#Roberto Diago

[rizoartobserver-blog]

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#Antonio Eligio Tonel #Armando Mariño #Eduardo Hernández #Eduardo Ponjuán #Fernando Rodríguez #Flavio Garciandía #Gustavo Acosta #hablandodemercadodearte #José Ángel Toirac #José Bedia #Lázaro Saavedra #Los Carpinteros #Luís Martínez Pedro #Manuel Mendive #Pedro Álvarez #René Portocarrero #Roberto Diago #Rocío García #Tomás Esson #Tomás Sánchez #Wifredo Lam

[thecubanartobserver]

Exposición Off Season, Colectiva

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#2023 #Arlés del Río #Carlos Garaicoa #Eduardo Ponjuán #Flavio Garciandía #Galería El Apartamento #Humberto Díaz #José Carlos Imperatori #Lázaro Saavedra #Maikel Sotomayor #Miki Leal #Orestes Hernández #René Francisco #Roberto Diago #Yaima Carrazana

[pwlanier]

JUAN ROBERTO DIAGO (b. 1971)

Mundo de Papel

signed 'R/Diago' (center left); signed again, and dated 'Juan Roberto Diago, 2000, S/T' (on the reverse)

oil and graphite on canvas

301⁄4 x 231⁄4 in. (77 x 60 cm.)

Executed in 2000.

Christie’s

[eddy25960]

ROBERTO DIAGO (La Habana, 1920-Madrid, 1955)

“Abanico”, 1945

Óleo sobre tela; 118 x 96 cm

Consolidación del arte moderno (1938-1951)

[arretoskore]

The Cat, The Quilt and Propaganda, New fantasy novel as I try to cope with the new episode of "La Crisi" while anxiously waiting for the next episode of "Il Decreto"

In other news i finished my first quilt ! Small but warm <3

#what even is italian politics #i'm crying #Gelmini again #Di Maio WHY #giorgetti... i'm just... idk #anyway Propaganda Live is the only good show left on italian tv #i want to marry diago bianchi #celata new italian sex symbol #roberto angelini love of my life #makkox pls gift me some of your chill #i need it #in other news i finished my first quilt! #it's smol #but very warm #<3

[nomoreuniverse]

Juan Roberto Diago

#juan roberto diago

[a-state-of-bliss]

‘Untitled’ by Juan Roberto Diago

#art #Black and White #juan roberto diago

[leonardoantiqueira]

histórias afro-atlânticas [afroatlantic histories]

29/06/2018 - 21/10/2018 masp

eleita pelo new york times a melhor exposição do ano de 2018 eleita pela artnews a terceira melhor exposição da década catálogo da exposição indicado ao prêmio jabuti

curadoria [curatorial project]

adriano pedrosa, artur santoro, ayrson heráclito, hélio menezes, leonardo antiqueira, lilia moritz schwarcz, matheus araújo e tomás toledo.

histórias afro-atlânticas apresenta uma seleção de 450 trabalhos de 214 artistas, do século 16 ao 21, em torno dos “fluxos e refluxos” entre a áfrica, as américas, o caribe, e também a europa. a exposição parte do desejo e da necessidade de traçar paralelos, fricções e diálogos entre as culturas visuais dos territórios afro-atlânticos—suas vivências, criações, cultos e filosofias. é importante levar em conta a noção plural e polifônica de “histórias”; esse termo que em português (diferentemente do inglês) abrange tanto a ficção como a não ficção, as narrativas pessoais, políticas, econômicas, culturais e mitológicas. essas histórias possuem uma qualidade processual, aberta e especulativa, em oposição ao caráter mais monolítico e definitivo das narrativas tradicionais. nesse sentido, a exposição não se propõe a esgotar um assunto tão extenso e complexo, mas antes a incitar novos debates e questionamentos, para que as histórias afro-atlânticas sejam reconsideradas, revistas e reescritas.

artistas

aaron douglas / abdias nascimento / ad junior, edu carvalho e spartakus santiago / adenor gondim / agnaldo manoel dos santos / agostinho batista de freitas / agostino brunias / albert eckhout / albert huie / alberto henschel / alexander "skunder" boghossian / alfred weidinger / alfredo volpi / aline motta / alma thomas / alphonse garreau / andré cypriano / andy warhol / anita malfatti / antonio bandeira / antonio gomide / antônio obá / antônio parreiras / antônio rafael pinto bandeira / archibald j. motley / arthur bispo do rosário / arthur timótheo da costa / augustus earle / babalu / barbara jones‑hogu / barrington watson / bauer sá / beauford delaney / belmiro de almeida / ben enwonwu / benny andrews / blair stapp / bruno baptistelli / cameron rowland / candido portinari / canute caliste / captain stedman / carlos moraes / carlos vergara / carybé / castagnez pierre / castera bazile / celina / charles landseer / chico tabibuia / cícero dias / coletivo de artistas de cachoeira / cristofano dell’altissimo / cyprien tokoudagba / dalton paula / david driskell / david miller senior / dicinho / dimitri ismailovitch / dirk valkenburg / disbrow & few photographers / djanira da motta e silva / dumile feni / edinízio ribeiro primo / edna manley / edouard antoine renard / edsoleda santos / elisa larkin nascimento / ellen gallagher / ellis wilson / emanoel araujo / emiliano di cavalcanti / emma amos / emory douglas / enrique grau araújo / ernest crichlow / ernest mancoba / eustáquio neves / faith ringgold / felix beltran / félix émile taunay / félix farfan / flávio cerqueira / flávio gomes / françois auguste biard / françois désiré roulin / françois froger / frans post / frederico guilherme briggs / frente 3 de fevereiro / gary simmons / gaspar gasparian / george valris / gerard sekoto / gilberto de la nuez / gilberto hernández ortega / glauber rocha / glenn ligon / hank willis thomas / heitor dos prazeres / henry chamberlain / howardena pindell / hyacinthe rigaud / ibrahim el‑salahi / ibrahim mahama / iracy hirsch / isaac mendes belisario / ismael nery / j. cunha / jacob lawrence / jacques arago / jaime colson / jaime lauriano / james phillips / janaina barros / jaime fygura / jean chauffrey  / jean‑baptiste debret / joão cândido da silva / joaquim lopes de barros / johann moritz rugendas / john biggers / john wood / jorge henrique papf / josé alves de olinda / josé correia de lima / josé gil de castro / josé segura ezquerro / joshua reynolds / juan roberto “diago” durruthy / juana borrero / juarez paraíso / julien vallou de villeneuve / kara walker / lasar segall / loïs mailou jones / luiz braga / lula cardoso ayres / lynette yiadom‑boakye / mallica “kapo” reynolds / manuel mendive / manufatura de gobelins / marc ferrez / marcus rainsford / marepe / maria auxiliadora / mariano de zuñiga y ontiveros / mário cravo júnior / marius‑pierre / le masurier / martinho patrício / maurício simonetti / maxwell alexandre / mcpherson & oliver / mestre didi / mídia ninja / militão augusto de azevedo / moisés patrício / nadia taquary / nina chanel abney / no martins / noemia mourão / nona faustine / norman lewis / octávio araújo / osmond watson / pascale marthine tayou / paul cézanne / paul harro‑harring / paulo nazareth / pedro américo / pedro figari / philip thomas coke tilyard / pierre verger / radcliffe bailey / rafael borjes de oliveira / rafael rg / ram geet / ramiro bernabó / rené portocarrero / revert henry klumb / richard bridgens / rigaud benoit / roberto burle marx / rodolpho lindemann / rogério reis / romare bearden / rosana paulino / rosina becker do valle / rubem valentim / samuel raven / sénèque obin / seydou keïta / sheila pree bright / sidney amaral / solomon nunes carvalho / sonia gomes / tatewaki nio / theaster gates / theodor kaufmann / theodore géricault / thomas jones barker / tiago sant’ana / titus kaphar / toyin ojih odutola / uche okeke / uzo egonu / vicentina julião / victor meirelles / victor patricio landaluze / victoria santa cruz / vincent rosenblatt / walter firmo / wifredo lam / william henry johnson

[wevortex]

By Roberto Diago

[habana-arte]

Juan Roberto Diago Amor y Paz, 2004 Mixed Media on Canvas 56" × 40" 

Visit our website to learn more about Cuban art and the Havana Arts & Culture scene: habana-arte.com

#cuba #cubanart #artecubano #mixedmedia #mixedmediaoncanvas #tecnicamixta #cubanartist #loveandpeace #havana #habanaarte

[deepartnature]

Historical Close-Up: Modern Cuban Painters at MoMA, 1944

In a photographic detail, María Luisa Gómez Mena stands with a core group of artists and critics in the doorway of Galería del Prado, c. 1942-1944. Gómez Mena stands sixth from the left, in front. Others in the shot include José Gómez Sicre, Mario Carreño, Cundo Bermúdez, Alfredo Lozano, Amelia Peláez, Mestre, MLGM, Roberto Diago, and Eugenio Rodríguez.

"... On March 17, 1944, the Museum of Modern Art opened the exhibition Modern Cuban Painters. Organized by Alfred H. Barr, Jr. in consultation with a young Cuban art critic and curator by the name of José Gómez Sicre, the exhibition was hailed by the art criticism establishment, from the conservative Royal Cortissoz to the more liberal Edward Alden Jewell. In Art News, H.F. Kraus described it as 'an exhibition of color and verve and home grown baroque sensibility . . . very different from the Mexican work seen in these very galleries four years ago.' Cuban art was not a complete stranger to New York audiences. ..."

Historical Close-Up: Modern Cuban Painters at MoMA, 1944, Part 2: Spotlight on María Luisa Gómez Mena, Part 3: More on Maria Luisa Gómez Mena 

An exhibition at the Galería del Prado, c. 1942. The works on view include pieces by Amelia Peláez, Mario Carreño, Felipe Orlando, and Mariano Rodríguez.  

[thecubanartobserver]

De allá: Exposición “Diago, un arte para todos los tiempos”, Roberto Diago

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#De allá #Roberto Diago

[slcvisualresources]

Juan Roberto Diago 

A Place in the World, 2006

#Cuban art #contemporary art #juan roberto diago #a place in the world #painting #installation #texture #pots #figure #drawing #Havana

[africandiasporaphd]

#Repost @vandyfinearts (@get_repost) ・・・ Announcing "Visionary Aponte: Art and Black Freedom,” opening on January 9, 2020: This exhibition brings together twenty contemporary artists to interpret an extraordinary—and now lost—historical artifact: a so-called “Book of Paintings” created by José Antonio Aponte, a nineteenth-century Afro-Cuban revolutionary and artist. Authorities found the “Book of Paintings” in 1812 during the investigation into a major antislavery conspiracy in Havana. During the trial, Aponte was forced to describe his book in detail. Its pages portrayed lush landscapes and Biblical stories; Roman goddesses and Spanish kings; black men as warriors, emperors, and librarians; Rome and Ethiopia; Havana and the heavens. Shortly after testifying, Aponte was publicly executed, his head severed from his body, and placed on a pike inside a cage in a well-travelled crossroads in the city. Then, his “Book of Paintings” disappeared. Using Aponte’s trial testimony—which is all that is known to remain of the “Book of Paintings”—the artists included in Visionary Aponte have reimagined Aponte’s book for the present day. They experiment with ways to mitigate the violence of the colonial archive and invite us to think about the role of art in envisioning and making social change. Artists include: Grettel Arrate (Santiago, Cuba), José Bedia (Miami), María Magdalena Campos-Pons (Nashville), Juan Roberto Diago (Havana, Cuba), Édouard Duval Carrié (Miami), Alexis Esquivel Bermudez (Cuba/Spain), Jöelle Ferly (Guadalupe), Teresita Fernández (New York), Alberto Lescay (Santiago), Tessa Mars (Port-au-Prince, Haiti), Emilio Mártinez (Miami), Emilio Adán Martínez (Miami), Nina Mercer (New York), Clara Morera (North Carolina), Glexis Novoa (Miami), Vicki Pierre (Miami), Marielle Plaisir (Miami), Asser Saint-Val (Miami), Jean-Marcel St. Jacques (New Orleans) and Renée Stout (Washington, D.C.). Curated by Édouard Duval Carrié and Ada Ferrer. https://ift.tt/2tBjO5i Follow #ADPhD on IG: @afrxdiasporaphd

#IFTTT #Instagram #ADPhD

[pwlanier]

Roberto Diago

Elegguá regala los caminos

1949

National Museum of the Arts Cuba

[affairesasuivre]

BUENA VISTA, ART CONTEMPORAIN À CUBA : 28 SEPTEMBRE - 18 NOVEMBRE 2018

Reynerio Tamayo “Gulliver” (Acrylique sur toile, 166 x 200, 2015)

Cuba évoque immédiatement le rhum et les cigares mais la vraie richesse de Cuba réside dans sa culture ou plutôt dans ses cultures : espagnoles, françaises, américaines et bien sûr caribéennes. Ainsi l’île est devenue,  un carrefour pour la littérature, la danse, la musique et le cinéma. L’exposition « Buena Vista, art contemporain à Cuba » présente la vitalité des arts plastiques depuis 1959.

Avec la révolution, la culture, déjà très développée sur l’île mais réservée à une élite bourgeoise, a connu une fantastique démocratisation. Sur plus de 1000 kilomètres entre La Havane à l’ouest et la deuxième ville de l’île, Santiago,  des écoles d’art furent créées dans  les  neuf provinces, permettant à des enfants d’origine principalement paysanne, qui n’auraient jamais eu l’opportunité de s’ouvrir à la musique, la peinture , la sculpture ou la danse, d’apprendre ces disciplines dès les cycles primaires et secondaires. Ce système permettait aussi bien sûr à ces jeunes artistes, de rester vivre dans leur village, jusqu’à une sélection finale pour entrer à l’université de l’ISA (Institut Supérieur de l’Art) de la Havane.

On comprendra mieux alors, en appréciant l’importance que Cuba a donné à l’apprentissage de l’art comment toute une génération d’artistes remarquables a vu le jour. Jusqu’à récemment les artistes traitaient d’aspects très spécifiques à Cuba. A commencer par l’insularité  que racontent les bateaux, les voiles et les rames de Kcho, puis la religion,  la Santeria et le culte africain très vivants à Cuba, qui nourrissent l’œuvre de Mendive et, sous une autre forme, celle de Belkis Ayon.

La  politique de l’île et les événements historiques inspirent l’esprit affuté d’artistes comme Toirac, René Francisco ou Tamayo, dans certaines de leurs œuvres ou encore l’affirmation de la négritude,  dans les peintures de Diago et Esquivel.

A travers toutes ces œuvres, nous sommes à Cuba et nulle part ailleurs.

Depuis une décennie, l’art s’est universalisé à Cuba, on découvrira alors les œuvres récentes d’artistes comme Campins, Yaque ou encore Humberto Diaz,  posant la question de la mise en œuvre du principe de responsabilité de la communauté internationale, l’avènement d’un monde d’interdépendances écologiques, politiques, économiques et sociales.

Cette exposition des œuvres de dix-huit artistes cubains offre un panorama de la créativité à Cuba.

Belkis Ayón, Abel Barroso, Alejandro Campins, Roberto Diago, Humberto Diaz, Alexis Esquivel, Diana Fonseca, René Francisco, Alexis Leyva Machado dit Kcho, Manuel Mendive, Michel Pérez Pollo, Mabel Poblet, Eduardo Ponjuàn, Sandra Ramos, Lazaro Saavedra, Reynerio Tamayo, José Angel Toirac, José Yaque

COMMISSAIRE : Gilbert Brownstone

#buena vista #ART CONTEMPORAIN À CUBA #reynerio tamayo #gulliver #2015 #fondation clément #affairesasuivre #affaires a suivre