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#aka: capella and eva
haharuspex · 7 months
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one of my fave moments in haruspex's route so far is chilling in capella's place on day 1 cuz 1) vlad will only get back at 11 am aka in two-three hours 2) health is at fucking minimum and if i go out someone will def wreck my shit right off the bat 3) her bed is available to rest in
kind child please let a bloodied fucked up stranger nap in your bed for a bit until your dad comes back i need it so fucking bad
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mitamicah · 9 months
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Stories from summer camp pt. 11
This is part 11 of my stories from summer camp series - for better context you can check out
Masterpost | Previous part | Next part
11) Mission Cha Cha Cha week two: how I used my special interest to my advantage in a studio setting
I’d already explained how I tried to get people to play Cha Cha Cha with me the week before and how it didn’t work. Well luck would have it that the second week I’d signed up for a sound producer course where Leah, our teacher, suggested we’d make either a cover or a remix of a song so to not get lost in also writing a song while trying to record it. I immediately knew it had to be Cha Cha Cha that I’d cover.
That Sunday before the second week started I’d been up and excitingly record memos of myself explaining how to make a badass a capella intro (since very few at the camp knew the song my hope was to quickly have them learn the cha cha cha chant by singing it at them before the song even started).
Oh boy I had a lot of nervous energy and excitement to get started when we met out on the team that evening. I was honest from the get-go that I might have way too many ambitions. That turned out not to be an understatement. By the second day I still felt like I wasn’t far enough along (even though the plan was only to get started with the big project the next day) so me and Eva went to Leah and asked if we could borrow her key to get inside the sound studio to work on our stuff.
Here's where I need to clarify something. Normally all equipment would be available to us all day around yet the one room that got locked in the evening was the one I worked in. We’d been getting the short end of the stick with locations on the sound producer course by not having anywhere great to record vocals (except maybe one room that one person already had called dips on) and so we had no choice but to use the room that got locked up at night. Leah fortunately understood our concerns and locked us in. This was a free night with no event in the evening, so I used it to my advantage and recorded around 2/3 of the instrumentals. It took me until half past midnight aka five and a half hours.
  This wouldn’t be my only long night however since the next day I’d be back at the studio until 1 am recording the last part of the instrumentals. I’m glad I did that since on Thursday I wanted to record vocals and so I had to have a wip of the entire song ready to sing on top of.
Here I almost broke down again since as mentioned earlier there was no good place to record vocals, so we had to throw out the guy from the one room and that made me so uncomfortable. Then there was no microphone in the room (I managed to borrow one) and the program was an older version, so I had to convert the audio track to a wav file before being able to record. So, so many more things seemed to go wrong those first few hours. Poor Leah tried to help me in all of this but I couldn’t take it anymore: I cried some stress tears and she immediately backed off. Bless her soul, she later went with me on a walk apologizing for not realizing my stress level earlier.
From eleven o’clock and onward however, I basically got the studio for myself to record vocals (which I later learned almost drove my fellow producers crazy since all they could hear was me screaming CHA CHA CHA). I was done around diner aka 6 that evening. It got to be a long evening with open mic, so I was only back in the studio at 1 or 1.30 to record some acoustic guitar. The next morning, I didn’t go to any morning activity but went straight to the studio afterwards to record some piano.
After all of those long evenings recording, I finally had something presentable– not really as great as I wanted it but it was something – to work with at Friday only mere hours before the deadline. Leah was kind enough to help me make the kickdrum, bass and lead vocal sound great and otherwise I sprinted through a mixdown the best I could. I was done five minutes before the deadline. Had this not been my special interest I am not sure I’d been able to be this disciplined. On the other hand, maybe I wouldn’t have stressed this much either. Either way I was finally able to feel excited half an hour before the showcase started.
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