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#alice bloomfield
heavnarchive · 2 months
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KIKO KOSTADINOV GLASS NECKLACE - $195
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cinnamonchaos · 4 months
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illustration by alice bloomfield 🤍
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cryingonthefreeway · 10 months
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111thfloor · 2 years
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alice bloomfield 
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Biig Piig - Roses and Gold
Track 1 - No Place for Patience, Vol. 3 (EP) - 2019
instagram: @ biig_piig
twitter: @ biigpiigmusic
animation by Alice Bloomfield (instagram: @ bl00mfield)
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waterlubes · 1 year
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Alice Bloomfield
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nevver · 2 years
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Alice Bloomfield
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mementomoriiv · 1 year
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Alice Bloomfield - New Phone
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itsalibabi · 1 year
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Tell yourself you love you💝
Top: Savagexfenty Savage X Alice Bloomfield Corset
Pants: Fashionnova Hard Candy Parachute Pant - Lavender
Bag: JW PEI Abacus Faux Fur Top Handle Bag - Pink
Ear rings: prettylittlething Lilac Rope Twist Triangular Hoop Earrings
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if-you-fan-a-fire · 9 months
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"Femme blessée par des "zoot-suiters" durant une danse en plein air," La Presse. August 11, 1943. Page 3. --- La police songe à interdire les danses dans la rue à la suite d'un combat survenu hier dans le parc Extension entre danseurs et "zoot-suiters". --- Il semble facile de prévoir des maintenant que nos arrières-petits fils ne porteront pas de "zoot-suit". du moins si l'on en juge par les réactions belliqueuses que provoque chez nombre de nos concitoyens la vue de ces costumes baroques.
Les "zoot-suiters" sont mal cueillis partout. Dans les tramways, les voyageurs les tournent en dérislon. Dans les salles de danse, on les conspue quand on ne les flanque pas tout simplement à la porte.
Les "zoot-suiters" ne se laissent pas décontenancer par cette hostilité ouverte. Alors qu'il leur serait si facile de retourner à leurs complets ordinaires, ils s’entêtent dans leurs extravagances et veulent apparemment et du même coup venger leur honneur et reconquérir leur place au soleil.
Ainsi, hier soir, avait lieu à l'intersection des rues Ogilvy et Champagneur, dans le parc Extension, une danse à ciel ouvert groupant un millier de jeunes gens, mais dont les "zoot-suiters" étalent formellement exclus.
Cet ostracisme n'est pas nouveau. Il remonte a plusieurs semaines. Ainsi, il y a quelques jours, quand ces excentriques avalent tenté d'enfreindre la défense, les danseurs et ac-les soldats les avaient chassés à coups de pieds et à coups de poing. Mais hier soir, les opprimés ont décidé de revenir en force et de relever l'affront.
Le complot découvert Heureusement, entre-temps, les autorités de la police municipale avaient eu vent de l'affaire et dans le but de prévenir tout désordre elles avaient posté sur les lieux une escouade de 15 policiers sous les ordres du sergent Alfred Goyer, secondés par plusieurs policiers militaires et des membres du C.P.C. La soirée semblait se dérouler sans anicroche, quand, vers 10 h., un auto "zoot-suiters" a fait irruption dans la fête. L'incident n'a duré qu'une minute. Avant même que les policiers eussent le temps d'intervenir, de vifs coups de poings étalent échangés et une femme recevait un "swing" sur la lèvre supérieure.
La victime, Mme Alice Kenworthy, 44 ans, 7028, rue Bloomfield, a été immédiatement secourue par l'agent Ethier, du poste no, 11. Elle a refusé de se rendre à l'hôpital. Elle a réintégré son domicile avec son mari.
Leur coup fait, les "zoot-suiters" ont vivement regagné leur voiture et sont disparus en vitesse. La police n'a effectué aucune arrestation. quoiqu'elle aurait obtenu le nom de l'un des présumés assaillants,
Les autorités de la police municipale, pour mettre une terme défini- tif à ces excès, aurait l'intention de supprimer les danses dans la rue. Elle n'a pas ajouté qu'elle aimerait bien également à supprimer les "zoot-suits".
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mi6021juliasloma · 4 months
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I've been a fan of Alice Bloomfield's animation and art style for a while. I find it very striking, enagaging and unique. I love how the characters look beautiful, yet strange and other-worldly.
also as a side note and a little bit of a "what a small world!!!!" moment: around a year ago (after silently admiring and liking her posts on instagram since like 2020) i found out she's actually best friends back from uni days with one of my good pals, an ex manager at a bar i used to work at :')
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heavnarchive · 2 months
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KIKO KOSTADINOV BIB BABY TEE - $95
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cinnamonchaos · 1 year
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Absolutely feral for Alice Bloomfield’s illustrations, her style is insane!
As self described her art style as “opulent, perturbing and sleazy”, go and check out some of her other work at the link http://alicebloomfield.co.uk/index.html or on her ig @ bl00mfield
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cryingonthefreeway · 10 months
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Biig Piig - Switch
Switch (Single) - 2020
instagram: @ biig_piig
twitter: @ biigpiigmusic
animation by Alice Bloomfield (instagram: @ bl00mfield)
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cyarskaren52 · 6 months
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rockhall
“There were some great people I was involved with and good times that I had, so what more could you ask for?” – Al Kooper upon his induction announcement. Kooper played a vital role in bringing some of the most noteworthy roots-based rock musicians of the 1960s and 1970s to the world stage, and his work as a songwriter, session player, and producer places him among the giants of popular music.
Al Kooper
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A massive influence on American music, composer, multi-instrumentalist, singer, arranger, and producer Al Kooper has collaborated with the biggest names in rock & roll. Kooper began his career as a teenage session musician with the Royal Teens while also apprenticing as an audio engineer and working with the songwriting team of Bob Brass and Irwin Levine – the latter of which yielded the 1965 Number One hit “This Diamond Ring” by Gary Lewis and the Playboys. That same year, Kooper was invited to watch a Bob Dylan recording session, and within hours, he ended up improvising the signature B2 Hammond organ riff on “Like a Rolling Stone,” performing alongside blues guitarist Mike Bloomfield. Kooper’s friendships with Dylan and Bloomfield resulted in several performance opportunities, including Dylan’s electric set at the 1965 Newport Folk Festival and 1966 album Blonde on Blonde, Super Session with Bloomfield and Stephen Stills (1968), The Live Adventures of Mike Bloomfield and Al Kooper (1969), and hundreds of other records with the Rolling Stones, the Who, John Lee Hooker, the Jimi Hendrix Experience, Alice Cooper, Cream, Tom Petty, and Joe Walsh. Kooper also produced records and albums for three of the four Beatles as solo artists, B.B. King, the Tubes, and the E Street Band’s Nils Lofgren; signed the Zombies with Columbia and Richard Thompson with PolyGram Records; and founded his own record label, Sounds of the South, where he discovered Lynyrd Skynyrd and produced their seminal work. 
Kooper is perhaps best known for his work with bands the Blues Project and Blood, Sweat & Tears. Kooper joined the Blues Project in 1965, whose fiery performances cemented the 1960s urban blues sound. Kooper’s jazz instrumental composition “Flute Thing” from 1966’s Projections was later sampled by the Beastie Boys in “Flute Loop” from their 1994 album Ill Communication. Kooper’s music has also been sampled by Jay-Z, Pharcyde, and the Alchemist, among many other hip-hop artists. In 1967, Kooper left the Blues Project to form Blood, Sweat & Tears with guitarist Steve Katz. The band’s debut album Child Is Father to the Man featured enduring songs like “I Love You More Than You’ll Ever Know” and “I Can’t Quit Her.” Kooper’s role was crucial, crafting the horn-heavy blues-rock sound and contributing keyboards, guitar, and vocals.
Al Kooper played a vital role in bringing some of the most noteworthy roots-based rock music and musicians of the 1960s and 1970s to the world stage. His work as a songwriter, session player, and producer places him among the giants of popular music. 
Selected discography: 
Gary Lewis and the Playboys, “This Diamond Ring” (1965) • Bob Dylan, “Like a Rolling Stone,” Highway 61 Revisited (1965) • Blues Project, “Flute Thing,” Projections (1966) • Blood, Sweat & Tears, “I Love You More Than You’ll Ever Know,” “I Can’t Quit Her,” Child Is Father to the Man (1968) • The Live Adventures of Mike Bloomfield and Al Kooper (1969) • Rolling Stones, “You Can’t Always Get What You Want,” Let It Bleed (1969) • Lynyrd Skynyrd, “Free Bird” (1974) 
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