#Paul Kochanski

[ksbeditor]

Meet Peter Lehndorff

Peter Lehndorff is one of fourteen acts to appear at the 2022 Falcon Ridge Folk Festival Thursday Night Music Stage. Peter Lehndorff is an integral member of the western Massachusetts music community. He is also a familiar face having volunteered for many years at Falcon Ridge Folk Festival. It’s high time to celebrate his presence among us and to simultaneously rejoice upon the release of his…

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#Chris Haynes #Dave Chalfant #Jim Henry #JJ O&039;Connell #Joel Tepp #Lisa Bastoni #Lorne Entress #Open mics #Paul Kochanski #Peter Lehndorff #Sue Hill #Tracy Grammer #Vanilla Bean #Western Massachusetts Music

[altroottv]

'I've Been Looking' - Swinging Steaks from The Extended Play Sessions on Vimeo.

The Extended Play Sessions - January 11, 2024

Swinging Steaks perform the song "I've Been Looking" on The Extended Play Sessions. For nearly 3 decades Boston's Swinging Steaks have been one of the city's premier bands. They don't get together all that often but when they do, magic always ensues. They came to The Fallout Shelter to release their first new material in almost 20 years and the night was purely magical from start to finish.

The Band: Jamie Walker - guitar, vocals Tim Giovaniello - guitar, vocals Jim Gambino - piano, organ, vocals Paul Kochanski - bass, vocals Andy Plaisted - drums

The Fallout Shelter is an all ages 100-seat performance venue and state-of-the-art broadcast and recording studio, offering one of the most unique live music experiences in New England. Located in Norwood, MA, just 15 miles from Boston, The Fallout Shelter is run under the auspices of the Grass Roots Cultural and Performing Arts Center, a non-profit organization dedicated to preserving, promoting and advocating for traditional American Roots music.

Youtube: youtube.com/@thefalloutshelternorwood Website: extendedplaysessions.com Facebook: facebook.com/epsfalloutshelter Instagram: instagram.com/thefalloutshelternorwood

[danbusler]

Swing Steaks at The Fallout Shelter

Alt-rock, Americana, with a country feel

Swinging Steaks at The Extended Play Sessions – Fallout Shelter in Norwood, MA. on January 11, 2024.The band includes Jiim Gambino, Tim Giovanniello, Jamie Walker, Paul Kochanski, and Andy Plaisted.One of the best, Swinging Steaks gave the audience their own infectious mix of Americana, alt-rock, and soulful country music.Truly, “This kind of magic cannot be manufactured or simulated!”.

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#boston event photographer #boston music scene #dan busler #dan busler photography #extended play sessions #headshot photographer near me #jamie walker #local photographer #night club #Norwood Headshot photographer #photographer near me #professional photographer #swinging steaks #the extended play sessions #the fallout shelter #walpole headshot photographer #walpole photographer

[newmusicradionetwork]

Aimee Van Dyne “Why Should I Care”

After a 15-year hiatus, Folk-Americana singer-songwriter Aimee Van Dyne has returned with a new 11-song album, ‘Broken Love Songs’ which has placed on the Alt-Country Chart, the FAI Folk Chart, and the RMR Americana-Country Album Chart, and has been aired on over 100 radio stations internationally. Her song, ‘Why Should I Care?’ was selected as Runner-Up in the AAA/Alternative category of the International Acoustic Music Awards (IAMA) and her song ‘Lonely Me’ was selected as a finalist in the Country category for the 2022 John Lennon Songwriting Contest. Her song ‘Hold On’ was selected as a finalist in the Folk category for that same contest. Her original compositions, acclaimed as “songs of durable beauty and intricate craftsmanship” (Alan Young, Lucid Culture), are characterized by strong melodies, catchy hooks, and symphonic, three-part harmonies. They reflect influences such as Neil Young, John Lennon, and Lucinda Williams. Written and arranged by Van Dyne, the songs on ‘Broken Love Songs’ are deeply personal and confessional explorations, whose “loosely connecting thread is that of going into the wilderness and emerging intact” (NY Music Daily). Indeed, Van Dyne has submerged herself into the wilderness, both figuratively and literally, examining the dark entanglements of failed relationships, acknowledging that “on the other side of dark comes the light.” Co-produced by multi-instrumentalist Jim Henry (Tracy Grammer, Eliza Gilkyson) and recorded by David Chalfant (The Nields), ‘Broken Love Songs’ features a first-class team of musicians, including Jon Carroll (Mary Chapin Carpenter), Paul Kochanski (Lori McKenna) and Jon Graboff (Ryan Adams, Norah Jones). Born into a musical family, Van Dyne is a classically-trained pianist who picked up the acoustic guitar at the age of thirteen after discovering the music of Neil Young. Earning degrees in both art and architecture, it wasn’t until Van Dyne was in her thirties and working as an architect that she decided to pursue music professionally, performing at venues such as The Bitter End and The Living Room, and releasing a 5-song EP. With the birth of her twin daughters, Van Dyne made the difficult decision to devote herself to child-rearing full-time, casting aside her guitar into the cellar, where it remained for the next ten years. A move from Brooklyn to the Berkshire Mountains, along with the dissolution of her 23-year marriage, was the impetus for her to return to songwriting. Van Dyne is thrilled to be playing live music again, and has upcoming shows scheduled throughout the East Coast. She currently lives in Berkshire County, MA, with her two lovely daughters and her three silly cats. Additional Artist/Song Information: Artist Name: Aimee Van Dyne Song Title: Why Should I Care Publishing: Aimee Van Dyne Publishing Affiliation: BMI Album Title: Broken Love Songs Record Label: Aimee Van Dyne Record Label: Aimee Van Dyne 917-501-2352 [email protected] Radio Promotion: Lisa Grey 914-762-2976 [email protected] Read the full article

[sonyclasica]

LUKA FAULISI

EL VIOLINISTA LUKA FAULISI FIRMA CON SONY CLASSICAL

Sony Classical se complace en anunciar la firma de un nuevo acuerdo con la joven estrella emergente del violín italo-serbio-francés, Luka Faulisi. El álbum de debut de Faulisi "Aria" - arias y escenas con arreglos para violín y piano de algunos de los grandes violinistas-compositores del pasado y que incluye un arreglo del propio Faulisi - se publicará en la primavera de 2023 a través de Sony Classical. El álbum mostrará a este joven y talentoso músico junto al aclamado pianista lituano/israelí Itamar Golan.

El álbum debut de Faulisi pone de manifiesto su innata y prodigiosa musicalidad, ya que explora el apreciado repertorio operístico de compositores como Bizet, Gounod, Rimsky-Korsakov, Szymanowski, Tchaikovsky y Verdi mediante brillantes arreglos para violín y piano. Luka Faulisi es el protagonista de todos los aspectos de la grabación, no solo por sus excelentes interpretaciones, sino también como uno de los arreglistas. Su arreglo del emblemático "Sempre Libera" de Verdi de "La Traviata" aparece junto a nombres tan eminentes como Leopold Auer, Paul Kochanski o Franz Waxman, Henryk Wieniawski y Efrem Zimbalist. 

Luka Faulisi es uno de los violinistas más prometedores de la nueva generación. Creció en el seno de una familia de músicos -su padre era flautista y un reputado fabricante de flautas- y empezó a tocar el violín a los tres años, y fue alumno de Boris Belkin en el Conservatorio de Maastricht (Países Bajos). Actualmente estudia en la Academia Lorenzo Perosi, Biella, Italia, con el profesor Pavel Berman, que describe a Faulisi como "...un violinista virtuoso increíblemente dotado". El destacado flautista Emmanuel Pahud se ha referido a las "... excelentes habilidades instrumentales y la fuerte expresión musical de Faulisi".

Faulisi ha compartido una historia conmovedora y significativa sobre su trabajo con Itamar Golan por primera vez para esta grabación, que se realizó en París, donde Golan trabaja como profesor de música de cámara en el Conservatorio de París: "Mi madre solía escuchar los recitales de Maxim Vengerov e Itamar Golan cuando estaba embarazada de mí. Dieciocho años después, y nada menos que para mi primera grabación, me toca colaborar con Itamar, que es un artista extraordinario y único. He aprendido mucho tocando con él y espero tener la oportunidad de continuar esta maravillosa colaboración musical".

Per Hauber, presidente de Sony Classical, dijo "Luka Faulisi tiene un extraordinario don musical y estamos encantados de que haya grabado su primer álbum para Sony Classical. Es un privilegio trabajar con un joven artista de tanto talento como Luka y con alguien con una visión tan clara de su futuro".

El vicepresidente senior internacional de A&R de Sony Classical, Alexander Buhr, señaló "Desde la primera vez que escuché la extraordinaria forma de tocar el violín de Luka, me impresionó la expresividad de su sonido y el alcance de su imaginación musical. Tiene una mente brillante y con visión de futuro, a la vez que está firmemente arraigado en la gran tradición del violín.  Estamos muy contentos de dar la bienvenida a Luka a la familia de artistas de Sony Classical".

Luka Faulisi añadió: "Me siento muy afortunado de tener la oportunidad de trabajar con Sony Classical y su equipo lleno de energía e imaginación. Al haber crecido escuchando las famosas grabaciones de Sony de Jascha Heifetz y David Oistrakh, Sony siempre ha tenido una influencia significativa en mi desarrollo artístico desde la primera infancia. Después de mi primer encuentro con el equipo de Sony Classical, su enfoque fresco y dinámico resultó muy inspirador. Poseen una impresionante capacidad para innovar e iniciar proyectos de éxito respetando el inmenso patrimonio de la empresa. Me hace mucha ilusión presentar mi primer álbum 'Aria' con ellos el año que viene".

Luka Faulisi está representado por Elena Kostova y Juliette Vix en IMG Artists.

#luka faulisi

[sunset-supergirl]

Happy birthday Paul Kochanski

#Paul Kochanski #piazzolla

[janamelie]

Balance Of Power

Rob, Paul and Ed did their second Zoom commentary today and I got in as I was already on the list from last week.

It was just as much fun.  I’m still too shy to say more than “Thank you” in the Chat / Question part but shoutout to the woman who said her personal head canon was that Rimmer was asexual but heavily in denial in response to Paul Jackson saying how OOC he found Rimmer ogling and groping Kochanski’s breast.  

Given the brief interaction between them in the disco scene, I understand the asexual interpretation even if it isn’t my personal one.

It wasn't clear whether Paul thought it was OOC for Rimmer to grope anyone or for him to grope a woman tbh. 

Can’t wait for “Waiting For God” next week and all the questions they’ll inevitably get about “The Promised Land” too.

#red dwarf

[il-nero-virtuoso]

Great Pianists : Arthur Rubinstein

Arthur Rubinstein (Polish : Artur Rubinstein ; January 28, 1887 - December 20, 1982) was a Polish American classical pianist. He received international acclaim for his performances of the music written by a variety of composers and many regard him as the greatest Chopin interpreter of his time. He was described by The New York Times as one of the greatest pianists of the twentieth century. He played in public for eight decades. In 1904, Rubinstein moved to Paris to launch his career in earnest, where he met the composers Maurice Ravel and Paul Dukas and the violinist Jacques Thibaud. He also played Camille Saint-Saëns' Piano Concerto No. 2 in the presence of the composer. Through the family of Juliusz Wertheim (to whose understanding of Chopin's genius Rubinstein attributed his own inspiration in the works of that composer) he formed friendships with the violinist Paul Kochanski and composer Karol Szymanowski.

Rubinstein made his New York debut at Carnegie Hall in 1906, and thereafter toured the United States, Austria, Italy, and Russia. According to his own testimony and that of his son in François Reichenbach's film L'Amour de la vie (1969), he was not well received in the United States. By 1908, Rubinstein, destitute and desperate, hounded by creditors, and threatened with being evicted from his Berlin hotel room, made a failed attempt to hang himself. Subsequently, he said that he felt "reborn" and endowed with an unconditional love of life. In 1912, he made his London debut, and found a home there in the Edith Grove, Chelsea, musical salon of Paul and Muriel Draper, in company with Kochanski, Igor Stravinsky, Jacques Thibaud, Pablo Casals, Pierre Monteux and others. During World War I, Rubinstein stayed in London, giving recitals and accompanying the violinist Eugène Ysaÿe. In 1916 and 1917, he made his first tours in Spain and South America where he was wildly acclaimed. 

It was during those tours that he developed a lifelong enthusiasm for the music of Enrique Granados, Isaac Albéniz, Manuel de Falla, and Heitor Villa-Lobos. He was the dedicatee of Manuel de Falla's Fantasía Bética, Villa-Lobos's Rudepoêma and Stravinsky's Trois mouvements de Petrouchka. Rubinstein was disgusted by Germany's conduct during the war and never played there again. His last performance in Germany was in 1914. In the autumn of 1919 Rubinstein toured the British provinces with soprano Emma Calvé and tenor Vladimir Rosing. In 1921 Rubinstein gave two American tours, travelling to New York with Karol Szymanowski and his close friend Paul Kochanski. In 1934, the pianist, who stated he neglected his technique in his early years, relying instead on natural talent, withdrew from concert life for several months of intensive study and practice. Rubinstein toured the United States again in 1937, his career becoming centered there during the World War II years when he lived in Brentwood, California. He became a naturalized US citizen in 1946. A cast of the pianist's hands, at the Łódź museum During his time in California, Rubinstein provided the piano soundtrack for several films, including Song of Love with Katharine Hepburn. 

He appeared, as himself, in the films Carnegie Hall and Of Men and Music. Although best known as a recitalist and concerto soloist, Rubinstein was also considered an outstanding chamber musician, partnering with such luminaries as Henryk Szeryng, Jascha Heifetz, Pablo Casals, Gregor Piatigorsky and the Guarneri Quartet. Rubinstein recorded much of the core piano repertoire, particularly that of the Romantic composers. At the time of his death, The New York Times in describing him wrote, "Chopin was his specialty ... it was [as] a Chopinist that he was considered by many without peer." With the exception of the Études, he recorded most of the works of Chopin. In 1964, at the height of the Cold War, he gave a legendary concert in Moscow, with a pure Chopin program. He was one of the earliest champions of Spanish and South American composers, as well as French composers of the early 20th century (such as Debussy and Ravel). In addition, Rubinstein promoted the music of his compatriot Karol Szymanowski. Rubinstein, in conversation with Alexander Scriabin, named Brahms as his favorite composer, a response that enraged Scriabin. In 1969 Arthur Rubinstein – The Love of Life was released; it won the Academy Award for Best Documentary Feature.

A TV special, Rubinstein at 90, represented that he had been playing for people for eight decades. By the mid-1970s, Rubinstein's eyesight had begun to deteriorate. He retired from the stage at age 89 in May 1976, giving his last concert at London's Wigmore Hall, where he had first played nearly 70 years before. Rubinstein, who was fluent in eight languages, held much of the repertoire, not simply that of the piano, in his formidable memory. According to his memoirs, he learned César Franck's Symphonic Variations while on a train en route to the concert, without the benefit of a piano, practicing passages in his lap. Rubinstein described his memory as photographic, to the extent that he would visualize an errant coffee stain while recalling a score. Rubinstein also had exceptionally developed aural abilities, which allowed him to play whole symphonies in his mind. "At breakfast, I might pass a Brahms symphony in my head," he said. "Then I am called to the phone, and half an hour later I find it's been going on all the time and I'm in the third movement." This ability was often tested by Rubinstein's friends, who would randomly pick extracts from opera and symphonic scores and ask him to play them from memory. Rubinstein’s autobiography contained two volumes: My Young Years (1973) ; and My Many Years (1980). 

Many were displeased by their emphasis on personal anecdotes over music. Pianist Emanuel Ax, one of Rubinstein's greatest admirers, was profoundly disappointed by reading My Many Years: "Until then," he told Sachs, "I had idolized Rubinstein—I had wanted to have a life like his, the book changed all that." In a reflective muse, Rubinstein once noted "It is simply my life, music.  I live it, breathe it, talk with it.  I am almost unconscious of it.  No, I do not mean I take it for granted—one should never take for granted any of the gifts of God.  But it is like an arm, a leg, part of me.  On the other hand, books and paintings and languages and people are passions with me, always to be cultivated.  Travel too. I am a lucky man to have a business which allows me to be on the road so much.  On the train, the plane, I have time to read. There again, I am a lucky man to be a pianist.  A splendid instrument, the piano, just the right size so that you cannot take it with you. Instead of practicing, I can read. A fortunate fellow, am I not?"

(Source : Wikipedia)

#arthur rubinstein #artur rubinstein #classical pianists #american pianists #legendary pianists #classical music #biography #il nero virtuoso

[fotorok]

(od abstrakce k portrétům.) Ida Kar (8. 4. 1908–1974) Surrealistická studie / Egypt abstraktní (1940) Iris Murdoch (1954) / Jean-Paul Sartre (1961) / Bridget Riley (1963) Barbara Hepworth / Henry Moore (1954) Autoportrét / „Matka a dítě“ (Hanja Kochansky s dcerou Katjou, 1974) Ida Karamian (nebo Karamanian) se narodila v ruském městě Tambov v rodině arménského matematika a fyzika. Po VŘSR odešli všichni do Íránu a později do Egypta, kde Ida vystudovala francouzské lyceum v Alexandrii. Ve dvaceti odjela do Paříže studovat chemii a medicínu, ale nakonec skončila u zpěvu, spřátelila se s řadou avantgardních výtvarníků a spisovatelů a začala se zajímat o fotografii. V roce 1933 se vrátila do Egypta, vdala se a v Káhiře si otevřela fotografický ateliér. Po válce se i se svým druhým mužem, básníkem Victorem Musgravem, odstěhovala do Londýna, kde se brzy prosadila jako fotografka portrétů předních umělců – všechny přitom zásadně fotila v jejich ateliérech nebo domácím prostředí. V roce 1960 měla jako první britská fotografka velkou retrospektivu ve státní galerii – vystavovala tehdy v londýnské Whitechapel Gallery.

#fotorok #jounal #ida kar #photography #iris murdoch #jean-paul sartre #bridget riley #henry moore

[todayclassical]

September 14 in Music History

1722 Birth of composer Joseph Paul Ziegler.

1731 J.S. Bach begins organ recitals in Dresden.

1737 Birth of Austrian composer Johann Michael Haydn.

1748 Birth of composer Johann Paul Schulthesius.

1760 Birth of Italian composer Maria Luigi Carlo Zenobio Salvatore Cherubini. 

1761 Birth of composer Pavel Lambert Masek.

1768 Birth of composer Georg Johann Schinn.

1772 FP of Jommelli: "Cerere placata" Naples.

1833 Death of Irish composer and organist John Andrew Stephenson.

1839 Birth of Czech composer Johann Nepomuk Kral.

1840 Birth of composer George Elbridge Whiting.

1851 Birth of French pianist and composer Gabrielle Ferrari in Paris. 

1866 Birth of New Zealand composer Mentor Crosse in Dunedin.

1869 Birth of American soprano Ellen Beach-Yaw, in Boston, MA. 

1876 Birth of baritone Ernesto Badini.

1882 Birth of composer Harald Fryklof.

1882 Birth of Belgian mezzo-soprano Clair Croiza.

1885 Birth of Italian opera conductor Vittorio Gui, in Rome. 

1885 Birth of American tenor Charles Marshall, in Waterville, ME. 

1887 Birth of Polish violinist Paul Kochanski in Warsaw.

1891 Birth of Polish soprano Ada Nordenova.

1896 Birth of Mexican tenor José Mojica, in Mexico City DF.

1904 Birth of German composer Richard Mohaupt in Breslau.

1910 Birth of Swiss composer Rolf Liebermann, in Zurich. 

1910 Birth of American composer, conductor Lehman Engel.

1911 Birth of American mezzo-soprano Alice Tully. 

1914 Birth of composer Michael Spisak.

1917 Birth of Swiss conductor and violinist Rudolf Baumgartner in Zurich.

1919 Birth of composer Deryck Victor Cooke.

1922 Birth of English conductor and composer Michael Howard. 

1926 Birth of composer and conductor Richard Elsasser.

1936 Death of pianist composer Ossip Gabrilowitsch in Detroit.

1937 Birth of American composer Joseph Jarman.

1942 Birth of composer Kuldar Sink.

1944 Birth of English tenor Martyn Hill in Kent. 

1950 Birth of Argentinian tenor Raul Gimenez in Santa Fe, Argentina.

1951 Birth of Brazilian composer Arrigo Barnabé in Londrina.

1952 FP of Frank Martin's Concerto for Harpsichord, in Venice.

1954 FP of Benjamin Britten's opera The Turn of the Screw, at the Teatro La Fenice in Venice.

1962 Death of French composer Marcel Francois Delannoy in Nantes. 

1964 Death of American composer and pianist Mary Howe in Washington.

1965 Birth of American composer Shawn Patterson in Athol, MA.

1968 Birth of Belgian composer Vincent Ghadimi in Rocourt.

1978 FP of Samuel Barber's Third Essay for Orchestra by NY Philharmonic under Zubin Mehta. 

1994 FP of Richard Danielpour's Cello Concerto, by San Francisco Symphony, conducted by Herbert Blomstedt. Yo-Yo Ma, soloist in San Francisco, CA.

1997 FP of Kaija Saariaho's Graal Théâtre for chamber ensemble, by the Avanti Ensemble and violinist John Storgards, in Helsinki.

2000 Death of Spanish tenor Carlo Del Monte.

2002 FP of David Amram's Flute Concerto Giants of the Night. Louisiana Philharmonic conducted by Klauspeter Seibel, with James Galway the soloist in New Orleans, LA.

#todayclassical #today in music history #musichistory #classicalmusic #onthisday

[christianworldf]

New Post has been published on Christian Worldview Institute

New Post has been published on https://christianworldviewinstitute.com/christian-concepts/jesus-christ/the-teachings-of-jesus-and-james-jesus-brother/

The Teachings of Jesus and James, Jesus' Brother

Jesus’ teachings are so unique and so challenging, that even the other Bible authors (like Paul and Peter) have neglected to reiterate them clearly…with one exception: James, the brother of Jesus. The letter from James is remarkably similar to what Jesus said on topics like being rich vs poor and the importance of faith and works.

Please write to my email address on the ‘About’ section of this channel (found next to “business enquiries”).

What is “A Voice in the Desert”?

A Voice in the Desert is anonymous. Its purpose is to point people to the message, rather than the messenger. Most modern day prophets promote themselves more than the teachings of Jesus and the true message of Revelation. A Voice in the Desert challenges that error and more. Some of the things you hear on this channel may be difficult to understand, and may offend you. The goal, however, is to sweep away dogmas and traditions to reveal what Jesus actually taught.

If the message in this video had an impact on you, then please subscribe to stay up to date with more videos [https://goo.gl/EFxRCR].

CREDITS

01. Lakewood interior by ToBeDaniel https://creativecommons.org/licenses/by/3.0/

02. Ear by Travis Isaacs https://creativecommons.org/licenses/by/2.0/

03. MiteTineola 1233096 by Clemson University – USDA Cooperative Extension Slide Series, Bugwood.org https://creativecommons.org/licenses/by/3.0/

04. dove3 by Waiting For The Word [edited] https://creativecommons.org/licenses/by/2.0/

05. Head of Jesus Christ 37 by Waiting For The Word https://creativecommons.org/licenses/by/2.0/

06. Jesus Ascension to Heaven 66 by Waiting For The Word https://creativecommons.org/licenses/by/2.0/

07. Tents in the medival camp at UNESCO celebrations in Třebíč, Czech Republic.jpg by Frettie https://creativecommons.org/licenses/by/3.0/

08.WILD CAMPING IN OBAN by summonedbyfells https://creativecommons.org/licenses/by/2.0/

09. Whisper by Timothy Brown https://creativecommons.org/licenses/by/2.0/

10. Stairway To Heaven? by Richard Walker https://creativecommons.org/licenses/by/2.0/

11.Old Letter by Laineys Repertoire https://creativecommons.org/licenses/by/2.0/

12. 1800s Library by Barta IV https://creativecommons.org/licenses/by/2.0/

13. Sand blows on the Great Sand Dunes by Kelly Kochanski YouTube Creative Commons (reuse allowed) source

[altroottv]

'Pills' - Swinging Steaks from The Extended Play Sessions on Vimeo.

The Extended Play Sessions - January 11, 2024

Swinging Steaks perform the song "Pills" on The Extended Play Sessions. For nearly 3 decades Boston's Swinging Steaks have been one of the city's premier bands. They don't get together all that often but when they do, magic always ensues. They came to The Fallout Shelter to release their first new material in almost 20 years and the night was purely magical from start to finish.

The Band: Jamie Walker - guitar, vocals Tim Giovaniello - guitar, vocals Jim Gambino - piano, organ, vocals Paul Kochanski - bass, vocals Andy Plaisted - drums

The Fallout Shelter is an all ages 100-seat performance venue and state-of-the-art broadcast and recording studio, offering one of the most unique live music experiences in New England. Located in Norwood, MA, just 15 miles from Boston, The Fallout Shelter is run under the auspices of the Grass Roots Cultural and Performing Arts Center, a non-profit organization dedicated to preserving, promoting and advocating for traditional American Roots music.

Youtube: youtube.com/@thefalloutshelternorwood Website: extendedplaysessions.com Facebook: facebook.com/epsfalloutshelter Instagram: instagram.com/thefalloutshelternorwood

[fellowshipbook-blog]

In the Publication of Galatians, Paul the Apostle composed that if he shared a various scripture to the Scripture of Jesus Christ he ought to be cursed.

” The Wisdom of Paul” checks out how the background of the church has seen Paul being made use of versus Jesus, while Paul himself placed Jesus initially. This video checks out 10 teachings of Paul – from a fresh appearance at baptism and also recovery, to directions to stop your task and also obey confidence, to subjecting the root of all evil … as well as even more.

TO CONTACT: My email address can be located on the ‘Community’ area of my network.

What is “A Voice in the Desert”?

A Voice in the Desert is anonymous. Its function is to point individuals to the message, instead of the messenger. The majority of contemporary day prophets promote themselves greater than the teachings of Jesus and truth message of Revelation. A Voice in the Desert tests that mistake as well as more. A few of things you hear on this channel might be tough to understand, as well as may upset you. The objective, however, is to sweep away dogmas as well as practices to disclose what Jesus really educated.

Please subscribe to stay up to day with more videos [the message in this video clip had an effect on you https://goo.gl/EFxRCR]

CREDIT RATINGS

Sand impacts on the Great Sand Dunes by Kelly Kochanski Imaginative Commons (reuse enabled).

Like Music (cdk Mix) by Analog By Nature (c) copyright 2015 Licensed under a Creative Commons Attribution (3.0) permit. http://dig.ccmixter.org/files/cdk/48915 Ft: Phasenwandler.

3D Heart Animation by Shamus YouTube Creative Commons (reuse allowed).

Christianity – St Paul Writing to the Ephesians by Patrick Gray Flic. https://creativecommons.org/licenses/by/2.0/.

ENVIRONMENT-FRIENDLY SCREEN DANGER by Green Screen gdsmartvids Creations YouTube Creative Commons (reuse permitted).

8 Free HD Greenscreen Lightning Stock Footage Elements by samnudel YouTube Creative Commons (reuse allowed).

via Fellowship Book

#IFTTT #Fellowship Book

[guadix2]

#Spain

[altroottv]

'Love You Right' - Swinging Steaks from The Extended Play Sessions on Vimeo.

The Extended Play Sessions - January 11, 2024

Swinging Steaks perform the song "Love You Right" on The Extended Play Sessions. For nearly 3 decades Boston's Swinging Steaks have been one of the city's premier bands. They don't get together all that often but when they do, magic always ensues. They came to The Fallout Shelter to release their first new material in almost 20 years and the night was purely magical from start to finish.

The Band: Jamie Walker - guitar, vocals Tim Giovaniello - guitar, vocals Jim Gambino - piano, organ, vocals Paul Kochanski - bass, vocals Andy Plaisted - drums

The Fallout Shelter is an all ages 100-seat performance venue and state-of-the-art broadcast and recording studio, offering one of the most unique live music experiences in New England. Located in Norwood, MA, just 15 miles from Boston, The Fallout Shelter is run under the auspices of the Grass Roots Cultural and Performing Arts Center, a non-profit organization dedicated to preserving, promoting and advocating for traditional American Roots music.

Youtube: youtube.com/@thefalloutshelternorwood Website: extendedplaysessions.com Facebook: facebook.com/epsfalloutshelter Instagram: instagram.com/thefalloutshelternorwood

[fellowshipbook-blog]

A Voice in the Desert checks out exactly how male made customs in the church have actually made words of God of no effect. They have numerous names: modify call, rites, routines, sinner’s prayer, emotional experiences, life transforming experiences etc. What they all share is that they are spiritual customs which are not straight based upon anything Jesus instructed. If we placed our faith a lot more in these experiences than in Jesus’ message, after that we will be misdirected. There are many judicial Christians today. These are modern-day Pharisees, who strain at gnats and also ingest camels. In order not to be one of these, we should begin complying with the trainings of Jesus today!

Please write to my email address on the ‘About’ section of this network (discovered beside “company enquiries”).

What is “A Voice in the Desert”?

Its purpose is to aim people to the message, instead than the messenger. Most modern day prophets advertise themselves even more than the trainings of Jesus as well as the true message of Revelation. The objective, nevertheless, is to sweep away dogmas and also traditions to expose what Jesus really educated.

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