#Marianne Boesky

[jgthirlwell]

Apollinaria Broche at Marianne Boesky

#Apollinaria Broche #Marianne Boesky #contemporary art

[garadinervi]

Atsuko Tanaka, 1980g, (gouache on paper), 1980 [Marianne Boesky Gallery, New York, NY. © Atsuko Tanaka]

Exhibition: Fallout: Jennifer Bartlett, Yayoi Kusama, Atsuko Tanaka, Marianne Boesky Gallery, New York, NY, February 15 – June 28, 2020

#art #drawing #gouache #geometry #exhibition #atsuko tanaka #gutai group #marianne boesky gallery #1980s #2020s

[dogthorcesschet]

Princess Joy Decano May 11, 2023

Title of Painting: “A Moment Passing Us By” Artist: Micheala Yearwood-Dan Gallery: Marianne Boesky Gallery Medium: Oil, Oil Pastel, and Ceramic on Canvas

I’ve seen plenty of meaningful abstract paintings throughout all the years I’ve had with taking an interest in art, but one that resonates with me the most is with me. Her paintings are painted with peaceful innocent colors, but it seems her mind is still in the chaos of her past. Just like how I keep my memories in the back of my heart, guarded with white picket fences. To create an image that my house isn't haunted by my traumas. She, like myself, looks and tries to focus her mind on her future, but her past seems to still haunt her and it’s tearing her mind apart so she paints these serene paintings with soft colored feelings to maybe ease her pain. To fill her void, with the beauty God's created for everyone to marvel.

One work by Michaela that I really connected with was this, called “A Moment Passing Us By.” It really connected with me because I loved the color contrasts she used. She had midnight blue, teal, and almost like a sunflower-colored yellow that really gave a sparkle in my eyes. Though, there was a part of it that brought sadness and grief. They were the black, glossy rose petals that looked like they were pieced apart, as if they withered or were withering. Then there were the words she hid in the darkest, unnoticeable part of the canvas, saying “I pray you remember me.” This one really spoke to me because it’s always been something I’ve bottled up inside. Passing and being remembered, or what memories and feelings will I leave behind? Did I make people laugh enough, or did I lighten up their darkest days? Maybe even made them feel and know that they were loved by someone. What kinds of values did I influence them with? What legacy did I leave with my fame? Many people know my name and my face, but do they really know me?

The choice of colors she used were so serene, yet they still gave me a feeling of grief. It reminded me of how I can be. On the surface, everything seems calm and cool, but if one looks closely enough and carefully studies every detail of my canvas, they’d see some fine printed sorrow in between the lines and shades. I met a heroin addict on a corner of Trader Joe's one time, and I was lucky enough to have a full on conversation with him and my mom in the background. She gave us cigarettes to smoke while we waited for my pops to pick us up. She said something like "God is good, and you have angels up in heaven," sadly, he replied "yeah, I've got friends and relatives waiting for me up there." I felt his grief. It wasn't towards them, but towards himself. I can resonate.

Michaela’s expressive and conceptual abstract paintings inspire me to think of painting as if writing a poem. They’re personal, descriptive, and also a bit secretive. Her technique of adding the ceramic petals was also very creative. She used different materials and combined them to express her message significantly stronger and unique from others. I think that seeing her work really inspired me to think outside the box and use all the tools I feel a connection with so that I can personalize my paintings. Not only make them mine, but also make them so meticulously meaningful to me, in that way when someone sees it and connects with it, they would become inspired just as I am with Michaela’s work.

Michaela

Yearwood-Dan’s way of expressing her thoughts and creating her pieces according to her own

feelings. Michaela’s paintings seemed very personal to her, and every stroke of her brush, every

color she used, every image she was trying to portray were deeply thought out.

This is the full picture of the painting Michaela Yearwood-Dan created, called “A Moment Passing Us By.”

This is the fine print she left behind, I believe it’s meant for someone specific.

These are the ceramic petal pieces she tainted with black glossy finish.

#Marianne Boesky Gallery #Michaela Yearwood Dan

[strathshepard]

Danielle McKinney: Before They Wake (Marianne Boesky Gallery)

#danielle mckinney #painting #bed

[mentaltimetraveller]

Claudia Wieser, Untitled, 2015, Basswood, acrylic paint, ink 60 x 14 x 14 cm / 23 5/8 x 5 1/2 x 5 1/2 in, 

 Marianne Boesky Gallery and Hauser & Wirth

#Claudia Wieser

[nobrashfestivity]

“I wasn’t thinking of becoming an artist. I just wanted to make things and paint for a while. “

Frank Stella

SUNAPEE II, 1966, OIL ON CANVAS, 127 1/2 x 120 x 4". COURTESY OF THE ARTIST AND MARIANNE BOESKY GALLERY, NY, AND DOMINIQUE LEVY GALLERY, NY.

#frank stella #abstract expressionism #art

[kisslovegoodbye]

Ghada Amer, “Barbie Loves Ken, Ken Loves Barbie” (2004),

Canvas, thread, and hangers, 

59 3/4 x 24 1/4 x 4 1/2 inches and 63 x 24 x 6 inches

© Ghada Amer, courtesy the artist and Marianne Boesky Gallery

#art #love #photography #lovers #kiss #kisslovegoodbye #ghada amer #barbie #ken #barbieloveken #kenlovebarbie #barbie girl #barbie world #canvas #gender #equal rights #suits #onesie #barbie art #barbie fanart

[eucanthos]

Frank Stella (US, 1936 - 2024)

Atalanta and Hippomenes, 2017. Painted metal, PU-Foam, fiberglass (136 x 168 x 96 in) 345.4 x 426.7 x 243.8 cm, via Marianne Boesky Gallery, New York

https://marianneboeskygallery.com/exhibitions/36/works/artworks-19931-frank-stella-atalanta-and-hippomenes-2017/

https://www.thecollector.com/frank-stella-great-american-painter-facts/

https://www.antiquitatem.com/en/atalanta-mythologie-palace-of-the-infant/

#Frank Stella #sculpture #colour #plastic #reference #mythology #Atalanta #run

[brooklynmuseum]

Coming Soon… A Movement in Every Direction: Legacies of the Great Migration. 📍

In this exhibition, twelve influential and emerging artists reflect on the Great Migration period (1915–70), during which millions of Black Americans fled from their homes to other areas of the South and across the country in the wake of racial terror. Large-scale installation, painting, immersive film, tapestry, mixed media, and photography depict the artists’ experience with this mass movement, as well as its continuing impact on their lives and on social and cultural life in the United States. 

We look forward to sharing with you the work of Akea Brionne, Mark Bradford, Zoë Charlton, Larry W. Cook, Torkwase Dyson, Theaster Gates Jr., Allison Janae Hamilton, Leslie Hewitt, Steffani Jemison, Robert Pruitt, Jamea Richmond-Edwards, and Carrie Mae Weems. 

📷 Allison Janae Hamilton (born Lexington, Kentucky, 1984; based in New York, New York). Still from “A House Called Florida,” 2022. Three-channel film installation (color, sound): 34 min., 46 sec. Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen

#Brooklyn Museum #brooklyn #museum #art #exhibition #artist #painting #film #photography #installation #New York City #nyc #great migration #GreatMigrationBkM

[davidpaulross]

https://www.contemporaryartdaily.com/project/dashiell-manley-at-marianne-boesky-gallery-new-york-26121

[abwwia]

Danielle McKinney/Marianne Boesky Gallery. Photo by Nik Massey

#Danielle McKinney #art by women

[jgthirlwell]

Gina Beavers at Marianne Boesky Gallery

#Gina Beavers #Marianne Boesky Gallery

[garadinervi]

Atsuko Tanaka, 2001-F, (synthetic polymer paint on canvas), 2001 [Marianne Boesky Gallery, New York, NY. © Atsuko Tanaka]

Exhibition: Fallout: Jennifer Bartlett, Yayoi Kusama, Atsuko Tanaka, Marianne Boesky Gallery, New York, NY, February 15 – June 28, 2020

#art #mixed media #drawing #geometry #exhibition #atsuko tanaka #gutai group #marianne boesky gallery #2000s #2020s

[ce-sac-contient]

Larry Bell - CS 9.9.16, 2016

Mixed media with aluminum and silicon monoxide on Tyvek mounted on canvas (152 x 102 cm)

Marianne Boesky Gallery New York City

#Larry Bell

[cosmicanger]

Donald Moffett, Lot 062819 (nature cult, counterclockwise black), 2019, Pigmented epoxy resin, urethane paint, and UV clear coat on wood and urethane panel support, steel, 122.5 x 120 x 19 cm, 48 1/4 x 47 1/4 x 7 1/2 in, Courtesy of the artist and Marianne Boesky Gallery, New York

[mentaltimetraveller]

Pino Pascali Bachi da setola, 1968 Acrylic bristle brushes on metal support

Marianne Boesky Gallery

#Pino Pascali