#Reginald They're Thespians

[mychemicalxmen]

The Umbrella Academy College Theatre Kid AU Plot

Alright bitches, ask and ye shall receive. 

Here’s the 6k summary of this ten-chapter monstrosity I almost wrote a year ago and just now attempted to flesh out.

Canon divergence from the point of their birth onward. The Commission doesn’t exist here, it would just make everything a little too complicated. No Luther/Allison either, personal preference. If anyone would want to try writing or drawing a scene from this universe, I would be over the heckin moon, please feel free to do w/e if any part of this inspires anyone. And if anyone just wants to shoot hc, pop off!

But yeah. This is a crack concept treated dead seriously. Buckle up.

Chapter One - “Overture”

-I wrote this chapter, but it’s Really Not Good. I had just watched the show and hadn’t written fic in a Hot Minute.

-Welcome to Umbrella University, a top-tier school with a sacrilegiously large budget for the fine arts!

-They’re all freshman atm.

-Basically, all of our kiddos (except Five, we’ll get there) are cleaning the theater between shows in the fall season. Allison is acting House Crew Chief and is overseeing the whole thing. The others are on House Crew for various reasons - tech class credit, volunteer hours, etc. No one is actually studying theatre for their major except Allison, who’s double-majoring in acting and something else

-They’re essentially strangers (except Ben and Klaus, who are assigned roommates). They’re all aware of their own powers, but not any of the others’.

-As they clean, the host on the radio is going on about the one-year anniversary of his favorite “Hargreeves Five” (the current Academy, made up of different kids from the 43, and definitely not based on the ASBO Five) battle, apprehending a robber named Erick Webber in New York City. He was a starving actor who stole from large donation funds that were supposed to be distributed to other starving artists. The battle got violent, and fire got involved. What a spectacle!

-Vanya, who has accidentally skipped her meds that day, sees a rat and screams, prompting Luther to drop the lighting equipment he’s working on. Loud sound. Telekinetic energy starts going.

-There is a comically convenient chain reaction in which all of the siblings’ powers are triggered at once - Diego throws something, Klaus levitates, the Horror has to hold up the light rig, Allison has to rumor to memory-wipe the witnesses, etc.

-Once they have the situation under control, they realize it’s… weird. The odds are absolutely astronomical. How the hell did they all end up in the same place??

-There’s no reason to believe anyone brought them together on purpose, except maybe fate, or whatever Mysterious Space Magic caused their birth in the first place. They have a private House Crew meeting with a lot of freaking out and questions and bonding.

Chapter Two - “God I Hope I Get It”

-Fast forward to junior year. Since that fateful day, the theater has become the siblings’ home base. Luther is the shop foreman this year, Allison is seated at the right hand of the theatre department director (a sharp middle-aged woman who directs half of the shows), Diego knows his way around lights, and Klaus frequently builds and paints in the scene shop. Allison’s the only one of them who actually performs.

-The fall season includes Hair and Othello, and the joint audition for both is quickly approaching.

-Vanya, however, has been drifting away from it all for some reason. Allison finds her in the quad one day and encourages her to audition for Othello. Apparently, the theatre director has observed Vanya’s love of reading plays from afar and asked for her specifically. Vanya doesn’t want to go anywhere near the theater, but she’s touched by Allison’s belief in her and reluctantly says she’ll think about it.

-Diego is going through his classes and can’t help but feel like there’s this one freshman that’s just… following him. Looking at him funny. Keeps showing up in all his usual spots. Must be one of those obnoxious wiz kids - there’s no way in hell that he’s eighteen years old.

-Vanya has a monologue in her back pocket, her favorite from Winter’s Tale, ready to go. But when the day of the audition comes, she walks into the theater for the first time in months, and she breaks down and runs to the bathroom. Allison is too busy helping the director to console her, so she sends Klaus to check on her.

-Klaus talks to her through the door and tries to hype her up for the audition. Ghost!Ben tells him to reel it in.

-Vanya eventually admits that she drifted away from the theater because it was always a special place for the six of them, but after Ben died in a car crash in sophomore year, thinking about it just broke her heart all over again.

-Klaus doesn’t quite have the tact of language to bring her comfort, but Ben does. Without revealing he can see Ben, Klaus just echoes his words. Saying that Ben would still want her to be happy here. Saying that it’s okay to take time to work through all those feelings. He stays there until Vanya’s calm enough to come out of the bathroom, hug him for a really long time, and then go into her audition.

-The cast lists go out, and all the siblings run to see the one for Othello. Allison is the stage manager, to the surprise of no one, and has already seen that she’ll be playing Dionne in Hair. The headmaster’s kid (who I never gave a name, so let’s just call him Ollie) is playing Othello, some guy named Leonard is playing Roderigo, and Vanya is playing Desdemona. While they’re leaving to celebrate, Diego sees The Weird Freshman sign his initial on the cast list, confirming his role. He takes a peek at it later and wonders how this five-foot-six gremlin was cast as Iago, and what kind of a name is Five, anyway?

Chapter Three - “Good Morning Starshine”

-Production on Hair has begun.

-Diego is still a vigilante, but like, specifically for the college’s organization for fighting sexual harassment. Make no mistake, he is not endorsed by the club in any way, shape, or form. But when fellow criminal justice major Eudora Patch gets catcalled on a late night walk home from the library, a fraternity douchebag gets his hoodie pinned to the wall with a knife and receives an extremely harsh talking-to.

-Eudora just sighs into the darkness like “Diego was that really necessary” and keeps walking and Diego runs up to meet her like “yes??”

-Insert exposition here about how they’re exes but there’s still that Tension and fond bickering from the show. Eudora thinks he should get involved in other things on campus, but he immediately rejects it. No. Nope. Nothing else going on. Just lights. And Batman.

-Luther and Allison often hang out in one of the hallways of the theater for lunch. Allison complains that she’s in charge of a lot of little projects in the program, and it’s hard to get people to listen to her. Luther complains that Diego hasn’t been showing up to help in the shop lately. Even though Diego’s not officially on set crew, it’s a little suspicious that he hasn’t been around.

-The mainstage theater has been going through a very fancy refurbishment, and a new chandelier just came in. How the department has the money for a chandelier, no one has any idea. There’s an inside joke that the theatre director must be having a scandalous lesbian affair with the headmaster.

-After a while, Luther enlists Klaus to help him to figure out what Diego’s hiding. With their single shared braincell, it takes them a little too long to realize that Diego’s name is on the Hair cast list. But that can’t possibly be right.

-Luther and Klaus sneak into the blackbox (a smaller, more intimate theater) in the middle of a Hair rehearsal and, sure enough, holy shit, Diego is actually onstage as one of the tribe people, lowkey having the time of his life.

-Enter UT Dallas transfer David Katz in the role of Claude. And it’s just. On sight. Klaus is down for the goddamn count.

-“Who is that??” “I know, right? Like, that’s our brother.” “No, no, not him. The really pretty one.”

-At the end of whatever song they’re doing, Diego locks eyes with Luther and almost dies of embarrassment right then and there.

-Cue big long childish argument of “why didn’t you tell us you had any interest in being in the musical?” and “I didn’t know I had any interest either oKAY you weren’t supposed to find out” “how wouldn’t we have found out you IDIOT we LIVE HERE.”

-At the end of rehearsal, Diego is feeling entirely beaten down. As is Allison, up to her eyeballs in responsibility. They sit on the loading dock and Diego admits he didn't want to make a big deal out of the fact that he was in Hair. But he’s actually really digging the songs and the messages and the comradery. Even though musical theatre is dumb. Allison assures him it’s nothing to be embarrassed about.

Chapter Four - “What’s the Buzz?”

-Production on Othello has begun.

-Fluffy opening that’s just a montage of Disaster Klaus repeatedly trying to justify sitting in on Hair rehearsal. “Sure, Allison, let me cut out those gels.” “Sure, Dance Captain, I can record the choreography.” “Shut up, Ben, I’m just really into American military history.”

-Meanwhile he’s just…… watching the show, listening to Dave sing, waiting for the right moment to strike up a Totally Casual Conversation with him.

-And it happens! Eventually.

-Diego meets Eudora on the loading dock and comes clean to her about the fact that he’s in the musical. Eudora is shocked and amused and teases him a little for it, but she’s ultimately supportive. And endeared. Cute bickering.

-When she leaves for her next class, Five is six feet away sipping coffee like “Oh, you’re both the same major? Aww that’s adorable.”

-Diego finally confronts him and asks him what his deal is and Five says something cryptic about “Reggie’s bastards”. Diego grabs him by the arm and drags him to the empty dressing room and interrogates him on everything he knows.

-Five is somewhere in his thirties, he can teleport, his body’s been screwed up by time travel complications, he knows about all the others, and he’s “played a game of hopscotch with an unsympathetic god”. When asked why he came back to this time in particular, he dodges the question with some snarky reply of how he’s not sure he made the right call.

-They decide not to tell everyone else all at once, until they hear faint movement. They find Klaus buried under a throw blanket on The Couch that every theater has, a little stoned, stirring from a midday dressing room nap.

-”I’m a BOY in LOVE, leave me aLONE.”

Chapter Five - “No One is Alone”

-Once again, Allison is overwhelmed. She had rumored her way into the double major when she didn’t actually have the high school credits necessary to graduate on time, but since meeting the other siblings, she’d sworn off using her power. If she was caught, it could start a breadcrumb trail to the others and expose all of them. And like, they just want to get out of here with their degrees, man.

-The theatre department director has had to assign her the most incompetent freshmen in the world to manage with assorted housekeeping tasks. They have an attitude, they don’t know how anything works, and Allison simply doesn’t have the time to lead them. She comes to the theatre director to explain this.

-And for the first time in a long while, the director expresses sternness to her. And it hurts.

-”Come on, Allison, we both know you’re good with people. You can be very persuasive when you want to be. You will work this out.”

-It’s very pointed. She will work this out. There is no other option.

-And. Not to be self-centered, but the spring musical is going to be Cabaret, and Allison has been convinced she had Sally Bowles in the bag. But if she gets on the director’s bad side halfway through junior year…

-It’s a particularly tense day, ten minutes before she has to sign in for Hair rehearsal. Some poor freshman is organizing the costume closet and just doesn’t get it and doesn’t want to be here and the director demands that this is done by the end of the day.

-So. It’s just one. It’s no big deal. She just heard the oddest little rumor that the student could make the closet perfectly tidy within the hour.

-Five and Vanya are at rehearsal for Othello. Now that he’s actually talked to Diego and Klaus, he feels a little more at ease being in this place and time. The two have plenty of time to chat while on breaks. And because Vanya is such a chill, calming force compared to the stubborn and impulsive Diego, it goes a lot smoother.

-Neither of them can stand Ollie, the headmasters’ pretentious son who’s playing Othello, going on and on about his actor step-brother in New York. Whatever. He likes to creep around the scene shop, too. Like he’s judging the tech. I’d like to see YOU pick up a drill, sir.

-He’s also really close to the theatre director. No one’s ever heard them interact, but they’ve sure seen them together. And he’s not even putting in all the hours for her that Allison is.

-Vanya and Five probably get coffee before rehearsal. Run lines. Five rambles about the flaws in Shakespeare’s philosophies over an americano. And they eventually tell each other their stories.

-Pogo had gone with Sir Reginald to examine the children and their potential prior to adoption. Reginald’s technology sensed great power in Vanya, even as an infant. After Vanya’s mother refused to sell, Pogo went behind Reginald’s back and made contact with the mother, advising her on how to suppress Vanya’s powers (but not emotions) with medication whenever they couldn’t be internally controlled. Vanya was good at self-control for much of her childhood, but the adjustment to college and grief of losing Ben put her back in a risky zone, so she’s been leaning a little more heavily on her medicine these days. She knows the adrenaline she gets onstage is good and natural, but it makes her nervous about forgetting a dose again.

-Five’s mother was quite a character. The name came from the fact that, during birth, Five first hit the air at exactly 12:00:05.

-Five had practiced his time jumps all through his childhood. (With none of the spite and rush he had in canon, he had no need to leap years right away, so he took it slow.) Sometimes he would get stuck in a place for a while, but his mom was cool and understood this. He would adapt to the new environment, anywhere between hours and weeks, and jump right back when he got enough rest to use his power again. There were some bugs, some problems with exact accuracy of destination, but he was always working on it. He was very lonely, though, never getting to meet with any of the other 43 and being discouraged from doing so by his mother.

-There was a portion of the future he got stuck in as a teenager in which the nation was governed by a tyrannical organization called “The Macbeth Enterprise”.

-Vanya immediately tries to shush him at this point in the story because he said the Bad Theatre Word. The director is very superstitious. She takes it deadly seriously and has threatened to actually penalty anyone who says it in the theater. Five just chuckles.

-And luckily, they’re rehearsing in the blackbox today, so even if the director could hear, it’s not “in the theater”.

-The future he saw was a century ahead of them, far beyond their lifetime. He was able to glean a little information about the origins of the Enterprise, but he shares none of this with Vanya. Firstly, those in power had high-tech augmentation that gave them a perfect replica of the kind of superpowers the 43 had - mind manipulation, immortality, etc. And secondly, they were credited with destroying the Hargreeves Five. As if the Hargreeves Five were a danger to society.

-What he does tell Vanya is that he’d never made any attempt to change the timeline before, but that’s just what he decided to do. With what little information he had, the only thing he could think of was to ruin the Enterprise’s namesake.

-Five spent literal years of his life, traveling from city to city across centuries, dooming various productions of Macbeth with Commission-level pragmatism until the name of the play itself became the taboo we know irl today.

-Vanya’s laughing. Five is too, honestly. It’s crazy.

-But he didn’t do what he did out of a ridiculous dare to himself. He did it out of desperation to not only to save the country, but to save his family as well. The family he’d never known. The kids all across the globe who went through the same strange hell of differentness that he had since birth. The Hargreeves Five, of course, needed to survive, as they’re responsible for maintaining peace on earth anyway. But if the Hargreeves Five were hunted down, why would the Enterprise stop there? Wouldn’t all 43 of them be in danger? Would all their gifts be harvested from them, and would they then be thrown away?

-But who knows if Five actually made a difference? He prays that it did. But the years of isolation in his personal mission convinced him of one thing - he should know his family. He had no idea when the country would start falling to shit - if it still would - but he could keep an eye on it alongside people who understood him. And with his foresight, maybe they could rise against the evil together.

-And maybe he was just so tired of being alone.

-So, digging was done through the Internet and several libraries in several eras. He found his insertion point at the University. He knew he’d have to look a little younger to fit in.

-But naturally, he got some equations wrong.

-Eventually, Five is formally introduced to Luther and Allison, who welcome him with slight skepticism, followed by a strong bear hug. Five’s not sure how to take the physical affection. He nods, which is a completely normal response to a hug, wraps his arms back around them, and tries to keep his eyes from leaking.

Chapter Six - “Whispering”

-It’s tech week of Hair, and because he’s been blowing his voice out in rehearsal from underdeveloped technique, Diego is on vocal rest.

-Most of this chapter is Diego Is On Vocal Rest and Everyone Gives Him Shit About It in a Loving Way.

-“Everyone” includes Eudora. She just bought her tickets for opening night.

-One early afternoon, Luther and Klaus are back in the scene shop together - Luther’s moving some lumber around and Klaus is carefully painting a setting onto a flat - and Luther vents that he’s not looking forward to running spotlight on Othello. He knows he can do it, but he wishes the theatre director would trust him with more authority and let him be Technical Director.

-Ben is eternally rolling his eyes and bitching about how entitled Luther sounds. He’s already the goddamn shop foreman. Klaus tries not to laugh at how annoyed Ben is about this.

-“But Diego could totally go back to lights for Othello! Hair will be over by then! He’s the pro! If I were TD I’d put him back on in an instant!”

-Dave wanders into the shop and says “hey” and Klaus nearly drops his wet paint brush onto the floor.

-After the brief succession of clumsy attempts Klaus had made to connect with Dave, Dave is actually bothering to return the effort.

-Luther is oblivious as hell while he’s toting the lumber around just like “Oh hi! Welcome! You’re new right? I’m Luther. I’m the shop foreman. You ever been on a tech crew before?” and this whole cringey spiel of small talk he usually gives to new students.

-About a minute into the small talk Luther finally sees how awkward Dave feels and how tense Klaus looks and he’s just like ohhhhh.

-He moves his task about eight feet further away to give them some space to talk. Even though that’s definitely not where the lumber is supposed to go. He just doesn’t want to make it weirder.

-Anyway. Insert fluff that isn’t obscenely flirtatious but is like… flirting with flirtatious.

-Later on that day, Leonard is tapped by the headmaster to join Student Government. Must’ve been one hell of a GPA. The new commitment forces him to give up the part of Roderigo in Othello.

-Leonard tells Allison this. Shit. Just what she needed today. She turns to her assistant stage manager and murmurs, shrugging off the guilt as she says it: “I heard a rumor you broke the news to our director as gently as possible.”

-After an eternity of assembling, dusting, and re-dusting, the Umbrella University theater chandelier is finally risen, ready for the first show of the season.

Chapter Seven - “The Life of the Party”

-After a hurried round of reviewing the audition tapes from the beginning of the year, Dave has been cast to fill the part of Roderigo.

-The technical director of Othello quit. No one’s really sure why. He was solid. But Luther’s been asked to step up, and he’s been trusted to pick anyone he wants to fill his previous spot on lights.

-Cue super petty conversation about how they both know Diego’s bomb at lights but they still annoy each other just by existing. Nonetheless, Diego agrees to hop onto Othello crew.

-Guess what, y’all, it’s opening night of Hair.

-Hard cut to Eudora, Luther, and Klaus, standing awkwardly together in the theater lobby, holding bouquets of various sizes and colors, convincing themselves that it’s a totally platonic gift to give to an actor.

-The show goes great. At the end of opening weekend, the cast and crew and friends go out to celebrate at the local bar and grill.

-At some point, the drinks are on Ollie, and everyone knows he and his mom are loaded. So. More drinks are had than ought to be had.

-ESPECIALLY by Five. He starts rambling about this girl named Delores in his quantum physics class and how he’s not sure if he’s allowed to find her attractive because of how complicated his age is.

-Vanya needed to get drunk. She deserved it. Now she’s yelling about this girl named Sissy in her chamber orchestra. What is happening.

-I’m not saying that Klaus and Dave had their first kiss while buzzed and behind the TUA equivalent of an Applebee’s, but I’m not not saying it.

-Luther has like two beers and starts getting emotional about how pretty the moon is.

-In classes the next morning, everyone’s hungover as shit.

-Except Allison, who was the extra careful Mom Friend and made sure her siblings made it home safe.

-Except Klaus. Who. Y’know. Didn’t really make it home. Ben goes to his 8 AM and takes Ghost Notes for him.

-Sometime that week, Luther comes into the director’s office with a question and sees her finishing a phone call, looking distraught.

-He asks if she’s okay. She doesn’t want to explain, but it eventually comes out that her son was in an accident of sorts three years ago. It’s almost the anniversary. He just got another treatment for the burn scars across half of his face. The director is still grieving the fact that it’s highly unlikely he’ll find success in his dream to be a Broadway actor.

-Luther warns Allison that the director might be in a worse mood this week. So that’s great.

-At an Othello rehearsal, Allison is calling cues from her promptbook. She pretty much has them memorized. But apparently, as the theatre director tells her, she keeps getting them wrong today?

-Allison could swear that last time she was at rehearsal, her book was different. What she’s reading is unfamiliar - lefts instead of rights, blue-outs instead of black-outs, etc. So she’s stumbling.

-On break, the theatre director expresses her frustration to Allison. We’re almost in tech week, for God’s sake. Allison apologizes and promises it won’t happen in the run.

-Allison blames her screw-ups on the stress of her overcommitments. Vanya sees she’s a little upset after the exchange and invites her to hang with her and Five after rehearsal.

-Vanya and Five have actually opened a pretty decent dialogue on mental health as it relates to their abilities, with Five’s powers damaging his psychological state and Vanya’s mood being an element of her telekinesis. Vanya reminds Allison that she’s got a lot on her plate, so she should try to take it easy where she can.

-Vanya still has anxiety, and it tends to flare at the part in the play where Othello smothers Desdemona with a pillow. They had worked out a safe plan in rehearsal. The pillow is thin and held at an angle so Vanya can still breathe, and it is only going to be held for a count of twelve. No longer, no shorter.

-Vanya and her siblings also take some more time to bitch about Ollie, too. Did you hear him accidentally call the director “mom” the other day? How embarrassing. What a dork.

-Hair closes and Othello tech week begins.

-A new batch of freshman House Crew members are cleaning up the theater one day with the radio on.

-It’s now the three year anniversary of the host’s favorite Hargreeves Five battle, a showdown against aspiring actor and convicted robber Erick Webber that went up in flames.

Chapter Eight - “Brush Up Your Shakespeare”

-The twelve-hour cue-to-cue tech rehearsal for Othello is a nightmare. But aren’t all cue-to-cues nightmares?

-They are.

-There might be some fluffy sibling stuff here, but nothing important. Luther, Diego, and Allison are speaking on headset with each other (“on com”). The channel also includes the assistant stage manager and assistant tech director.

-About five hours in, Luther and Diego get real sick of each other. Luther is redundant with his directions. Diego knows what to do. Diego keeps jumping the gun on cues. Passive aggression ensues.

-Allison has had it up to HERE and says “Look, if you’re gonna be children, can you please do it on a different channel?”

-And they do. They dedicate a whole other radio channel to Luther and Diego arguing where the rest of the crew can’t hear it.

-It’s during the cue-to-cue that Allison screws up the calls one too many times - is someone editing her promptbook when she’s not around? - and gets one more comment from the director. It’s worded like encouragement but spoken like a threat.

-“Allison, you were doing so well with the freshman. Just tell yourself you can do this. You’ll be perfect.”

-At lunch break, she wants to collapse. She goes to the bathroom, locks the door, and looks into the mirror.

-“I heard a rumor that you followed that promptbook perfectly.”

-The day after cue-to-cue, Vanya realizes she’s lost her meds. They have to be in the theater somewhere, but she can’t find them. Her siblings assure her that being in the show has improved her overall confidence, and they’ll all come running if she starts to have a meltdown for any reason. She’ll be able to control her emotions until she can get a refill. This warms her lil heart.

-The final dress rehearsals come to pass. Vanya continues to flourish. Five continues to impress and confound. Allison is flawless. Luther and Diego get over themselves. Klaus and Eudora get front row seats for opening night. It’s going to be a packed house. The local news are coming and filming segments to promote the program. As if the program needs any more support. The chandelier still boggles the mind.

-Opening night. The show is going spectacularly until Act V, when Ollie starts pressing the pillow over Vanya’s face.

-This is always the hard part. But it’s just a count of twelve, underscored by two bars of music.

-Until it isn’t. 

-Ollie keeps pressing. This wasn’t what we rehearsed. 

-Allison sees this from the booth and almost feels like they should call a hold, but her rumor kicks in and she can’t help but keep calling the show as normal.

-Vanya starts to hear the music amplified in her ears and starts to lose control of her power.

-Luther and Diego are both in Allison’s headset as the building starts to shake. “Allison, you need to call hold. Right now. Call hold!”

-Panicking, Vanya sends a pulse of energy out, knocking Ollie halfway across the stage, sending the flats crashing down, and shattering a row of stage lights. When she stands up, Ollie is smiling.

-The news crew caught it on tape. The audience is freaking out. Most of them try to flee but are trapped inside at the back of the house.

-Allison’s next call is the newest and strangest unauthorized edit she’s seen in her promptbook. It’s for the wrong play.

-“Spot B to Macbeth.”

-At the first time that its trigger phrase has ever been uttered in the building, the chandelier starts to glow and expand. Then, it drops, lower and lower, until it is right in front of the stage.

-It was never just a chandelier. It’s a piece of extra-terrestrial technology. Standing on the shelf on top of it are the director and the headmaster.

Chapter Nine - “The Point of No Return”

-I don’t know exactly how I’d reveal all of this, but here’s the gist.

-By the way, this is them coming out as extra-as-hell supervillains. So the way this is revealed is probably extra as hell.

-The director’s son is Erick Webber, a starving artist who resorted to a life of crime to pay his bills and got himself tangled with the Hargreeves Five, who are responsible for half of his face burning in the heat of battle.

-The director and the headmaster actually have been romantically involved for a few years, all but legally married.

-When the directors’ son was forever barred from the career of his dreams, the director and very wealthy headmaster first got together. The headmaster got her a job at the school.

-They wanted revenge for their son. But they also deduced that the Hargreeves Five were too immature for their powers and potential to ruin lives. They were just dumb kids. Their powers must be taken from them and placed into more capable hands.

-The couple had done extensive research, learned about the power potential in the 43, tracked down as many of them as they could find - preferably those already living in America - and hired all sorts of people and services to promote Umbrella University to them. They offered each one of them a sizable scholarship.

-They got seven of them.

-And they arranged meetings with characters that Hargreeves had done some shady deals with so they could acquire the otherworldly technology needed to set their plan into motion.

-And Macbeth was the trigger word for the invention - the story of an old celebrated king slain to make room for the rightful leader, as plotted by an empowered and bloodthirsty woman - so they had to put it in a theater. They had to ensure the trigger wasn’t spoken in the room until the correct time.

-Five realizes at this point that the efforts he made to change the past didn’t stop the Macbeth Enterprise, it just gave them a way more convenient origin. God dammit.

-The siblings realize Ollie was in on the whole thing. He had to make sure all seven of the kids were in the theater at the right time, so he snooped around and reported back to the Evil Moms. They let Luther be TD so Diego could cover lights. They cast Five, made Allison recruit Vanya, and made Allison SM. They took out Leonard and cast Dave to ensure Klaus and Ben would be there for opening. Ollie hid Vanya’s pills during the cue-to-cue.

-Allison realizes the director knew about her power all along and really was suggesting that she use it. Allison had done exactly what they wanted her to. They must’ve had someone re-do the promptbook each day and everything.

-The point is, there’s now news footage of a girl with unpredictably dangerous powers ruining a perfectly good school play and two women making a solid case that these children can’t be trusted with their gifts. The chandelier machinery revs up to perform its task - stripping all of their powers away.

-Five knows it won’t end there - the powers will be turned against the Hargreeves Five. Their abilities will be harvested too. And the hands that they’ll all end up in will be military-minded and will seize control of the nation, ruling by fear.

-There’s an extensive fight scene here. One that, again, I have no idea how I would write. It’s something that involves a level of family teamwork that they would not have if the theatre program didn’t bring them so close together in the first place. So it’s pretty ironic and kinda sweet.

-We find out that Dave and Eudora are absolutely ride-or-die for their idiot boyfriends that they just found out have terrifying superpowers, and they each have a moment where they contribute to the takedown.

-Ben is summoned because he legally has to be. The Horror can do some serious damage to the machine, and he finds he’s unaffected by its drainage because he’s dead as hell.

-Vanya grabs a violin from the pit where the underscoring was being played and shreds away at it to channel her power.

-The fight has heavy parallels to the prologue scene, where everyone’s powers went berserk because Vanya saw a rat and freaked out. Except there’s obviously a lot more at stake and a lot more direction in it.

-All of that gets resolved, somehow. Any of their power that gets drained gets returned to them once they get the machine shut down. Luther effortlessly snaps the tape of evidence in half.

-Allison uses her last rumor of junior year to memory-wipe and send away the cameramen and the witnesses.

-Except Eudora and Dave, who are surprisingly chill about this and promise to keep it all secret.

-The gang has no idea how to explain all the damage to the authorities, but the Criminal Justice Duo knows how to detain the bad guys in the costume closet and highlight some evidence to draw the focus to the less-than-legal dealings they made to set up their plot in the first place.

-Corruption? In college administration?? Pssshhh noooooooo never.

-The story embedded in the rumor is that the chandelier overheated and combusted, so everyone ran out. The police will discover the alien tech and go from there.

-Still, the superpower squad realizes they should lay low. Play dumb if interviewed. Skip class for a couple days and stay far away from the theatre department.

-Diego is up on the catwalk - the walkway above the audience where they maneuver the spotlights - collecting his stuff. He hears some footsteps on the ladder and sees Eudora climbing up to meet him.

-Diego starts to say something snarky and casual and Eudora’s like “No. Shut up. Just. Please. Shut up.” and kisses him.

-After weeks of pretending not to care as much as they really did and a solid half hour of having no idea if the other would live or die, here they are, standing over the decimated theater, finally at ease in each other’s arms

Chapter Ten - “Curtain Call”

-And that’s… it. When the siblings start coming back to classes, no one comes after them for whatever happened.

-Needless to say, the rest of the run of Othello has been cancelled. All theatre classes will be moved online or converted to classroom formats until repairs can be made to the building. There’s a new interim headmaster and theatre department director.

-It’s going to take forever for them to fix the damage done to the theater, and even when they do, it doesn’t feel right to keep that as their home base. So, where to now? How are they gonna fill the rest of their electives?

-All of the fine arts buildings are stacked close together. Music major Vanya has an idea.

-Second semester, Diego takes beginning percussion. Luther joins the marching band (and far exceeds the athletic demands for it). Klaus picks guitar back up. Allison ventures into vocal jazz. Five is a natural at composition.

-Sharing practice rooms. Cramming for theory exams. The entire works. They’re music kids now!

-They’re thrilled when they find out that all of their respective ensembles will be featured in the spring concert. 

-But does the conductor of Vanya’s chamber orchestra seem a little… eccentric to you?

...

im a broken woman from this. god dammit.

#tua #the umbrella academy #what the hell else to tag this as #diedora #klave #Reginald They're Thespians #the chapter titles are semi-relevant names of show songs ha get it??