Tumgik
#Yesterday was a important day tho so fairly justified
clownsuu · 9 months
Text
Tumblr media
Mini apology doodle since I didn’t post yesterday 😔🥄🥄
2K notes · View notes
Text
i preserved in him what he needed to believe about you.
i wrote yesterday that this episode had a lot riding on it. for the most part, it delivered--mostly in anchoring both dick and slade’s arcs, expanding on the themes introduced in s2, and in firmly establishing jericho as My Favourite Forever And Ever. it was also very flawed, but in (mostly) interesting ways. let’s talk about it!
SPOILERS ahead.
1. jericho has my whole heart and then some. i think it would’ve been very easy to paint him with broad strokes--my fear was they would drag the innocence all the way to the edge of infantilisation, which, good god NO--but while he is enthusiastic and ready to believe the best of both his friends and family, there’s a sharpness to him, a kind of reckless guile, and quite a lot of unresolved and complicated feelings about father figures. 
1.25. he is obviously very proud of his father having served in the military--he’s even tangentially aware that he was experimented on, given his nonchalant attribution of his own powers to “drugs” that his father took while serving. (this awareness has to include the fact that his father definitely took a number of lives as a soldier.) even the awful assault that took away his voice and eventually his father from his life tracks with a single, knowable truth. knowing this helped him ground his own identity--the problem comes when he realises that what he’d used to build himself on was itself built on a lie. 
there is a tension, then, between his loyalty to these friends who used him but ultimately revealed the truth to him, and his desire to have that cornerstone of his life back. his compromise is to talk to his father, but only with dick’s permission; in it, he would know if his father was finally ready to be completely honest with him, and if there was more to dick’s friendship than merely using jericho to get to his father.
1.3. of course, it doesn’t exactly work that way: in the final fight at the church, there are two men who insist on their truth while pushing him to the side. in it, he sees one of them ruthlessly cut down the other, and he sees the other using his own body and life to protect him. jericho makes his choice in the end.
1.45. dick i think was absolutely right and justified in bringing jericho to a safe place where he can explore and learn to control his powers, even if dick was surprisingly blase about the potential ethical tangles of being able to possess other people’s bodies without them being aware of it. it was honestly a bit disturbing to see that hank was chosen to demonstrate jericho’s powers, given his history and the fact that he describes the experience as a “blackout”. i’m just going to assume that he would’ve come around to it eventually.
given the relative paucity of Big Bads and grand superhero battles, i’m kind of taken with the idea of the titans essentially being a support group for young troubled superheroes who need help and training and ways to ground themselves before heading back to their corners of the world. 
1.5. ultimately this episode once again drives home what should be the essential question in a show that revolves around a team of superhero sidekicks: are we destined to be what we were moulded to be? is the point of their existence to perpetuate what their mentors/fathers did? slade and jericho both struggle with this; so do dick and donna in this episode. so do rose, and jason, and rachel, and conner, and kory in the broader context of the series. the answers they find are complicated and at the cost of a great deal of pain, but the process is always interesting.
1.8. obviously jericho isn’t actually dead. i wonder what that initial dreamscape sequence was all about? is it some secret pocket dimension that jericho jumped into at the last minute when slade killed his body? is that where he’s been for the last five years?
2. dick grayson is lost. he is utterly buried under artifice and armour. i mentioned in a previous post (i think the one for 2.07) that he performs quite a bit of emotional labour for the team on top of being their leader in a tactical sense. here, he’s trying to hold it together for the team after a devastating death; he’s spearheading an effort for revenge he thought they all supported. he pulls on batman-goggles, trying to look at what he’s doing from a logical, emotionally-removed perspective, even while burying his bleeding heart as deep as he possibly can. no wonder he’s acting “like a ghost” and “burning at both ends”--it’s a terrible burden to bear. 
then the team turns around--once they’ve already gotten the info they needed, mind!--and tells him to cut jericho out of this operation; that it’s wrong and awful to have involved him at all. when he tries to do just that, he sees that he can actually help jericho as a friend and teammate, and at the urging of dawn, comes clean to him. meanwhile garth’s death and donna’s grief is still an unrelenting pressure on the back of his neck, driving him to find deathstroke at any cost--except when that cost is betraying jericho’s trust. ultimately slade nearly murdering donna is what breaks him--and he decides to follow jericho to slade anyway.
at every point he is so desperately trying to do good by everybody that he loses himself in the process. that his reward for this is being beaten up, a truckload of survivor’s guilt, and being abandoned by his closest friends is just so fucking awful. his friends are so used to his artifice and he is so used to absorbing all the blame that they think nothing of both praising him for being someone that saves people and believing he would sacrifice innocent lives for the sake of a mission in the same day.
(but this makes dick/kory so beautiful and refreshing--she has no time for his artifice and he doesn’t have to Be Someone around her. their relationship is defined by being undefined, and in that sense--at least for now--both of them find peace in the other.)
2.5. slade commenting coldly on dick’s fighting skills and the way he uses dick’s feelings for jericho to distract and defeat him makes me think that slade’s been playing this game with dick for far longer than he was aware: slade used both jericho and donna as bait to lure dick to that church, fought him in a cold, critical way undoubtedly reminiscent of a thousand sparring sessions with batman, and drove him utterly to the ground not just to prove a point to the titans and the superhero community at large but to jericho as well: this man is weak, manipulative, and ultimately a poor substitute for slade. 
2.75. who knows for how long dick wallowed in his failure, still seeing jericho take the blade that was meant for him, utterly alone? did he go back to the batcave, utterly defeated, and did he listen to bruce call him out on his mistakes? how much do you think he internalised all the terrible things he’d been told he was until he believed it all to be true? until he couldn’t live with himself and spiralled and spiralled until his self-hatred lead to outright self-destruction?
like--no wonder he completely fell apart in the present day when deathstroke showed up again. he’d just started to trust--he’d just started to build a family again. and here it is, a reminder of his biggest failure threatening to have him fail spectacularly once again. 
... this boy needs so much therapy. or at least a long nap and a series of hugs.
2.8. (that fight between him and slade tho... goddamn. even my shitty quality stream couldn’t take away from how thrilling it was to watch.)
3. dawn is... well. i know it’s been frustrating to follow dawn this season, as she’s been either non-existent or, uh, flat, but there was something interesting in the way her dynamic with dick moved and shifted in this episode. she thrills to ideals without considering the consequences of actually following those ideals. in the space of a few months, she can implore dick to act like batman, then tell him no, she was wrong to have asked him to do that, then say that she loved him for saving people and then barely days later abandon him for being a reckless sociopath who exploited innocent lives. in the present day, she can support hank in his retirement and rehabilitative process, yet still think it’s perfectly ok to go behind his back and continue being a vigilante. she supported protecting rose in the tower but still piled on dick for going off on his reckless suicide mission to try and save both jason and rose. she endorsed (and once praised) dick taking on troubled young superhero charges, yet turned around and berated him for daring to open up titans tower and “put them in the firing line”. 
i mean, for all that she takes the considerate, sensitive line in conversations, it’s almost always in contradiction to a position she’d taken earlier. it’s too consistent to be a coincidence, and i think it’s fascinating.
4. i didn’t realise amazons could be defeated and killed so easily?? who issued the contract to kill jillian in the first place and what was the “important work” they were doing in san francisco in the first place? a mystery within a mystery...
5. if this season were the draft of a story, i would go right in with a red pen and start moving around all the parts to make it flow better; excise entire passages and rewrite a few others. the pacing has been terrible, and this has meant that the younger titans--and the team we came to know and love through the first season--have gotten almost nothing to do, either plot-wise or emotionally. even if kory and gar and rachel become absolutely vital to the story in the last 4-5 episodes, it would still be a fairly significant failure, storytelling-wise.
that’s a pity because this show is packed with a stellar cast, always looks gorgeous, and is filled with genuinely insightful human relationships that are allowed to unfold in ways you just don’t see in other superhero media. just--*vibrates* a little more love and care from the people making and producing the show please!
72 notes · View notes