was about it.

I DID NOT INTEND TO WRITE THIS is what I am trying to say. It was a joke, a bad one, and a private one. I never intended to be a writer* at all.

Because apparently, unbeknown to me, that’s what I’ve been all this time. Secretly, under the surface somewhere. And what I think is this: I just wasn’t ready to be a writer before. I wasn’t ready to discover this about myself. The things that I did before - all the visual art, all my academic studies and crap jobs - all have, in differing and subtle ways, all fed into this part of me which wasn’t ready to come out yet.

And I also think that this is happening to all of us. It’s just as true for you as it is for me. We all have hidden pockets of potential, things even the most self-aware of us do not know about, or refuse to look too closely at. Those pockets might not lead directly to anything life changing, they may be paths to other, deeper and more difficult to find pockets. Or simply to activities and interests we find enjoyable, a way of doing something just for ourselves or of meeting people we need in our lives.

A wise person on the internet said “follow the rabbit-holes”. They all lead to the same place anyway, and the easiest path there is the one of least resistance. Follow that strange tug, dive in, see where it leads you without worrying about the destination. You might end up being very surprised.

*It took me maybe six months to start to feel I could use the hallowed word Writer when talking about myself, and now I can even tell complete strangers this without blushing and feeling like a fraud.

18 months later and I can't imagine not planning all my not-work time around writing - I think about it constantly. It nags at me when I’m prevented from doing it by other commitments. My weeks and weekends are based squarely around which project I'm working on and how much time I have until that deadline, self-imposed or not. I have so many projects lined up they are constantly being juggled and re-ordered so I can try to maximise my available writing time in the most effective way. I’m even looking beyond fandom and beginning work on an original novel. And it all started with this fic.

For the really curious, here is how Cathexis got written (under the cut):

I read even more fic (really amazing and intimidatingly good fic too) and even more meta and I thought more and more about Hannibal and Will’s complex dynamic. The BDSM AU became less of a joke and more of a place where that could be explored without getting too tangled up in the difficulties of Will’s relationship with Hannibal. I thought about it often. There was so much discussion and activity in the fandom that the idea of putting down your feelings in the form of a story didn’t seem so strange.

But still, it didn’t seem like that was the route for me. Until, one morning after Christmas, I woke up with dialogue in my head (those moments just before and after waking are so good for weird happenings like this). I didn’t move, didn’t do anything at all, before I wrote it down on my phone. It felt like a strange thing to do at the time - trespassing in a place I didn’t quite belong. It was a compulsion. I just knew I had to do it.

I had no idea if more would follow or if I even wanted more to follow. But more did. I wrote that down to, in the same place (which, by the way, was the note app *not* anything as official as a Google Doc - the very idea :0 !!)

It took me maybe three-four weeks of this to brave the idea of doing something with the snatches of dialogue and scattered notes which had built up. They had become pieces of a puzzle which I needed to solve - until then, I knew I wouldn’t find any peace.

I had been talking with @wraithsonwingsposts about the show and had encouraged her to work on a fic idea she had been playing around with. She returned the favour and was so fantastic and supportive all the way through - and therefore, this is all her fault, as she already knows ;)

The rest of the story was the same for anyone undertaking a piece of writing - one word at a time, much time staring at a blinking cursor, a lot of editing. But overall, I think what got this written and completed was keeping my aims simple. The were 1) see it through to the end (i.e. solve the puzzle), and 2) try not to make a complete tit out of myself.

I know for certain I hit one of those goals.

**************************************

Bonus: for the very-very-very curious, here is the original and un-edited version of the I wrote that morning (a version of which appears in Chapter 8), and the first thing I wrote since school:

"What kinds of things do you say when you... afterwards?" "I thought you found it too difficult to hear?" "I want to know. I can catch the odd word, but the way you say it... I like the way you sound." Hannibal hesitated for a tiny moment. Will smiled and said, "I thought it was for my benefit only you don't say it in English." Hannibal sighed and conceded, "Perhaps it's easier, sometimes." He moved closer to Will, made it almost impossible for Will to escape from what Hannibal had to tell him, and to study his face as he spoke. "I call you my darling, my lovely Will, so precious to me. I tell you how beautiful I find you, how complete my desire is and how abandoned you make me. I tell you that you are mine and belong to me, that I shall never leave you, that you have made me yours. I praise you, for being so very good, for indulging me, and for indulging yourself also. I tell you that you deserve it, and more, and I tell you I love you." Will went very quiet, almost not breathing. He had known what to expect but to hear it stated so simply was almost too much. Hannibal continued to look steadily at him, waiting. Will turned over suddenly, so he no longer could watch Hannibal's face, and pressed himself back into his body. Hannibal moved to accommodate, folding him arms around him and holding him tight. He brought his legs up so his thighs pressed into the back of Will's, and his ankles tangled with Will's also. They lay there for a few moments without speaking, bodies perfectly aligned. Will felt safe again. "If you wish to explore these issues, I have a suggestion. There are things you could wear, even in public, which could serve to remind you of my possession. Something more concrete than a bruise or a bite mark." Will considered how it might feel to have such a reminder, one he could feel wherever he was. An image came to him of a collar made of plain but good quality leather. It could be concealed under his shirts, especially if he wore ties. It would be slim but solid, with one heavy buckle to fasten it. He could almost feel it's weight resting on the back of his neck, like Hannibal had placed his hand there. Will opened his mouth to speak and then realised Hannibal was holding and touching his hand gently. The gesture was so soft and specific that Will had to look, to watch Hannibal's hands. Realisation dawned on him. Hannibal was meditatively rubbing small circles up and down in between the second and third knuckles of his third finger on his left hand. Will turned over to catch Hannibal around the shoulders and demanded, "Did you just ask me to marry you?"

Cathexis on ao3

#fannibalselfrec #hannibalficwriters #hannigram #hannigram fic #hannibal #my fic #cathexis #wow that was a lot of words about me #:0 #writing stuff

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