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#Monte Clark Gallery
xtruss · 2 years
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Jaw-Dropping Ways to Experience Chile 🇨🇱! Discover Chile’s Many Adventures Through This Awe-inspiring Gallery.
Chile is a country of stunning landscapes. It’s home to icy mountain peaks, glistening glacial lakes, and vast blooming fields—and each landscape offers a different kind of adventure for its visitors. Explore some of the most remarkable activities in the country through this striking photo gallery.
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The Milky Way shines over the Atacama Desert. The northern Chilean region is known for its clear skies and excellent stargazing opportunities. PHOTOGRAPH BY GIULIO ERCOLANI, ALAMY
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Steam rises from the Villarica volcano, which stands in the Chilean Central Valley. Unlike many other volcanoes, Villarica has a persistent lava lake, or a collection of molten lava, in its crater. PHOTOGRAPH BY AARON MCCOY, ALAMY
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Two kayakers paddle past La Portada, a natural archway off the coast of Antofogasta in northern Chile. PHOTOGRAPH BY PETER MCBRIDE, AURORA
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A hiker pulls a sled though the Southern Patagonia Icefield, which covers over 5,000 square miles of snowy, icy land. Building the ice sheet, storms bring rain and snow to the area in large amounts—the equivalent of 6.5-36 feet of rain—each year. PHOTOGRAPH BY BORGE OUSLAND, NATIONAL GEOGRAPHIC
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A mountaineer traverses the ridge between Monte Sarmiento and Cardillera Darwin, both of which sit on Tierra del Fuego—an archipelago at Chile’s southern tip. PHOTOGRAPH BY RALF GANTZHORN, ALAMY
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A professional freeskier shoots off a peak at the Nevados de Chillán Ski Resort, which runs a project promoting responsible backcountry skiing. Participation in the program is free, and skiers are asked to check in with the office to sign a safety contract and submit their medical information. PHOTOGRAPH BY ADAM CLARK, AURORA
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A skier carries his gear through a cloud on a mountain peak in Chile’s Lake District. In the southern portion of the country, the region is home to multiple ski resorts that open volcano-created trails to winter-loving visitors. PHOTOGRAPH BY ADAM CLARK, GETTY IMAGES
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Bright stars shine behind an antenna at La Silla Observatory outside Chile’s Atacama Desert. The observatory has been at the forefront of multiple scientific discoveries, including finding planets outside our solar system and studying the explosions of massive stars. PHOTOGRAPH BY SCIENCE PHOTO LIBRARY/ALAMY
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A group of hikers trek through the grassy plains of Torres del Paine National Park. Because weather can change quickly in the area, visitors need to be prepared with both sunscreen and a warm, waterproof jacket. PHOTOGRAPH BY RUBEN SANCHEZ, GETTY IMAGES
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Two tents light up under a starry night sky in Salar de Surire. The Chilean Natural Monument, which sits 13,776 feet above sea level, is mostly made up of a large salt flat and a group of small saltwater lakes. PHOTOGRAPH BY CEDRIK STRAHM, GETTY IMAGES
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elenabrazzarola · 2 years
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Why I like it?
this is my favourite picture in the monte clark gallery,  first of all because the photographer decide to use black and white for this photo.
and what i really like is the composition, thus is the view of the old bus stop in the foreground with these random people waiting for their bus, and in the background the sea and the people looking at the sea
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dualvectorfoil · 2 years
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Greg Girard  Oceanside, 1978
This is my favourite photo in the Monte Clark Gallery. I like the saturated dark blue tone which gives a vague, mysterious but calm feeling. The house and cars on the bottom left corner form a leading line composition with the palm trees behind them. The bright, red lights on the house stand out drastically in contrast to the dark blue colour, making the picture more visually appealing.
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viviseconds · 5 years
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Installation view, Craftmonster, Monte Clark Gallery, Vancouver, 1999
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jeremyhofstudio · 3 years
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install image @ monte clark gallery, october 30, 2020
XXL Multi 1 + Orange Cube
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luciengees · 2 years
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Why i like it:
This is my favourite picture in the monte clark gallery because of the way it plays with colours and light. The red of the presumably bar sticks out immensely against the saturated blues. What i like about the lighting is that there are a few distinct light sources. They’re immediately apparent, however if you stop to look one can make out little point of light in the distance and obscured by the fog.
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tombagshaw · 5 years
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‘Together Alone’ - Heres my contribution to the 14th Annual Blab! show at Copro Gallery. Its a piece from my ongoing Dark Kingdom series that im working on via my Patreon page. ‘Together Alone’ is a 10x10″ hand embellished one off, mounted on board, varnished, framed and carries the Dark Kingdom Seal on the reverse. If youre interested in purchasing please contact the gallery via [email protected]
Heres the show info:
Copro Gallery Presents: THE 14TH ANNUAL BLAB SHOW CURATED BY: Monte Beauchamp
Exhibition Dates: September 07 – September 28, 2019
Opening Reception: Saturday, September 07, 2019 – 8:00-11:30pm
Copro Gallery Bergamot Arts Complex, 2525 Michigan Ave T5, Santa Monica, CA 90404 Tel: 310-829-2156
OVER 70 EXHIBITING ARTISTS: Ana Bagayan, Adrian Cox, Alex Graham, Andrew Hem, Annie Owens, Adam Wallacavage, Bennett Slater, Bill Mayer, Blair Dawson, Brandi Milne, Bruno Pontiroli, Buck Shanty, Cathie Bleck, Chris Mars, Christopher Buzelli, Clare Rosean, Craig LaRotonda, Danny Galieote, Deirdre Sulliavn-Beeman, Eduardo Samiento, Erik Mark Sandberg, Femke Hiemstra, Gabi de la Merced, Gary Guttman, George Hansen, Greg Clarke, Gregory Herbert, Horatio Quiroz, Jana Brike, Jill McVarish, Joe Vaux, John Brophy, John Kurtz, Jolene Lai, Jon Ching, Jon Jaylo, Jon MacNair, Julie Murphy, Leegan K, Lola Gil, Lucia Heffernan, Luke Cheuh, Mab Graves, Marc Burckhardt, Madeline von Foerster, Mari Shimizu, Matt Dangler, Matt Duffin, Matthew Schommer, Michael Glascott, Miranda Meeks, Miso, Naoto Hattori, Nouar, Olga Esther, Olivia De Berardinis, Owen Smith, Patricia Kirk, Rachel Bridge, Ray Caesar, Rich Adkins, Renee French, Ross Jaylo, Ryan Heshka, Scott Listfield, Scott Mills, Tim O'Brien, Tom Bagshaw, Tracy Black, Travis Lampe, and Victor Castillo.
PREVIEW LINK TO THE SHOW: http://www.copronason.com/blab19/
For purchase inquiries and more details about any of the works, contact Gary Pressman, Gallery Director, at [email protected]  or call: 310-829-2156.
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zoefang-leftone1 · 2 years
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#Monte Clark Gallery FIELD TRIP 5.6# favorite picture  –  oceanside archival pigment print 🚙🏝 –  I really like the color and the hazy feeling of the night. We can see the cars and the house in front are very sharp, and in contrast, the coconut trees in the back have vague and dim outlines. The use of depth of field here fits the sense of foggy night.
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distinktionsfetzen · 2 years
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Check out Roy Arden, Ghost Train (2015), From Monte Clark Gallery
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amazon-selling · 3 years
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Clarks Women's Juliet Monte Loafer at $17.62
Clarks Women’s Juliet Monte Loafer at $17.62
Clarks Women’s Juliet Monte Loafer images Gallery Price: (as of – Details) check on amazon Product Details: Classic, clean lines, capped with a glossy patent leather toe, gives this Clarks collection slip-on shoe distinctive style. The juliet monte features soft synthetic linings, a cushion soft with ortholite molded footbed, and flexible rubber outsoles. Looks sophisticated with workwear and…
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architectnews · 3 years
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Arté Mont Kiara Kuala Lumpur residential design
Arté Mont Kiara Kuala Lumpur Building, Malaysia Residential Design Images, Architect
Arté Mont Kiara Residential Project Kuala Lumpur
26 August 2021
Location: Arté MK, Kuala Lumpur, Malaysia
Design: SPARK Architects
Arté MK, KUALA LUMPUR, MALAYSIA Arté MK超高层住宅酒店综合体设计 吉隆坡,马来西亚
Photos by Heartpatrick
Arté Mont Kiara Residential Property in Kuala Lumpur
PROJECT SUMMARY/项目综述
Over the last 10 years, Mont Kiara has transformed from a predominantly low rise neighbourhood into a vibrant urban quarter with a skyline that rivals many cities. With thousands of square metres of office and retail space, new apartments, and public space all part of a 75.5 acre development which features MITEC a recently completed trade and exhibition hub many now call it the combined development the “Jewel” of the KL metropolis.
在过去的10年间,Mont Kiara满家乐从一个以低层建筑为主的社区转变成为充满活力的城市街区,其天际线可与诸多大城市媲美。数万平方米的办公、零售空间、新公寓和公共空间���其75.5英亩开发项目中的一部分,其中近期竣工的MITEC是马来西亚贸易和展览中心,现在被当地人称为吉隆坡大都会的 “宝石”。
Arté MK (Mont Kiara) designed by SPARK Architects is a cluster of 3 towers. 2 residential towers and a hotel tower that sit at the gateway to KL’s new “Metropolis” .
由SPARK思邦设计的Arté MK(Mont Kiara)是由3座塔楼所组成的建筑群。业态包括了两栋住宅塔楼和一座酒店其中2座住宅楼,位于吉隆坡新 “大都市 “起始处。
The visionary thinking of the developer Nusmetro was to design an integrated development with iconic spaces for all those who want to live, work, and play in the heart of the city and provide enclosures and structures that extend and connect the amenities together seamlessly with the architecture.
开发商Nusmetro富有远见的规划是为希望在城市中心生活、工作和休闲娱乐的人设计一个地标性的综合开发场所,并提供一个将各项便利设施与建筑无缝的延伸及衔接在一起的空间。
The ambitious 200,000 m2 development features 1600 residential units, retail area at the ground level, and urban living concept designs including gymnasium, pools, garden terraces, restaurants and health facilities with interiors designed by Thomas Chan of Nusmetro in retro French Baroque style. The “ribs”, the architectural elements of the tower facades were inspired by the pattern of the client’s fingerprint, and provides the project with its unique identity of human DNA.
这项潜力无穷的20万平方米的开发项目设有1600间住宅,地面零售区,以及包括了健身房、游泳池、花园露台、餐厅和健康设施等城市生活概念设计,内部装修由Nusmetro的Thomas Chan设计,采用复古的法国巴洛克风格。作为塔楼外立面的建筑元素 “肋拱 “,其灵感来自于客户的指纹图案,为该项目提供了人类独特的DNA识别身份。
The notion of creating a complex of towers, united by a single podium base with entrances and address, retail, car parking and cultural amenities is realised at Arté MK to eschew the usual faceless car parking podiums of SE Asia. Arté MK’s organic podium becomes the building block for the transformation of the user experience and signature of arrival and threshold of Arté MK and the KL metropolis.
Arté MK的设计理念是创造一个由塔楼和裙房组成的综合体,该综合体由一个零售中心、停车场及文化设施的裙房共同组成,从而避免了通常在东南亚缺乏特色的停车场裙房。Arté MK的有机裙楼成为了改变当地居民城市体验的基本要素,并成为吉隆坡大都市的到达和起点的标志。
The logic of Arté MK like that of many Asian complexes depends on deftly tying the whole structure directly into the public infrastructure network and densifying the city, rather than occupying ever more “green belt” of the expanding KL suburbs. This is a plus from both an environmental and a social standpoint and no doubt serves to support Nusmetro’s wellness and sustainable objectives.
Arté MK的逻辑与诸多亚洲的综合体相似,其巧妙地将整个建筑的结构直接与公共基础设施网络相连,从而增加了城市的密度,而不是占据吉隆坡郊区不断延伸的 “绿化带”。从环境和社会的角度来看都是一个优点,无疑有助于支持Nusmetro的健康和可持续发展目标。
The cluster of 3 towers rise from the 7 storey podium to a maximum of 66 floors. The relatively simple geometry of the tower plans is transformed by the sweeping shapes formed by the finger print ribs as they ascend to the towers. This morphing of the tower forms begins at the podium amenity gardens where the three tower programs interlock as an urban ensemble.
由三座塔楼组成的建筑群从七层高的裙楼上升到66楼顶层。塔楼平面相对简单的几何结构是由指纹肋拱上升至塔楼时所形成的扫射弧形进行了转换。塔楼渐变的形态从裙楼的景观花园处开始,在那里,三座塔楼作为城市的集合体相互交错。
Arté MK was designed specifically for the site context, its image and gateway ambition, and interrogated as to how we could make a memorable interface between the property and the “fast” image of the highways bounding the site.
Arté MK的设计专门针了对场地的环境、形象和未来的愿景,并考虑到我们如何能在该住宅及其周边高速公路的 “飞驰 “形象之间建立一个令人印象深刻的场景。
Arté ranks as one of KL’s tallest residential developments with the tower forms making a dramatic statement on the city skyline, its gesture deliberately heroic in its elan.
Arté是吉隆坡最高的住宅开发项目之一,其建筑群体在城市的天际线上形成了一个瞩目的造型,雕塑感的结构及时尚的造型代表了塔楼的整体风格。
The towers all boast panoramic views, a soaring lobbies, and Instagram worthy boutique spaces within its podium, roof terraces, public and private amenities.
所有的塔楼都将景色尽收眼底,高耸的大堂,以及在其裙楼、屋顶露台、公共和私人设施中可以发布Instagram的精品空间。
Resident services at Arté MK include round-the-clock concierge, housekeeping, florist, 24-hour in-residence catering. Amenity clubs feature lounges, game rooms, a state of the art fitness centre, a 35metre swimming pool, a business suite, and screening rooms.
Arté MK的居民服务包括全天候礼宾服务、家政服务、花店、24小时住宿餐饮服务。休闲俱乐部设有休息室、游戏室、艺术健身中心、35米的游泳池、商务套房及放映室。
Arté MK has become a landmark for KL and used as a backdrop for many regional advertising campaigns.
Arté MK已成为吉隆坡的地标建筑,并被用于许多地区广告拍摄的背景幕布。
Arté MK looks especially wonderful at dusk, when its iridescent illuminated ribs reach to the stars.
黄昏时分当Arté MK流光溢彩的照明肋拱直抵星空时,看起来格外的美妙。
Stephen Pimbley SPARK partner said “In addition to the towers iconic twisting sculptural silhouette the development hosts a multitude of extraordinary amenities composed within it’s fluid urban gesture, it has to be seen to be believed and is testament to Thomas’ (Thomas Chan) imagination and status as Kl’s most visionary developer”.
SPARK思邦合伙人Stephen Pimbley说到: “除了塔楼标志性的动态雕塑轮廓外,该项目还设有众多非同寻常的设施,这些设施由流动的城市形态组成,必须亲眼目睹才能相信,这也证明了Thomas Chan作为吉隆坡最具远见的开发商的想象力及身份。”
PROJECT DATA / 项目数据
Total GFA (sqm): 201.800 sqm Three towers: 146.700 sqm Height: 225m
CREDITS / 设计信息
Project partners: Lim Wenhui, Stephen Pimbley Project architect : Luca Maccarinelli Design team: Peter Morris, Luca Maccarinelli, Anusha Bajpai, Andriani Wira Atmadja, Ethan Euihyun Hwang, Chanachai Panichpattanakij, Mark Mancenido Client: Nusmetro
Photography: Heartpatrick
SPARK
On SPARK: 关于SPARK思邦:
SPARK is a Singapore, Shanghai and London based team of designers and thinkers working in the disciplines of architecture, urbanism, interior design, landscape design, research and branding.
Using the evocation of the studio’s name “SPARK”; we produce stimulating, innovative, award winning buildings and urban environments that generate significant added value for our clients.
SPARK’s studios have built a large number of award winning projects throughout Asia, Europe and the Middle East. Our work is influenced by the constant evolution of contemporary life and the influences upon it that require a fresh approach to urban thinking.
SPARK’s work ranges in scale from boutique shops, residential, mixed-use waterfronts, and civic buildings to urban planning. Our projects are enjoyable to use, functional, beautiful to look at and easy to understand.
SPARK’s design solutions are an inspired socially and environmentally sensitive alchemy of the traditional ingredients of living, working and leisure designed to seamlessly connect society to an inspiring future.
For over ten years SPARK’s way of thinking has allowed us to make buildings that resonate with the public, clients and critics. We enjoy working with anybody who shares our belief that design makes an inspirational contribution to the world around us.
SPARK’s award winning projects include Clarke Quay in Singapore, the Shanghai International Cruise Terminal (MIPIM Asia Awards 2011, “Best Mixed-Use development” award), the Starhill Gallery Kuala Lumpur and the Raffles City projects in Ningbo and Beijing. Spark’s Homefarm and BeachHut projects are the winners of the Future Experimental Category at the World Architecture Festival in 2015 and 2016 respectively.
SPARK思邦凭借新加坡、上海、伦敦三地优秀的设计研究团队,在建筑、规划、室内、景观,以及相关的研究领域树立了独特的标杆。SPARK思邦取意于“思维的火花”,即为客户提供新鲜而富有创意的建筑与城市环境设计,它们能够为客户和他们的项目激发出重要的价值提升. SPARK思邦为亚洲,欧洲及中东地区设计了大量屡获殊荣的作品。思邦的工作基���在于对当代社会生活之演变保持着深入的研究,对城市和建筑不断激发出创新的思考。不论从精品店、住区、文化设施、滨水混合开发,到规模宏大的城市规划,SPARK思邦的设计作品不仅功能周全、形态优美,更重要的是带给人们身心的愉悦。 SPARK思邦的设计保持了对社会和环境问题的高度敏感性,并试图创立社会生活、工作、娱乐中的传统元素与未来灵感的巧妙连接。 十多年来,SPARK思邦的设计赢得了客户、公众、评论界的共鸣。我们乐意与理念相投的伙伴共同合作,如信仰般坚守着建筑所能为这个世界带来的无限灵犀. SPARK思邦近期完成的重要项目包括获得cityscape Asia2008最佳滨水项目奖的克拉码头商业改建、获得2011MIPM亚洲最佳综合项目奖的上海国际客运中心、吉隆坡升喜廊、北京和宁波的两座来福士广场、以及分别获得2015/2016世界建筑节大奖的乐龄农庄和多彩沙滩屋.
Arté Mont Kiara Kuala Lumpur residential design images / information from SPARCH
Previously on e-architect:
11 Nov 2010
One Mont Kiara Kuala Lumpur
1 Mont’ Kiara retail mall
photos © Milk Photographie
SPARCH
Location: Kuala Lumpur, Malaysia, Southeast Asia
Malaysia Buildings
Contemporary Malaysian Architecture
Malaysian Architecture Designs – chronological list
Malaysian Buildings
Country Garden Forest City Architects: LAVA image from architecture office Country Garden Forest City in Malaysia
Penang Global City Centre – twin towers, northwestern Malaysia Design: Asymptote Architecture Malaysian Skyscraper
Petronas Towers, Kuala Lampur Design: Cesar Pelli Kuala Lumpur Twin Towers
Petronas University of Technology building, northern Malaysia Design: Foster & Partners with GDP Architects Malaysian University Building
Pod Pavilion, Kuala Lumpur Design: Studio Nicoletti Associati Pod Pavilion Kuala Lumpur
The Troika, Kuala Lumpur Design: Foster + Partners with GDP Architects The Troika buildings
Malaysian Architects
Singapore Architecture Designs
Kuala Lumpur Building Photos
Malaysian University of Technology
Comments / photos for the Arté Mont Kiara Kuala Lumpur residential design Architecture page welcome
Website: Visit Malaysia
The post Arté Mont Kiara Kuala Lumpur residential design appeared first on e-architect.
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foryourart · 6 years
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Image courtesy of Annenberg Space for Photography. 
PLAN ForYourArt: April 19–25
Thursday, April 19
Westside Openings and Events
MFA Exhibition #3, UCLA (Westwood), 5–8pm.
TOURS & TALKS: Stories of Almost Everyone Walk-through: Saloni Mathur, Hammer Museum (Westwood), 6pm.
READINGS: Poetry: Mihaela Moscaliuc and Michael Waters, Hammer Museum (Westwood), 7:30pm.
Miracle Mile and Mid-City Openings and Events
Artist meet and greet, The Loft at Liz’s (Mid-City), 7–9pm.
Film: Free Screening: United Shades of America: The Border, LACMA (Miracle Mile), 7:30pm.
Downtown and Frogtown Openings and Events
Evolution of View Park: The Beginnings, California African American Museum (Downtown), 2–4pm.
Tony Brown + Paul Greeley: It Belongs to His, DAC Gallery + ECF Downtown L.A. Art Center (Downtown), 6–8pm.
MOCA Music: Berhana, Rayana Jay, Linafornia, and Modern Funk Fest DJs, The Geffen Contemporary at MOCA (Downtown), 6:30–9:30pm.
Health/Care Film Series: Unrest (2017), Women’s Center for Creative Work (Frogtown), 7–10pm.
BUILT-IN, NAVEL (Downtown), 7:30–9:30pm.
Kelly Lytle Hernandez: City of Inmates, Main Museum (Downtown), 8–9:30pm.
Chinatown Openings and Events
THE NOW HEAR ENSEMBLE: Storytelling, Automata (Chinatown), 8pm.
Openings and Events Beyond Los Angeles
Yve Laris Cohen: Meeting Ground, Sadie Barnette: Dear 1968,..., and Prospect 2018, Museum of Contemporary Art San Diego (San Diego), 11am–5pm.
Lucretia Martel: Two Screenings, CalArts (Valencia), 1pm. Also April 20.
School of Music Visiting Artist Series: Bruce Broughton, CalArts (Valencia), 2–4pm.
Historia Plantarum, The Huntington (San Marino), 4:30–6pm.
Downtown at Sundown, Museum of Contemporary Art San Diego (San Diego), 5–8pm.
School of Art Visiting Artist Series: Jeffrey Vallance, CalArts (Valencia), 5pm.
Parallel Stories Lecture: An Education in Seeing: Geoff Dyer on The Street Philosophy of Garry Winogrand, Santa Barbara Museum of Art (Santa Barbara), 5:30pm.
Enter>text: Docent, Pasadena Museum of California Art (Pasadena), 6–8:30pm.
15's - Fifteen Minutes of Spoken Word with A.P. Jackson, Palm Springs Art Museum (Palm Springs), 6:15pm.
Lecture: Abraham Lincoln's Diary, The Huntington (San Marino), 7:30pm.
Materials Collective: Earth Week Celebration, CalArts (Valencia), 8–11pm.
Film screening of Laguna Art Museum at 100, Laguna Art Museum (Laguna Beach).
Friday, April 20
Westside Openings and Events
MUSIC & PERFORMANCE Arts Party: Recreation, Hammer Museum (Westwood), 7–10pm.
Mid-City and Miracle Mile Openings and Events
Course: One-Day Workshop—Twilight at LACMA, LACMA (Miracle Mile), 5–8pm.
DESE ESCOBAR MISS INDEPENDENT, MARLIE MUL, MOTHER CULTURE LOS ANGELES (Mid-City), 6–9pm.
Hollywood Openings and Events
Objects of Affection, Gallery 1988 (Hollywood).
Downtown Openings and Events
Art Buzz with Glenn Phillips, ICA LA (Downtown), 5:30–7pm.
Victor Rosas: Artificial Mask, 356 Mission (Downtown), 7–9pm.
Passing Through, Documentary, LA Poverty Department (Downtown), 7pm.
An Evening with Donika Kelly, Featuring Vanessa Angélica Villarreal and Eloisa Amezcua, Ace Hotel (Downtown), 7–9pm.
Openings and Events Beyond Los Angeles
TINKERTOPIA – ESMoA Kids Engineering Arts Club, ESMoA (El Segundo), 3:30–5pm.
Saturday, April 21
Westside Openings and Events
Family Days at the Villa, Getty Villa (Pacific Palisades), 10am–5pm. Continues April 22.
Conversation: Oaxacan Ball Games and Mexican Indigenous Migration, Fowler Museum (Westwood), 2–4pm.
The Plato Conversations: Dialogues in LA, Getty Villa (Pacific Palisades), 4–6:30pm.
David McDonald: COMMON KNOWLEDGE artist talk, Five Car Garage (Santa Monica), 4pm.
An artist talk by Brighton Smith And exhibition closing reception for Flowers Paintings, Skidmore Contemporary Art (Santa Monica), 4pm.
Sally Jacobs: Sundays at the Farmers Market, Jenny Revitz Soper: Twisted Visions, Ernie Marjoram: Selected Paintings, Toni Reinis: Looking But Not Seeing, TAG Gallery (Santa Monica), 5–8pm.
CONSTRUCTION: A GROUP SHOW ABOUT MEMORY AND FABRICATION, Arena1 Gallery (Santa Monica), 6–9pm.
MURDER MAGAZINE ISSUE #2, Del Vaz Projects (West L.A.), 8pm.
Culver City Openings and Events
Gallery Hop: Culver City, Susanne Vielmetter Los Angeles Projects (Culver City), 11am–12:30pm. $35.
Not an Ostrich: And Other Images from America’s Library, Annenberg Space for Photography (Century City), 11am–6pm. 
Jessica Antola: Circadian Landscape, Arcana: Books on the Arts (Culver City), 4–6pm.
Miracle Mile Openings and Events
Talk: Exhibition Tour: A Universal History of Infamy—Those of This America, LACMA (Miracle Mile), 1:30pm.
Culver City High School Student Art Exhibition & Reception, Craft and Folk Art Museum (Miracle Mile), 2–5pm.
Mary Little: The Shape of Cloth, Craft in America Center (Miracle Mile), 4–6pm.
DLJU, Iskar, Binho Ribiero, Erre, Lesivo, and Toxicomano Callejero, Gabba Gallery (Koreatown), 7–11pm.
Koreatown and Mid-City Openings and Events
Closing reception: Corrina Peipon and Pangaea, Household (Mid-City), 4–6pm.
Ladyscumbag's World Premiere (and Closing) Party, Visitor Welcome Center (Koreatown), 6–9pm.
West Hollywood Openings and Events
Michael Mahalchick and SOFT CORNERS, Richard Telles Fine Art (Fairfax), 5–7pm.
Daniel Arsham: Character Study, Morán Morán (West Hollywood), 6–8pm.
Hollywood Openings and Events
Tom Burr in conversation with William J. Simmons, Hannah Hoffman Gallery (Hollywood), 4pm.
Community Healing Sound Bath, Various Small Fires (Hollywood), 5pm.
Downtown Openings and Events
WALK THE TALK, LA Poverty Department (Downtown), 11am–3pm.
Artist Walk-through: Rigo 23, Main Museum (Downtown), 2–3:30pm.
Girl on Wire: Redux, Institute of Contemporary Art, Los Angeles (Downtown), 4–6pm.
Michael Ned Holte and Dave Hullfish Bailey in Conversation, REDCAT (Downtown), 4pm.
JOAN Benefit Party, JOAN (Downtown), 7–11pm.
Bodies of a Different Mass, Tiger Strikes Asteroid Los Angeles (Downtown), 7–10pm.
PARALLEL STORMS: Works by Janie Geiser and TOO MANY DAYS: Works by Laura Heit, Track 16 (Downtown), 7–10pm.
Ron Linden: Em_ty, PØST (Downtown), 7–10pm.
Andy Woll, Brie Ruais, Night Gallery (Downtown), 7–10pm.
Philip Newcombe: ODEON, Monte Vista Projects (Downtown), 7–10pm.
Michael Webster and Breath Control Orchestra - Nice Day for the Races, The Box (Downtown), 8pm.
David Rosenboom and Lewis Klahr: Battle Hymn for Insurgent Arts, REDCAT (Downtown), 8:30pm. $12–25.
Chinatown Openings and Events
Sol Variations — A New Sound Installation by Richard Chartier, Human Resources (Chinatown), 7–10pm.
Closing Reception and Artist Walkthroughs for Lars Jan -  Luminaries and Rachel Mason - Star Death and the Pain Body, Charlie James Gallery (Chinatown), 4–7pm.
Lincoln Heights Openings and Events
Taste of Art: At Home with The Huntingtons, The Huntington (San Marino), 9am. Sold out.
Workshop: Resistance, Delay, Accumulation and Mobilization with Luis Lara Malvacias, Pieter (Lincoln Heights), 12–3pm. $30.
Me, An Idiot, Pieter (Lincoln Heights), 8:30pm.
Openings and Events Beyond Los Angeles
Family Event - Earth Day Saturday, The Huntington (San Marino), 11am–3pm.
Skill share: Safety & Justice, Side Street Projects (Pasadena), 1–4pm.
Chinatown: The Movie, Glendale Central Library (Glendale), 2–4pm.
FILM SCREENING: SEARCHING FOR SIMÓN BOLÍVAR: ONE POET’S JOURNEY, MOLAA (Laguna Beach), 2–5pm.
Movie Matinee - Coco, ESMoA (El Segundo), 2:30–4:30pm.
Sunday, April 22
Westside Openings and Events
SCREENINGS KIDS Family Flicks Film Series: FernGully: The Last Rainforest, Hammer Museum (Westwood), 11am.
CONVERSATIONS: Architecture for the Ages: The New Acropolis Museum of Athens with Dimitrios Pandermalis, Hammer Museum (Westwood), 3:30pm.
Artist Talk: Robert Polidori, Getty Center (Brentwood), 4pm.
Culver City Openings and Events
Historical Witness Project, Wende Museum (Culver City), 3pm.
Miracle Mile Openings and Events
On Clay: Melting Point Panel Discussion, Moderated by Exhibition Co-Curator Andres Payan & Michael Jones McKean, Craft and Folk Art Museum (Miracle Mile), 2pm.
Film: Documentary Film: Hockney—A Day on the Grand Canal, LACMA (Miracle Mile), 2pm.
Hollywood Openings and Events
WxW: For Women. By Women, Barnsdall Art Park (East Hollywood), 12–4pm.
Frogtown Openings and Events
LA For Choice Clinic Defense Volunteer Training, Women’s Center for Creative Work (Frogtown), 11am–1:30pm.
Downtown Openings and Events
Open House with Rafa Esparza, Jackie Clay, Ayanna U'Dongo, and Muñeka, ICA LA (Downtown), 11am–6pm.
Happy Earth Day! Youth Workshop with Sharif Farrag, 356 Mission (Downtown), 1–4pm.
Light and Color, California African American Museum (Downtown), 1–3pm.
SoulCollage 101, Main Museum (Downtown), 1–3pm.
CAAM Reads! Respect, The Life of Aretha Franklin, California African American Museum (Downtown), 3–4:30pm.
QueerWise/QueerWOKE, ONE Archives (Downtown), 4pm.
Chinatown Openings and Events
Christine Tavolacci and Ted Byrnes perform John Cage's Ryoanji, Human Resources (Chinatown), 8–11pm.
Openings and Events Beyond Los Angeles
Wasted! The Story of Food Waste, The Huntington (San Marino), 1pm.
CalArts Open Studios, CalArts (Valencia), 1–6pm.
14th Annual Art Auction, Center for the Arts Eagle Rock (Eagle Rock), 1–5pm.
EXHIBITION WALKTHROUGH WITH SHAY BREDIMUS, Long Beach Museum of Art (Long Beach), 3–4pm.
GUNS: LOADED CONVERSATIONS, San Jose Quilt Museum (San Jose), 3–5pm.
PATRICIA L. BOYD: GOOD GRAMMAR, POTTS (Alhambra), 6–8pm.
Monday, April 23
Miracle Mile Openings and Events
Talk: Space Odyssey: Stanley Kubrick, Arthur C. Clarke, and the Making of a Masterpiece, LACMA (Miracle Mile), 7:30pm.
Downtown Openings and Events
Chantal? A performance conceived by Sonia Wieder-Atherton
 and Renaud Bouchard-Gonzalez, REDCAT (Downtown), 8:30pm. $6–12.
Openings and Events Beyond Los Angeles
Families: On-Site: North Hollywood—Art and Social Justice, North Hollywood Amelia Earhart Regional Library (North Hollywood), 2pm.
A Tale of Asteroid Families - Dr. Joseph Masiero, The Huntington (San Marino), 7pm.
Tuesday, April 24
Westside Openings and Events
Discussions in Israeli Art: Prof. Dalia Manor, American Jewish University (Bel Air), 10:30am.
MAKE ART NOT WALLS, ROSEGALLERY (Santa Monica), 6:30–8:30pm.
Culver City Openings and Events
Panel: Power, Politics & the Art World, Blum & Poe (Culver City), 7:20pm.
Miracle Mile Openings and Events
Film: The Haunting, LACMA (Miracle Mile), 1pm.
Wednesday, April 25
Hollywood Openings and Events
Frame Rate: Norberto Rodriguez, Hollywood Improv (Hollywood), 5–7pm.
Sense: A Silent Auction to Benefit Multiple Sclerosis, FLOOD Gallery (Larchmont), 6:30–9:30pm.
Leimert Park Openings and Events
Artist Talk: Ulysses Jenkins, Art + Practice (Leimert Park), 7pm.
Frogtown Openings and Events
Remarkable: Artists With Chronic Illness & Disability, Women’s Center for Creative Work (Frogtown), 7:30–9:30pm.
Downtown Openings and Events
Screening: Civic Art: Four Stories from South Los Angeles, California African American Museum (Downtown), 7–9pm.
Openings and Events Beyond Los Angeles
Distinguished Fellow Lecture - Every Picture Tells a Story, The Huntington (San Marino), 7:30pm.
Crows of the Desert, Alex Theatre (Glendale), 7:30pm.
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aunqueudselocrea · 4 years
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TÚNELES POR DEBAJO DE LAS PIRÁMIDES EGIPCIAS
Diversas investigaciones sostienen que debajo de la pata derecha de la Esfinge existen uno o más Cámaras y túneles de conexión. Aún el Gobierno Egipcio no autoriza a abrir las mismas.Nótese el desgaste en el cuerpo de la Esfinge producido por el agua y NO por la erosión del viento y la arena, según las investigaciones científicas llevadas a cabo. Además confirmaría una edad de más de 10.000 años para este monumento.(Julio-Agosto 2.001 G.D.G.)
(1) -TÚNELES POR DEBAJO DE LAS PIRÁMIDES EGIPCIAS
Asha’s Mural Gallery.  4 Marzo 2000
Los cuentos pintorescos entretienen… pero lo que me interesa es un cuadro más conciso de lo que está teniendo lugar en Gizeh, y en cualquier otro sitio relacionado con lo mismo.  Ayer, tuve la suerte de conseguir un vídeo donde el Dr. James Hurtak que hablaba en 1999 en una conferencia de NEXUS en Sydeney, Australia. Me acuerdo de aquel material interesante sobre el emplazamiento de Kent Steadman, del cual se dice que el equipo de Hurtak participó en unas excavaciones arqueológicas de Alto Secreto en Gizeh.  Bueno, Hurtak no estaba perdiendo el tiempo, sino haciendo negocios.  Debido a lo delicado de estos proyectos no pudo más que enseñarme un poco de todo lo filmado; mucho de ello era para los espectadores normales.  Por lo menos, para mí estaba claro que Hurtak estaba diciendo mucho menos de lo que a él le hubiera gustado decir, pero dijo que era realmente para hacer reflexionar.  Según él, existe un laberinto de túneles y cámaras enormes, algunas del tamaño de una catedral, debajo de Gizeh, que fueron puestas allí por una civilización avanzada, y había un equipo de científicos de Japón, Europa y de los Estados Unidos trabajando en los artefactos y los descubrimientos allí, en lo que parece ser un proyecto secreto.
Cuando Zawi Hawass puso en escena aquel vídeo Fox, en el que él descubre el esqueleto (que habían puesto previamente allí) y afirma haber descubierto la Tumba simbólica de Osiris, al buen doctor le tomaron el pelo como de costumbre.  No fue Hawass, sino el equipo de Hurtak, bien equipado con luces portátiles y otros aparatos, el que desenterró el sarcófago, lo cual es tan sólo la punta del iceberg. Hurtak no entró en detalles sobre qué tipo de artefactos fueron descubiertos allá abajo en las cámaras, llenas de agua (que fueron vaciadas con bombas). Dijo que los antepasados tenían un sistema de auto-iluminación que provenía de una fuente de energía; ¿qué clase de fuente de energía?  No lo sé.  Y mostró una estantería que parecía haber sido puesta con un taladro.  Mostró un túnel en el interior de la Esfinge y lo que parecían ser dos entradas por la parte de atrás, una vaciada por el equipo.  Dijo que éstas se comunicaban con las Pirámides y con un enorme sistema laberíntico de túneles. También enseñó pruebas hechas con un radar especial, las cuales muestran cámaras rectangulares debajo de la Esfinge.  Hizo muchas referencias a lo que él llamó los “Señores del Tiempo”, y sobre una raza avanzada de seres superiores versados en formas geométricas codificadas por medio de la luz.  Esas mismas formas geométricas y “números impares” están presentes en los fractales en los círculos de las cosechas cerca de Stone Henge (Inglaterra) y por todas partes. Son un lenguaje Enoquiano de luz y de influjo creciente espiritual.  Según él, la humanidad es un “experimento” que está a punto de ser “cosechado”, a medida que nos acercamos a un profundo cambio en la consciencia mundial, acompañado por descubrimientos que cambiarán totalmente los parámetros científicos; cambios como el punto cero de energía.
Según Hurtak, una raza avanzada de extraterrestres o seres superiores de la orden de Melchizedek, dejó una red de centros de poder, o cápsulas del tiempo, en el planeta, de la cual la red subterránea ubicada debajo de Gizeh es una parte.  Se refirió también a una excavación más importante que tuvo lugar bajo el Pacífico, donde se encontraron pirámides y cámaras parecidas. Y en China, donde también estuvo, mostró unas secuencias sorprendentes de personas momificadas que han sido ocultadas al público.  Para ser exacto, una de ellas fue denominada como “criatura”, ya que no se parecía a los humanos. Parte de esta filmación era de una zona conocida como “Shambala”.  Una ampliación fotográfica de lo que parecía un Tibetano momificado, con una marca extraordinaria, mostrando un motivo de una espiral tridimensional que parecía estar marcada, o ser una parte de su rostro, similar a una extraña mancha de nacimiento de color rojo.  Hurtak también mostró, una fotografía sacada por un colega, de una forma luminosa triangular sobre Stonehenge, con el vértice hacia arriba.  A esto se refirió como una forma luminosa o Merkaba, que como la pirámide en sí misma, es una representación simbólica de la ascendencia espiritual y el florecimiento de la consciencia.  Después dijo bastante más, pero su forma de hablar era difícil de entender a veces, y tendré que volver a repasarla otra vez.  Me recuerda a una especie de profeta salvaje Enoquiano, un atributo bastante encantador el cual sin duda será usado contra él por los mercaderes espantosos de la desinformación de este mundo, que mejor sería que se cocinaran en su propio estiércol, queridos y dulces idiotas.
Al parecer, hay una segunda parte donde revelará más, ¿cuanto más?, ya se verá.  Pero no hay ninguna duda, según mi opinión, de que él mismo cree lo que está diciendo, y si alguien ha estado en una posición de saber lo que está pasando, probablemente es el Dr. Hurtak.
UN RADAR CUYAS ONDAS PENETRAN EN EL TERRENO ENCUENTRA CIUDADES OCULTAS8 Junio 2000, por Paul White
Justo después del Diluvio, al principio del actual ciclo de nuestro tiempo, una era a la cual los Egipcios llamaron “Zep Tepi” o “Los Primeros Tiempos”, apareció un misterioso grupo de “dioses” para iniciar a los supervivientes en los rudimentos de la civilización. Desde Thoth y Osiris en Egipto, hasta Quetzacoatl y Viracocha en las Américas, todas las tradiciones del mundo subscriben los orígenes de la civilización actual a ese sofisticado grupo.
A pesar de la engañosa popularidad del periodismo tipo Von Däniken, evidencias repartidas por todo el mundo indican que esas personas fueron supervivientes de una civilización anterior poseedora de una gran tecnología.  Fueron los “patriarcas antidiluvianos”, como Enoc y Matusalén, los “gigantes y los héroes de la antigüedad”, mencionados en el Génesis.  Los enigmáticos dioses de la antigua Sumeria, Egipto y la India, todos provienen de los fabulosos tiempos antes del Diluvio.
Es el legado de una civilización y una tecnología superior a la nuestra.  Una tecnología capaz de crear un enorme ciudad subterránea, de la cual la Esfinge y las Pirámides son solamente unos marcadores en la superficie.  El científico del proyecto, el Dr. James J. Hurtak, asemeja este descubrimiento al impacto del contacto con una cultura extraterrestre avanzada. El Dr. Hurtak lo describió como el descubrimiento de la cultura de la Cuarta (raza) Raíz, la denominada civilización Atlante, destruida por el último cataclismo terrestre.  Presenta evidencias inequívocas de que todos los idiomas, culturas y religiones se remontan a un origen común, al cual el Dr. Hurtak se refiere como la “Civilización Madre”.La tecnología descubierta está más allá de la tecnología de las máquinas, tal y como la conocemos. Como Arthur C. Clark una vez bromeó: “cualquier tecnología superior a la nuestra nos parecería magia”. Según el Dr. Hurtak, fue una cultura que descifró el código genético y poseía las claves del espectro físico,  la “Física de la Luz Superior” de los antepasados… todo lo que el antepasado Gilgamesh fue a buscar en su famoso viaje a la “Ciudad Perdida de los Dioses” eran los túneles situados debajo del “Monte Mashu” en las tierras desérticas.
Hurtak hace referencia al “Idioma de la Luz” y a un gran sacerdote-científico del ciclo del tiempo anterior, llamado Enoc, que está asociado con la construcción del Complejo de la Gran Pirámide.  Hurtak habla también de una gran ciencia espiritual, una ciencia que describe una escalera genética a las estrellas.
El Dr James J. Hurtak tiene distintos doctorados en Física, Matemáticas, Lingüística, Filosofía, etc. Trabajó en la NASA y además asesoró a la Ex-Unión Soviética en el lanzamiento de satélites y sondas espaciales. Participó en el lanzamiento de dos sondas Soviéticas que desaparecieron misteriosamente antes de tocar tierra marciana. También Hurtak es uno de los creadores y precursores en la tecnología de los Super-Conductores, además de descifrar jeroglíficos egipcios que nadie antes lo había podido hacer. Dentro de su currículum esta el haber descubierto una civilización en Asia que databa de millones de años atrás y es asimismo director de la “Academia para las Ciencias Futuras”. Además fue quién aconsejó a la NASA estudiar cierto sector del planeta Marte donde están las supuestas pirámides. Cabe señalar que en referencia a la esfinge o “cara de Marte”, el Dr. Hurtak señala que se trata solamente de un efecto visual geográfico.
NOTAS : YA LOS RUSOS USANDO RAYOS X SABIAN DE GALERIAS BAJO TIERRA DEBAJO DE LAS PIRAMIDES Y DE LA ESFINGE,Y HASTA DETECTARON EL EXTRAÑO COMPORTAMIENTO DE LOS RAYOS COSMICOS DENTRO DE LA GRAN PIRAMIDE Y EL PRESIDENTE RUSO KRUSHEV LLEVO SUS EXPERTOS A PRINCIPIOS DE LOS 60 A ESTUDIARLO…
LOS YANQUIS USANDO ROBOTS Y EL RADAR SUPIERON DE LAS GALERIAS Y CAMARAS SECRETAS Y USANDO UN ROBOT LOGRARON FILMAR LAS CAVIDADES,SE SABE QUE HAY TUNELES
CUYA FINALIDAD SE ESTUDIA AUN PERO NO SE TIENE CONCLUSIONES Y YA EL PSIQUICO EDGAR CAYCE PREDIJO ESTAS CAMARAS Y DIJO QUE CONTENIAN RESTOS DEL ORIGEN DE EGIPTO O SEA LOS PAPIROS QUE TOTH TRAJO DESDE LA ATLANTIDA Y CUYAS COPIAS ESTABAN EN LA BIBLIOTECA DE ALEJANDRIA,
COMO SEA CAYCE DIJO QUE CUANDO EL MUNDO CAIGA EN UNA ERA OSCURA ESAS GALERIAS SERIAN DESCUBIERTAS Y ESE SABER SALVARIA A LA HUMANIDAD…
HOY SABEMOS QUE ZAW HAWASS ARQUEOLOGO DESCUBRIO MUCHA COSAS PERO SE MANTUVIERON EN SECRETO PORQUE LA EXPLORACION ESTABA CONTROLADA POR LA CIA Y EL MOSSAD O SEA LAS POTENCIAS BUSCARON TECNOLOGIA PARA USARLA COMO ARMA Y TOMAR VENTAJA PARA DOMINAR A LOS DEMAS PAISES,…POLEMICO PERO ASI FUNCIONA LA ELITE EN SU PLAN Y ASI ACTUA,
NADA DE LO QUE DESCUBRAN Y SEA UTIL Y REVOLUCIONARIO LO DARIAN A CONOCER,SINO QUE LO RETORCERIAN Y FALSEARIAN PARA SACARLE PROVECHO A SU FAVOR…
HOY SABEMOS QUE ISRAEL BUSCO DEBAJO DE PIRAMIDE Y ESFINGE Y EXTRAJO Y ROBO EQUIPOS Y TECNOLOGIA ANTIGUA,ALGUNOS DICEN QUE UN OVNI O NAVE ATLANTE FUE RECUPERADO Y HASTA HAY DATOS DE ESA OPERACION QUE EL MOSSAD REALIZO EN EL CAIRO,OTROS DICEN QUE USA BUSCA UN REACTOR ANCESTRAL COMPLETO PORQUE A TRAVES DE SUS CAMPAÑAS E INVASIONES SE HA IDO HACIENDO CON RELIQUIAS Y OBJETOS ANTIGUOS O Y ALIENIGENAS PERO AUN NO ALCANZO A POSEER Y UTILIZAR TODA ESA TECNOLOGIA Y BUSCA DESESPERADO UN REACTOR ENTERO DE ANTIMATERIA O PLASMA QUE MENCIONAN EN EL RIG VEDA O EL POPUL VUH Y POR ESO LA CIA ACECHA BOSNIA,AFGANISTAN,IRAK,EL CAIRO,LIBIA Y CUBA EN BUSCA DE RELIQUIAS Y RESTOS DE ESA TECNOLOGIA ANCESTRAL PARA COMPLETAR SU PLAN DE DOMINAR EL MUNDO Y LOGRAR SU NUEVO ORDEN DE TIRANIA MUNDIAL TRAICIONANDO LA RAZA HUMANA EN FAVOR DE LA ELITE HIBRIDA QUE NOS TIENE A MALTRAER DESDE HACE 4 MILENIOS Y ES RESPONSABLE DEL SABOTAJE A MARAVILLAS ANTIGUAS COMO LA TORRE DE BABEL,EL INCENDIO DE LA BIBLIOTECA DE ALEJANDRIA,LA DESTRUCCION DEL COLEGIO DE DRUIDAS,LA INQUISICION Y GUERRAS Y PESTES PARA DIEZMAR Y SOMETER A LA RAZA HUMANA GRACIAS A SUS ESBIRROS LOS HOMBRES DE NEGRO O GUARDIANES DEL CONOCIMIENTO (O DEL SOMETIMIENTO)…
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viviseconds · 7 years
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Installation view, Craftmonster, Monte Clark Gallery, Vancouver, 1999
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jeremyhofstudio · 3 years
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Install image @ monte clark gallery. 2019 
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ladyburde · 7 years
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Colleen Heslin, Full of Holes, 2017, Dye on linen, 48 × 36 in, Monte Clark Gallery
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