Honestly shoutout to Steven Universe for the representation of malachite and abusive relationships because it holds up really well and is still like one of the only abuse narratives I’ve seen that portrays how like. Abusive relationships aren’t as simple as “evil abusive person was constantly Mean and Bad to nice victim” like. Lapis is a realistic victim. She refused to leave the relationship because she longed to have connection with someone and she liked feeling as though she could have control for once, even though she really didn’t. She wasn’t nice and innocent, she felt anger and resentment and liked taking it out on Jasper. And despite how horrible it was, she deeply misses Jasper because it was the longest and deepest relationship she’s ever had with anyone and she didn’t know how to function without it
But Lapis is still a victim and we’re meant to care for her and understand where she comes from. She chose to stay with Jasper to keep others safe from her harm, and because she thought she herself deserved the abuse as a way of making up for everything bad she’s done. Jasper reminds Lapis over and over that she is a monster and that’s why they should be together, because Jasper is the only one who understands her. And when Lapis finally rejects their relationship, she mostly states it through what she herself felt and has done, saying that she didn’t like the person she became in that relationship and she never wants to feel like that ever again. It’s messy and complicated, just like how actual abuse is
Anyways yeah talk about a very good abuse narrative thanks steven universe
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also also the way yeah simon and wille got to be together yeah 1000% but sara and felice!! god it’s so rare for any media to portray friendship and platonic relationships as just as important if not more important than romantic. but!!!!! they were also in that car!! they were endgame too!! it just brings me such joy that this silly angsty little romance can also put such value in friendship too <3 oh young royals writers just kill me
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Lord Ras, a powerful tiger from another dimension, who is skilled in close range combat and wields an gigantic hammer: "You cannot stop me, Ninja! My master will rise and you all will be destroyed!"
Sora, reassembling her Headphones into a gun: "parry this, you f-cking casual"
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i love how fraught and complicated discourse around various utena characters ‘dying’ is when anthy is literally stabbed to death eternally by a million swords imbued with human hatred. and then utena gets stabbed to death by them also. like. ‘death’ is incredibly interesting in rgu because most of the time it’s this ambiguous figurative thing that has interesting implications re: ohtori as a closed-off world one can escape. we are all trapped in our coffins. mamiya is the only named character with a grave. nemuro memorial hall functions as one all the same. ruka is implied to have died in the hospital— was he dead all along? who was the boy we saw for these two episodes? is this dead boy the same boy, or is this just another coincidence from the shadow girls, cutting like a knife? it’s heavily implied that akio and anthy murder kanae by poisoning her, adding to the previous implication that they were poisoning mr ohtori too, but there are no perceptible consequences of this. kanae’s absence is not felt. she’s fed an apple slice. what happens to the bodies? we know what happened to the 100 boys, but what about everyone else? and so on and so forth. ‘death’ is a tricky thing in utena, i think it’s constantly functioning on figurative and literal levels in very different ways for very different purposes. dios died. dios was dying. dios didn’t die. he grew up. etc etc
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I genuinely believe the fact that so many popular Imogen/Laudna fics are no-powers AU is, if not the main cause, at least a factor in why so many people resist or even are hostile towards any interpretation of Imogen that isn't largely sweet and harmless. Like, write the fic you want, but Imogen in particular is someone so fundamentally shaped by her powers that to write a no powers AU is to write what is essentially a completely original character who happens to share her name.
I think it's made even more obviously a factor because many of those fics try to reconstruct aspects of Imogen's personality by giving her anxiety or agoraphobia (or both) but the problem is that those are purely mental illnesses, rather than something that both gives her powers and penalties (again, the X-Men problem). Some real-world mental illnesses cover the symptoms of Imogen's abilities, but none cover the abilities themselves. It's quite literally a removal of agency: they take away what she can (and frequently does) do with her powers, leaving only the negative effects on her behind while eliminating the negative effects she can have on others. No wonder there's this overwhelming push to woobify her from that corner; they've utterly defanged her and are now crying that other people who can still see her fangs (and even like them) are talking about them.
And the thing is, for all I can be negative about fanon, it is, ultimately, fine - so long one can either keep it separate in one's mind from canon or else remain in a particular fanon sandbox. But unfortunately people leave the sandbox, and when other people respond to the canon Imogen, who as of episode 81 (RIP CRStats) has voluntarily used Detect Thoughts/Open Mind 60 times and has openly stated her intent to use it specifically to know what her party members are doing in advance and theoretically prevent it, the fanfic crowd is utterly unable to react to this intelligently. The idea of Imogen they have is sweet girl with severe anxiety and a goth girlfriend. The problem is this construct exists only in their favorite fanfic writers' domestic fluff modern AU no powers setting. And frankly, I'm not interested in talking about that warped mirror version of her when I could have all the fascination, complexity, glory, and agency of the real thing.
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After almost three freaking years, I have finally finished writing The Wolf III. 😭
The bad news is now comes the painful part. editing and self-doubting and questioning every choice I’ve ever made. 🥲 But at least it’s finished!
(And then I have 13 more chapters before the story is over, but I’m choosing to focus on the slightly positive part for the time being. 🙏)
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Shinjiham is cute when it’s romantic but tbh I think i vastly prefer the idea of them being best friends instead. Like, neither of them really saw it coming and weren’t really looking to get another best friend (Shinji has Akihiko, Kotone has Junpei and Yukari respectively) but it happens anyway. Kotone takes a liking to Shinji much faster than she does anyone else and I’d say a big reason is just the fact that he’s so reserved that it allows Kotone to do most of the talking while he just listens and they love this arrangement cuz Kotone doesn’t get to talk about her own interests very much. Though I think some of her needs to talk to Shinji stems from this insecurity that he isn’t happy in the group and she has this people pleasing problem and wants everyone to be happy so she makes a much bigger effort to talk to Shinji. And it’s very unfortunate because Shinji intentionally acts cold and distant because he doesn’t want to form any attachments because he wants to die soon, but aaaaaaaagh dammit this girl just keeps talking to him and being sweet and encouraging him to engage in his interests and share them with the others and he just can’t seem to say no when she’s got those damn puppy eyes. And Kotone is just able to get him out of his shell by being persistent but not in an overwhelming way, she’s very cheerful and supportive of him. And Shinji is able to offer her support by encouraging her to talk about herself and by making sure she’s taking care of herself. They just click really well and make such a positive dent in each other’s lives and it’s all about basic acts of kindness going a long way you know?
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also would bet real and physical money eugene’s “quit being shitty and misogynistic” statement was about the people i’ve already seen giving ariel hell for the hypothetical scenario of potentially trying to work on her marriage, i personally would like to point eugene in the direction of the person who said that this meant that “ariel isn’t a victim” and let him wreak havoc
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I kinda maybe put a lot of my OC plot tag lines on a Wheel and gave it a spin so outta 79 options, it landed on "Cellphone Justice" which is... these two.
Matthew "Skittles" Mouse and Daisy Eddington
Partners in justice (of sorts). They're basically vigilantes and their orders are simply text messages. They don't really know who their bosses are but they do as they are told.
Skittles is a very mediocre guy. Doesn't stand out. The most color he has in his wardrobe is blue jeans. He's amazingly asexual and has zero interest in romance regardless of intimacy and yet he gets partnered with Daisy. The gayest lady he has ever met. Great start. She enjoys calling him fun little nicknames but seeing as they're monitored closely (via cell phones/technology) she is scolded and told to pick a single one. So she does. She dubs him Skittles. The candy as gay as her.
The one thing they have in common is their number one weakness: cute girls.
Daisy turns into a stuttering MESS of a human being. A disaster. At the mere sight of a cute girl. Skittles on the other hand is TERRIFIED of them. When asked, he simply blames his life growing up. Daisy doesn't really push the matter just thinks it's a little weird to be scared of every single cute girl (no offense to the not being afraid of her taken).
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