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Is generative music the most or the least human form of music?
#GenerativeMusic#ModularSynths#MusicCreation#ElectronicMusic#Synthesizers#MusicProduction#Synths#CreativeProcess#MusicTechnology#MusicInnovation#MusicEducation#MusicInspiration#SynthEnthusiast#Composer#SynthPatches#SoundArt#ModularSoundscapes#MusicExploration#MusicLearning#learningmodular#VM#VoltageModular#Playertron#RM_Ware#Weevil#musicandsociety#musicandbiology#musicandphysics#cherryaudio#learningGenerativeMusic
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Unleash Creative Possibilities with Native Instruments – Modular Icons Download
Explore the limitless realm of modular synthesis with Native Instruments' Modular Icons. This groundbreaking software package provides a comprehensive collection of meticulously sampled modular synthesizer modules, meticulously curated to deliver the authentic analog warmth and sonic flexibility of modular systems.
Native Instruments – Modular Icons Download
Whether you're a seasoned synth enthusiast or a newcomer to the world of modular synthesis, Modular Icons offers an intuitive and immersive experience, allowing you to design and sculpt your own unique sounds with ease. From fat basslines to soaring leads, atmospheric pads to glitchy effects, the possibilities are endless.
With its intuitive interface and powerful sound design capabilities, Modular Icons is the ultimate tool for electronic musicians, sound designers, and producers seeking to push the boundaries of sonic experimentation. Download Modular Icons now and embark on a journey of sonic exploration and discovery.
Tag Words: Native Instruments, Modular Icons, Modular Synthesis, Synthesizer Modules, Analog Warmth, Sonic Flexibility, Sound Design, Electronic Music, Music Production, Synth Enthusiast, Creative Possibilities, Immersive Experience, Download Now
#Certainly! Here are some relevant tags for “Native Instruments – Modular Icons”:#1.#NativeInstruments#2.#ModularIcons#3.#ModularSynthesis#4.#Synthesizers#5.#AnalogWarmth#6.#ElectronicMusic#7.#SoundDesign#8.#MusicProduction#9.#SynthEnthusiasts#10.#CreativePossibilities#11.#DigitalInstruments#12.#DownloadNow#13.#MusicSoftware#14.#SoundExploration#15.
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Part 1 of my series about the “F_Series”, a bundle of modules forged after the legendary DIY modular synth “Formant” (the 1977/78 Elektor project) in Voltage Modular is online now:
youtube
Content/Timeline:
00:00 Intro
01:18 A Short History of Modular Synths
06:10 The Original Vintage Modules
06:41 The VCO and its Wave Shapes
11:27 The 3 VCFs
18:56 The LFOs
21:56 The VCA
26:10 The ADSR and the COM Module
26:26 The Noise and Sample And Hold Module
#Elektor#ElektorFormant#FormantDIY#DIYsynth#ElektorDIYFormantsynth#ModularSynths#modularDIY#MusicCreation#ElectronicMusic#synthHistory#Synthesizers#MusicProduction#Synths#CreativeProcess#MusicTechnology#MusicInnovation#MusicEducation#MusicInspiration#SynthEnthusiast#MusicCommunity#Composer#MusicDiscovery#SynthPatches#SoundArt#MusicPassion#ModularSoundscapes#NewMusic#MusicExploration#MusicLearning#learningmodular
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What role does chance play in generative music, and are there different types of chance, and if so, how do I generate them with modular synthesizers?
#GenerativeMusic#ModularSynths#MusicCreation#ElectronicMusic#Synthesizers#MusicProduction#Synths#CreativeProcess#MusicTechnology#MusicInnovation#MusicEducation#MusicInspiration#SynthEnthusiast#Composer#SynthPatches#SoundArt#ModularSoundscapes#MusicExploration#MusicLearning#learningmodular#VM#VoltageModular#Playertron#RM_Ware#Weevil#musicandsociety#musicandbiology#musicandphysics#cherryaudio#learningGenerativeMusic
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Generative Music transfers some of the responsibility for a musical composition to a “machine” (a system). How? How much? Which ones? Why?
#GenerativeMusic#ModularSynths#MusicCreation#ElectronicMusic#Synthesizers#MusicProduction#Synths#CreativeProcess#MusicTechnology#MusicInnovation#MusicEducation#MusicInspiration#SynthEnthusiast#Composer#SynthPatches#SoundArt#ModularSoundscapes#MusicExploration#MusicLearning#learningmodular#VM#VoltageModular#Playertron#RM_Ware#Weevil#musicandsociety#musicandbiology#musicandphysics#cherryaudio#learningGenerativeMusic
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It´s done! The book is available on
(you can even read the first chapter of the book there).
Without a lot of words about “how great” or “how important” this book is, here´s what it contents. Decide yourself!
Cheers and peace!
Rolf
Chapter 0: Some Words About Generative Music And About This Book 006
Chapter 1: Pseudo Randomness And Its Advantages and Disadvantages 008
Chapter 1.1: Using LFOs To Generate Pseudo Randomness 009
Chapter 1.2: Special LFOs And Other Cycle Generating Modules 028
Chapter 1.2.1: R_ware´s “LFO-inator” 028
Chapter 1.2.2: R_ware´s “SplineCurve” 034
Chapter 1.2.3: Looping Envelopes 041
Chapter 1.2.3.1: Mini Envelope VCA Plus by Andrew Macaulay 041
Chapter 1.2.3.2: Super Envelope Generator (Cherry Audio) 050
Chapter 1.2.3.3: AHR Generator (Adroit) 058
Chapter 1.2.3.4: Playertron´s Membrane Function Generator 065
Chapter 1.2.3.5: Benard´s Stochastic SR Envelope 075
Chapter 1.2.3.6: Voltage Modular And the Music Of the Krell 079
Chapter 1.2.3.6.1: Step 1 - Patching a Krell Engine 080
Chapter 1.2.3.6.2: Step 2 – Adding Breakpoints And Modulations 083
Chapter 1.2.3.6.3: Step 3 – The Role Of Sequencers In Krell Patches 091
Chapter 1.2.3.6.4: Step 4 – A Cascade of Krell Engines 093
Chapter 1.2.3.6.5: Step 5 – Modulating Minima And Maxima 095
Chapter 1.2.3.6.6: Step 6 – Polyphonic Krell 099
Chapter 1.2.4: Sequencers 102
Chapter 1.2.4.1: Stochastic CV Sequencers 108
Chapter 1.2.4.1a: Playertron´s Stochastic Note & CV Sequencer 114
Chapter 1.2.4.2: Stochastic Trigger Sequencers 121
Chapter 1.2.5: Shift Registers 125
Chapter 1.2.5.1: DMT´s Shift Register 131
Chapter 1.2.5.1.a: Parrot Machine 132
Chapter 1.2.5.2: Micro Feedback Shift Register
(Synthetic Future x R_Ware) 134
Chapter 1.2.6: Sequential Switches 138
Chapter 1.2.6.1: CHASER by Borkman 146
Chapter 1.2.7: Gray Code Modules 150
Chapter 1.2.8: Samples And Recordings 156
Chapter 1.2.9: Euclidean Sequencers 159
INTERLUDE 1: Randomness, Probability, Stochastic 164
Chapter 2: Different Kinds Of “Real” Randomness 169
Chapter 2.1: Sample & Hold Modules 169
Chapter 2.1.a: Andrew Macaulay´s “Sample/Track And Hold” 172
Chapter 2.1.b: Micro¨Sample And Hold (Synthetic Future x R_Ware) 174
Chapter 2.1.1: Sample Sources for Sample & Hold Modules 175
Chapter 2.1.1.1: Sampling From Regular Wave Shapes 176
Chapter 2.1.1.2: Sampling from Audio 179
Chapter 2.1.1.3: Sampling from Anything 182
Chapter 2.2: Turing Machines 184
Chapter 2.2.1: DMT´s “Turing Universe” 185
Chapter 2.2.2: Playertron´s Turing Algorithm Tape Splicer 191
INTERLUDE 2: Gates And Switches 203
Chapter 2.3: Probability Gates And Random Gates 210
Chapter 2.3.1: HetrickCV´s “Random Gates” 210
Chapter 2.3.2: “Stochastic Trigger Distributor” (Playertron) 212
Chapter 2.3.3: “scrambler” (sys.6 / planet.6) 213
Chapter 2.3.4: “Pulse Train” (Centripidity) 215
Chapter 2.3.5: Bernoulli Gates 227
Chapter 2.3.6: Probability Router 125 (Insomniac Music) 238
Chapter 2.3.7: Real World Triggers And Gates 230
Chapter 2.3.7.1: Triggers And Gates From Field Recordings 230
Chapter 2.3.7.2: Triggers And Gates From Observations 233
Chapter 2.3.7.3: “The Rhythm Of a Day” 234
INTERLUDE 3: Nature´s Paradigm 236
Chapter 3: Modulation Targets And Trigger Targets 248
Chapter 3.1: Pitch 249
Chapter 3.2: Timbre 252
Chapter 3.3: Filters and Equalisers 260
Chapter 3.4: Wave Shapers And Wave Folders 263
Chapter 3.5: Additive Techniques (Partials And More) 271
Chapter 3.6: Voices 281
Chapter 3.7: Rhythm 284
Chapter 3.8: Effects 291
Chapter 3.9: Envelopes 295
Chapter 3.10: Quantizers 297
Chapter 3.11: Grains 299
Chapter 3.12: Sample Player 307
Chapter 3.13: Slew Processors / Limiters 311
Chapter 3.14: Comparators 313
Chapter 4: Compositional Aspects Of Generative Music 316
Chapter 4.1: Basic Compositional Decisions 316
Chapter 4.2: Basic Compositional Techniques 327
Chapter 4.2.1: Contrasting 327
Chapter 4.2.2: Repeating, Modifying And Inverting Relations 330
Chapter 4.2.3: Basic But Exclusively Generative Techniques 335
Chapter 4.3: Specific Compositional Techniques 339
Chapter 4.3.1: Pitch Dependency 339
Chapter 4.3.2: Rhythm 340
Chapter 4.3.3: Tension And Layers 345
Chapter 4.4: Certain Patch Techniques And Examples 347
Chapter 4.4.1: Switching Voices And Layer Parts Of the Patch 347
Chapter 4.4.2: Sculpture Randomness And Setting Borders 353
Chapter 4.4.3: Mixing Regular And Random Elements 356
Chapter 5: Building Blocks Of Generative Patching 363
Chapter 5.1: The Instrumentation Of Envelopes 363
Chapter 5.2: 5 Faces Of Randomness 370
Chapter 5.3: Random Harmonies 381
Chapter 5.3.1: Basic Random Arpeggio Set-Ups 381
Chapter 5.3.2: Certain Modules To Work With Harmonies 384
Chapter 6: Generative Principles In Nature And Society
And Their Musical Reproduction 391
Chapter 6.1: The Physicist´s Tunes 391
Chapter 6.1.1: Heisenberg´s General Pings 391
Chapter 6.1.2: Einstein´s Melody Of the Spheres 393
Chapter 6.1.3: de Broglie´s Electron Concert 393
Chapter 6.1.4: Heisenberg´s Cosmic Pings (plus a fun patch) 398
Chapter 6.1.5: Feynman´s Dance Of the Quarks 403
Chapter 6.2: The Biologist´s Tunes 407
Chapter 6.2.1: The Symphony Of Photosynthesis 407
Chapter 6.2.2: Enzymatic Choirs 410
Chapter 6.3: Society´s Tunes 414
Chapter 6.3.1: The Wailing Shopping Mall 414
Chapter 6.3.2: City Death Tune 417
Chapter 7: Modules Which Are Especially Useful
When Making Generative Music 421
Chapter 7.1: Quadrature VLFO by Cyberwerks Heavy Industries 421
Chapter 7.1.1: Functionality 421
Chapter 7.1.2: Applications 424
Chapter 7.2: “Feigen” by Vult 428
Chapter 7.2.1: Functionality 428
Chapter 7.2.2: Applications 430
Chapter 7.3: “Distributor” by Vulpus Labs 433
Chapter 7.3.1: Functionality 433
Chapter 7.3.2: Applications 434
Chapter 7.4: Jadwiga Single Pole Filter (Playertron) 437
Chapter 7.4.1: Functionality 437
Chapter 7.4.2: Applications 443
Chapter 8: The Bridge to Volume 2:
Certain Patch Ideas And Their Musical Meaning 447
Chapter 8.1: Competing Melodies And the Turn Of the Tide 447
Chapter 8.2: Stream Of Life 449
Chapter 8.3: Immanent Threat 451
Epilogue 453
Appendix A: Your Personal Advantages As a Buyer Of this Book 454
Appendix B: Contact And Social Media 455
Appendix C: Copyright 456
#GenerativeMusic#ModularSynths#MusicCreation#ElectronicMusic#Synthesizers#MusicProduction#Synths#CreativeProcess#MusicTechnology#MusicInnovation#MusicEducation#MusicInspiration#SynthEnthusiast#Composer#SynthPatches#SoundArt#ModularSoundscapes#MusicExploration#MusicLearning#learningmodular#VM#VoltageModular#Playertron#RM_Ware#Weevil#musicandsociety#musicandbiology#musicandphysics#cherryaudio#learningGenerativeMusic
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