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heroicadventurists · 4 years

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2020 Eisner Award Nominees

Best Short Story

“Hot Comb,” by Ebony Flowers, in Hot Comb (Drawn & Quarterly)

“How to Draw a Horse,” by Emma Hunsinger, The New Yorker, https://www.newyorker.com/humor/daily-shouts/how-to-draw-a-horse

“The Menopause,” by Mira Jacob, The Believer, https://believermag.com/the-menopause/

“You’re Not Going to Believe What I’m About to Tell You,” by Matthew Inman, The Oatmeal, https://theoatmeal.com/comics/believe

“Who Gets Called an ‘Unfit’ Mother?” by Miriam Libicki, The Nib, https://thenib.com/who-gets-called-an-unfit-mother/

Best Single Issue/One-Shot

Coin-Op No. 8: Infatuation, by Peter and Maria Hoey (Coin-Op Books)

The Freak, by Matt Lesniewski (AdHouse)

Minotäar, by Lissa Treiman (Shortbox)

Our Favorite Thing Is My Favorite Thing Is Monsters, by Emil Ferris (Fantagraphics)

Sobek, by James Stokoe (Shortbox)

Best Continuing Series

Bitter Root, by David Walker, Chuck Brown, and Sanford Greene (Image)

Criminal, by Ed Brubaker and Sean Phillips (Image)

Crowded, by Christopher Sebela, Ro Stein, and Ted Brandt (Image)

Daredevil, by Chip Zdarsky and Marco Checchetto (Marvel)

The Dreaming, by Simon Spurrier, Bilquis Evely et al. (DC)

Immortal Hulk, by Al Ewing, Joe Bennett, and Ruy José et al. (Marvel)

Best Limited Series

Ascender, by Jeff Lemire and Dustin Nguyen (Image)

Ghost Tree, by Bobby Curnow and Simon Gane (IDW)

Little Bird by Darcy Van Poelgeest and Ian Bertram (Image)

Naomi by Brian Michael Bendis, David Walker, and Jamal Campbell (DC)

Sentient, by Jeff Lemire and Gabriel Walta (TKO)

Best New Series

Doctor Doom, by Christopher Cantwell and Salvador Larocca (Marvel)

Invisible Kingdom, by G. Willow Wilson and Christian Ward (Berger Books/Dark Horse)

Once & Future, by Kieron Gillen and Dan Mora (BOOM! Studios)

Something Is Killing the Children, by James Tynion IV and Werther Dell’Edera (BOOM! Studios)

Undiscovered Country, by Scott Snyder, Charles Soule, Giuseppe Camuncoli, and Daniele Orlandini (Image)

Best Publication for Kids

Akissi: More Tales of Mischief, by Marguerite Abouet and Mathieu Sapin (Flying Eye/Nobrow)

Dog Man: For Whom the Ball Rolls, by Dav Pilkey (Scholastic Graphix)

Guts, by Raina Telgemeier (Scholastic Graphix)

New Kid, by Jerry Craft (Quill Tree/HarperCollins)

This Was Our Pact, by Ryan Andrews (First Second/Macmillan)

The Wolf in Underpants, by Wilfrid Lupano, Mayana Itoïz, and Paul Cauuet (Graphic Universe/Lerner Publishing Group)

Best Publication for Teens

Harley Quinn: Breaking Glass, by Mariko Tamaki and Steve Pugh (DC)

Hot Comb, by Ebony Flowers (Drawn & Quarterly)

Kiss Number 8, by Colleen AF Venable and Ellen T. Crenshaw (First Second/Macmillan)

Laura Dean Keeps Breaking Up with Me, by Mariko Tamaki and Rosemary Valero-O'Connell (First Second/Macmillan)

Penny Nichols, by MK Reed, Greg Means, and Matt Wiegle (Top Shelf)

Best Humor Publication

Anatomy of Authors, by Dave Kellett (SheldonComics.com)

Death Wins a Goldfish, by Brian Rea (Chronicle Books)

Minotäar, by Lissa Treiman (Shortbox)

Sobek, by James Stokoe (Shortbox)

The Way of the Househusband, vol. 1, by Kousuke Oono, translation by Sheldon Drzka (VIZ Media)

Wondermark: Friends You Can Ride On, by David Malki (Wondermark)

Best Anthology

ABC of Typography, by David Rault, translation by Edward Gauvin (SelfMade Hero)

Baltic Comics Anthology š! #34-37, edited by David Schilter, Sanita Muižniece et al. (kuš!)

Drawing Power: Women’s Stories of Sexual Violence, Harassment, and Survival, edited by Diane Noomin (Abrams)

Kramer’s Ergot #10, edited by Sammy Harkham (Fantagraphics)

The Nib #2–4, edited by Matt Bors (Nib)

Best Reality-Based Work

Good Talk: A Memoir in Conversations, by Mira Jacob (One World/Random House)

Grass, by Keum Suk Gendry-Kim, translation by Janet Hong (Drawn & Quarterly)

Kid Gloves: Nine Months of Careful Chaos, by Lucy Knisley (First Second/Macmillan)

Moonbound: Apollo 11 and the Dream of Spaceflight, by Jonathan Fetter-Vorm (Hill & Wang)

My Solo Exchange Diary, vol. 2 (sequel to My Lesbian Experience with Loneliness), by Nagata Kabi, translation by Jocelyne Allen (Seven Seas)

They Called Us Enemy, by George Takei, Justin Eisinger, Steven Scott, and Harmony Becker (Top Shelf)

Best Graphic Album—New

Are You Listening? by Tillie Walden (First Second/Macmillan)

Bezimena, by Nina Bunjevac (Fantagraphics)

BTTM FDRS, by Ezra Claytan Daniels and Ben Passmore (Fantagraphics)

Life on the Moon, by Robert Grossman (Yoe Books/IDW)

New World, by David Jesus Vignolli (Archaia/BOOM!)

Reincarnation Stories, by Kim Deitch (Fantagraphics)

Best Graphic Album—Reprint

Bad Weekend by Ed Brubaker and Sean Phillips (Image)

Clyde Fans, by Seth (Drawn & Quarterly)

Cover, vol. 1, by Brian Michael Bendis and David Mack (DC/Jinxworld)

Glenn Ganges: The River at Night, by Kevin Huizenga (Drawn & Quarterly)

LaGuardia, by Nnedi Okorafor and Tana Ford (Berger Books/Dark Horse)

Rusty Brown, by Chris Ware (Pantheon)

Best Adaptation from Another Medium

Giraffes on Horseback Salad: Salvador Dali, the Marx Brothers, and the Strangest Movie Never Made, by Josh Frank, Tim Hedecker, and Manuela Pertega (Quirk Books)

The Giver, by Lois Lowry, adapted by P. Craig Russell, (HMH Books for Young Readers)

The Handmaid’s Tale: The Graphic Novel, by Margaret Atwood, adapted by Renee Nault (Nan A. Talese)

HP Lovecraft’s At the Mountains of Madness, vols. 1–2, adapted by Gou Tanabe, translation by Zack Davisson (Dark Horse Manga)

The Seventh Voyage, by Stanislaw Lem, adapted by Jon J Muth, translation by Michael Kandel (Scholastic Graphix)

Snow, Glass, Apples, by Neil Gaiman and Colleen Doran (Dark Horse Books)

Best U.S. Edition of International Material

Diabolical Summer, by Thierry Smolderen and Alexandre Clerisse, translation by Edward Gauvin (IDW)

Gramercy Park, by Timothée de Fombelle and Christian Cailleaux, translation by Edward Gauvin (EuroComics/IDW)

The House, by Paco Roca, translation by Andrea Rosenberg (Fantagraphics)

Maggy Garrisson, by Lewis Trondheim and Stéphane Oiry, translation by Emma Wilson (SelfMadeHero)

Stay, by Lewis Trondheim and Hubert Chevillard, translation by Mike Kennedy (Magnetic Press)

Wrath of Fantômas, by Olivier Bocquet and Julie Rocheleau, translation by Edward Gauvin (Titan)

Best U.S. Edition of International Material—Asia

BEASTARS, by Paru Itagaki, translation by Tomo Kimura (VIZ Media)

Cats of the Louvre, by Taiyo Matsumoto, translation by Michael Arias (VIZ Media)

Grass, by Keum Suk Gendry-Kim, translation by Janet Hong (Drawn & Quarterly)

Magic Knight Rayearth 25th Anniversary Edition, by CLAMP, translation by Melissa Tanaka (Kodansha)

The Poe Clan, by Moto Hagio, translation by Rachel Thorn (Fantagraphics)

Witch Hat Atelier, by Kamome Shirahama, translation by Stephen Kohler (Kodansha)

Best Archival Collection/Project—Strips

Cham: The Best Comic Strips and Graphic Novelettes, 1839–1862, by David Kunzle (University Press of Mississippi)

Ed Leffingwell’s Little Joe, by Harold Gray, edited by Peter Maresca and Sammy Harkham (Sunday Press Books)

The George Herriman Library: Krazy & Ignatz 1916–1918, edited by R.J. Casey (Fantagraphics)

Krazy Kat: The Complete Color Sundays, by George Herriman, edited by Alexander Braun (TASCHEN)

Madness in Crowds: The Teeming Mind of Harrison Cady, by Violet and Denis Kitchen (Beehive Books)

Pogo, Vol. 6: Clean as a Weasel, by Walt Kelly, edited by Mark Evanier and Eric Reynolds (Fantagraphics)

Best Archival Collection/Project—Comic Books

Alay-Oop, by William Gropper (New York Review Comics)

The Complete Crepax, vol. 5: American Stories, edited by Kristy Valenti (Fantagraphics)

Jack Kirby’s Dingbat Love, edited by John Morrow (TwoMorrows)

Moonshadow: The Definitive Edition, by J. M. DeMatteis, Jon J Muth, George Pratt, Kent Williams, and others (Dark Horse Books)

Stan Sakai’s Usagi Yojimbo: The Complete Grasscutter Artist Select, by Stan Sakai, edited by Scott Dunbier (IDW)

That Miyoko Asagaya Feeling, by Shinichi Abe, translation by Ryan Holmberg, edited by Mitsuhiro Asakawa (Black Hook Press)

Best Writer

Bobby Curnow, Ghost Tree (IDW)

MK Reed and Greg Means, Penny Nichols (Top Shelf)

Mariko Tamaki, Harley Quinn: Breaking Glass (DC); Laura Dean Keeps Breaking Up with Me (First Second/Macmillan); Archie (Archie)

Lewis Trondheim, Stay (Magnetic Press); Maggy Garrisson (SelfMadeHero)

G. Willow Wilson, Invisible Kingdom (Berger Books/Dark Horse); Ms. Marvel (Marvel)

Chip Zdarsky, White Trees (Image); Daredevil, Spider-Man: Life Story (Marvel); Afterlift (comiXology Originals)

Best Writer/Artist

Nina Bunjevac, Bezimena (Fantagraphics)

Mira Jacob, Good Talk (Random House); “The Menopause” in The Believer (June 1, 2019)

Keum Suk Gendry-Kim, Grass (Drawn & Quarterly)

James Stokoe, Sobek (Shortbox)

Raina Telgemeier, Guts (Scholastic Graphix)

Tillie Walden, Are You Listening? (First Second/Macmillan)

Best Penciller/Inker or Penciller/Inker Team

Ian Bertram, Little Bird (Image)

Colleen Doran, Snow, Glass, Apples (Dark Horse)

Bilquis Evely, The Dreaming (DC)

Simon Gane, Ghost Tree (IDW)

Steve Pugh, Harley Quinn: Breaking Glass (DC)

Rosemary Valero-O'Connell, Laura Dean Keeps Breaking Up with Me (First Second/Macmillan)

Best Painter/Digital Artist

Didier Cassegrain, Black Water Lilies (Europe Comics)

Alexandre Clarisse, Diabolical Summer (IDW)

David Mack, Cover (DC)

Léa Mazé, Elma, A Bear’s Life, vol. 1: The Great Journey (Europe Comics)

Julie Rocheleau, Wrath of Fantômas (Titan)

Christian Ward, Invisible Kingdom (Berger Books/Dark Horse)

Best Cover Artist

Jen Bartel, Blackbird (Image Comics)

Francesco Francavilla, Archie, Archie 1955, Archie Vs. Predator II, Cosmo (Archie)

David Mack, American Gods, Fight Club 3 (Dark Horse); Cover (DC)

Emma Rios, Pretty Deadly (Image)

Julian Totino Tedesco, Daredevil (Marvel)

Christian Ward, Machine Gun Wizards (Dark Horse), Invisible Kingdom (Berger Books/Dark Horse)

Best Coloring

Lorena Alvarez, Hicotea (Nobrow)

Jean-Francois Beaulieu, Middlewest, Outpost Zero (Image)

Matt Hollingsworth, Batman: Curse of the White Knight, Batman White Knight Presents Von Freeze (DC); Little Bird, November (Image)

Molly Mendoza, Skip (Nobrow)

Dave Stewart, Black Hammer, B.P.R.D.: The Devil You Know, Hellboy and the BPRD (Dark Horse); Gideon Falls (Image); Silver Surfer Black, Spider-Man (Marvel)

Best Lettering

Deron Bennett, Batgirl, Green Arrow, Justice League, Martian Manhunter (DC); Canto (IDW); Assassin Nation, Excellence (Skybound/Image); To Drink and To Eat, vol. 1 (Lion Forge); Resonant (Vault)

Jim Campbell, Black Badge, Coda (BOOM Studios); Giant Days, Lumberjanes: The Shape of Friendship (BOOM Box!); Rocko’s Modern Afterlife (KaBOOM!); At the End of Your Tether (Lion Forge); Blade Runner 2019 (Titan); Mall, The Plot, Wasted Space (Vault)

Clayton Cowles, Aquaman, Batman, Batman and the Outsiders, Heroes in Crisis, Superman: Up in the Sky, Superman’s Pal Jimmy Olsen (DC); Bitter Root, Pretty Deadly, Moonstruck, Redlands, The Wicked + The Divine (Image); Reaver (Skybound/Image); Daredevil, Ghost-Spider, Silver Surfer Black, Superior Spider-Man, Venom (Marvel)

Emilie Plateau, Colored: The Unsung Life of Claudette Colvin (Europe Comics)

Stan Sakai, Usagi Yojimbo (IDW)

Tillie Walden, Are You Listening? (First Second/Macmillan)

Best Comics-Related Periodical/Journalism

Comic Riffs blog, by Michael Cavna with David Betancourt, www.washingtonpost.com/entertainment/comics/

The Comics Journal, edited by Gary Groth, RJ Casey, and Kristy Valenti (Fantagraphics)

Hogan’s Alley, edited by Tom Heintjes (Hogan’s Alley)

Inks: The Journal of the Comics Studies Society, edited by Qiana Whitted (Ohio State University Press)

LAAB Magazine, vol. 4: This Was Your Life, edited by Ronald Wimberly and Josh O’Neill (Beehive Books)

Women Write About Comics, edited by Nola Pfau and Wendy Browne, www.WomenWriteAboutComics.com

Best Comics-Related Book

The Art of Nothing: 25 Years of Mutts and the Art of Patrick McDonnell (Abrams)

The Book of Weirdo, by Jon B. Cooke (Last Gasp)

Grunt: The Art and Unpublished Comics of James Stokoe (Dark Horse)

Logo a Gogo: Branding Pop Culture, by Rian Hughes (Korero Press)

Making Comics, by Lynda Barry (Drawn & Quarterly)

Screwball! The Cartoonists Who Made the Funnies Funny, by Paul Tumey (Library of American Comics/IDW)

Best Academic/Scholarly Work

The Art of Pere Joan: Space, Landscape, and Comics Form, by Benjamin Fraser (University of Texas Press)

The Comics of Rutu Modan: War, Love, and Secrets, by Kevin Haworth (University Press of Mississippi)

EC Comics: Race, Shock, and Social Protest, by Qiana Whitted (Rutgers University Press)

The Peanuts Papers: Writers and Cartoonists on Charlie Brown, Snoopy & the Gang, and the Meaning of Life, edited by Andrew Blauner (Library of America)

Producing Mass Entertainment: The Serial Life of the Yellow Kid, by Christina Meyer (Ohio State University Press)

Women’s Manga in Asia and Beyond: Uniting Different Cultures and Identities, edited by Fusami Ogi et al. (Palgrave Macmillan)

Best Publication Design

Grunt: The Art and Unpublished Comics of James Stokoe, designed by Ethan Kimberling (Dark Horse)

Krazy Kat: The Complete Color Sundays, by George Herriman, designed by Anna-Tina Kessler (TASCHEN)

Logo a Gogo, designed by Rian Hughes (Korero Press)

Madness in Crowds: The Teeming Mind of Harrison Cady, designed by Paul Kopple and Alex Bruce (Beehive Books)

Making Comics, designed by Lynda Barry (Drawn & Quarterly)

Rusty Brown, designed by Chris Ware (Pantheon)

Best Digital Comic

Afterlift, by Chip Zdarsky and Jason Loo (comiXology Originals)

Black Water Lilies, by Michel Bussi, adapted by Frédéric Duval and Didier Cassegrain, translated by Edward Gauvin (Europe Comics)

Colored: The Unsung Life of Claudette Colvin, by Tania de Montaigne, adapted by Emilie Plateau, translated by Montana Kane (Europe Comics)

Elma, A Bear’s Life, vol. 1: The Great Journey, by Ingrid Chabbert and Léa Mazé, translated by Jenny Aufiery (Europe Comics)

Mare Internum, by Der-shing Helmer (comiXology; gumroad.com/l/MIPDF)

Tales from Behind the Window, by Edanur Kuntman, translated by Cem Ulgen (Europe Comics)

Best Webcomic

Cabramatta, by Matt Huynh, http://believermag.com/cabramatta/

Chuckwagon at the End of the World, by Erik Lundy, https://hollowlegcomics.tumblr.com/chuckwagon

The Eyes, by Javi de Castro, https://www.javidecastro.com/theeyes

Fried Rice Comic, by Erica Eng, https://friedricecomic.tumblr.com

reMIND, by Jason Brubaker, https://is.gd/T7rafM

Third Shift Society, by Meredith Moriarty, https://www.webtoons.com/en/supernatural/third-shift-society/list?title_no=1703

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ianchisnall · 7 years

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A few PCC's understand their role, most are fixated with Blue Lights cos Theresa said so! The role of Police and Crime Commissioner was intended at the outset to be one which brought about coherence in the Criminal Justice System.

#Arfon Jones #David Lloyd #Faith Spear #Katy Bourne #Kim Lennon #Police and Crime Commissioner #Sussex Pathways #Tim Jones #Tim Passmore

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theblerdgurl · 6 years

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#Repost @blackcomicscollective with @get_repost ・・・ Join us TONIGHT, Thursday, September 13 for Black Gotham Experience's next Nerdy Thursday hosted by The Black Comics Collective and William "GoodWill" Ellis. There will be a Black Comics panel conversation from 6:30pm to 7:15pm featuring Tim Fielder, Micheline Hess, Regine Sawyer, William "GoodWill" Ellis, and moderated by Kamau Ware. There will be a discussion after the Black Comics Presentation from 9-10pm with Deirdre Hollman and William Ellis. RSVP: blackgotham.com/nerdy-thursday September 13th | Black Comics Night Hosted by @blackcomicscollective + @mrwilliamellis Food by @chefshamwow Music by @themysticjane #bgxnerdythursdays BGX Studio | 192 Front St. NY, NY 10038 Black Comics Panel | 6:30-7:15pm Featuring Tim Fielder @dieselfunk, Micheline Hess @ovenlandcomic, Regine Sawyer @rslockettdown, William "GoodWill" Ellis @mrwilliamellis, and moderated by Kamau Ware @blackgotham. Sarah's Fire Walking Tour + DJ Mystic Jane set | 7:30-9pm Black Comics Presentation | 9-10pm Screening Your Black Friend by Ben Passmore, Ocean Dreams: Behind The Scenes by Gregory Poole, and Children of Ether by LeSean Thomas with discussion by @deirdrehollman and @mrwilliamellis Nerdy Thursdays title sponsors. @howardhughescorp | @lmcc_nyc | @metroplushealthplan Promo Art from ICE WITCH written by Regine Sawyer and illustrated by Antonio Crespo. https://ift.tt/2Mte4OW

#Instagram #theblerdgurl

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personalcoachingcenter · 4 years

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The GROW Coaching Goal Setting Model

New Post has been published on https://personalcoachingcenter.com/the-grow-coaching-goal-setting-model/

The GROW Coaching Goal Setting Model

The GROW model (or process) is a simple method for goal setting and problem solving. It was developed in the United Kingdom and has been used extensively in corporate coaching from the late 1980s and 1990s.

Contents

1 Stages of GROW

1.1 Example

2 History

3 The GROW principle and the Inner Game

4 Limitations

5 See also

6 Notes

7 References

8 Further reading

Stages of GROW

There are a number of different versions of the GROW model.[1] The following table presents one view of the stages but there are others.[1] The “O” in this version has two meanings.

As with many simple principles, any user of GROW can apply a great deal of skill and knowledge at each stage but the basic process remains as written above. There are numerous questions which the coach could use at any point and part of the skill of the coach is to know which questions to use and how much detail to uncover.[2]

Example

The following is a very simple example of using the GROW model to achieve a goal. This example deals with weight loss. If the client wants: “To bring my weight down to 120 pounds in three months and keep it down”, that is their Goal. The more heartfelt and personal, the more meaningful the goal is to the person and the more likely they will be to commit to and achieve the goal.

The GROW approach would then be to establish the Reality by stating what their weight is now. The coach would then ask awareness questions to deepen understanding of what is happening when the client tries to lose weight, thus identifying the Obstacles. These questions could include:

When you have been able to lose weight—what made the difference?

What is the difference between the times you are able to keep weight off and the times when you put it on again?

What would have to change for you to be sure you could lose the weight and keep it off?

If the client genuinely answers these questions they will discover new information about what works and does not work for them in terms of weight loss, and create some potential for change. It then becomes possible to create some strategies or Options which get around the Obstacles. These could include looking at which diets or exercise regimes work best, or finding a specific type of support. Once the client knows the strategies that are likely to work they can establish a Way Forward which involves taking action steps. This is where they commit to what they will do in the short term to put the strategies into effect. For instance, one action might be asking a particular person for support, and another might be to buy a different selection of foods.

GROW neatly highlights the nature of a problem for coaching purposes. In order for a problem to exist in coaching terms there has to be two elements present. Firstly there has to be something that the client is trying to achieve—the Goal. Then there has to be something stopping them achieve that goal—the Obstacle(s). Using GROW automatically breaks a problem down into these component parts.

The same principles can be applied whatever goal or problem the client has. GROW can be used on technical problems, issues regarding processes, strategy questions, interpersonal issues and many more. The model can also be used by a group who are all working on the same problem or goal.

History

In a 2009 article,[3] John Whitmore claimed that Max Landsberg coined the name GROW during a conversation with Graham Alexander and that Whitmore was the first to publish it in the 1992 first edition of his book Coaching for Performance.[4] Landsberg also published it a few years later in the 1996 first edition of his book The Tao of Coaching.[5] Elsewhere Whitmore said that the model had been in use for some time before it was given the name GROW.[6] Alan Fine’s 2010 book You Already Know How to Be Great claimed that Fine had codeveloped the model with Whitmore and Alexander.[7] Other (later) similar models include collaborative helping maps in family therapy[8] and Gabriele Oettingen’s WOOP model.[9]

The GROW principle and the Inner Game

GROW was influenced by the Inner Game method developed by Timothy Gallwey.[10] Gallwey was a tennis coach who noticed that he could often see what players were doing incorrectly but that simply telling them what they should be doing did not bring about lasting change.

The parallel between Gallwey’s Inner Game method and the GROW method can be illustrated by the example of players who do not keep their eyes on the ball. Some coaches might give instructions such as: “Keep your eye on the ball” to try to correct this. The problem with this sort of instruction is that a player will be able to follow it for a short while but may be unable to keep it in mind in the long term. So one day, instead of giving an instruction, Gallwey asked players to say “bounce” out loud when the ball bounced and “hit” out loud when they hit the ball.

The result was that the players started to improve without a lot of effort because they were keeping their eyes on the ball. But because of the way the instruction was given they did not have a voice in their heads saying “I must keep my eye on the ball.” Instead they were playing a simple game while they were playing tennis. Once Gallwey saw how play could be improved in this way, he stopped giving instructions and started asking questions that would help players discover for themselves what worked and what needed to change.

The GROW method is similar. For example, the first stage in the learning process would be to set a target which a player wants to achieve. If a player wanted to improve their first serve Gallwey would ask how many first serves out of ten they would like to get in. This is the Goal. The Reality would be defined by asking the player to serve 10 balls and seeing how many first serves went in.

Gallwey would then ask awareness-raising questions such as “What do you notice you are doing differently when the ball goes in or out?” This question would enable players to discover for themselves what was changing about their mind and body when the serve went in or out. They had then defined their Obstacles and Options. They therefore learned for themselves what had to change in order to meet their serving targets and they had a clear Way Forward.

The originators of both the Inner Game method and the GROW method suggested that many individuals were struggling to achieve goals because they were not learning from experience and were not aware of the available knowledge that would help them.

Limitations

Jonathan Passmore and Stefan Cantore suggested in 2012 that one “argument against behavioural-based approaches such as GROW is that their goal nature excludes the potential to explore philosophical aspects of life. Thus GROW may be suited to working in goal-directed areas of sports or business, but may be less well suited to careers conversations, person–role fit or life-coaching conversations where other approaches such as the transpersonal or existential approaches may be more helpful.”[11] See also Whitmore, Kauffman & David (2013) for a response to this criticism suggesting that GROW has evolved to include transpersonal goals.

Further reading

Brown, Saul W.; Grant, Anthony M. (March 2010). “From GROW to GROUP: theoretical issues and a practical model for group coaching in organisations”. Coaching: An International Journal of Theory, Research & Practice. 3 (1): 30–45. doi:10.1080/17521880903559697.CS1 maint: ref=harv (link)

Dexter, Janice; Dexter, Graham; Irving, Judy (2011). “GROW model”. An introduction to coaching. London; Los Angeles: Sage Publications. pp. 28–30. doi:10.4135/9781446251867.n3. ISBN 9781849202985. OCLC 678881616.CS1 maint: ref=harv (link)

Eldridge, Fiona; Dembkowski, Sabine (2013). “Behavioral coaching”. In Passmore, Jonathan; Peterson, David B.; Freire, Tereza (eds.). The Wiley-Blackwell handbook of the psychology of coaching and mentoring. Wiley-Blackwell handbooks in organizational psychology. Hoboken, NJ: John Wiley & Sons. pp. 298–318. doi:10.1002/9781118326459.ch16. ISBN 9781119993155. OCLC 796758879.CS1 maint: ref=harv (link)

Grant, Anthony M. (September 2012). “An integrated model of goal-focused coaching: an evidence-based framework for teaching and practice”. International Coaching Psychology Review. 7 (2): 146–165.CS1 maint: ref=harv (link)

Ives, Yossi; Cox, Elaine (2012). Goal-focused coaching: theory and practice. New York: Routledge. doi:10.4324/9780203131640. ISBN 9780415808958. OCLC 741542041.CS1 maint: ref=harv (link)

Kegan, Robert; Congleton, Christina; David, Susan A. (2013). “The goals behind the goals: pursuing adult development in the coaching enterprise”. In David, Susan A.; Clutterbuck, David; Megginson, David (eds.). Beyond goals: effective strategies for coaching and mentoring. Farnham, Surrey: Gower Publishing Limited. pp. 229–244. doi:10.4324/9781315569208. ISBN 9781409418511. OCLC 828416668.CS1 maint: ref=harv (link)

Law, Ho (2013). “GROW model and universal integrative framework: build your own model and apply it”. Coaching psychology: a practitioners guide. Hoboken, NJ: John Wiley & Sons. pp. 77–98. doi:10.1002/9781118598399.ch6. ISBN 9781119954675.CS1 maint: ref=harv (link)

Wilson, Carol (2011). “Solution-focused coaching and the GROW model”. In Wildflower, Leni; Brennan, Diane (eds.). The handbook of knowledge-based coaching: from theory to practice. San Francisco: Jossey-Bass. pp. 279–285. ISBN 9780470624449. OCLC 694394200.CS1 maint: ref=harv (link)

Source: https://en.wikipedia.org/wiki/GROW_model

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herochan · 7 years

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Here are the 2017 Eisner Award Winners

Named for the pioneering comics creator and graphic novelist Will Eisner, The Will Eisner Comic Industry Awards, considered the “Oscars” of the comic book industry, were given out in 31 categories for works published in 2016.

Below is the full list of the nominees and winners (highlighted in bold).

Best Short Story

“The Comics Wedding of the Century,” by Simon Hanselmann, in We Told You So: Comics as Art (Fantagraphics)

“The Dark Nothing,” by Jordan Crane, in Uptight #5 (Fantagraphics)

“Good Boy,” by Tom King & David Finch, Batman Annual #1 (DC)

“Monday,” by W. Maxwell Prince and John Amor, in One Week in the Library (Image)

“Mostly Saturn,” by Michael DeForge, in Island Magazine #8 (Image)

“Shrine of the Monkey God!” by Kim Deitch, in Kramers Ergot 9 (Fantagraphics)

Best Single Issue/One-Shot

Babybel Wax Bodysuit, by Eric Kostiuk Williams (Retrofit/Big Planet)

Beasts of Burden: What the Cat Dragged In, by Evan Dorkin, Sarah Dyer, and Jill Thompson (Dark Horse)

Blammo #9, by Noah Van Sciver (Kilgore Books)

Criminal 10th Anniversary Special, by Ed Brubaker and Sean Phillips (Image)

Sir Alfred #3, by Tim Hensley (Pigeon Press)

Your Black Friend, by Ben Passmore (Silver Sprocket)

Best Continuing Series

Astro City, by Kurt Busiek and Brent Anderson (Vertigo/DC)

Kill or Be Killed, by Ed Brubaker and Sean Phillips (Image)

The Mighty Thor, by Jason Aaron and Russell Dauterman (Marvel)

Paper Girls, by Brian K. Vaughan and Cliff Chiang (Image)

Saga, by Brian K. Vaughan and Fiona Staples (Image)

Best Limited Series

Archangel, by William Gibson, Michael St. John Smith, Butch Guice, and Tom Palmer (IDW)

Briggs Land, by Brian Wood and Mack Chater (Dark Horse)

Han Solo, by Marjorie Liu and Mark Brooks (Marvel)

Kim and Kim, by Magdalene Visaggio and Eva Cabrera (Black Mask)

The Vision, by Tom King and Gabriel Walta (Marvel)

Best New Series

Black Hammer, by Jeff Lemire and Dean Ormston (Dark Horse)

Clean Room, by Gail Simone and Jon Davis-Hunt (Vertigo/DC)

Deathstroke: Rebirth, by Christopher Priest, Carlo Pagulayan, et al. (DC)

Faith, by Jody Houser, Pere Pérez, and Marguerite Sauvage (Valiant)

Mockingbird, by Chelsea Cain and Kate Niemczyk (Marvel)

Best Publication for Early Readers (up to age 8)

Ape and Armadillo Take Over the World, by James Sturm (Toon)

Burt’s Way Home, by John Martz (Koyama)

The Creeps, Book 2: The Trolls Will Feast! by Chris Schweizer (Abrams)

I’m Grumpy (My First Comics), by Jennifer L. Holm and Matthew Holm (Random House Books for Young Readers)

Narwhal: Unicorn of the Sea, by Ben Clanton (Tundra)

Best Publication for Kids (ages 9-12)

The Drawing Lesson, by Mark Crilley (Watson-Guptill)

Ghosts, by Raina Telgemeier (Scholastic)

Hilda and the Stone Forest, by Luke Pearson (Flying Eye Books)

Rikki, adapted by Norm Harper and Matthew Foltz-Gray (Karate Petshop)

Science Comics: Dinosaurs, by MK Reed and Joe Flood (First Second)

Best Publication for Teens (ages 13-17)

Bad Machinery, vol. 5: The Case of the Fire Inside, by John Allison (Oni)

Batgirl, by Hope Larson and Rafael Albuquerque (DC)

Jughead, by Chip Zdarsky, Ryan North, Erica Henderson, and Derek Charm (Archie)

Monstress, by Marjorie Liu and Sana Takeda (Image)

Trish Trash: Roller Girl of Mars, by Jessica Abel (Papercutz/Super Genius)

The Unbeatable Squirrel Girl by Ryan North & Erica Henderson (Marvel)

Best Humor Publication

The Further Fattening Adventures of Pudge, Girl Blimp, by Lee Marrs (Marrs Books)

Hot Dog Taste Test, by Lisa Hanawalt (Drawn & Quarterly)

Jughead, by Chip Zdarsky, Ryan North, Erica Henderson, and Derek Charm (Archie)

Man, I Hate Cursive, by Jim Benton (Andrews McMeel)

Yuge! 30 Years of Doonesbury on Trump, by G. B. Trudeau (Andrews McMeel)

Best Anthology

Baltic Comics Anthology š! #26: dADa, edited by David Schilter and Sanita Muizniece (kuš!)

Island Magazine, edited by Brandon Graham and Emma Rios (Image)

Kramers Ergot 9, edited by Sammy Harkham (Fantagraphics)

Love Is Love, edited by Sarah Gaydos and Jamie S. Rich (IDW/DC)

Spanish Fever: Stories by the New Spanish Cartoonists, edited by Santiago Garcia (Fantagraphics)

Best Reality-Based Work

Dark Night: A True Batman Story, by Paul Dini and Eduardo Risso (Vertigo/DC)

Glenn Gould: A Life Off Tempo, by Sandrine Revel (NBM)

March (Book Three), by John Lewis, Andrew Aydin, and Nate Powell (Top Shelf)

Rosalie Lightning: A Graphic Memoir, by Tom Hart (St. Martin’s)

Tetris: The Games People Play, by Box Brown (First Second)

Best Graphic Album—New

The Art of Charlie Chan Hock Chye, by Sonny Liew (Pantheon)

Black Dog: The Dreams of Paul Nash, by Dave McKean (Dark Horse)

Exits, by Daryl Seitchik (Koyama)

Mooncop, by Tom Gauld (Drawn & Quarterly)

Patience, by Daniel Clowes (Fantagraphics)

Wonder Woman: The True Amazon, by Jill Thompson (DC Comics)

Best Graphic Album—Reprint

Demon, by Jason Shiga (First Second)

Incomplete Works, by Dylan Horrocks (Alternative)

Last Look, by Charles Burns (Pantheon)

Meat Cake Bible, by Dame Darcy (Fantagraphics)

Megg and Mogg in Amsterdam and Other Stories, by Simon Hanselmann (Fantagraphics)

She’s Not into Poetry, by Tom Hart (Alternative)

Best U.S. Edition of International Material

Equinoxes, by Cyril Pedrosa, translated by Joe Johnson (NBM)

Irmina, by Barbara Yelin, translated by Michael Waaler (SelfMadeHero)

Love: The Lion, by Frédéric Brémaud and Federico Bertolucci (Magnetic)

Moebius Library: The World of Edena, by Jean “Moebius” Giraud et al. (Dark Horse)

Wrinkles, by Paco Roca, translated by Erica Mena (Fantagraphics)

Best U.S. Edition of International Material—Asia

The Art of Charlie Chan Hock Chye, by Sonny Liew (Pantheon)

Goodnight Punpun, vols. 1–4, by Inio Asano, translated by JN PRoductions (VIZ Media)

orange: The Complete Collection, vols. 1–2, by Ichigo Takano, translated by Amber Tamosaitis, adaptation by Shannon Fay (Seven Seas)

The Osamu Tezuka Story: A Life in Manga and Anime, by Toshio Ban and Tezuka Productions, translated by Frederik L. Schodt (Stone Bridge Press)

Princess Jellyfish, vols. 1–3, by Akiko Higashimura, translated by Sarah Alys Lindholm (Kodansha)

Wandering Island, vol. 1, by Kenji Tsuruta, translated by Dana Lewis (Dark Horse)

Best Archival Collection/Project—Strips (at least 20 years old)

Almost Completely Baxter: New and Selected Blurtings, by Glen Baxter (NYR Comics)

Barnaby, vol. 3, by Crockett Johnson, edited by Philip Nel and Eric Reynolds (Fantagraphics)

Chester Gould’s Dick Tracy, Colorful Cases of the 1930s, edited by Peter Maresca (Sunday Press)

The Realist Cartoons, edited by Paul Krassner and Ethan Persoff (Fantagraphics)

Walt & Skeezix 1931–1932, by Frank King, edited by Jeet Heer and Chris Ware (Drawn & Quarterly)

Best Archival Collection/Project—Comic Books (at least 20 Years Old)

The Complete Neat Stuff, by Peter Bagge, edited by Eric Reynolds (Fantagraphics)

The Complete Wimmen’s Comix, edited by Trina Robbins, Gary Groth, and J. Michael Catron (Fantagraphics)

Fables and Funnies, by Walt Kelly, compiled by David W. Tosh (Dark Horse)

Trump: The Complete Collection, by Harvey Kurtzman et al., edited by Denis Kitchen and John Lind (Dark Horse)

U.S.S. Stevens: The Collected Stories, by Sam Glanzman, edited by Drew Ford (Dover)

Best Writer

Ed Brubaker, Criminal 10th Anniversary Special, Kill or Be Killed, Velvet (Image)

Kurt Busiek, Astro City (Vertigo/DC)

Chelsea Cain, Mockingbird (Marvel)

Max Landis, Green Valley (Image/Skybound); Superman: American Alien (DC)

Jeff Lemire, Black Hammer (Dark Horse); Descender, Plutona (Image); Bloodshot Reborn (Valiant)

Brian K. Vaughan, Paper Girls, Saga (Image)

Best Writer/Artist

Jessica Abel, Trish Trash: Roller Girl of Mars (Papercutz/Super Genius)

Box Brown, Tetris: The Games People Play (First Second)

Tom Gauld, Mooncop (Drawn & Quarterly)

Tom Hart, Rosalie Lightning: A Graphic Memoir (St. Martin’s)

Sonny Liew, The Art of Charlie Chan Hock Chye (Pantheon)

Best Penciller/Inker or Penciller/Inker Team

Mark Brooks, Han Solo (Marvel)

Dan Mora, Klaus (BOOM! Studios)

Greg Ruth, Indeh (Grand Central Publishing)

Francois Schuiten, The Theory of the Grain of Sand (IDW)

Fiona Staples, Saga (Image)

Brian Stelfreeze, Black Panther (Marvel)

Best Painter/Multimedia Artist (interior art)

Federico Bertolucci, Love: The Lion (Magnetic)

Brecht Evens, Panther (Drawn & Quarterly)

Manuele Fior, 5,000 km per Second (Fantagraphics)

Dave McKean, Black Dog (Dark Horse)

Sana Takeda, Monstress (Image)

Jill Thompson, Wonder Woman: The True Amazon (DC); Beasts of Burden: What the Cat Dragged In (Dark Horse)

Best Cover Artist (for multiple covers)

Mike Del Mundo, Avengers, Carnage, Mosaic, The Vision (Marvel)

David Mack, Abe Sapien, BPRD Hell on Earth, Fight Club 2, Hellboy and the BPRD 1953 (Dark Horse)

Sean Phillips, Criminal 10th Anniversary Special, Kill or Be Killed (Image)

Fiona Staples, Saga (Image)

Sana Takeda, Monstress (Image)

Best Coloring

Jean-Francois Beaulieu, Green Valley (Image/Skybound)

Elizabeth Breitweiser, Criminal 10th Anniversary Special, Kill or Be Killed, Velvet (Image); Outcast by Kirkman & Azaceta (Image/Skybound)

Sonny Liew, The Art of Charlie Chan Hock Chye (Pantheon)

Laura Martin, Wonder Woman (DC); Ragnorak (IDW); Black Panther (Marvel)

Matt Wilson, Cry Havoc, Paper Girls, The Wicked + The Divine (Image); Black Widow, The Mighty Thor, Star-Lord (Marvel)

Best Lettering

Dan Clowes, Patience (Fantagraphics)

Brecht Evens, Panther (Drawn & Quarterly)

Tom Gauld, Mooncop (Drawn & Quarterly)

Nick Hayes, Woody Guthrie (Abrams)

Todd Klein, Clean Room, Dark Night, Lucifer (Vertigo/DC); Black Hammer (Dark Horse)

Sonny Liew, The Art of Charlie Chan Hock Chye (Pantheon)

Best Comics-Related Periodical/Journalism

The A.V. Club comics coverage, including Comics Panel, Back Issues, and Big Issues, by Oliver Sava et al., www.avclub.com

Comic Riffs blog, by Michael Cavna and David Betancourt, www.washingtonpost.com/new/comic-riffs/

Critical Chips, edited by Zainab Akhtar (Comics & Cola)

PanelPatter.com, edited by Rob McMonigal

WomenWriteAboutComics.com, edited by Megan Purdy and Claire Napier

Best Comics-Related Book

blanc et noir: takeshi obata illustrations, by Takeshi Obata (VIZ Media)

Ditko Unleashed: An American Hero, by Florentino Flórez and Frédéric Manzano (IDW/Editions Déesse)

Krazy: George Herriman, A Life in Black and White, by Michael Tisserand (Harper)

The Life and Legend of Wallace Wood, vol. 1, edited by Bhob Stewart and J. Michael Catron (Fantagraphics)

More Heroes of the Comics, by Drew Friedman (Fantagraphics)

Best Academic/Scholarly Work

Brighter Than You Think: Ten Short Works by Alan Moore, with essays by Marc Sobel (Uncivilized)

Forging the Past: Set and the Art of Memory, by Daniel Marrone (University Press of Mississippi)

Frank Miller’s Daredevil and the Ends of Heroism, by Paul Young (Rutgers University Press)

Pioneering Cartoonists of Color, by Tim Jackson (University Press of Mississippi)

Superwomen: Gender, Power, and Representation, by Carolyn Cocca (Bloomsbury)

Best Publication Design

The Art of Charlie Chan Hock Chye, designed by Sonny Liew (Pantheon)

The Complete Wimmen’s Comix, designed by Keeli McCarthy (Fantagraphics)

Frank in the Third Dimension, designed by Jacob Covey, 3D conversions by Charles Barnard (Fantagraphics)

The Realist Cartoons, designed by Jacob Covey (Fantagraphics)

Si Lewen’s Parade: An Artist’s Odyssey, designed by Art Spiegelman (Abrams)

Best Webcomic

Bird Boy, by Anne Szabla, http://bird-boy.com

Deja Brew, by Taneka Stotts and Sara DuVall (Stela.com)

Jaeger, by Ibrahim Moustafa (Stela.com)

The Middle Age, by Steve Conley, steveconley.com/the-middle-age

On Beauty, by Christina Tran,  sodelightful.com/comics/beauty/

Best Digital Comic

Bandette - Paul Tobin & Colleen Coover (Monkeybrain/comiXology)

Edison Rex, by Chris Roberson and Dennis Culver (Monkeybrain/comiXology)

Helm, by Jehanzeb Hasan and Mauricio Caballero, www.crookshaw.com/helm/

On a Sunbeam, by Tillie Walden, www.onasunbeam.com

Universe!, by Albert Monteys (Panel Syndicate)

Will Eisner Spirit of Comics Retailer Award

Comicazi, Robert Howard, David Lockwood, Michael Burke. Somerville, MA

#Eisner Awards Winners #Will Eisner #Will Eisner Comic Industry Awards #awards #comics #sdcc #san diego comic con #news #eisner awards

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smashpages · 7 years

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‘Saga,’ Sonny Liew, Jill Thompson take home 2017 Eisner Awards

Sonny Liew, Jill Thompson and the team behind Saga all took home multiple awards last night at the 28th annual Will Eisner Comic Industry Awards at Comic-Con International in San Diego.

Saga took home four awards, including Best Continuing Series and Best Writer for Brian K. Vaughan, while artist Fiona Staples won Best Cover Artist and Best Penciller/Inker. Liew ‘s awards for his graphic novel, The Art of Charlie Chan Hock Chye, included Best Writer/Artist, Best U.S. Edition of International Material—Asia, and Best Publication Design. And Jill Thompson was recognized three times: for Best Single Issue/One-Shot for her work on Beast of Burden: What the Cat Dragged In, Best Graphic Album—New for Wonder Woman: The True Amazon and Best Painter/Multimedia Artist.

Several comics legends were also honored at the ceremony. Jack Kirby and William Messner-Loebs both received the Bill Finger Excellence in Comics Writing Award, while Walt Simonson, Jim Starlin, Gilbert and Jaime Hernandez, George Perez, Milt Gross, H.G. Peter, Antonio Prohias and Dori Seda were all inducted into the Hall of Fame.

The Bob Clampett Humanitarian Award, created to honor those people in comics and the popular arts who have worked to help others, went to Joe Ferrara, for his work in prostate cancer awareness, and Mark Andreyko for curating the Love Is Love anthology after the Pulse nightclub shooting. Love is Love also won for best anthology.

Other awards presented at the ceremony include the Will Eisner Spirit of Retailer Award, which went to Comicazi in Somerville, Massachusetts, and the Russ Manning Promising Newcomer Award, which wnet to Anne Szabla, writer/artist of Bird-Boy.

Here’s the complete list of all nominees, with the winners bolded:

Best Short Story “The Comics Wedding of the Century,” by Simon Hanselmann, in We Told You So: Comics as Art (Fantagraphics) “The Dark Nothing,” by Jordan Crane, in Uptight #5 (Fantagraphics) “Good Boy,” by Tom King and David Finch, in Batman Annual #1 (DC) “Monday,” by W. Maxwell Prince and John Amor, in One Week in the Library (Image) “Mostly Saturn,” by Michael DeForge, in Island Magazine #8 (Image) “Shrine of the Monkey God!” by Kim Deitch, in Kramers Ergot 9 (Fantagraphics)

Best Single Issue/One-Shot Babybel Wax Bodysuit, by Eric Kostiuk Williams (Retrofit/Big Planet) Beasts of Burden: What the Cat Dragged In, by Evan Dorkin, Sarah Dyer, and Jill Thompson (Dark Horse) Blammo #9, by Noah Van Sciver (Kilgore Books) Criminal 10th Anniversary Special, by Ed Brubaker and Sean Phillips (Image) Sir Alfred #3, by Tim Hensley (Pigeon Press) Your Black Friend, by Ben Passmore (Silver Sprocket)

Best Continuing Series Astro City, by Kurt Busiek and Brent Anderson (Vertigo/DC) Kill or Be Killed, by Ed Brubaker and Sean Phillips (Image) The Mighty Thor, by Jason Aaron and Russell Dauterman (Marvel) Paper Girls, by Brian K. Vaughan and Cliff Chiang (Image) Saga, by Brian K. Vaughan and Fiona Staples (Image)

Best Limited Series Archangel, by William Gibson, Michael St. John Smith, Butch Guice, and Tom Palmer (IDW) Briggs Land, by Brian Wood and Mack Chater (Dark Horse) Han Solo, by Marjorie Liu and Mark Brooks (Marvel) Kim and Kim, by Magdalene Visaggio and Eva Cabrera (Black Mask) The Vision, by Tom King and Gabriel Walta (Marvel) We Stand on Guard, by Brian K. Vaughan and Steve Skroce (Image)

Best New Series Black Hammer, by Jeff Lemire and Dean Ormston (Dark Horse) Clean Room, by Gail Simone and Jon Davis-Hunt (Vertigo/DC) Deathstroke: Rebirth, by Christopher Priest, Carlo Pagulayan, et al. (DC) Faith, by Jody Houser, Pere Pérez, and Marguerite Sauvage (Valiant) Mockingbird, by Chelsea Cain and Kate Niemczyk (Marvel)

Best Publication for Early Readers (up to age 8) Ape and Armadillo Take Over the World, by James Sturm (Toon) Burt’s Way Home, by John Martz (Koyama) The Creeps, Book 2: The Trolls Will Feast! by Chris Schweizer (Abrams) I’m Grumpy (My First Comics), by Jennifer L. Holm and Matthew Holm (Random House Books for Young Readers) Narwhal: Unicorn of the Sea, by Ben Clanton (Tundra)

Best Publication for Kids (ages 9-12) The Drawing Lesson, by Mark Crilley (Ten Speed Press) Ghosts, by Raina Telgemeier (Scholastic) Hilda and the Stone Forest, by Luke Pearson (Flying Eye Books) Rikki, adapted by Norm Harper and Matthew Foltz-Gray (Karate Petshop) Science Comics: Dinosaurs, by MK Reed and Joe Flood (First Second)

Best Publication for Teens (ages 13-17) Bad Machinery, vol. 5: The Case of the Fire Inside, by John Allison (Oni) Batgirl, by Hope Larson and Rafael Albuquerque (DC) Jughead, by Chip Zdarsky, Ryan North, Erica Henderson, and Derek Charm (Archie) Monstress, by Marjorie Liu and Sana Takeda (Image) Trish Trash: Roller Girl of Mars, by Jessica Abel (Papercutz/Super Genius) The Unbeatable Squirrel Girl, by Ryan North and Erica Henderson (Marvel)

Best Humor Publication The Further Fattening Adventures of Pudge, Girl Blimp, by Lee Marrs (Marrs Books) Hot Dog Taste Test, by Lisa Hanawalt (Drawn & Quarterly) Jughead, by Chip Zdarsky, Ryan North, Erica Henderson, and Derek Charm (Archie) Man, I Hate Cursive, by Jim Benton (Andrews McMeel) Yuge! 30 Years of Doonesbury on Trump, by G. B. Trudeau (Andrews McMeel)

Best Anthology Baltic Comics Anthology š! #26: dADa, edited by David Schilter and Sanita Muizniece (kuš!) Island Magazine, edited by Brandon Graham and Emma Rios (Image) Kramers Ergot 9, edited by Sammy Harkham (Fantagraphics) Love Is Love, edited by Marc Andreyko (IDW/DC) Spanish Fever: Stories by the New Spanish Cartoonists, edited by Santiago Garcia (Fantagraphics)

Best Reality-Based Work Dark Night: A True Batman Story, by Paul Dini and Eduardo Risso (Vertigo/DC) Glenn Gould: A Life Off Tempo, by Sandrine Revel (NBM) March (Book Three), by John Lewis, Andrew Aydin, and Nate Powell (Top Shelf) Rosalie Lightning: A Graphic Memoir, by Tom Hart (St. Martin’s) Tetris: The Games People Play, by Box Brown (First Second)

Best Graphic Album—New The Art of Charlie Chan Hock Chye, by Sonny Liew (Pantheon) Black Dog: The Dreams of Paul Nash, by Dave McKean (Dark Horse) Exits, by Daryl Seitchik (Koyama) Mooncop, by Tom Gauld (Drawn & Quarterly) Patience, by Daniel Clowes (Fantagraphics) Wonder Woman: The True Amazon by Jill Thompson (DC Comics)

Best Graphic Album—Reprint Demon, by Jason Shiga (First Second) Incomplete Works, by Dylan Horrocks (Alternative) Last Look, by Charles Burns (Pantheon) Meat Cake Bible, by Dame Darcy (Fantagraphics) Megg and Mogg in Amsterdam and Other Stories, by Simon Hanselmann (Fantagraphics) She’s Not into Poetry, by Tom Hart (Alternative)

Best U.S. Edition of International Material Equinoxes, by Cyril Pedrosa, translated by Joe Johnson (NBM) Irmina, by Barbara Yelin, translated by Michael Waaler (SelfMadeHero) Love: The Lion, by Frédéric Brémaud and Federico Bertolucci (Magnetic) Moebius Library: The World of Edena, by Jean “Moebius” Giraud et al. (Dark Horse) Wrinkles, by Paco Roca, translated by Erica Mena (Fantagraphics)

Best U.S. Edition of International Material—Asia The Art of Charlie Chan Hock Chye, by Sonny Liew (Pantheon) Goodnight Punpun, vols. 1–4, by Inio Asano, translated by JN PRoductions (VIZ Media) orange: The Complete Collection, vols. 1–2, by Ichigo Takano, translated by Amber Tamosaitis, adaptation by Shannon Fay (Seven Seas) The Osamu Tezuka Story: A Life in Manga and Anime, by Toshio Ban and Tezuka Productions, translated by Frederik L. Schodt (Stone Bridge Press) Princess Jellyfish, vols. 1–3 by Akiko Higashimura, translated by Sarah Alys Lindholm (Kodansha) Wandering Island, vol. 1, by Kenji Tsuruta, translated by Dana Lewis (Dark Horse)

Best Archival Collection/Project—Strips (at least 20 years old) Almost Completely Baxter: New and Selected Blurtings, by Glen Baxter (NYR Comics) Barnaby, vol. 3, by Crockett Johnson, edited by Philip Nel and Eric Reynolds (Fantagraphics) Chester Gould’s Dick Tracy, Colorful Cases of the 1930s, edited by Peter Maresca (Sunday Press) The Realist Cartoons, edited by Paul Krassner and Ethan Persoff (Fantagraphics) Walt & Skeezix 1931–1932, by Frank King, edited by Jeet Heer and Chris Ware (Drawn & Quarterly)

Best Archival Collection/Project—Comic Books (at least 20 Years Old) The Complete Neat Stuff, by Peter Bagge, edited by Eric Reynolds (Fantagraphics) The Complete Wimmen’s Comix, edited by Trina Robbins (Fantagraphics) Fables and Funnies, by Walt Kelly, compiled by David W. Tosh (Dark Horse) Trump: The Complete Collection, by Harvey Kurtzman et al., edited by Denis Kitchen and John Lind (Dark Horse) U.S.S. Stevens: The Collected Stories, by Sam Glanzman, edited by Drew Ford (Dover)

Best Writer Ed Brubaker, Criminal 10th Anniversary Special, Kill or Be Killed, Velvet (Image) Kurt Busiek, Astro City (Vertigo/DC) Chelsea Cain, Mockingbird (Marvel) Max Landis, Green Valley (Image/Skybound), Superman: American Alien (DC) Jeff Lemire, Black Hammer (Dark Horse); Descender, Plutona (Image); Bloodshot Reborn (Valiant) Brian K. Vaughan, Paper Girls, Saga, We Stand On Guard (Image)

Best Writer/Artist Jessica Abel, Trish Trash: Roller Girl of Mars (Papercutz/Super Genius) Box Brown, Tetris: The Games People Play (First Second) Tom Gauld, Mooncop (Drawn & Quarterly) Tom Hart, Rosalie Lightning: A Graphic Memoir (St. Martin’s) Sonny Liew, The Art of Charlie Chan Hock Chye (Pantheon)

Best Penciller/Inker or Penciller/Inker Team Mark Brooks, Han Solo (Marvel) Dan Mora, Klaus (BOOM!) Greg Ruth, Indeh (Grand Central Publishing) Francois Schuiten, The Theory of the Grain of Sand (IDW) Fiona Staples, Saga (Image) Brian Stelfreeze, Black Panther (Marvel)

Best Painter/Multimedia Artist (interior art) Federico Bertolucci, Love: The Lion (Magnetic) Brecht Evens, Panther (Drawn & Quarterly) Manuele Fior, 5,000 km per Second (Fantagraphics) Dave McKean, Black Dog (Dark Horse) Sana Takeda, Monstress (Image) Jill Thompson, Wonder Woman: The True Amazon (DC); Beasts of Burden: What the Cat Dragged In (Dark Horse)

Best Cover Artist (for multiple covers) Mike Del Mundo, Avengers, Carnage, Mosaic, The Vision (Marvel) David Mack, Abe Sapien, BPRD Hell on Earth, Fight Club 2, Hellboy and the BPRD 1953 (Dark Horse) Sean Phillips, Criminal 10th Anniversary Special, Kill or Be Killed (Image) Fiona Staples, Saga (Image) Sana Takeda, Monstress (Image)

Best Coloring Jean-Francois Beaulieu, Green Valley (Image/Skybound) Elizabeth Breitweiser, Criminal 10th Anniversary Special, Kill or Be Killed, Velvet (Image); Outcast by Kirkman & Azaceta (Image/Skybound) Sonny Liew, The Art of Charlie Chan Hock Chye (Pantheon) Laura Martin, Wonder Woman (DC); Ragnorak (IDW); Black Panther (Marvel) Matt Wilson, Cry Havoc, Paper Girls, The Wicked + The Divine (Image); Black Widow, The Mighty Thor, Star-Lord (Marvel)

Best Lettering Dan Clowes, Patience (Fantagraphics) Brecht Evens, Panther (Drawn & Quarterly) Tom Gauld, Mooncop (Drawn & Quarterly) Nick Hayes, Woody Guthrie (Abrams) Todd Klein, Clean Room, Dark Night, Lucifer (Vertigo/DC); Black Hammer (Dark Horse) Sonny Liew, The Art of Charlie Chan Hock Chye (Pantheon)

Best Comics-Related Periodical/Journalism The A.V. Club comics coverage, including Comics Panel, Back Issues, and Big Issues, by Oliver Sava et al. Comic Riffs blog, by Michael Cavna Critical Chips, edited by Zainab Akhtar (Comics & Cola) PanelPatter.com, edited by Rob McMonigal WomenWriteAboutComics.com, edited by Megan Purdy and Claire Napier

Best Comics-Related Book blanc et noir: takeshi obata illustrations, by Takeshi Obata (VIZ Media) Ditko Unleashed: An American Hero, by Florentino Flórez and Frédéric Manzano (IDW/Editions Déese) Krazy: George Herriman, A Life in Black and White, by Michael Tisserand (Harper) The Life and Legend of Wallace Wood, vol. 1, edited by Bhob Stewart and J. Michael Catron (Fantagraphics) More Heroes of the Comics, by Drew Friedman (Fantagraphics)

Best Academic/Scholarly Work Brighter Than You Think: Ten Short Works by Alan Moore, with essays by Marc Sobel (Uncivilized) Forging the Past: Set and the Art of Memory, by Daniel Marrone (University Press of Mississippi) Frank Miller’s Daredevil and the Ends of Heroism, by Paul Young (Rutgers University Press) Pioneering Cartoonists of Color, by Tim Jackson (University Press of Mississippi) Superwomen: Gender, Power, and Representation, by Carolyn Cocca (Bloomsbury)

Best Publication Design The Art of Charlie Chan Hock Chye, designed by Sonny Liew (Pantheon) The Complete Wimmin’s Comix, designed by Keeli McCarthy (Fantagraphics) Frank in the Third Dimension, designed by Jacob Covey, 3D conversions by Charles Barnard (Fantagraphics) The Realist Cartoons, designed by Jacob Covey (Fantagraphics) Si Lewen’s Parade: An Artist’s Odyssey, designed by Art Spiegelman (Abrams)

Best Webcomic Bird Boy, by Anne Szabla Deja Brew, by Teneka Stotts and Sarah DuVall (Stela.com) Jaeger, by Ibrahim Moustafa (Stela.com) The Middle Age, by Steve Conley On Beauty, by Christina Tran

Best Digital Comic Bandette, by Paul Tobin and Colleen Coover (Monkeybrain/comiXology) Edison Rex, by Chris Roberson and Dennis Culver (Monkeybrain/comiXology) Helm, by Jehanzeb Hasan and Mauricio Caballero On a Sunbeam, by Tillie Walden Universe!, by Albert Monteys (Panel Syndicate)

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#comic books #Smash Pages #cci2017 #eisner awards #eisner award winners

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Liked on YouTube: Liquid Latex - Vibraphone Sound Fix

Liquid Latex - Vibraphone Sound Fix Welcome to episode #95 of Building the Marble Machine X! Applying Liquid Latex to the Vibraphone Plats of the Marble Machine X seems to be a fantastic solution, not only giving full control over the brightness of the transients/attacks of each note but also providing great marble bounce, making the marbles clear the plates in one jump. Thanks to Marius for suggesting this. Also: We found GOLD in the youtube comments! Marius Hirn http://bit.ly/2M6so1E Richard Southall http://bit.ly/352hti8 Take care and see you next week! /Martin Video edited by Hannes Knutsson http://bit.ly/2M6dBnA Support the Marble Machine X Project: ► http://bit.ly/2M8k2Xi ► http://bit.ly/350CkCp ► https://www.youtube.com/wintergatan2000/join ► http://bit.ly/351XMqL #marble #machine #4K ——————————— MUSIC DOWNLOADS ► http://bit.ly/2M6soPc WINTERGATAN RECORDS ► http://bit.ly/350E9PA SPOTIFY ► http://bit.ly/2oKxXWd ITUNES ► http://apple.co/2ntWNsZ MERCH ► http://bit.ly/350CkCp ———————————— SUBSCRIBE ► https://www.youtube.com/user/wintergatan INSTAGRAM ► http://bit.ly/34ZrEE3 REDDIT ► http://bit.ly/2M9CPRU DISCORD ► http://bit.ly/350x81u ———————————— Thanks to the Marble Machine X Team 2019 ►Alex Füßl | Alex CNC | Munich, Germany https://www.youtube.com/alexcnc https://www.youtube.com/AlexCNCen ►Carlos Montoro | Anjuda Guitars | Madrid, Spain https://www.youtube.com/channel/UCR9WjwIHOGJXHeGFcq_t1Ow ►Chris Nadon | Aix-en-Provence France ►Dwayne Myers | Safety | Phoenixville, PA, USA ►Ecco Pierce | All Things Ecco | Oakland, California, USA http://bit.ly/2M6spCK ►Florian Hu | fhuable | Wellington, NZ https://www.youtube.com/user/fhuable ►Jacob LaRocca | Rocket Props | Somerville, Massachusetts http://bit.ly/350E8v0 ►James Passmore | CAD9 Design LLC | Worcester MA http://bit.ly/2M6sqqi https://www.youtube.com/channel/UCygye7ehM60WZGU5Af4Y4IA ►Marius Hirn | Munich, Germany http://bit.ly/2M6so1E ►Nick Householder | Florida, USA https://www.youtube.com/c/NickHouseholder ►Philip Brown (solo banjo) Winston Salem, NC USA http://bit.ly/34ZEH8l projects https://www.youtube.com/channel/UCPO4D4-UeeFQceK8XrgwXug ►Richard Southall | String HeArt | Devon, UK http://bit.ly/2M6srdQ ►Sebastiaan Jansen | Leuven, Belgium (BE) http://bit.ly/34Y6ohW http://bit.ly/2M5q5fi ►Tim Keller | Inventopia | Davis California USA http://bit.ly/350Cl9r ►Tim Mitchell | CNC Machinist | Nashville USA ►Tobias Gutmann | Tobias Gutmann Prototyping | Munich, Germany http://bit.ly/2M6st5s https://www.youtube.com/watch?v=Wgk2fL9byV4 ►Tommaso D'Amico | Vancouver, Canada http://bit.ly/355tvr9 ►Will Francis | Machine Thinking | San Francisco Bay Area, USA https://www.youtube.com/channel/UCfsznjef2zGJnrCRQBXqo6Q ———————————— MORE ALLIES: ►Viktor Stenberg, Calle Guldstrand, Gustaf Törner | ProtoCut ►Liam Ward ►David Lewis ►Tobias Smidebrant ►Erik Holke ►CNC Routerparts ►Nathan Skalsky ►Karin & Olof Eneroth ►Matterhackers - http://bit.ly/2M6stlY ►BCN3D ►This Old Tony - https://www.youtube.com/user/featony ►Thomas Pilot - https://www.youtube.com/channel/UCJpCQcfOPQghHGcfecxEEVA ►Roys Sheds Perth Australia ►Supermagnete.de - http://bit.ly/355tu6z via YouTube https://youtu.be/qJz95Wm0_Ck

#IFTTT #YouTube

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nextstepelectric · 5 years

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torentialtribute · 5 years

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Cocaine surge at football as police blame drug for rise in violence

British football hit by cocaine wave with senior police officers

Police officers believe an increase in cocaine use disorder in football matches is fueling

[1945]

One of the best known

Ian Herbert for the daily

Mail

Published: 22:30 GMT, March 18, 2019 |

An alarming increase in cocaine use in football stadiums is causing increasing disorder, senior police officers have told Sportsmail.

In another weekend of violence, the steward's nose was broken during one of the three pitch invasions. Police officers reveal a 10 percent increase in drug-related arrests on grounds in the last year, including doubling arrests for possession of cocaine – from 32 to 68. But police believe these figures largely underestimate the real picture.

] Mops made by police in club toilets reveal increased evidence of cocaine use. One armed force made 15 arrests for possession of the medicine in a recent champion competition.

<img id = "i-4ef0ce46dc2d8cf1" src = "https://ift.tt/2ugHw3M image-a-67_1552941725769.jpg "height =" 423 "width =" 634 "alt =" <img id = "i-4ef0ce46dc2d8cf1" src = "https://ift.tt/2Y6pO0I /18/20/11153976-6823815-image-a-67_1552941725769.jpg "height =" 423 "width =" 634 "alt =" Higher police officers believe that an increase in cocaine use fuels disorder in football matches

Higher police officers believe that increasing cocaine use fuels disorder in football matches

But senior officers say the cocaine plague – which reflects the increasing use of drugs in society – is virtually impossible because clubs are determined to replace the police with stewards and security companies to reduce costs.

Deputy Chief of Police Mark Roberts, leader of the national police chiefs for football police, told Sportsmail Monday that cocaine was a major problem

He said it was linked to an increase in disorder in areas. It is an important factor.

Roberts revealed that a study by the 43 British police forces revealed that the total cost of football police work last year was £ 48.5 million. Yet the total amount of those costs that was recovered with the help of forces was only £ 5.5 million.

The police want clubs to contribute to the costs of fighting the police outside the territories and possibly commit them to some form of direct financing for the police. The Association of Police and Crime Commissioners (APCC) called for a change of law on Monday to enable the forces to recover more costs from police competitions.

Roberts said: & # 39; Football cannot simply choose and choose those that are kind to it. It doesn't have to be many people. The cocaine problem is a big part of that.

<img id = "i-e66ec59d07664e71" src = "https://ift.tt/2W3Lc4I. jpg "height =" 423 "width =" 634 "alt =" Many clubs prefer security companies and stewards rather than police because they are cheaper "class =" blkBorder img-share "Many clubs prefer security companies and stewards instead of the police because they are cheaper "

Many clubs prefer to use security companies and stewards instead of the police they are cheaper

His comments followed again a bad weekend for the game's reputation: A week after Aston Villa's Jack Grealish was attacked by a fan, there were three pitch invasions, one of which left a female flight attendant with a suspected broken nose.

Steward received treatment from paramedics at the Vitality Stadium from Bournemouth

Dorset Police has arrested seven fans, including a 14-year-old boy.

The FA will write to both clubs to seek their comments on the incident, after reviewing the report from referee Mike Dean. They will also write to West Ham and Swansea City after fans have entered the play areas at London Stadium and Liberty Stadium.

Because the police have disappeared from land, disorder has produced a significant return – with incidents of 45 percent over the past two seasons. New police figures suggest that cases of serious disorder in games last year increased from 70 to 87, with 38 percent of all luminaires reporting a form or violence or disorder.

<img id = "i-99931b2c5807fe5d" src = "https://ift.tt/2ugHwAO image-a-70_1552941900452.jpg "height =" 422 "width =" 634 "alt =" There was a pitch invasion during Saturday's game between Bournemouth and Newcastle "Bournemouth and Newcastle"

There has also been a 14. There has been a field invasion during Saturday's game between Bournemouth and Newcastle percent increase in violations of segregation – from 105 to 120 – while hate crime is up to huge 67 percent.

] APCC & # 39; s football police policy leader, Tim Passmore, called for a law change to allow forces

He said: I don't think it would be reasonable for the public to actually pay for this extra police work in support of a commercial enterprise.

& # 39; This applies to the extra costs that are made for police police and stadium and in public spaces around the stadiums.

& # 39; Police and Crime Commissioners work as an association with the home office to find a satisfactory solution. & # 39; Increase in violence and disorder between 2016-17 and 2017-18.

591 Arrests at championship games last season, with a 22 percent increase. 14% Increase in violations of segregation last year, from 105 in 2016-17 to 120 in 1945-1945

409 Incidents with pyrotechnic devices thrown into English football last year. An increase of 339 compared to the previous season.

67% According to police reports, racist incidents in football increased by 67 percent last season.

Fans are seen fighting for a FA Cup match between Millwall and Everton in January "

Fans are seen fighting for a FA Cup match between Millwall and Everton in January

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tuseriesdetv · 6 years

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Noticias de series de la semana: Stephen King III

Renovaciones

Audience Network ha renovado Mr. Mercedes por una tercera temporada

Cancelaciones

CBS ha cancelado Salvation tras su segunda temporada

TV Land ha cancelado Teachers tras su tercera temporada

ABC ha cancelado Take Two tras su primera temporada

Noticias cortas

David Krumholtz (Harvey), Daniel Sauli (Tommy), Sepidah Moafi (Loretta) y Olivia Luccardi (Melissa) serán regulares en la tercera y última temporada de The Deuce.

CBS planea un revival de Northern Exposure (Doctor en Alaska).

ABC ha descartado el piloto del spin-off de The Middle centrado en Sue.

Incorporaciones y fichajes

Alessandro Nivola (Face/Off, Disobedience) está en conversaciones para protagonizar The Many Saints of Newark, la película precuela de The Sopranos. Sería Dickey Moltisanti, tío de Tony Soprano (James Gandolfini) y padre de Christopher Moltisanti (Michael Imperioli).

Nathalie Emmanuel (Game of Thrones) sustituye a Jessica Williams como una de las protagonistas de Four Weddings and a Funeral. Andy MacDowell, protagonista de la película, participará como invitada interpretando a la madre de (Rebecca Rittenhouse). Brandon Mychal Smith (You're the Worst, Sweet/Vicious), Zoe Boyle (Frontier, Downton Abbey), Jennie Jacques (Vikings), Harish Patel (Coronation Street) y Guz Khan (Zapped, Borderline) también se unen al proyecto.

Corbin Bernsen (American Gods, Psych) será recurrente en Magnum P.I. como Icepick, figura paterna de Rick (Zachary Knighton).

Chaske Spencer (Sneaky Pete, Twilight) será recurrente en la cuarta temporada de Blindspot como Dominic Masters, alguien que trabaja para Madeline (Mary Elizabeth Mastrantonio).

Jon Lindstrom (True Detective) y Tim Lounibos (The West Wing) serán recurrentes en la quinta temporada de Bosch como Lance Cronyn, un abogado que se enfrenta a Bosch (Titus Welliver); y Ed Sung, un investigador con instinto de policía.

David Zayas (Dexter, Gotham) y Kelcey Mawema (To All the Boys I've Loved Before) serán recurrentes en Deadly Class como El Alma del Diablo, líder del cartel mexicano y padre de Chico (Michel Duval); y Gabrielle, una chica que congenia con Willie (Luke Tennie) en la tienda de cómics y le intenta convencer de que la escuela Kings Dominion es buena para él.

Norbert Leo Butz (Bloodline, Trust), Margaret Qualley (The Leftovers), Aya Cash (You're the Worst, Easy), Nate Corddry (Mom, Mindhunter), Susan Misner (The Americans, Billions), Bianca Marroquin (Esperanza del corazón), Kelli Barrett (The Punisher), Evan Handler (Californication, Sex and the City), Rick Holmes (The Punisher), Paul Reiser (Stranger Things, Mad About You), Ethan Slater, Byron Jennings (The Greatest Showman) y Laura Osnes serán Paddy Chayefsky, Ann Reinking, Joan Simon, Neil Simon, Joan McCracken, Chita Rivera, Liza Minnelli, Hal Prince, Fred Weaver, Cy Feuer, Joel Grey, George Abbott y Shirley MacLaine en Fosse/Verdon.

Bzhaun Rhoden (Van Helsing), Louis Ferreira (Travelers, Motive) y Peter Shinkoda (Daredevil, Falling Skies) se unen como recurrentes a la cuarta temporada de The Man in the High Castle. Serán Benjy, miembro de la Rebelión Comunista Negra; Brad Bellows, líder de la célula de Resistencia de Washington D.C.; y Kazu Suzuku, secretario real de la princesa.

Katherine Kelly (Happy Valley, The Night Manager) y Sofie Gråbøl (Forbrydelsen, Fortitude) se unen a Gentleman Jack. Serán Elizabeth Sutherland, la hermana de Ann Walker (Sophie Rundle); y la reina Marie de Dinamarca. También participarán Derek Riddell (Happy Valley, The Missing), Veronica Clifford (Harry Potter and the Chamber of Secrets), Sylvia Syms (The Queen), Brendan Patricks (Kiri, Downton Abbey), Caspar Phillipson (Jackie, Mission: Impossible - Fallout), Polly Maberly (Pride and Prejudice), Lucy Black (The Durrells, Jericho), Stephanie Hyam (Bodyguard, Peaky Blinders), Dino Fetscher (Humans, Cucumber), Rupert Vansittart (Game of Thrones, Braveheart) y Michael Xavier (Into the Woods, Never Let Go).

Robert Webb (Peep Show, Back), Diane Morgan (Motherland, Me Before You), Kerry Armstrong (Prisoner, Skyways) y Ben Mingay (Hacksaw Ridge, Wonderland) protagonizarán Frayed junto a Sarah Kendall y Matt Passmore.

Pósters

Nuevas series

ITV ha encargado seis episodios de Cleaning Up, sobre una madre de clase trabajadora adicta al juego online que comienza a filtrar información de la empresa en la que trabaja como limpiadora. Protagonizada por Sheridan Smith (Dates, Hysteria), Jade Anouka (Trauma), Kirsty Philipps (Will), Neil Maskell (Utopia, Humans). Creada y escrita por Mark Marlow.

Fechas

La segunda parte de la tercera temporada de The Ranch llega a Netflix el 7 de diciembre

Los diez últimos episodios de Teachers se emitirán en TV Land a partir del 15 de enero

La tercera temporada de Crashing se estrena en HBO el 20 de enero

La tercera temporada de High Maintenance se estrena en HBO el 20 de enero

La segunda parte de la octava temporada de Suits se estrena en USA Network el 23 de enero

La segunda temporada de Tin Star se estrena en Sky Atlantic el 24 de enero

PEN15 llega a Hulu el 8 de febrero

Tráilers

Future Man - Temporada 2

youtube

Suits - Temporada 8b

youtube

#series tv #television

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