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haveyouheardthisband · 3 months
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Choose your fave, reblog and also share your thoughts if you wish and list any of your other faves even outside of the songs listed in the tags I would love to hear it 😊😊
Anyways have fun 😊😊 I'll posting an artist poll each day so stay tuned 😊😊
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Tracklist:
Breakaway • Since U Been Gone • Behind These Hazel Eyes • Because of You • Gone • Addicted • Where is Your Heart • Walk Away • You Found Me • I Hate Myself For Losing You • Hear Me • Beautiful Disaster
Spotify ♪ YouTube
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canmking · 7 months
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F o u r T o p s
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lilly01sworld · 20 days
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Weekend is this you?😋
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randomvarious · 6 months
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Michael Jackson 30th Anniversary Celebration (Live in New York, NY) 2001 Pop / R&B / Soul / Adult Contemporary
Been posting about the Queen of Pop over the past few days, but now it's come time for some posts about the King of Pop too. And today we have an incredible, star-studded concert from 2001 that celebrated the inimitable career of the single greatest entertainer that the world has ever known, Michael Jackson, with this commemoration of the 30th anniversary of the release of his debut single as a solo artist.
But first, some crazy background about this legendary show: originally, it had been planned as just a one-night-only affair, and was set to take place on September 7, 2001, at Madison Square Garden; but demand had become so high, that just a couple days beforehand, a second date of September 10, 2001 was added as well. And the day after that second show, Michael was actually scheduled to go to the World Trade Center for a meeting, in order to return a watch that he had used, as well as a necklace that his best friend Elizabeth Taylor had worn for the occasions too. But thankfully, for his own sake, he overslept 😳.
Now, when I said that this was a star-studded event, I *really* meant it, because you'd be hard-pressed to find a concert lineup that's ever matched the magnitude of this one. In addition to a solo set from Michael himself, and another one with his brothers from the Jackson 5—who hadn't performed together in, like, two decades—there were also electrifying performances from a total who's who of the pop, soul, and R&B industries as a whole, from both past and present: Usher, Mýa, and Whitney Houston; Billy Gilman; Shaggy and Rikrok; Monica, Tamia, Mýa, Deborah Cox, and Rah Digga; Marc Anthony; Destiny's Child; Liza Minnelli; James Ingram and Gloria Estefan; 98 Degrees, Usher, and Luther Vandross; *NSYNC; and Slash. Either they covered one of Michael's songs, sang their own hits, or performed alongside him during his sets. 
And it's a very good thing that an agreement had been reached to set up two dates for the event too, because when it came time to assemble a TV broadcast, the best performances (and crowd reactions!) from each night could just be plucked and spliced together to form one whole, magnificent show for a national or international audience. Plus, according to some folks, Michael didn't seem to be fully there on the first night either, which people who claim to have been in the know chalk up to drug use, but he dismissed as only a lack of rehearsal and his own self-consciousness. Either way, on that original September 7th date, Michael didn't bring back his patented Moonwalk for very long, but on September 10th, during his performance of "Billie Jean," he managed to fully dazzle with his repertoire of slinky, physics-defying dance moves like he was back at the famed Motown 25th anniversary show where he had originally unveiled the Moonwalk in the first place. And naturally, that 9/10 performance of the song was the one that was chosen to be included in this amazing recording here!
So, such a wonderful time capsule of 2001 in this momentous concert that took place *quite literally* just before one of the most consequential events in world history. A pair of spectacular, unforgettable New York nights, followed by one horrific, unforgettable New York day. 
More fun videos here.
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lightsofegan · 1 month
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Lights of Egan is a new songwriting/recording collaboration between myself - Cameron DeVries, and Ira Denis. We plan to release our first single, Crystal Kinda Girl, set for a tentative date of January 10, 2025. It will feature the very talented English singer/songwriter Daniel Sitch aka Cregalodon, whose recent single releases include "Bluebird" and "Tainted" (instagram @danielxsitch). Our song CKG is being produced by the skilled Nir Tsfaty, from Australia, who writes, produces, and performs a ton of his own great original music (instagram @nirtsfaty) #LightsofEgan #CrystalKindaGirl #NewMusicComingSoon
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kylieforeverandever · 11 months
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Confide In Me ▪︎ Surrender ▪︎ If I Was Your Lover ▪︎ Where Is The Feeling? ▪︎ Put Yourself In My Place ▪︎ Dangerous Game ▪︎ Automatic Love ▪︎ Where Has The Love Gone? ▪︎ Falling ▪︎ Love Will Pass You By
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Chromeo - She Knows It (Personal Effects pt. 2)
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wclassicradio · 19 days
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haveyouheardthisband · 4 months
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Vote for your fave, Reblog & share your thoughts and other faves (even outside of this list) in the tags I would love to hear it 😊😊
Check out my masterpost for the other open polls thank you & have fun 😊😊
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Tracklist:
Building A Mystery • I Love You • Sweet Surrender • Adia • Do What You Have To Do • Witness • Angel • Black & White • Full Of Grace • Last Dance
Spotify ♪ YouTube
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my-chaos-radio · 8 months
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Release: July 23, 1984
Lyrics:
I feel so unsure
As I take your hand and lead you to the dance floor
As the music dies, something in your eyes
Calls to mind a silver screen
And all its sad good-byes
I'm never gonna dance again
Guilty feet have got no rhythm
Though it's easy to pretend
I know you're not a fool
I should've known better than to cheat a friend
And waste the chance that I'd been given
So I'm never gonna dance again
The way I danced with you, oh
Time can never mend
The careless whispers of a good friend
To the heart and mind
Ignorance is kind
There's no comfort in the truth
Pain is all you'll find
I'm never gonna dance again
Guilty feet have got no rhythm
Though it's easy to pretend
I know you're not a fool
Never without your love
I should've known better than to cheat a friend (should've known better, yeah)
And waste the chance that I'd been given
So I'm never gonna dance again
The way I danced with you, oh
Tonight the music seems so loud
I wish that we could lose this crowd
Maybe it's better this way
We'd hurt each other with the things we'd want to say
We could have been so good together
We could have lived this dance forever
But now, who's gonna dance with me?
Please stay
And I'm never gonna dance again
Guilty feet have got no rhythm
Though it's easy to pretend
I know you're not a fool
I should've known better than to cheat a friend
And waste the chance that I'd been given
So I'm never gonna dance again
The way I danced with you, oh
Übersetzen in: Deutsch
now that you're gone
(Now that you're gone) was what I did so wrong, so wrong
That you had to leave me alone?
Songwriter:
Andrew J. Ridgeley / George Michael
SongFacts:
👉📖
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randomvarious · 1 year
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Today’s compilation:
Now That's What I Call Music! 6 2001 Adult Contemporary / Pop-Rock / Alternative Rock / R&B / Teen Pop / Pop / Boy Bands / Post-Grunge
Here we go, folks. Another dispatch from the most pervasive compilation series to ever grace US shores: it's the triple-platinum-selling,  #1-spot-on-the-Billboard-200-album-chart-achieving, sixth installment from the king conglomerate of repackaging contemporary chart hits itself; the one and only Now That's What I Call Music!
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Lots of fun stories behind this eclectic set of pop songs that, overall, feels like turning on your favorite top 40 radio station sometime between 2000 and 2001, but let's start with what was probably the most popular tune in the entirety of those two full years: Shaggy's "It Wasn't Me." If you've ever wondered why or how a song on which Shaggy himself doesn't really do that much came to be the signature hit of his whole career, it's because it wasn't actually ever intended to have been released as a single in the first place! Presumably, this was just a song that was to be included on his 2000 album, Hot Shot, that would serve as a showcase for another budding vocalist, Rik Rok, who sings the song's long pre-choruses, choruses, and bridge. Now, nothing substantial ever ended up materializing for Rik Rok after this song, but the story behind its global takeover started with a radio DJ in Hawaii who downloaded Hot Shot from a p2p network, like Napster, and then decided that his favorite track on it was "It Wasn't Me." He then played it on the air and received numerous requests to keep playing it, and that clamoring audience response then persuaded MCA to release it as the album's lead single, three months after the LP had already dropped.
Also, Shaggy became known as something of a heavy sampler and interpolator, with his follow-up single, "Angel," revitalizing the melody from Juice Newton's country-pop classic, "Angel of the Morning," and a popular remix of "Boombastic" using Marvin Gaye's "Let's Get It On" (I actually wrote about how we should be taking that Marvin song off of our collective sex playlists earlier this week). But something that probably slipped under some people's radar is how he just pretty much took the intro from a song that’s a bit more obscure in order to make "It Wasn't Me": "Smile Happy," by War, the band who became famous in the 70s for songs like "Low Rider" and "Why Can't We Be Friends," all of which are from the same album. Listen to that song's opening! It's basically the same!
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I don't think War or any of its members ever received a songwriting credit for "It Wasn't Me" either, but they did when One Direction's Liam Payne made his solo debut with "Strip That Down" in 2017, which interpolated Shaggy's song. So, nice to see that War finally started to accumulate some scratch from those few bars!
Next, *NSYNC's "Bye Bye Bye," the lead single from No Strings Attached that served doubly as a dynamic teen pop breakup anthem and possibly as something of a middle finger to their former manager, Lou Pearlman, as well. It's an early 2000s pop masterpiece that comes from the famed Cheiron Studios in Sweden, which gave us the brunt of all those teen pop hits that use similar production techniques and lyrics that don't always quite make sense 😅. The most iconic producer from that teen pop haven was Max Martin, but he actually wasn't directly involved with this one. Instead, other guys from Cheiron produced and wrote it: Jake Schulze, Kristian Lundin—who was also behind "Tearin' Up My Heart"—and Andreas Carlsson.
And it's Carlsson who actually first took the song to UK boy band 5ive, who had previously charted Stateside in the top 10 with "When the Lights Go Out," in 1998. Carlsson's original conception of "Bye Bye Bye" had a rap chorus on it, and 5ive ended up really despising it, so much so, that one of the members actually called security on him 😂. Apparently, 5ive had decided that they wanted to be a "rap band" and sound like Eminem, so this "Bye Bye Bye" song, despite its chorus, was very much not for them anymore. So, the tune was then later retooled for *NSYNC, who would end up taking it to #1 on Billboard's Hot 100 chart, and it then summarily became one of the most memorable songs of the early 2000s and the boy band/teen pop era as a whole. And as a result, 5ive would never chart again anywhere after 2001 😬.
OK, now for Creed’s “With Arms Wide Open.” Did you know that this fucking song, the band's only single to top the Billboard Hot 100, which also contains some utterly incomprehensible choices in enunciation from lead vocalist Scott Stapp, took home a Grammy for Best Rock Song? Unreal, right? And what might be even more unreal is the fact that notoriously cool dude Dave Grohl actually genuinely loves it, having called it one of the most amazing songs he’s ever heard! What, Dave?!
And then there's U2's "Beautiful Day," a simply epic song to buy shampoo to that marked a departure from the electronic dance experiments that the band had become known for in the 90s, and began their transformation into the most ubiquitously annoying and insufferable act in the world for the next 15 years or so. Brian Eno, Daniel Lanois, and Steve Lillywhite's production was really stellar on it, but a writer at NME wrote that John Lennon's assassin should be let out of prison so he could shoot Bono for making this one. And I mean, that's certainly a drastic measure, but then that other album wouldn't have ended up invading all of our iPhones in the 2010s, so... 🤷‍♂️....actually, I'm just kidding. Wanting people shot for making songs you don't like is unethical. Don't do that!
And lastly, I totally forgot that K-Ci & JoJo's "Crazy" even existed before I gave this album a spin today. Those guys were probably the most iconic vocal male R&B duo of the Y2K era, and were known especially for their super soulful adult contemporaryish slow jam-ballads, like "All My Life" and "Tell Me It's Real." But I don't think I'd heard "Crazy" once since it came out over 20 years ago, so, that was a total jolt of nostalgia for me, personally, right there. And I really wasn't cognizant of it at the time, but that song's also one of the first big hits to use a considerable amount of autotune on it too, long before people like T-Pain would go on to define their career with it towards the end of the decade. So, it's sort of a trailblazing song, I guess, but it was also K-Ci & JoJo's final appearance on the Hot 100 as well, so also bittersweet. And there’s another song with some autotune on here too, an early 2000s R&B classic, “No More (Baby I’ma Do Right),” by 3LW. It doesn’t use the autotune to the same extent, but it’s there in the first verse. Fantastic throwback.
So, this album was a lot of fun. Always love taking these trips down memory lane and re-experiencing, evaluating, and learning all these backstories behind these songs that I grew up with years ago 😊. Now was probably something of a nuisance when it arrived in the US because all it did was cash-grabbingly gather big chart hits onto CD, but now it's just a great collection of artifacts that document the music of bygone eras.
Highlights:
Britney Spears - “Stronger” *NSYNC - “Bye Bye Bye” ATC - "Around the World (La La La La)" Jennifer Lopez - “Love Don’t Cost a Thing” Destiny's Child - "Independent Women, Part 1" Shaggy - “It Wasn’t Me” 3LW - "No More (Baby I'ma Do Right)" K-Ci & JoJo - “Crazy” R. Kelly - “I Wish” Backstreet Boys - “Shape of My Heart” Evan and Jaron - “Crazy for This Girl” Coldplay - “Yellow” Lenny Kravitz - “Again” Fuel - "Hemorrhage (In My Hands)" Creed - “With Arms Wide Open” Incubus - “Drive” U2 - “Beautiful Day”
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