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marjanefan · 4 years

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‘Dead Line’ and ghosts in the machine

This review will contain extensive spoilers for the episode (and A Quiet Night In) so only continue if you have watched the episode. It also contains spoilers for ‘The League of Gentlemen’s Apocalypse’

Along with ‘The Twelve days of Christine’ ‘Deadline’ is one of the most discussed and analysed episodes of ‘Inside no.9’ with numerous vlogs and blogs dedicated to it. There are even several affectionate pastiches on Youtube. There is much in the episode that is worth discussing so I hope I can bring something interesting to analysing this astonishing episode.

I will be referring to both Stuart Hardy’s (Stubagful) and Inside an Mind’s vlogs about this episode so and the Q and A with Barbara Wiltshire (who directed the episode), Adam Tandy, Steve Pemberton and Reece Shearsmith at the BFI in April 2019 here are links to.

Stubagful’s review

https://www.youtube.com/watch?v=TrlU9jaMP2k

Inside a Mind Analysis

https://www.youtube.com/watch?v=AUN6zqCHh18&t=58s

BFI event

https://www.youtube.com/watch?v=K4RgjPJKNkI

Both Stuart Hardy and Inside a Mind explore the importance of experiencing this episode as a live experience on October 28th 2018 (the date of broadcast). As someone who did watch it live all the way through on broadcast I can confirm that it was a very rewarding experience to watch live that could never be replicated. There has also been considerable analysis of how Pemberton and Shearsmith utilised the process of pre broadcast publicity (such as their interview on the One show a few days before broadcast) to set up the misdirection and theme of the episode. However this is an episode that stands up to repeated viewings (as does every episode of Inside No. 9). The episode can be enjoyed as a ghost story with a very modern sensibility and as a meta commentary on the nature of television. There is an underlying message that allows this episode to retain its power.

The very title of ‘Dead line’ hints at obsolesce and broken down technology and communication. Under the surface of both the Arthur Flitwick storyline and the actual story of the episode we see the voices of the dead come back to avenge themselves on the living who have failed to respect them. You ignore them at your peril. /p>

The ostensible story of ‘Deadline’ -Arthur Flitwick’s fateful finding of a mobile phone is worth looking at in more depth. The story is run through with references to aging and mortality. Arthur lives alone in what may be either a retirement community or sheltered housing for older people. The classical music radio station he listens to aims its adverts at older people. We see Arthur get annoyed at a radio advert for a will writing service yelling ‘We’re not all one foot in the grave!’ (possibly a reference to the long running BBC TV series). Moira refers to the fact that Elsie and herself are apparently widows. It is worth noting that Stephanie Cole who plays Moira is well known for playing Diana Trent in the long running comedy series ‘Waiting for God’ which was set in a retirement home. Arthur and Moira are dealing with the fact that they are nearing the end of their lives and the particular forms of loneliness that affect the elderly. Arthur’s eventual breakdown and murder of Rev. Neil reflects his anxiety about the intentions of younger people toward him and his generation and his isolation(it says something that he choses to befriend a ‘ghost’). This also links this plotline to the main plotline as like Arthur, Alan Starr believed he was hearing the voices of the dead. This eventually drove him to suicide.

Rev. Neil is dealing with an ever aging and dwindling congregation. The physical disrepair of his church (referred in the second clip from the Arthur Flitwick story) symbolises this decline. (Is this also a comment on the decline of the influence of organised religion?) He makes a quip about his church always being on the lookout for ‘new blood’ which can be read as being about the graveyard where Elsie is buried. This links back to the main storyline of the episode being filmed in Granada studios which is apparently built on the site of a Victorian cemetery. (The ghosts recruit the ‘new blood’ of the unnamed continuity announcer, Stephanie Cole, Steve and Reece to their ranks).

One of the most interesting things for me about the ‘Arthur Flitwick’ section is the fact that the mobile phone Arthur finds is an old style Nokia phone. This type of mobile phone has been out of fashion for several years being overtaken by smart phones. This type of phone cannot be used to access the internet or online services such as TV streaming services. It could be a nod to a time where there were no streaming/catch up TV services and where social media was not prevalent. Television was experienced very differently and as Stuart Hardy noted in his review was more of a collective experience. ‘Dead line’ is almost a comment on what has been lost for audiences and those who work in television in the age of television on demand. The pleasure of watching a programme along with millions of others and being able to share simultaneous reactions (and not spoil the programme for others!) has been more or less lost.

The first reaction of Reece and Steve to the apparent break down of the show is to reach for their smart phones to try and find out what is going on. We see Reece moan he cannot connect to his smart phone via WIFI until Steve shows him the password (there is a joke about Stephanie Cole being able to connect to WIFI while Reece cannot). Steve uses his phone to research the history of Granada studios for clues as to what is happening. Reece uses his phone to check the reaction on Twitter, getting angry at people asking if ‘the breakdown’ is part of the twist (playing on his twitter persona). It is no accident that later in the episode Steve is so engrossed with his phone that he both fails to notice Stephanie kill herself on camera or ‘Alan’ advancing toward him in the mirror, commenting on the fact that people have become so engrossed at looking at their smart phones they ignore what is actually happening in front of them.

Steve gets Reece to post a tweet asking people if they are live on BBC Two at that moment. This tweet both proved that events were happening live and comments on the way that social media has changed how audiences interact with television shows and those involved with them. For better or worse platforms like Twitter has changed this permanently. Both Stuart Hardy (Stubagful) and Jamie (Inside a mind) discuss the importance of the Twitter reaction to the show in helping build the experience for the audience during broadcast. Steve Pemberton continued this, posting a photo of himself on Halloween itself looking none the worse for his adventure bar an apparently injured arm (from apparently being electrocuted duing the show)- however a 'ghost' seemed to still be following him! (he also joked if ghosts were going to take over the episode of 'The Apprentice' that was due to be broadcast that night)

https://twitter.com/SP1nightonly/status/1057690095996858368

Many people have discussed the influence of the 1992 drama ‘Ghostwatch’ on ‘Dead Line’. Pemberton and Shearsmith acknowledged its influence at the BFI screening of the episode. Ghostwatch was itself intended by its writer Stephen Volk as a commentary on the direction of television at the time, with the growth of docusoaps and reality TV, and how audiences perceived what was presented to them on TV. It made use of the methods of viewer interactivity of the day with its live broadcast/phone in format. There was a dedicated telephone line for viewers to call into (they were supposed to get a message that ‘Ghostwatch’ was a drama). This is echoed in ‘Dead line’s use of social media. ‘Ghostwatch’ itself references the past as it was in part inspired by the story of the Enfield Poltergeist and its coverage. Television programmes referencing back and paying tribute to earlier programmes is nothing new. It helps to build continuity and tradition in what is still a relatively new format, and helps to show that television can produce work that is lasting and worthwhile. Indeed ‘Dead Line’ helped to create interest for a new generation in ‘Ghost watch’.

Pemberton and Shearsmith decided to set ‘Dead line’ in Granada studios after researching alleged hauntings of the studio. This is referenced in the ‘Most Haunted’ episode that ‘Dead line’ includes clips from. Pemberton mentioned at the BFI that it was this episode that inspired the plot involving ‘Alan Starr’, the technician who killed himself after been haunted by the voices of the ghosts of Granada studios. The original plan had been to film the episode at Granada Studios itself but at the last minute this was not possible, so it was filmed at Maidstone Studios instead. The archive material included in the show is not just furthers the story of the apparent haunting but refers back to the studio’s important status in UK television. Granada Studios had been closed for a number of years before the filming of the episode. Even if it is not actually physically haunted, it is now a dead space which carries the memories of the programmes that were filmed there and the people who worked on them. The television industry may have physically moved on, but the programmes made there remain. I wonder if this was part of the appeal for Pemberton and Shearsmith in setting ‘Dead line’ there.

It was also not the first time that Pemberton and Shearsmith had used meta commentary or included themselves as characters in their own stories. They had of course both played themselves (or versions of themselves!) in ‘The League of Gentlemen’s Apocalypse’ film. At least one podcast noted this and how the ‘Reece’ and ‘Steve’ we see in ‘Dead line’ are similar to the ‘Reece’ and ‘Steve’ of the film. They have great fun in playing themselves as arrogant and self-centred. This is in part self-mocking and self-depreciating but also shows an awareness that in order to be successful in the entertainment industry you do require a certain level of self-confidence and self-centredness to get your vision realised. ‘The League of Gentlemen’s Apocalypse’ was an attempt by the various members of the League to explore the legacy of the League and what it meant to be the creators of this very specific world and characters at a point where they were beginning to develop their own separate careers away from the League. ‘Reece’ and ‘Steve’ die in ‘The League of Gentlemen’s Apocalypse’ as they do in ‘Dead Line’. This represents them acknowledging that the work and characters they have created have a life beyond them and that they will outlive them. The use of ‘A quiet night in’ in the episode also comments on how creators can recontextualise their work to give it a very different meaning. Indeed some fans of the show joke that they cannot watch ‘A quiet night in’ the same way since watching ‘Dead Line’.

As mentioned at the beginning, the episode has much to offer those who have not yet seen it beyond it being a ‘live’. It certainly got a great deal of publicity for the show with several UK newspapers discussing and praising the episode and complementing Pemberton and Shearsmith for how they pulled off the twist. Inside a Mind's analysis of the episode has had over three million views. WeeLin in her Youtube analysis suggests showing the episode to someone who has not seen it each Halloween. Reece Shearsmith still gets regularly asked on Twitter if the BBC has ‘fixed’ the apparent technical faults or if they plan to try and do the episode live again. There are still people who started watching the episode on October 28 2018 or who began watching on iplayer who stopped watching after ‘the breakdown’ who are discovering or yet to discover that they need to continue to watch beyond the ‘breakdown’ at nine minutes. People are also still discovering this episode. Steve Pemberton discusses how this is part of the narrative of the episode in the Q and A after the BFI screening. The number of affectionate homages to the episode that appeared on Youtube in the months after broadcast testify to the fact the episode has a very distinct feel and structure that makes it stand out. It has become one of the most acclaimed and beloved epsiodes of the series

#Inside no.9 #Dead line #reece shearsmith #steve pemberton #ghostwatch

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igcseibmathtutoring-blog · 7 years

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wwdirectory · 9 years

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