#Kevin Smith Kirkwood

[miyagi-hokarate]

It's Karate, Kid! The Musical | Wax On! Wax Off!

#It's Karate Kid! The Musical #The Karate Kid #Mr. Miyagi #Kevin Smith Kirkwood #Matthew Simpkins #Music #Jukebox #Miyagi-horiginal

[maximiliano-aedo]

What could've been Animaze ..iNC during the 2010s

Talent pool (Note: any voice actor marked with * is union-only):

Steve Blum*

Mary Elizabeth McGlynn*

Crispin Freeman*

Kari Wahlgren*

Johnny Yong Bosch

Yuri Lowenthal*

Dave Wittenberg*

Roger Craig Smith*

Laura Bailey*

Travis Willingham*

Cherami Leigh

J.B. Blanc*

Sam Riegel*

Liam O'Brien*

Amy Kincaid*

Troy Baker*

Matthew Mercer

Joe Romersa*

Fleet Cooper*

Dyanne DiRosario*

Jennifer Love Hewitt*

Brian Hallisay*

Spike Spencer

Amanda Winn Lee*

Jaxon Lee*

Kyle Hebert

Ben Pronsky

Bob Buchholz

Richard Cansino

Murphy Dunne*

Carolyn Hennesy*

Jerry Gelb*

Adam Sholder

Ezra Weisz

Cristina Vee

Bryce Papenbrook

Michael Sorich

Richard Epcar

Ellyn Stern

Tony Oliver

Kirk Thornton

Lexi Ainsworth*

Aria Noelle Curzon

Grace Caroline Currey*

Michael Forest

Erik Davies

Adam Bobrow

Joshua Seth

Junie Hoang*

Kirk Baily*

Tom Fahn

Jonathan Fahn

Dorothy Elias-Fahn

Melissa Fahn

Stephen Apostolina*

René Rivera*

Deborah Sale Butler

Kevin Brief

Michael Gregory*

Riva Spier*

Cassandra Morris

Erica Mendez

Erika Harlacher

Erica Lindbeck

Marieve Herington

Kira Buckland

John Rubinstein*

Kim Matula*

Brittany Lauda

J. Grant Albrecht*

Michael McConnohie

Steve Bulen*

Dan Woren

Derek Stephen Prince

Wendee Lee

Edie Mirman

Jason C. Miller

Taliesin Jaffe*

John Snyder

Robbie Daymond

Ray Chase

Kaiji Tang

David Vincent

Christina Carlisi*

Christopher Corey Smith

Cindy Robinson

Rachel Robinson

Jessica Boone

Lauren Landa

Megan Hollingshead

Jalen K. Cassell

Doug Erholtz

Michelle Ruff

Gregory Cruz*

John Bishop*

Matt Kirkwood*

Lara Jill Miller*

Carol Stanzione

Steve Staley

Dave Mallow

Mona Marshall*

Darrel Guilbeau

Robert Martin Klein

Robert Axelrod

William Frederick Knight

Lex Lang

Sandy Fox

Joey Camen*

Randy McPherson*

Jad Mager

Richard Miro

Milton James

Anthony Pulcini

Douglas Rye

Patrick Seitz

Keith Silverstein

Jamieson Price

Skip Stellrecht*

Stoney Emshwiller*

G.K. Bowes

Alyss Henderson

Patricia Ja Lee

Peggy O'Neal

Carrie Savage

Melodee Spevack

Jennifer Alyx

Julie Ann Taylor

Sherry Lynn

Brad Venable

Christine Marie Cabanos

Greg Chun

LaGloria Scott

Steve Kramer

Melora Harte

Rebecca Forstadt*

Kyle McCarley

Mela Lee

Karen Strassman

Faye Mata

Laura Post

Kayla Carlyle*

Brina Palencia

Connor Gibbs

Brianne Siddall*

Barbara Goodson

Loy Edge

Jay Lerner

Jennie Kwan

Max Mittelman

Jessica Straus*

Alexis Tipton

Fryda Wolff

Michele Specht

J.D. Garfield

Debra Jean Rogers*

Julie Maddalena

Carrie Keranen

Tara Sands

Matthew Hustin

Cody MacKenzie

Bridget Hoffman*

Colleen O'Shaughnessey

Grant George

Jessica Gee

Jeff Nimoy*

Peter Lurie*

Brian Beacock

Paul St. Peter

Chris Jai Alex

Dan Lorge*

Ewan Chung*

Steve Cassling*

Philece Sampler

Stephanie Sheh

Sam Fontana

Ben Diskin

Juliana Donald*

Michael O'Keefe*

Christina Gallegos*

Tara Platt

Keith Anthony*

Beau Billingslea

David Lodge*

Kim Strauss

Eddie Jones*

William Bassett*

Kim Mai Guest*

Caitlin Glass

Hannah Alcorn

Ron Roggé*

Camille Chen*

Ethan Rains*

Yutaka Maseba*

Joe J. Thomas

Michael Sinterniklaas

Erin Fitzgerald

Joe Ochman

Marc Diraison

Xanthe Huynh

Brianna Knickerbocker

Dean Wein*

Michael McCarty*

#Animaze #ZRO Limit Productions #Steve Blum #Crispin Freeman #Kari Wahlgren #Laura Bailey #Travis Willingham #Sam Riegel #Liam O'Brien #Matthew Mercer #Jennifer Love Hewitt #Brian Hallisay #Spike Spencer #Troy Baker #Cristina Vee #Johnny Yong Bosch #Yuri Lowenthal #Mary Elizabeth McGlynn #Jessica Boone

[beardedmrbean]

T. LOUIS — A 19-year-old woman is asking a federal court to allow her to watch her father’s death by injection, despite a Missouri law barring anyone under 21 from witnessing an execution.

Kevin Johnson faces execution Nov. 29 for killing Kirkwood, Missouri, Police Officer William McEntee in 2005. Johnson’s lawyers have appeals pending that seek to spare his life.

Meanwhile, Johnson has requested that his daughter, Khorry Ramey, attend the execution, and she wants to be there. On Monday, the American Civil Liberties Union filed an emergency motion with a federal court in Kansas City. The ACLU’s court filing said the law barring under 21s serves no safety purpose and violates Ramey’s Constitutional rights.

Ramey, in a court declaration, called Johnson “the most important person in my life.”

“If my father were dying in the hospital, I would sit by his bed holding his hand and praying for him until his death, both as a source of support for him, and as a support for me as a necessary part of my grieving process and for my peace of mind,” Ramey said.

Johnson, now 37, has been incarcerated since Ramey was 2. The ACLU said the two have been able to built a bond through visits, phone calls, emails and letters. Last month, she brought her newborn son to the prison to meet his grandfather.

ACLU attorney Anthony Rothert said if Ramey can’t attend the execution it will cause her “irreparable harm.”

Meanwhile, Johnson’s lawyers have filed appeals seeking to halt the execution. They don’t challenge his guilt but claim racism played a role in the decision to seek the death penalty, and in the jury’s decision to sentence him to die. Johnson is Black and McEntee was white.

Johnson’s lawyers also have asked the courts to intervene for other reasons, including a history of mental illness and his age — he was 19 at the time of the crime. Courts have increasingly moved away from sentencing teen offenders to death since the Supreme Court in 2005 banned the execution of offenders who were younger than 18 at the time of their crime.

In a court filing last week to the U.S. Supreme Court, the Missouri Attorney General’s Office stated there were no grounds for court intervention.

“The surviving victims of Johnson’s crimes have waited long enough for justice, and every day longer that they must wait is a day they are denied the chance to finally make peace with their loss,” the state petition stated.

McEntee, a husband and father of three, was among the police officers sent to Johnson’s home on July 5, 2005, to serve a warrant for his arrest. Johnson was on probation for assaulting his girlfriend, and police believed he had violated probation.

Johnson saw officers arrive and awoke his 12-year-old brother, Joseph “Bam Bam” Long, who ran next door to their grandmother’s house. Once there, the boy, who suffered from a congenital heart defect, collapsed and began having a seizure.

Johnson testified at trial that McEntee kept his mother from entering the house to aid his brother, who died a short time later at a hospital.

Later that evening, McEntee returned to the neighborhood to check on unrelated reports of fireworks being shot off. That’s when he encountered Johnson.

Johnson pulled a gun and shot the officer. He then approached the wounded, kneeling officer and shot him again, killing him.

The execution would be the first of three in the coming months in Missouri. The state plans to execute convicted killers Scott McLaughlin on Jan. 3 and Leonard Taylor on Feb. 7.

Sixteen men have been executed in the U.S. this year. Alabama inmate Kenneth Eugene Smith had been scheduled to die Thursday for killing a preacher’s wife in a murder-for-hire plot, but the execution was halted because state officials couldn’t find a suitable vein to inject the lethal drugs.

#nunyas news

[the-football-chick]

Saints WR Chris Olave (concussion) is out for today's game against the Bengals. The Saints are also playing without WRs Michael Thomas, Jarvis Landry and Deonte Harty. Who's left? Tre'quan Smith, Keith Kirkwood, Marquez Callaway, Kevin White and rookie Rashid Shaheed.

[citylifeorg]

Chelsea Table + Stage Presents "Pride Anthems" Featuring Natalie Joy Johnson, Kevin Smith Kirkwood and Jon-Michael Reese

CHELSEA TABLE + STAGE – New York’s newest hotspot for intimate dining and extraordinary music – will celebrate Pride Month with the new show “Pride Anthems,” a journey through the past 50 years of LGBTQ+ music, on Wednesday, May 24, with two shows on 7:00 PM and 9:30 PM. From Donna Summer and Queen to George Michael, Erasure, Madonna, Lady Gaga and much more, these essential songs take us from…

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[theatreism]

ever since puberty, everybody stares at me. boys, girls - i can’t help it, baby

idina menzel & tracie thoms / vanessa hudgens & kiersey clemons / aaron tveit & gavin creel / amber riley & lea michele / eden espinosa & tracie thoms / lucie jones & marisha wallace / james delisco beeks & kevin smith kirkwood / eva noblezada & shoshanna bean

#1k #rent #rent musical #rent the musical #broadway #musicals #superedit #take me or leave me #musical theater #musical theatre #idina menzel #maureen johnson #joanne jefferson #tracie thoms #vanessa hudgens #kiersey clemons #aaron tveit #gavin creel #amber riley #eden espinosa #lucie jones #marisha wallace #james delisco beeks #kevin smith kirkwood #eva noblezada #misc #gif #glee #mercedes jones #rachel berry

[aion-rsa]

New British TV Series for 2020: BBC, ITV, Channel 4, Sky Dramas and More

https://ift.tt/eA8V8J

On top of the returning British dramas expected back in the coming year (His Dark Materials, Marcella and Unforgotten to name just three), below are the many, many, many new UK TV series we’re hoping to see arrive in 2020 and beyond.

You’ll find original drama from Russell T. Davies, a new space-set sci-fi from Sky, true crime series, contemporary thrillers and the usual hefty number of literary adaptations and period dramas coming your way. Here’s the same for all the new British comedy on its way in 2020.

We’ll keep this list updated as new commissions, casting news, broadcast details and release dates arrive. Obviously, with COVID-19 delays having taken at least a three-month chunk out of production on all continuing and new dramas since mid-March, there will now be serious delays, but we’ll keep you posted as news arrives.

All Creatures Great and Small (September)

Filmed in the Yorkshire Dales in autumn 2019 is a new adaptation of the memoirs of rural vet James Herriot (real name: James Alf Wight). Airing on Channel 5 in the UK and on Masterpiece on PBS in the US, this series stars Samuel West, Anna Madeley and Dame Diana Rigg, with newcomer Nicholas Ralph playing young vet James. A six-part series plus a Christmas special has been filmed, timed to mark the 50th anniversary of the first book’s publication. Expect warm-hearted stories of animal frolics and local characters.

Around the World in Eighty Days (TBC)

Filming began in South Africa on this new eight-part adaptation of Jules Verne’s classic novel in February 2020, and was halted in March by COVID-19 with an episode and a half in the ‘can’. In early July, filming was announced by France Televisions to be resuming. The European-funded series stars David Tennant (pictured above in Channel 4 drama Deadwater Fell) as explorer Phileas Fogg. To satisfy a foolhardy wager, Fogg and his valet set off on a globe-circling journey, this time in the company of journalist Abigail Fix, played by The Crown’s Leonie Benesch. It’s been adapted by a team led by Life On Mars’ Ashley Pharoah.

A Suitable Boy (July)

Literary adapter extraordinaire Andrew Davies (Les Miserables, War & Peace, Pride And Prejudice) is back on the BBC with the first screen adaptation of Vikram Seth’s 1993 novel A Suitable Boy. Making her television debut is acclaimed feature director Mira Nair (Monsoon Wedding, Queen Of Katwe). A Suitable Boy is a coming-of-age story about university student Lata (played by Tanya Maniktala), told against the backdrop of newly independent India in 1951. The official BBC press release describes it as “a vast, panoramic tale charting the fortunes of four large families and exploring India and its rich and varied culture at a crucial point in its history.” Here’s our spoiler-free review.

Adult Material (October)

This Channel 4 drama takes on the UK porn industry and the complex relationship between sex, money and power. Written by Skins and The Smoke’s Lucy Kirkwood, the four-part miniseries stars I, Daniel Blake‘s Hayley Squires (in a role previously given to Sheridan Smith, who left the project due to conflicting commitments) as Jolene, an experienced porn actor and mother of three whose on-set friendship with a young woman leads to a complex examination of her own work and home life. With warnings of adult and sexual scenes, here’s the official trailer.

Anne (TBC)

World Productions, the makers of some of the best British drama around (Line Of Duty, Save Me, Jed Mercurio’s drama Bodyguard) are making this four-part drama for ITV. Written by novelist Kevin Sampson, who was present at Hillsborough Stadium on the tragic day ninety-six football fans died, it tells the real-life story of Anne Williams’ decades-long fight for justice for her teenage son and all the victims of the 1989 disaster. Sampson was instrumental in the Hillsborough Campaign for Justice, and conducted interviews with Williams, whose powerful story he tells here with Maxine Peake in the lead role. Bruce Goodison directs.

Baghdad Central (February)

Based on the thriller of the same name by Elliott Colla, Baghdad Central is a six-part Channel 4 commission written by House of Saddam and The Last Kingdom‘s Stephen Butchard. Set in Iraq shortly after the 2003 fall of Saddam Hussein, it’s described as “part noir detective drama, part Le Carre and part Green Zone“. With a cast led by Waleed Zuaiter (Omar, Altered Carbon), it’s the story of a quest for justice in an almost lawless society. Bertie Carvel co-stars, with Doctor Who and Tin Star‘s Alice Troughton as the lead director. All six episodes are currently available to stream on All4.

Before We Die (TBC)

Adapted from the Swedish crime thriller of the same name, Before We Die is the story of a detective who discovers that her son is acting as an undercover informant in a brutal murder investigation. It’s set in Bristol and stars Lesley Sharp, Vincent Regan and Patrick Gibson. It’s coming to Channel 4.

Belgravia (March)

Written by Downton Abbey creator Julian Fellowes and based on his 2016 novel of the same name, Belgravia is a six-part period drama set in 19th century London. Expect toffs and treachery in a story about society secrets on the eve of the Battle of Waterloo. Among the fine looking cast are Tamsin Greig, Harriet Walter, Tara Fitzgerald, Philip Glenister and Alice Eve. It aired in March on Sunday nights on ITV1.

Best Interests (TBC)

Jack Thorne (pictured above), the busiest screenwriter in the UK is returning to BBC One fresh from His Dark Materials with a new original four-part drama partly inspired by the real-life Charlie Gard case. It’s about a young child with a life-threatening condition whose medical team judge it in her best interests that she be allowed to die, a decision her family can’t support, and fight every step of the way. The commission was announced in July 2019 and filming was due to begin this year, but there’s no news at the time of writing as to how COVID-19 has affected the timetable on this one.

Black Narcissus (TBC)

This BBC commission was announced back in 2017 and we finally have some info on it. Adapted by Apple Tree Yard screenwriter Amanda Coe from Rumer Godden’s 1939 novel (which was previously adapted for cinema in 1947), three-part series Black Narcissus stars Gemma Arterton as Sister Clodagh in a Gothic tale of “sexual repression and forbidden love”. Set in the 1930s, it’s the story of a group of nuns who travel to Nepal to set up a branch of their order, and Sister Clodagh’s struggle with her attraction to a land agent, against the backdrop of the tragic history of a Nepalese princess. Diana Rigg, Jim Broadbent, Gina McKee and more join Arterton. Filming began in Nepal and the UK in October 2019, and back in January the BBC included it in the year’s ‘New for 2020‘ trailer.

Bloodlands (TBC)

Filming got underway in February on new BBC One crime drama Bloodlands, which stars The Missing and Cold Feet‘s James Nesbitt and takes place in Northern Ireland. In June, the Belfast Telegraph reported from producer Jed Mercurio that filming had wrapped before the COVID-19 industry shutdown and that an extended post-production period had been agreed with the BBC, so it’s hopeful that we’ll still see this one in 2020. Susan Lynch, Michael Smiley, Ian McElhinney and Lisa Dwan are among the cast. The thriller, from new writer Chris Brandon, will revolve around a cold case that holds personal significance for Nesbitt’s detective, and follows his hunt for an assassin.

It’s a Sin (Early 2021)

This 1980s-set drama (previously titled The Boys) comes from acclaimed screenwriter Russell T. Davies (A Very English Scandal, Doctor Who) and tackles the impact of AIDS on the lives of three young men across a period of ten years. It’s the story of “the epidemic, the pain of rejection and the prejudices that gay men faced throughout the decade.” Filming began on the five-part series in October 2019, with a cast including Olly Alexander, Neil Patrick Harris, Keeley Hawes, Stephen Fry, Tracy Ann Oberman and Shaun Dooley. See the first teaser here.

But When We Dance (TBC)

Directed by Johnny Campbell (of In The Flesh and Dracula fame) and written by Esio Trot‘s Paul Mayhew Archer, this one-off comedy-drama about two people with Parkinson’s disease was announced in late 2019 and coming to BBC One. Described as a touching and hilarious love story, it’s the story of Tony and Emma, a couple who first meet at a dance class for people with Parkinson’s. It promises to be a witty, heart-felt 90 minutes throwing a light on a much-diagnosed condition in the UK.

Cobra (January)

New political thriller Cobra arrived on Sky One and NOW TV in January. From The Tunnel and Strike writer Ben Richards, it stars Robert Carlyle, Victoria Hamilton and David Haig as, respectively, the PM, his chief of staff and the home secretary. It’s a six-parter promising “high stakes politics and high-octane action” about a team of experts and crisis responders attempting to bring society back from the brink of collapse. A second series was ordered by Sky in February 2020.

Come Again (TBC)

Robert Webb’s debut novel Come Again, which was published in April 2020, is going to be adapted for television. It was announced in May that Firebird Pictures Ltd is working on the screen version of the story by the writer-actor. Webb (Peep Show, Back, That Mitchell And Webb Look) published his first book, memoir How Not to be a Boy in 2017, with Come Again as his first work of fiction. It tells the story of Kate, a karate expert, computer genius widow mired in grief who gets an out-of-this-world chance to go back into her past and change the future. It’s part love story, part coming-of-age story, part spy thriller packed with action and 90s nostalgia.

Danny Boy (w/t)

Filming is underway on the provisionally titled Danny Boy, a new BBC Two feature-length drama about real-life soldier Brian Wood, accused of war crimes in Iraq by human rights lawyer Phil Shiner. Ordeal by Innocence’s Anthony Boyle will play Wood, with the magnificent Toby Jones as Shiner, with a screenplay written by Murder and Party Animals’ Robert Jones.

Deadwater Fell (January)

From Humans screenwriter Daisy Coulam, this new four-part Channel 4 drama aired in January this year. Set in a remote Scottish community, it explores the aftermath of a heinous crime – a family is murdered by someone they know and trust, sending ripples through the supposedly idyllic town. David Tennant leads a cast including The Good Fight‘s Cush Jumbo and The Bay‘s Matthew McNulty. It’s an excellent, if difficult watch (read our spoiler-filled reviews here), and is currently available to stream on All4.

Death Comes as the End (2021 TBC)

With Agatha Christie adaptation The Pale Horse completing Sarah Phelps’ quintet of adaptations for the BBC, it’s time for a different voice on a very different kind of Christie novel. That voice? Gwyneth Hughes, Vanity Fair and Five Days screenwriter. And that novel? Death Comes As The End, a murder mystery set not in the early 20th century, but in ancient Egypt. The arrival of a new concubine sends ripples through an Egyptian priest’s family. No casting has yet been announced.

Des (August)

ITV has included this three-part true crime drama in its autumn 2020 schedule, so it looks like there are no delays here. Des stars David Tennant and is inspired by the real story of serial killer Dennis Nilsen, who murdered several boys and men between the years of 1978 and 1983. It’s adapted from Brian Masters’ book Killing For Company, and will be told from the perspective of three men – Nilsen, DCI Peter Jay (played by Daniel Mays), and biographer Brian Masters (played by Jason Watkins) – and explore how Nilsen was able to prey on the young and the vulnerable. See the first trailer here.

Dracula (January)

The Sherlock showrunners Steven Moffat and Mark Gatiss reunited to bring another 19th century fictional icon to life in Dracula, which aired on BBC One over New Year and Netflix. Danish actor Claes Bang played the title role alongside Dolly Wells and John Heffernan in the miniseries which comprises three ninety-minute episodes. Moffat and Gatiss promised to “reintroduce the world to Dracula, the vampire who made evil sexy.” Job done. Read our spoiler-filled reviews here.

Englistan (TBC)

Actor, rapper, activist and now screenwriter Riz Ahmed (pictured above in The Night Of) was announced in 2018 as developing this ambitious nine-part series with BBC Two. It’s a drama about three generations of a British Pakistani family set over the course of four decades of their lives. Early reports promise a complex look at the notion of home, identity, race relations and achieving your dreams, but above all, an examination of what family really means. Updates on progress have been thin on the ground but as soon as there’s news, we’ll include it here.

Flesh and Blood (February)

Filming on new ITV four-part drama Flesh And Blood got underway in June 2019, with an enviable cast led by Imelda Staunton, Stephen Rea and Russell Tovey. It’s a contemporary story of three adult siblings shocked when their recently widowed mother falls for a new man, bringing into question everything they thought they knew about their parents’ 45-year marriage. Staunton plays the family’s neighbour, who harbours an unhealthy obsession with the unfolding drama… Think dark wit and the unearthing of long-buried secrets. It’s available to stream on ITV Hub here and here’s our spoiler-filled episode one review.

Four Lives (TBC)

Previously titled The Barking Murders, Four Lives is a three-part BBC drama based on real-life murderer Stephen Port, and the aftermath of his four kills. Port raped and murdered four men, between 2014 and 2015, using Grindr to attract his victims. Writer Jeff Pope, who previously penned The Moorside and Little Boy Blue, is leading the charge on this one, along with director Neil McKay. It was announced in February 2019 that Sheridan Smith was back working with Pope on the new series, playing Sarah Sak, mother of Anthony Walgate, alongside Jamie Winstone as Donna Taylor, one of the sisters of Jack Taylor, and Stephen Merchant as Port. In this Entertainment Focus interview from April 2020, actor Michael Jibson confirmed the drama was currently postponed due to the ongoing real-life criminal case.

Gangs of London (April)

Filmmaker Gareth Evans came to everybody’s attention with 2011 Indonesian-set action flick The Raid. In April, he made his TV debut with this Sky Atlantic/HBO co-production. Gangs of London takes place in a version of modern London torn apart by international criminal organisations. You can expect assassinations, intrigue, expertly choreographed fight scenes and full-muscled action from this excellent new drama. All nine episodes are available to stream on Sky and NOW TV. Read our reviews and interviews here.

Ginger Snaps (TBC)

It’s 20 years since the release of Ginger Snaps, the first in a trilogy of now-cult horror films, and, according to Sid Gentle Films, high time for a live-action TV adaptation. The darkly comic feminist werewolf movie will be adapted for a TV co-production by Anna Ssemuyaba, who has previous written for Sky’s Guerilla, Channel 4’s Adult Material and ITV’s Unsaid Stories, and from by the co-producers of Killing Eve and Orphan Black.

Harlan Coben’s Stay Close (TBC)

Thriller writer Harlan Coban is currently part of the way into a five-year deal with Netflix to adapt 14 of his novels, and Stay Close is the latest adaptation from writer Danny Brocklehurst and RED Productions, the team that brought us The Stranger. Like The Stranger, Stay Close will star Richard Armitage and move the book setting from the US to the UK. It’s the story of three characters whose dark secrets threaten to destroy their lives. James Nesbitt and Cush Jumbo also star.

Honour (September)

Keeley Hawes’ production company is behind new two-part ITV drama Honour, which filmed in autumn 2019 and is due to air this autumn. Based on the real-life so-called “honour” killing of 20-year-old Londoner Banaz Mahmod, “murdered for falling in love with the wrong man”. It comes written by Vanity Fair‘s Gwyneth Hughes and stars Hawes as DCI Caroline Goode, who investigated Mahmod’s disappearance.

I Hate Suzie (August)

Billie Piper has co-created this original Sky Atlantic comedy-drama with playwright Lucy Prebble, who adapted the Piper-starring series Secret Diary Of A Call Girl in 2007. It’s a story about a celebrity (Piper) whose career is threatened when she’s hacked and a personal photo leaked to the public. The Crown and Lovesick’s Daniel Ings co-stars. Piper is terrific in it and it has plenty to say on fame and the nature of modern celebrity. With adult content, see the first trailer here. It starts on Sky on Sunday the 27th of August, with all episodes available on NOW TV.

I May Destroy You (June)

The latest from acclaimed writer-actor Michaela Coel, creator of Chewing Gum, is a 12-part half-hour series exploring sexual consent, trauma, recovery, friendship and much more. Formerly under the working title of January 22nd, I May Destroy You is a BBC One/HBO co-production set and filmed in London, and stars Coel in the lead role of Arabella, a celebrated young novelist who suffers a sexual assault that causes her to reassess her life. Joining Coel in the cast are Weruche Opia, Paapa Essiedu, Aml Ameen and a host of new and stage talent. It aired in June on BBC One and stunned just about everybody with its frank, poised brilliance. Watch it here on BBC iPlayer.

Industry (November)

Another Bad Wolf production, this one is on its way to BBC Two and HBO in the US. Eight-part drama Industry comes from new writers Konrad Kay and Mickey Down, and is directed by Girls’ Lena Dunham. Taking on work, money, power, greed and loyalty. It’s about a group of graduates competing for places at a top firm in the cut-throat world of international finance. How far will some people go for profit?

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Inside Man (2021 TBC)

The latest drama from former Doctor Who and Sherlock showrunner Steven Moffat is a four-part crime thriller entitled Inside Man. The twisting story is about a death row inmate in the US and a woman who’s trapped in a cellar under an English vicarage, whose lives interlink “in the most unexpected way”, according to the commission announcement. It’s due to start production late this year, so don’t expect to see this on the BBC until later in 2021.

Intergalactic (2021 TBC)

Excellent news for sci-fi fans, this. Coming to Sky One and NOW TV in 2021 is Intergalactic, an original, British space-set drama about a galactic pilot who’s falsely imprisoned, then breaks free with a gang of other high-security female prisoners. It stars The Tunnel‘s Savannah Steyn (pictured) in the lead role, with Parminder Nagra, Eleanor Tomlinson, Sharon Duncan-Brewster, Natasha O’Keeffe, Thomas Turgoose and Craig Parkinson, so lots of great British talent in the cast. Filming took place in Manchester and Spain and we’ll bring you much more closer to release.

Isolation Stories (May)

UK channels responded quickly to the unusual demands of making television during lockdown, with BBC stalwarts Have I Got News for You and The Graham Norton Show continuing but using remote video link-ups. In May, ITV aired the first lockdown drama with anthology series Isolation Stories. The episodes are 15 minutes long and depict the experience of lockdown on a variety of characters played by Sheridan Smith, Angela Griffin, Robert Glenister, David Threlfall and Eddie Marsan. Watch them on ITV Hub here.

Karen Pirie (TBC)

A new detective is on her way to ITV in the form of Karen Pirie, the creation of novelist Val McDermid who’s also the literary source of ITV’s popular Wire In The Blood forensic pathology series. The new crime drama comes adapted from the first in McDermid’s five-book series The Distant Echo by Harlots and Save Me Too‘s Emer Kenny. It’s about a young Scottish detective working in St. Andrews who is tasked with reopening cold cases. The first involves the 25-year-old death of a teenager whose unsolved murder has become the subject of a true crime podcast. It’s being made by Bodyguard and Line of Duty‘s World Productions. Read more about the new commission on ITV here.

Leonardo (2021 TBC)

Not strictly (or at all) a British series, we’ve snuck this Italian production in because of its lead actor – Poldark and Being Human’s Aidan Turner – and its pedigree – from The X-Files and The Man In The High Castle’s Frank Spotnitz. The writer-producer’s latest screen work was on Medici, also made for an Italian production company. This eight-episode series will tell the life of artist Leonardo through the story of his masterpieces. After a break due to COVID-19 restrictions, the drama resumed filming in July 2020 and is expected to land with an unnamed distributor in 2021.

Life (September)

From the writer of Doctor Foster comes a new six-part hour-long drama for BBC One. Life tells four separate story strands about the residents of a large Manchester house divided into flats. The cast includes Alison Steadman and Peter Davison as a married couple rocked by a chance encounter, Adrian Lester and Rachael Stirling are a couple whose marriage is threatened by temptation, while Victoria Hamilton plays a woman whose life is disrupted by the arrival of her teenage niece. Currently filming in Manchester, “LIFE explores love, loss, birth, death, the ordinary, the extraordinary and everything in between”.

Little Birds (August)

An original six-part UK drama coming to Sky Atlantic, Little Birds is creatively adapted from Anais Nin’s collection of erotic short stories of the same name. Set in Tangier in 1955, filming took place in Andalusia and Manchester, with Juno Temple playing the lead role of Lucy Savage, a young women trapped by society who yearns for an unconventional life. It’s an erotic, political exploration of sexuality against the backdrop of colonial rebellion, and all episodes are currently available to stream on NOW TV. Read our spoiler-free review of all six episodes.

Miss Scarlet And The Duke (March)

This six-part co-production written by Trollied’s Rachel New and starring Peaky Blinders’ Kate Phillips aired on Alibi here in the UK. It’s a one-hour series set in the 19th century about London’s first female gumshoe, Eliza Scarlet (Phillips), a woman who takes over her dead father’s detective agency, aided by Stuart Martin’s ‘Duke’. One for fans of Aussie period detective series Miss Fisher’s Murder Mysteries, perhaps?

Noughts + Crosses (March)

Malorie Blackman’s hugely successful series of Young Adult novels have been adapted by Being Human’s Toby Whithouse for BBC One. The six-part series is set in a world where racial divisions are turned on their head, and two young people from different backgrounds battle through separation caused by power, politics and prejudice. All episodes are available to stream now on BBC iPlayer. Read our episode one review here.

Normal People (April)

Filming took place last summer in Dublin, Sligo and Italy for Normal People, adapted by Sally Rooney from her 2018 publishing hit of the same name. It’s a 12-part drama for BBC Three and US streaming service Hulu, starring new(ish)comers Daisy Edgar Jones and Paul Mescal. Directing is Room‘s Lenny Abrahamson and Hettie McDonald, telling an intimate story about a relationship between two young people – Marianne and Connell – stretching through their university years at Trinity College, Dublin. Available now on BBC Three and Hulu, read our spoiler-free review and more.

Penance (March)

Three-part hour-long drama Penance aired on Channel 5 this March. It’s an original scripted drama for the channel, and stars Neil Morrissey, Julie Graham and Nico Mirallegro in a psychological thriller about grief, manipulation and morally murky relationships. The story revolves around the Douglas family, reeling from the death of their son, and a young man they encounter at bereavement counselling with whom they become entangled.

Quiz (March)

Adapted from James Graham’s acclaimed stageplay of the same name, Quiz is the story of the Who Wants To Be A Millionaire? 2001 cheating scandal in which Major Ingram and accomplices were accused of cheating their way to the show’s top prize. Human chameleon Michael Sheen (Frost/Nixon, The Damned United) pictured above, plays quiz host Chris Tarrant, with Ripper Street‘s Matthew Macfadyen playing the accused Major in the three-part ITV/AMC drama. On directing duties is Stephen Frears, who recently directed excellent comedy drama State Of The Union and Russell T. Davies’ A Very English Scandal. Read our reviews here.

Red Rose (TBC)

A contemporary teen horror series is on its way to BBC Three and Netflix, written by Michael and Paul Clarkson (The Haunting Of Hill House, pictured above, See). Red Rose will be an eight-part series about the relationship between teenagers and their online lives. It’s the story of Rochelle, a Bolton teen who downloads a mysterious app that sets in motion a series of terrifying events. Ultimately, say the Clarksons, “it’s the story of friendship told through the prism of a classic horror-thriller.” 

Ridley Road (TBC)

Adapted from Jo Bloom’s 2014 novel of the same name, Ridley Road will be a four-part thriller for BBC One. Actor and screenwriter Sarah Solemani (Him & Her, No Offence) has adapted Bloom’s book, which tells the story of the fight against fascism in 1960s London. According to Solemani, the novel reveals “a darker side of Sixties London and the staggering contribution the Jewish community made in the battle against racism.” In this Screen Daily interview from late March 2020, producer Nicola Schindler confirmed the series was being prepped and no cast had been announced, but that Solemani would not be starring.

Roadkill (October)

Veep‘s Hugh Laurie is going back to politics. Acclaimed screenwriter David Hare (The Hours, The Reader) is behind a new four-part political thriller for BBC One. Roadkill is the story of Peter Laurence (Laurie), a conservative minister with his eyes on the top job who attempts to out-manoeuvre the personal secrets threatening to wreck his public standing. Peaky Blinders‘ Helen McCrory is set to play prime minister Dawn Ellison, with Westworld‘s Sidse Babbett Knudsen also appearing. Filming began in London in November 2019 and we’re expecting it to arrive later this year.

The Salisbury Poisonings (June)

An episode in recent UK history – the 2018 Novichok poisonings – is translated to the screen in three-part factual drama The Salisbury Poisonings, which filmed in 2019 in the Wiltshire cathedral city. The BBC Two drama focused on the impact of the chemical attack on ordinary people and public services in the city, and boasted a terrific cast including Anne-Marie Duff, Rafe Spall, Mark Addy, Johnny Harris and MyAnna Buring. It was co-written by BBC Panorama‘s Adam Patterson and Declan Lawn. Read our review here.

SAS: Rogue Heroes (TBC)

A major new drama is on its way to BBC One, from Steven Knight, creator of Peaky Blinders and Taboo. The six-part drama is based on Ben Macintyre’s SAS: Rogue Heroes book, which charts the creation of the famed Special Forces unit. Knight is writing the adaptation, which will tell a tale “celebrating the glory, action and camaraderie at the heart of this story” while delving into the psychology of the officers and men who formed the SAS in WWII. With real-life events given Knight’s visionary treatment, this one promises to be a spectacle with real depth.

Showtrial (TBC)

The Tunnel’s writer Ben Richards has teamed up with World Productions (the folks behind Bodyguard – pictured above – and Line Of Duty) on six-part series Showtrial. Coming to BBC One, it’s a legal drama that questions the role class, money and power play in justice being done. The story treats the disappearance of a young working class student and the subsequent arrest and trial of the accused, “the arrogant daughter of a wealthy entrepreneur.” There’s been no official news on this one since its December 2019 announcement, so stay tuned for more.

Sitting In Limbo (June)

A new feature-length film tackling the shameful political Windrush immigration scandal aired on BBC One in June. Sitting In Limbo is inspired by the true story of Anthony Bryan’s struggle to be accepted as a British citizen, despite having lived in the UK since emigrating to Britain as a child in 1965 with his mother. Written by Bryan’s novelist brother Stephen S. Thompson (Toy Soldiers, No More Heroes), it’s a deeply personal and powerful ninety minute drama about the devastating human toll of the foreign office’s ‘hostile environment’ tactic. Casualty‘s Patrick Robinson and Save Me‘s Nadine Marshall star. 

Small Axe (November)

An anthology of six hour-long stories set in 1960s – 1980s London is on its way to the BBC and Amazon Prime Video from Steve McQueen, the director of Twelve Years A Slave, Hunger and Shame. Small Axe started filming in June 2019 and boasts a terrific cast including Black Panther and Black Mirror‘s Letitia Wright, and The Force Awakens and Attack The Block‘s John Boyega, with Malachi Kirby and Rochenda Sandall. The first of the anthology’s five stories, all of which are set in London’s West Indian community, will be told across two episodes. See a teaser for the first, ‘Mangrove’, here. The title is inspired by the Jamaican proverb about marginal protest challenging dominant voices, “If you are the big tree, we are the small axe”. The first three episodes are due to open the New York Film Festival on the 25th of September 2020, though it’s currently unknown how the ongoing pandemic will affect the event.

Sweetpea (TBC)

From Kirstie Swain, the screenwriter of Channel 4’s Pure (pictured above) comes a new eight-part series adapted from C.J. Skuse’s 2017 novel of the same name. It’s the story of a young woman who seems unremarkable on the surface and works as an editorial assistant in a British seaside town. Unfulfilled by her job, she turns to darker pursuits outside of work, because who would ever suspect her? The comedy-drama is coming to Sky Atlantic and no casting has yet been anounced. Read our interview with Kirstie Swain about Pure, mental illness in TV drama and more.

Talking Heads (June)

Nothing to do with the NYC post-punk band of the same name, this remake of Alan Bennett’s acclaimed Talking Heads monologue series featured an all-new cast and two new monologues by Bennett. Originally broadcast in 1988 and 1998 and featuring a host of acting talent including Julie Walters, Maggie Smith and Patricia Routledge, the new Talking Heads starred Jodie Comer, Maxine Peake, Martin Freeman, Lesley Manville, Kristen Scott Thomas, Sarah Lancashire and more. The episodes are available to stream on BBC iPlayer in the UK, and were filmed using the standing EastEnders sets.

Tenacity (TBC)

If you saw His Dark Materials on BBC One, then you know Welsh-based Bad Wolf Productions are capable of great things on a grand scale. Last year, ITV commissioned them to make six-part thriller Tenacity, from a screenplay by Flightplan’s Peter A. Dowling, based on the J.S. Law novel of the same name. It’s about a body discovered on a British nuclear submarine, investigated by military detective Danielle Lewis. Think assassins, high-stakes action and a momentous threat to national security. The cast is TBA.

The Windermere Children (February)

This one-off feature length BBC Two drama delved into a little-explored part of English history – the child survivors and presumed orphans of the Holocaust who were granted the right to come and live in the UK following World War II. The Windermere Children tells the story of one coachful of young refugees brought to Lake Windermere to be rehabilitated through nature. Romola Garai, Tim McInnerny and Iain Glenn star in a screenplay from The Eichmann Show‘s Simon Block and directed by Any Human Heart‘s Michael Samuels.

The Elephant Man (TBC)

The story of Victorian Joseph Merrick was memorably brought to the screen by David Lynch in 1980, and has since been retold on stage (notably starring Bradley Cooper in the lead role). This two-part BBC drama stars Stranger Things’ Charlie Heaton (pictured) and is written by Moorside’s Neil McKay. The biopic will tell the story of Merrick’s life from the start to the end and promises to “explore the man behind the myth”. Filming was due to take place in Wales in late 2018, but there’s been no news about this one since.

The End (February)

This ten-episode series aired on Sky Atlantic and NOW TV. The End is created and written by Samantha Strauss and stars Harriet Walter and Frances O’Connor in the story of three generations of the same family dealing with the thorny issue of dying with dignity. O’Connor plays a palliative care specialist opposed to euthanasia, while Walter plays her mother Edie, who feels strongly that she has a right to die. Complicated family dynamics meet complex moral issues. See the trailer here.

The English Game (March)

Netflix bagged itself a Julian Fellowes-written drama earlier this year, this one about the birth of football. Set in Northern England in the 1850s, The English Game tracks the development of the beautiful game with the help of a cast including Line Of Duty’s Craig Parkinson, The Virtues’ Niamh Walsh, Kingsman’s Edward Holcroft and Game of Thrones’ Charlotte Hope. It arrived on Netflix UK in March and reviews were… not kind.

The Irregulars (TBC)

The modern version. The Robert Downey Jr version. The gnome version. The version where Watson is Lucy Liu. Just when you thought the world had no more Sherlock Holmes to give, along comes The Irregulars on Netflix. Written by My Mad Fat Diary’s Tom Bidwell, this version focuses on the Baker Street gang of teens used as a resource by Sir Arthur Conan Doyle’s Great Detective, and comes with what’s promised to be a horrifying supernatural twist. With Netflix money behind it, this could be a great deal of fun. Filming began in Liverpool in late 2019 but the series is currently on hold due to the COVID-19 pandemic.

The Last Days Of Marilyn Monroe (TBC)

Power, love, loyalty and politics all come to play in Dan Sefton’s (Trust Me) BBC adaptation of Keith Badman’s 2010 book The Final Years Of Marilyn Monroe. Narrowing the time-frame (as the working title suggests) Sefton’s drama will take in the final six months of Monroe’s life until her death in 1962 at the age of 36. Casting, filming, planned release date and all other information is yet to be confirmed.

The Luminaries (June)

Eleanor Catton’s novel The Luminaries won the Man Booker prize in 2013, and this June, arrived on BBC One. The six-part drama, available to stream on BBC iPlayer, boasts a strong cast, with Penny Dreadful‘s Eva Green and Eve Hewson taking lead roles in the 19th century New Zealand-set tale of adventure and mystery during the 1860s Gold Rush. Read our spoiler-free review here.

The North Water (TBC)

Film director Andrew Haigh (Weekend, 45 Years, Lean On Pete) has adapted and directed Ian Maguire’s novel The North Water into a four-part BBC Two drama with an excellent cast. Colin Farrell, Stephen Graham, Tom Courtenay, Peter Mullan and Jack O’Connell are all on board – literally so as the series is set on a whaling ship in the Arctic in the 1850s. It’s the story of a disgraced ex-army surgeon who joins a whaling expedition and finds himself “on an ill-fated journey with a murderous psychopath” and in a struggle to survive. Filming took place on the Norwegian archipelago of Svalbard in late 2019.

The Offenders (TBC)

From co-creator of The Office and writer-director of fab wrestling film Fighting with my Family, Stephen Merchant (pictured above, and soon to be seen playing killer Stephen Port in ITV true crime drama Four Lives) and Mayans M.C.’s Elgin James is a six-part one-hour comedy The Offenders. A BBC One-Amazon Studios co-production, it follows seven strangers forced together to complete a Community Payback sentence in Bristol and is described in the press release as “part crime thriller, character study, and a state-of-the-nation commentary – with humour and heart.”

The Pale Horse (February)

The brilliant Sarah Phelps (And Then There Were None, The ABC Murders, Witness For The Prosecution, Ordeal By Innocence) is back with another Agatha Christie adaptation for BBC One. This time it’s 1961 novel The Pale Horse being adapted for the screen, a story where superstition and witchcraft meet rationalism and murder. In the cast for the two-part mystery thriller are Rufus Sewell (The Man In The High Castle), Kaya Scodelario (Skins, Pirates Of The Caribbean), Bertie Carvel (Doctor Foster, Jonathan Strange & Mr Norrell), Sean Pertwee (Gotham) and more.  Read our spoiler-filled episode reviews and more.

The Nest (March)

Line Of Duty‘s Martin Compston joins Sophie Rundle in new five-part BBC One thriller The Nest. Filmed in Glasgow and written by Three Girls‘ Nicole Taylor, it’s the story of a wealthy couple struggling to have a baby who enter into a surrogacy agreement with an 18-year-old girl (Mirren Mack) that spirals into unexpected territory. The series arrived in March, and here’s our episode one review.

The Singapore Grip (August)

A bit of class here coming to ITV with an adaptation of JG Farrell’s World War II novel The Singapore Grip. Playwright Christopher Hampton, whose previous screenplays include Atonement and Dangerous Liaisons, has adapted the story for a six-part series set against the backdrop of 1940s Japan. It stars Luke Treadaway and Elizabeth Tan, with David Morrissey, Charles Dance and Colm Meaney. The series is due to air in Australia this July, and will arrive in the UK in autumn.

The Sister (October)

Neil Cross, the creator of Luther and Hard Sun, has a new drama on the way to ITV. The Sister, formerly titled Because The Night, is a four-part murder story “which exposes the quiet terror of a man trying to escape his past,” and comes inspired by Cross’ 2009 novel Burial. The psychological thriller is about Nathan, whose world is rocked when a face from the past suddenly appears on his doorstep. Russell Tovey and Bertie Carvel star. It’s due to arrive on ITV this autumn.

The Serpent (TBC)

Ripper Street writer Richard Warlow has written this original eight-part BBC drama about “the phenomenal true story of how one of the most elusive criminals of the 20th century was caught and brought to trial.” It’s the tale of Charlies Sobhraj, Interpol’s most wanted man in the 1970s following a series of murders of young Western travellers across India. Tom Shankland (Les Miserables, The City & The City) directs, and A Prophet and The Looming Tower‘s Tahar Rahim will play the lead role of Sobhraj. He’ll be joined by Jenna Coleman, Billie Howell and Ellie Bamber.

The Stranger (January)

Announced in January 2019 and arriving on Netflix a year later, The Stranger is a Harlan Coben thriller made for UK television. Nicola Shindler’s British production company RED (The Five, Safe) have once again turned a Coben novel into a twisting, turning UK series. This one’s about Adam Price (played by Richard Armitage), a man with a seemingly perfect life until a stranger appears to tell him a devastating secret. Things quickly become dark and tangled for Price and everybody around him. Read our spoiler-free series review here.

The Tail Of The Curious Mouse (TBC)

When children’s author Roald Dahl was just six years old, so the story goes, he persuaded his mother to drive him to the Lake District so he could meet his hero, writer-illustrator Beatrix Potter, the creator of Peter Rabbit, Jemima Puddleduck and many more beloved children’s characters. The welcome he received, however, was less than warm. This one-off drama (Roald and Beatrix: The Tail Of The Curious Mouse) stars Dawn French as Potter and is made by the production team behind Sherlock and Dracula. Expect it to arrive this Christmas.

The Three (TBC)

Another BBC drama commission based on a book series, The Three, “an international thriller with a supernatural twist”, was announced in late 2017 but there’s been no news since then. The premise of Sarah Lotz’ trilogy sees four planes crash on the same day in four different countries, leaving three children as the miraculous survivors… Wolf Hall’s Peter Straughan was attached as adapting this eight-part drama but as yet, it’s still to appear on his IMDb credits.

Time (TBC)

Three-part prison drama Time is the latest from legendary British screenwriter Jimmy McGovern, and stars Sean Bean and Stephen Graham. Filming is due to begin in autumn 2020 in Liverpool. It’s being billed as “a visceral and high-stakes portrayal of life in the modern British penal system”, and tells the story of two men – an inmate serving time for having killed an innocent man in an accident, and a prison officer targeted by a dangerous inmate.

Tom Jones (TBC)

Praise for 2018’s Vanity Fair adaptation, scheduled opposite Bodyguard in 2018, was drowned out somewhat by the hit political thriller, but there was plenty of it, and deservingly so. Good news then, that ITV has brought screenwriter Gwyneth Hughes back to tackle another classic novel – Henry Fielding’s 1749 book Tom Jones. Following in the footsteps of the acclaimed Albert Finney-starring 1963 film, and the raucous 1997 version with Max Beasley, expect rollicking fun. The last update we had in November 2019 confirmed that Hughes was mid-writing.

Too Close (TBC)

Chernobyl‘s Emily Watson (pictured above in BBC One’s Apple Tree Yard) stars in this meaty psychological three-part thriller coming to ITV. Based on the novel of the same name written by Natalie Daniels (the pseudonym of actor-writer Clara Salaman, who’s also behind the screenplay), it’s about a forensic psychiatrist treating a patient who’s committed a heinous crime that she says she doesn’t remember. The two women become locked in a dark struggle of influence and manipulation. Watson is so far the only confirmed cast member.

Trigonometry (March)

All eight episodes of this new contemporary drama are available to stream now on BBC iPlayer. Trigonometry comes written by playwright Duncan Macmillan and actor-screenwriter Effie Woods, and provokes some fascinating questions about modern love. It’s the story of Gemma and Kieran, a couple who decide to ease the financial burden of their London flat by taking in a lodger who soon becomes entwined in their relationship. Is life as a ‘throuple’ sustainable? Could it be the way forward?

Us (September)

A four-part adaptation of David Nicholls’ novel Us is on its way to BBC One. Tom Hollander and Saskia Reeves star as Douglas and Connie, a couple whose marriage is on the verge of falling apart when the family take a long-planned holiday touring European cities. London, Amsterdam, Venice, Paris and Barcelona will provide the backdrops to this humorous, poignant relationship drama from the novelist behind One Day, Starter For Ten and Sky Atlantic’s recent adaptation of the Patrick Melrose novels. The Killing‘s Sofie Grabol and Agents Of SHIELD‘s Iain de Caestecker also star. 

Vigil (TBC)

With a working title of Vigil, a new six-part thriller filmed in Scotland is on its way from the makers of Bodyguard and Line of Duty. Created by Strike‘s Tom Edge, it’s the story of the mysterious disappearance of a Scottish fishing trawler and a death on board a Trident nuclear submarine that brings the police into conflict with the Navy and British security services. Pictured above, it’s set to star Suranne Jones, Rose Leslie, Shaun Evans, Anjli Mohindra, Martin Compston, Paterson Joseph and more. Filming was forced to halt in March 2020 due to the COVID-19 industry shutdown and as yet, there’s no word on when it will resume.

Viewpoint (TBC)

A five-part thriller is coming to ITV from Rillington Place (pictured) and Manhunt writer Ed Whitmore and Fleabag director Harry Bradbeer. It’s about a police surveillance investigation in Manchester following the disappearance of a primary school teacher. A detective constable sets up a surveillance op in the flat of a local woman and watches the tight-knit community of the missing woman. ITV promises a “contemporary, character-driven murder mystery” mining the same ground as Rear Window and The Lives of Others. Pre-COVID-19, filming was due to begin in spring 2020.

When It Happens To You (TBC)

A new drama based on real-life abortion stories set in Northern Ireland – the only part of the UK where pregnancy termination remains illegal – is coming to BBC One. Written by Vanity Fair‘s Gwyneth Hughes, who travelled to Northern Ireland to meet the families who inspired the drama, When it Happens to You is produced by the makers of hard-hitting Three Girls (pictured) and will explore the experience of families and loved ones whose lives have been affected by the law in Northern Ireland. 

White House Farm (January)

This six-part ITV true crime drama tells the tragic story of 1985’s White House Farm murders, the Essex killings of multiple members of the Caffell and Bamber families. Based on research, interviews and published accounts, it’s written by The Slap and Requiem’s Kris Mrksa, and directed by Little Boy Blue and Hatton Garden’s Paul Whittington. Freddie Fox plays the role of Jeremy Bamber, who is currently serving a sentence for the murders, with Stephen Graham, Alexa Davies, Mark Addy, Alfie Allen and more among the cast. Read our spoiler-filled episode reviews here.

You (TBC)

We might expect the working title of this one to change to avoid confusion with the Netflix stalker story of the same name, but as it stands, You will be an eight-part thriller coming to Sky. It’s adapted from the Zoran Drvenkar novel about a woman on the run across Europe after committing a deadly crime, pursued by a dangerous gangster and a serial killer known only as The Traveller, and is written by The Capture screenwriter Ben Chanan.

The post New British TV Series for 2020: BBC, ITV, Channel 4, Sky Dramas and More appeared first on Den of Geek.

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[angelofmusicals87614]

Land of Lola - Kevin Smith Kirkwood (Broadway at the Pierre)

#kevin smith kirkwood #kinky boots

[shefikpresentsinvocation]

Kevin Smith Kirkwood

Actor, "Kinky Boots" on Broadway

#Theatre

Kevin Smith Kirkwood is an actor, known for "Condemned" (2015) and the 71st Annual Tony Awards (2017). He currently stars in the musical "Kinky Boots" on Broadway, and he was also an understudy in "The 25th Annual Putnam County Spelling Bee" on Broadway.

http://invocation.co/show/performer/kevin-smith-kirkwood

"Shefik presents Invocation" is a multiple award-winning show. It is a mesmerizing and thought-provoking journey through musical discovery and appreciation that spans the decades. Each episode, executive-produced and hosted by media personality Shefik, highlights one relatable focal point, along with an accompanying playlist of songs, encompassing a unique thematic concept that invigorates the audience with creative impact. Top recording artists, actors, business executives, politicians, community leaders, and other special guests are invited to offer their own commentary on the topic, as a supplement to Shefik's engaging mindset. The journey continues right here and everywhere.

http://invocation.co

#Journeyers

#Shefik presents Invocation #Shefik #Journeyers #Public Service Announcements #Kevin Smith Kirkwood #KInky Boots

[miyagi-hokarate]

It's Karate, Kid! The Musical | The Way of the Buss

#It's Karate Kid! The Musical #The Karate Kid #Mr. Miyagi #Kevin Smith Kirkwood #Music #Jukebox #Miyagi-horiginal

[thediaryofatheatrekid]

Another Hundred People: Lola in Kinky Boots (Black History Month)

Row 1: Alan Mingo Jr./Arun Blair-Mangat/Billy Porter/Blaine Alden Krauss/Callum Francis Row 2: Craig Thomas/Darius Harper/E. Clayton Cornelius/Eric LaJuan Summers/Euan Doidge Row 3: J. Harrison Ghee/Jemal Felix/Jos N. Banks/Joseph Anthony Byrd/Kyle Taylor Parker Row 4: Matt Henry/Momar Diagne/Nick Rashad Burroughs/Simon-Anthony Rhoden Row 5: Stephane Duret/Timothy Ware/Todrick Hall/Wayne Brady

Not Pictured: Kevin Smith Kirkwood/Robert Zeyala/Stewart Adam McKensy

#Another Hundred People #Character: Lola #Kinky Boots #Arun Blair Mangat #Billy Porter #Blaine Alden Krauss #Callum Francis #Craig Thomas #Darius Harper #Eric LaJuan Summers #Euan Doidge #Jemal Felix #Joseph Anthony Byrd #Kyle Taylor Parker #Matt Henry #Momar Diagne #Nick Rashad Burroughs #Simon Anthony Rhoden #Stephane Duret #Timothy Ware #Todrick Hall #Wayne Brady #Kevin Smith Kirkwood #Robert Zeyala #Stewart Adam McKensy #J. Harrison Ghee #E. Clayton Cornelius #Jos N. Banks #Alan Mingo Jr.

[citylifeorg]

Joe’s Pub Performances from June 14 - June 27 including Juneteenth Celebrations, Pride Week Shows and much more with Erin Hill and The Music of Kate Bush, Joey Arias, Nnenna Ogwo, Taylor Mac, Britton & The Sting, Kevin Smith Kirkwood!

Joe’s Pub Performances from June 14 – June 27 including Juneteenth Celebrations, Pride Week Shows and much more with Erin Hill and The Music of Kate Bush, Joey Arias, Nnenna Ogwo, Taylor Mac, Britton & The Sting, Kevin Smith Kirkwood!

Joe’s Pub – Credit: Lawrence Sumulong UPCOMING PERFORMANCES AT JOE’S PUB FROM TUESDAY, JUNE 14 THROUGH MONDAY, JUNE 27 CELEBRATING PRIDE THIS MONTH! CATCH GENERATION WOMEN, CHIMYTINA, ERIN HILL’S KATE BUSH TRIBUTE, JOEY ARIAS, JEFF FRANZEL, JULIAN FLEISHER, SOPHIA CLEARY AND MUCH MORE FEATURING JAZZ, COMEDY, PLUS TONY AWARD WINNER BRITTON SMITH’S BRITTON & THE STING! JOIN JOE’S PUB’S SECOND…

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[today4utomorrow4netflix]

Is it possible for you to share some Kinky Boots audios with different Lolas? !

I can do that :)Billy Porter - http://www.mediafire.com/file/3nm9rnagxh82di0/Kinky+Boots+-+10.26.12+%28Chicago%29.zipKevin Smith Kirkwood - http://www.mediafire.com/file/kbkkncbrbdg8czu/Kinky+Boots+%28Kevin+Smith+Kirkwood%29.zipKyle Taylor Parker - http://www.mediafire.com/download/94femn8mminqmoq/kb63014.zipMatt Henry - http://www.mediafire.com/file/iw36tbglnw9s6vi/Kinky+Boots+-+4.9.15+%28West+End%29.zipWayne Brady - Act 1 - https://mega.nz/#!0MhBlToa!rtn0nPG7eqKtYpCHvq1w0SqPM26WZe9SiTlF5jy5tvYAct 2 - https://mega.nz/#!lNxEgQAa!qXi2Q3ON9dr6qpPDvRNn0HLvT1B7x8x0YvQLzy9MIi4Todrick Hall - https://mega.nz/#F!tuYEWDiA!QD2JnDdJoiVd2hr6dNHkvgInfo for Traders - 1) Kinky Boots - Chicago (Tryout) - October 26, 2012 - ZIP (MP3 Tracked)   cast: Stark Sands (Charlie Price), Billy Porter (Lola), Annaleigh Ashford (Lauren), Celina Carvajal (Nicola), Marcus Neville (George), Daniel Stewart Sherman (Don), Steven Berger (Mr. Price), Andy Kelso (Harry), Tory Ross (Pat) and Jennifer Perry (Trish)2) Kinky Boots - Broadway - December 18, 2013 - ZIP (MP3)   cast: Stark Sands (Charlie), Kevin Smith Kirkwood (u/s Lola), Annaleigh Ashford (Lauren), Lena Hall (Nicola), Daniel Sherman (Don), Marcus Neville (George), Stephen Berger (Mr. Price), Eugene Barry-Hill (Simon Sr.), Tory Ross (Pat), Andy Kelso (Harry), Jennifer Perry (Trish), John Jeffrey Martin (Richard Bailey).3) Kinky Boots - Broadway - June 30, 2014 - ZIP (MP3)   cast: Andy Kelso (Charlie Price), Kyle Taylor Parker (u/s Lola), Haven Burton (t/r Lauren), Cortney Wolfson (Nicola), Daniel Stewart Sherman (Don), Marcus Neville (George)   notes: Nice quality audio. I absolutely adore Haven as Lauren and she makes the role her own. 4) Kinky Boots - West End - April 9, 2015 - ZIP (MP3 Tracked)   cast: ​Killian Donnelly (Charlie), Matt Henry (Lola), Amy Lennox (Lauren), Jamie Baughan (Don), Amy Ross (Nicola), Michael Hobbs (George), Gemma Atkins, Paul Ayers, Jeremy Batt, Arun Blair-Mangat, Marcus Collins, Emma Crossley, Jordan Fox, Callum Francis, Robert Grose, Gillian Hardie, Chloe Hart, Sophie Isaacs, Luke Jackson, Robert Jones, Adam Lake, Catherine Millsom, Sean Needham, Tim Prottey-Jones, Verity Quade, Javier Santos, Dominic Tribuzio, Alan Vicary, Michael Vinsen, Bleu Woodward5) Kinky Boots - Broadway - November 21, 2015 - MP3 (untracked)   cast: Wayne Brady (Lola), Andy Kelso (Charlie Price), Jeanna de Waal (Lauren), Stephen Berger (Mr. Price), Jake Katzman (Young Charlie), Jeremy T. Villas (Young Lola), Eugene Barry-Hill (Simon Sr.), Cortney Wolfson (Nicola), Marcus Neville (George), Daniel Stewart Sherman (Don), Jake Odmark.   notes: Wayne Brady’s 1st performance6) Kinky Boots - Broadway - January 4, 2017 (Evening) - MP3 (Tracked & Untracked) - Today4UTomorrow4Netflix’s Master   cast: Todrick Hall (Lola), Killian Donally (Charlie Price), Ellyn Marie Marsh (u/s Lauren), Shannon O'Boyle (Nicola), Daniel Stewart Sherman (Don), Marcus Neville (George), Ross Lekites (Harry), Stephen Tewksbury (u/s Mr. Price), Jake Katzman (Young Charlie), Jesus Del Orden (Young Lola), Eugene Barry-Hill (Simon Sr.), Natalie Joy Johnson (Pat), Jennifer Perry (Trish), John Jeffrey Martin (Richard Bailey), Adinah Alaxander (Milan Stage Manager), Angels: (Sean Patrick Doyle, Kevin Smith Kirkwood, Fred Odgaard, Kyle Post, Eric LaJuan Summers, Hernando Umana). Ensemble: (Mia Gentile, Blair Goldberg, Eric Leviton, John Jeffrey Martin)   notes: Taken on a new phone: Samsung Galaxy 6 Edge from the Right Box Seat. A teeny bit muffled at times when I’ve changed the phone’s position. I dropped my phone (again) at the very end of the 2nd act (right around the 6 steps in Just Be) but you can still hear the show even though its a bit muffled.

#Audio Gift #Audio Bootlegs #Broadway Bootlegs

[kevinrfree]

Kevin Smith Kirkwood is my goddess (at Joe's Pub at The Public)

[aion-rsa]

A24 Horror Movies Ranked From Worst to Best

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It is arguable that no studio, distributor, or production company has had a greater impact on the horror genre in the last decade than A24. While Jason Blum’s Blumhouse Productions might also lay claim to that legacy, the remarkable thing about A24 is the company lacks a particular house style or formula for its filmmaker-driven indie releases. And yet the words “A24 horror movie” call to mind words like weird, offbeat, and unsettling. They’re frequently slow-boiling, and almost always greeted with reviews celebrating high-quality.

Every A24 horror movie is distinct, but they nevertheless claim a mystique which in less than 10 years has helped some critics make the dubious claim that the 2010s were “the decade of elevated horror.” We personally don’t subscribe to the theory that horror is a caste system of “elevated” vintages vs. cheaper swill. However, we are ecstatic A24 and other companies have provided unique voices the ability to reveal profoundly artful interpretations of cinematic dread. For that reason, we’re celebrating the indie tastemakers by ranking their very best (and sometimes not-so-great) thrillers and chillers.

So sit back and join us for a list voted on by our critics and horror aficionados.

18. Tusk (2014)

We begin our countdown with the rare A24 horror movie that comes not from a new perspective, but an old, one-time favorite. A defining voice in comedy and indie filmmaking during the ‘90s, Kevin Smith drifted away from studios by the beginning of the 2010s in favor of trying his hand at horror. I wish I could say the results were better than Tusk, yet this dispiriting attempt at body horror might be the high-point of his latter day monster movies.

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Movies

Why Kevin Smith’s Superman Lives Was Ahead of Its Time

By Mike Cecchini

Originally constructed as a joke on Smith’s Smodcast podcast, the finished film is every bit as listless and rambling as a weed-fueled diatribe. Not that the movie is lacking in talent. Justin Long makes an appropriately smarmy podcaster named Wallace Bryton who’s travelled to Canada to find oddballs to interview and mock, but gets more than he bargained for when he winds up in the home of Howard Howe (Michael Parks). Ever the scenery-chewer, Parks gives more gravitas to the material than it deserves as a shut-in obsessed with recreating from a human subject the walrus which saved his life one snowy night following a shipwreck. The subsequent makeup effects are grotesque, but the movie stumbles over their reveals like a standup comedian who’s forgotten the punchlines.

It’s a bizarre and repellent narrative, and can’t even be saved by Johnny Depp’s admittedly amusing French-Canadian accent and Peter Sellers-eque transformation as a late arriving police detective. – David Crow

17. Slice (2018)

Austin Vesely’s Slice plays like the pilot of a potential television series. This isn’t because when it’s over you wish there was more, but that the film is so muddled in its narrative threads that you’re sure it was cancelled before more talent could be wasted. It’s a shame because conceptually there is a lot of appeal in Slice’s setup. As a horror-comedy about a small town where ghosts walk among the living as second class citizens, witches are pushy real estate developers, and the local werewolf is a misjudged Chinese food-delivering vegan played by Chance the Rapper, on paper this reads as hilarious.

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Movies

Best Horror Movies to Watch on Shudder Right Now

By Rosie Fletcher and 1 other

TV

Buffy: The Animated Series – The Buffy the Vampire Slayer Spin-Off That Never Was

By Caroline Preece

Unfortunately, the actual film is paper thin. Loosely following a series of murders inflicted on a crappy pizza joint’s deliverymen, the film never unties its tangled and knotted threads about ghosts and humans living side by side, or witches manipulating local city politics in a bid for demonic gentrification. And more damning than its Gateway to Hell is that none of this is very funny. At only 83 minutes, Slice feels like an eternity of waiting for a pizza that never arrives. – DC

16. In Fabric (2018)

When it comes to horror movies, A24 has certainly done its best to (mostly) steer away from the traditional tropes of vampires, zombies, werewolves, and masked killers. As a result, the company has attracted talent like British filmmaker Peter Strickland, who followed up the atmospheric Berberian Sound Studio (2012) and the erotic The Duke of Burgundy (2014) with this bizarre tale of a haunted dress.

The clothing item in question is a red number that passes from one owner to another, leaving a trail of death and destruction in its wake. Fortunately, Strickland plays a lot of this for laughs, smartly realizing that a sentient dress might test the patience of even the most diehard horror fan. The film is a slow burn, but Strickland finds just the right balance of weird humor and surreal horror to wring both laughs and genuinely eerie moments out of his odd premise. – Don Kaye

15. The Monster (2016)

Bryan Bertino’s The Monster is a strange one to include on this list, if only because at its heart this is an archetypal creature feature with little more to say than “boo.” Compared to other horror movies released by A24 this can seem slight, but when The Monster works, its boo is occasionally bloodcurdling.

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Movies

Katharine Isabelle on How Ginger Snaps Explored the Horror of Womanhood

By Rosie Fletcher

TV

BBC/Netflix Dracula’s Behind-the-Scenes Set Secrets

By Louisa Mellor

Centered on a mother and daughter trapped at night on a country road with an obscured beastie in the woods trying to get into their broken down car, The Monster could’ve been produced as B-schlock in the ‘80s. Why it’s better is twofold: First the film leans into its atmospheric use of shadows and silhouettes by cinematographer Julie Kirkwood—who takes Steven Spielberg’s “less is more” approach in framing the monster—and second, there is the headlong dive into the unpleasant by Zoe Kazan. Playing a young mother who has little interest in her daughter or her well-being, Kazan’s Cathy reveals in one flashback at a time a cruel apathy far more beleaguering than the attacks of the titular monster in the present.

Alas the third act turns into pure pulp when the creature comes out of the shadows, and the cast and body count are needlessly increased. Still, the effect of some of the attack scenes, and Kazan’s nuanced exploration of a mother who fails to impress even herself, makes The Monster worthwhile. – DC

14. The Hole in the Ground (2019)

Being a single parent is hard. Being a single parent is harder when your child suddenly turns into a monster and you have to deal with the consequences. Such is the plot of The Hole in the Ground, A24’s solid but vaguely underwhelming chiller.

Lee Cronin’s debut may hit all the right parental panic beats, summon up a couple of worthy performances, and stick the mysterious, open-ended landing, but it still suffers compared to other A24 efforts because genre fans have seen it all before. As the film slaps a slick coat of paint over its influences, from Don’t Look Now to The Babadook and beyond, it elevates its fairly standard ‘changeling child’ theme, but in doing so it also gives us way too much room to breathe when we should be suffocating under the weight of tension between Seána Kerslake’s spiralling mother and her demonic son.

The result? A middling horror that you’re more likely to describe as “quite good” rather than “great.” – Kirsten Howard

13. Life After Beth (2014)

When a relationship is over, it’s over and it’s never the same if you go back: This is the central theme of Life After Beth, a zombie comedy about moving on. Dane DeHaan stars as Zach, a boy devastated after the death of his girlfriend Beth (Aubrey Plaza). But when she unexpectedly returns from the dead things just don’t quite click. Is it because the relationship has run its course? Or is it that she’s gradually turning into a flesh hungry undead monster? Either way things can’t carry on…

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Movies

Zombie Comedies Ranked

By David Crow

TV

The Walking Dead vs. Real-Life Survivalists: How to Prep for The Zombie Apocalypse

By Ron Hogan

A light comedy with a strong supporting cast (Molly Shannon, John C Reilly, Anna Kendrick, Paul Reiser) Life After Beth made its debut at Sundance in 2014. Though zombie rom-coms are somewhat a dime a dozen these days, this one stands out for its performances and certain set pieces like zombie Beth hiking with an oven strapped to her back. – Rosie Fletcher

12. The Blackcoat’s Daughter (2015)

As what I would argue is the most underrated horror gem in A24’s catalog, The Blackcoat’s Daughter is a wicked subversion of horror tropes that benefits from the less you know about its story. Suffice to say the film is a slow-burning march toward perdition told in triptych. With three protagonists, first-time writer-director Oz Perkins seamlessly drifts between the perspectives of Kat (Kiernan Shipka), Rose (Lucy Boynton), and Joan (Emma Roberts).

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Movies

Gretel & Hansel and Returning to Dark Fairy Tale Roots

By Don Kaye

Movies

Best Modern Horror Movies

By Don Kaye

It is easy to see how the first two intersect, with Kat and Rose being the only two girls at their Catholic boarding school whose parents haven’t come to pick them up for winter break. How their long weekend connects with Joan’s separate hitchhiking through a snowy stretch of America is not immediately clear, but the bubbling sense of despair in all three narratives is omnipresent, even before Rose gives it shape by mentioning the urban legend of nuns worshiping the Dark One in the boiler room below.

The Blackcoat’s Daughter trades in horror archetypes, but then digs deeper by revealing untapped, feminine complexities to previously well-worn narratives where young women are merely vessels or victims. Unspooling like a waking nightmare, Perkins’ dreamlike atmosphere is only for the patient, but the climax is so shocking and brazenly subversive that it demands to be reexamined as the full extent of its desolation becomes clear. – DC

11. Climax (2018)

One could argue that every one of the five feature films directed by Argentine filmmaker Gaspar Noe, including such controversy-courting titles as I Stand Alone, Irreversible, and Enter the Void, has been a horror film in some way. Noe’s movies are often filled with nihilism, despair, and existential dread, with even the act of sex portrayed as an often violent invasion instead of an expression of love.

Having said that, Climax is clearly Noe’s most formal attempt at the genre yet, as a troupe of dancers isolated at an abandoned school begin to suffer from the effects of punch spiked with LSD during an after-rehearsal party. Predictably, the wheels quickly come off as the assembled dancers rape, beat, torture, and kill each other throughout the horrifying, increasingly frenzied night. – DK

10. Saint Maud (2020)

The directorial debut of Rose Glass sees a pious young nurse (Morfydd Clarke) who believes God talks to her directly, on a mission to save the soul of her dying patient (Jennifer Elhe). Saint Maud is a mix of psychological, religious, and body horror against the setting of a run down seaside town which plays like hallucinogenic social realism.

Clarke as Maud is terrific–slight of frame with a troubled mind, she is still a fierce warrior doing what she believes is God’s work from the humble hovel of her home. While Maud punishes her body in service of her spirit, her patient, Amanda, celebrates hers while it lets her down. As a former dancer, she will drink, smoke, and love in her final days.

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Movies

The Scariest Films Ever Made and How They Frighten Us

By Matt Glasby

Movies

Saint Maud Review: Elevated Horror That’s a Revelation

By Rosie Fletcher

Glass’ debut is beautiful and powerful with a score, visuals, and setting that all contribute to a sense of disquiet that grows to a euphoric/horrific conclusion. An unforgettable film that singles Glass out as absolutely one to watch. – RF

9. It Comes at Night (2017)

The exact nature, origin, and spread of the grisly infectious disease that shreds society to pieces in It Comes at Night is never deeply examined; the movie is not interested in exploring the end of the world on some epic scale. Instead the effect it has is on a very small, very frightened group of people–two families that include Joel Edgerton, Christopher Abbott, Riley Keough, and Carmen Ejogo among their dwindling ranks–who are trying their best to stay alive and sane.

In that sense, the title of the movie (and, to a degree, the way it was marketed) is somewhat misleading. What comes at night is not some rampaging horde of flesh-eating walking corpses but rather the cold, insidious effect of fear, grief, and distrust. These two invisible threats eat away at what’s left of our civilized selves.

Director Trey Edward Shults (Waves) spares nothing and no one in this grim fable; by the time it reaches its inconsolably bleak conclusion, the cumulative effect of this quiet, bare bones film is devastating. – DK

8. Enemy (2013)

Before he tackled science fiction epics like Blade Runner 2049 and the upcoming Dune, French-Canadian director Denis Villeneuve made smaller, independent dramas and psychological thrillers. One of those was Enemy, which stars Jake Gyllenhaal in a double role as two men who are exactly the same physically but quite different in temperament and personality.

Based loosely on the novel The Double by Jose Saramago (who wrote the horrifying novel Blindness), Enemy is less a horror film and more an exercise in neo-noirish surrealism. It’s anchored by Villeneuve’s chilly direction and two excellent performances from Gyllenhaal, who deftly explores the definition of manhood, the male-female dynamic (as he navigates the wife of one man and the girlfriend of the other), and the nature of identity.

Enemy doesn’t offer easy answers and its shocking ending is very much open to wide interpretation. It’s a challenging early work from a director who’s now moved on to become one of cinema’s most ambitious science fiction auteurs. – DK

7. Under the Skin (2013)

Jonathan Glazer’s loose adaptation of Michel Faber’s novel is a strange beast to be sure. Developed over more than a decade, using several first time performers with scenes shot with hidden cameras, it stars Scarlett Johansson as a predatory alien scouring the Scottish countryside, picking up men that she then lures into a strange black liquid which consumes them.

It’s a convincing look at humanity through the eyes of an extraterrestrial, in all its oddness–from the kindness of girls in nightclubs, the utterly futile act of a man trying to save his drowning wife, and in doing so ending both their lives, to the idiosyncrasies of beans on toast and Tommy Cooper. Johansson is a revelation, going unrecognized in her interactions with real people, bringing an authenticity and later an aching sympathy to her performance.

If the ending is bleak, and there are moments of true horror, there’s levity here too, as well as something quite profound to be said about human nature. – RF

6. The Killing of a Sacred Deer (2017)

Greek filmmaker Yorgos Lanthimos–already a purveyor of the weird, surreal and darkly satiric before this or The Favourite, as seen with 2016’s The Lobster–went into full horror mode for this relentlessly unsettling tale of supernatural revenge in which a surgeon (Colin Farrell), his wife (Nicole Kidman), and their kids are made to pay for the death of a man who Farrell lost during surgery.

The impetus of all this is the man’s son, Martin, played by Barry Keoghan in one of the most disturbing performances of recent years. Farrell and Kidman are equally unnerving as their purposely stilted work in the early part of the film gives way to show the cracks in their seemingly perfect family façade.

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Games

How Scorn Turned the Art of H.R. Giger into a Nightmarish Horror Game World

By John Saavedra

Movies

The WNUF Halloween Special: The Making of the Most Fun Found Footage Horror Movie Ever

By Gavin Jasper

The Killing of a Sacred Deer is horror at its purest: an unexplainable examination of what happens when the irrational intrudes on the rational. It leaves you rattled without a single jump scare or visual effect. – DK

5. Green Room (2015)

Writer/director Jeremy Saulnier followed up his excellent breakout feature, 2013’s Blue Ruin, with this taut, suspenseful and dread-inducing thriller set in the grimy, sweaty environs of an out-of-the-way punk rock club. There, a hardcore group on a micro-budget tour of the Pacific Northwest manage to grab a make-up gig after their original show is canceled, but find to their horror that the bar is a white supremacist hangout… and they’ve just witnessed a murder to boot.

It’s not surprising that Saulnier rings maximum tension out of the situation since Blue Ruin was such an accomplished piece of work. What is surprising is seeing Captain Picard himself, Patrick Stewart, playing the local neo-Nazi leader with such believable, low-key malevolence. The rest of the cast, including the sadly missed Anton Yelchin and the always reliable Imogen Poots, is equally effective in making this an exceptionally smart, intense roller coaster ride. – DK

4. Midsommar (2019)

Emerging director Ari Aster made two very different horror movies for A24 virtually back-to-back with Hereditary and Midsommar, and was vocal about the mental and emotional breakdown that ensued thanks to this near-impossible endeavor. Accordingly, Midsommar evolved into what could be considered a “difficult second album,” one which managed to exorcise some of his personal demons for both the entertainment and discomfort of an intrigued audience.

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Movies

Midsommar: Florence Pugh Considers Ending Theories, May Queen Fandom

By David Crow

This ambitious, unsettling masterpiece about one young woman’s struggle to process trauma while she is simultaneously expected to perform the emotional labor of holding together a substandard relationship became a visual flipside to Hereditary’s darkness, creating a bright, horrifying world full of flowers, lush green pastures, and organic pagan rituals that all combine delicately to present us with a piping hot mug of “good for her” energy.

Though the argument over whether Hereditary or Midsommar is the superior film will probably never end, this often-hallucinogenic folk tale isn’t just one of A24’s best horror projects, but one of the greatest horror movies of all time, period. – KH

3. The Lighthouse (2019)

“How long have we been on this rock?” It’s a simple question posed by one lighthouse keeper (or “wicke”) to another in Robert Eggers’ The Lighthouse. But as anyone who’s viewed the movie can attest, its answer is nigh unknowable. Eggers’ follow-up to The Witch is as phallic as that first movie was feminine, as evidenced by the titular structure that old seaman Thomas Wake (Willem Dafoe) constantly demands his new second Ephraim (Robert Pattinson) keep scrubbed clean.

Filmed in black and white, and in a 1.19:1 aspect ratio—similar to what Fritz Lang used to shoot Expressionist serial killer movie M (1931)—The Lighthouse is steeped in the old ways of doing things, both as a piece of cinema and as a sea shanty of a tale. As writers, Robert and his brother Max Eggers revel in the nautical jargon of their characters, particularly Dafoe’s Wake, who is like a corncob pipe given legs. Yet Dafoe and Pattinson never descend into caricature; they instead feast on their Sisyphean characters.

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Movies

The Lighthouse: the myths and archetypes behind the movie explained

By Rosie Fletcher

Movies

The Lighthouse: Willem Dafoe Reveals the Secret of a Two-Hander Film

By David Crow

More esoteric and ambiguous than The Witch, some might defy categorizing The Lighthouse as a full-throated horror. But the picture’s haunting ghost story setup and heightened use of both claustrophobic interiors and barren exteriors beg to differ, as do the film’s final Lovecraftian overtures toward madness. A masterful exercise in the macabre and hellish, The Lighthouse confirms Eggers as one of the most interesting voices to emerge from his generation. – DC

2. The Witch (2015)

To fully appreciate The Witch, it must be made clear that there’s a literal witch in the woods. Writer-director Robert Eggers emphasizes this early on, allowing the audience to glimpse her scraggly and unholy shape as the crone sacrifices a newborn to Satan. This not only signals the movie is playing for keeps, it also removes any sort of psychological ambiguity about what’s going on.

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Movies

The Witch Has One of Horror’s Greatest Endings

By David Crow

Intensely committed to immersing audiences in the daily lives and nocturnal dreads of 17th century Puritans, The Witch is steeped in a deep-seated anxiety for supernatural entities that could poison your crops, or live in every bump heard in the black of night. With a meticulous eye for historical detail, Eggers creates the best cinematic approximation of Calvinists ever put to screen, and in so doing, allows viewers to both live with superstitions of the Dark One taking the shape of animals, and to judge those obsessed with him.

For The Witch is also an unnerving character study about a family disintegrating before our eyes, and allowing their biases and patriarchal repressions to lead them toward the damnation. With a captivating ensemble of actors, including a star-making turn by Anya Taylor-Joy as Thomasin, the Puritan who is desperate to remain pure, the film basks in its dexterity with early modern English. All of which heightens the tension until a transcendent third act, which can rightly be read as an embrace of despair or liberated ecstasy, depending on who you ask. More than just a great horror movie, The Witch is flatly one of the best American movies produced in this century. – DC

1. Hereditary (2018)

Ari Aster’s directorial debut has become something of a benchmark for horror of a particular kind, whether you want to label it “elevated,” “artsy,” or anything else. Whatever you want to call it, Hereditary is an exceptional debut and a crushingly oppressive work about a cursed family laden with grief. 

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Movies

Hereditary Ending Explained

By David Crow

Movies

Hereditary: The Real Story of King Paimon

By Tony Sokol

A shock scare about 20 minutes in will leave you reeling and everything just gets worse from there, leading to a finale that is so insane and horrific that it almost comes as a relief after the excruciating misery and unease of the rest of the movie.

Toni Collette won multiple awards (though notably she wasn’t Oscar nominated) for her extraordinary performance as Annie, the doomed daughter of the dead matriach whose demise sets in a motion a series of events that are disastrous for her disaffected son (Alex Wolff), stoic husband (Gabriel Byrne), and strange daughter (Milly Shapiro). A story about family, tragedy, and inexorable catastrophe Hereditary is one of the best horror movies of the century so far. – RF

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The post A24 Horror Movies Ranked From Worst to Best appeared first on Den of Geek.

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#aion-rsa #Den of Geek

[larryland]

Performances Run August 8 – September 1, 2019

“O powerful Love, that in some respects makes a beast a man, in some other a man a beast.” – Act V, Scene V

(Lenox, MA) – Shakespeare & Company presents William Shakespeare’s madcap comedy, The Merry Wives of Windsor directed by founding company member and Director of Education, Kevin G. Coleman, who was Runner-Up for the Tony Award for Excellence in Theatre Education in 2016. The Merry Wives of Windsor runs from August 8 to September 1 outdoors in the Roman Garden Theatre.

“The Merry Wives of Windsor is Shakespeare having fun. Period,” said Director Kevin G. Coleman. “No grand themes. No deep waters. No pushing the Renaissance envelope. When Shakespeare is having fun, it runs the gamut from groaningly predictable to surprisingly sophisticated with every stop in between. Shakespeare was masterful at pleasing his audience. Come enjoy the wisdom and wit of these women of Windsor. It’s all in fun.”

The play begins when Sir John Falstaff vastly underestimates the Merry Wives in the town of Windsor, as he hatches a frothy scheme to drain their bank accounts and drive their husbands insane with jealousy. Antics ensue as Falstaff continues to overestimate his own ability to dupe good people and pull off his scheme of deceit. With The Merry Wives of Windsor, Shakespeare once again proves that the best human foibles are the ones we can laugh at.

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The production is generously sponsored by The Dr. Gerald and Roberta Friedman Foundation, and will feature Martin Jason Asprey (Mr. Frank Ford), Steven Barkhimer (George Page), Gregory Boover (Master Fenton), MaConnia Chesser (Meg Page), Jordan Cobb (Anne Page), Tobias Goodman (Pistol/Simple), Nigel Gore (Sir John Falstaff), Cloteal L. Horne (Mistress Quickly), Jennie M. Jadow (Alice Ford), Madeleine Rose Maggio (Robert Shallow), Bella Merlin (Sir Hugh Evans), and Mary Shalaby (Nym/Rugby).

The creative team includes Kevin G. Coleman (Director), Raz Golden (Assistant Director), Diane Healy (Stage Manager), Kathleen Soltan (Assistant Stage Manager), Jim Youngerman (Set Designer), Kiki Smith (Costume Designer), Gwendolyn Schwinke (Voice Coach), Kristin Wold (Movement Director), and Shane Burgett (Associate Technical Director).

Tickets for The Merry Wives of Windsor are available online at shakespeare.org, or by calling Shakespeare & Company’s box office at [phone]. The show runs from August 8 to September 1. The Roman Garden Theatre is outdoors and wheelchair accessible. Shakespeare & Company is located at 70 Kemble St. in Lenox, Massachusetts. Join us for a free pre-show talk on August 13 at 3:45 pm for insight into the plot and characters of the play to enhance your experience. Additionally, join Director Kevin G. Coleman and cast members for a Director’s Panel on Saturday, August 3 at 11:00 am. Tickets for the Director’s Panel are $10 for adults and free for students, and can be purchased at shakespeare.org.

The Company’s 2019 Summer Season also includes Shakespeare’s Twelfth Night and The Taming of The Shrew, and a special workshop production of Coriolanus; plus Tony nominee The Children by Lucy Kirkwood, The Pulitzer Prize-winning Topdog/Underdog by Suzan-Lori Parks, and Tony Award nominee, Time Stands Still by Donald Margulies.

AT A GLANCE: PRODUCTION: The Merry Wives of Windsor PLAYWRIGHT: William Shakespeare DIRECTOR: Kevin G. Coleman ASSISTANT DIRECTOR: Raz Golden STAGE MANAGER: Diane Healy ASSISTANT STAGE MANAGER: Kathleen Soltan SET DESIGNER: Jim Youngerman COSTUME DESIGNER: Kiki Smith VOICE COACH: Gwendolyn Schwinke MOVEMENT DIRECTOR: Kristin Wold ASSOCIATE TECHNICAL DIRECTOR: Shane Burgett

CAST MEMBERS: MR. FRANK FORD: Martin Jason Asprey GEORGE PAGE: Steven Barkhimer MASTER FENTON: Gregory Boover MEG PAGE: MaConnia Chesser ANNE PAGE: Jordan Cobb PISTOL/SIMPLE: Tobias Goodman SIR JOHN FALSTAFF: Nigel Gore MISTRESS QUICKLY: Cloteal L. Horne ALICE FORD: Jennie M. Jadow ROBERT SHALLOW: Madeleine Rose Maggio SIR HUGH EVANS: Bella Merlin NYM/RUGBY: Mary Shalaby

SCHEDULE: AUGUST Thursday, August 8 – 5:00 pm (Preview) Friday, August 9 – 5:00 pm (Preview) Saturday, August 10 – 5:00 pm (Preview) Sunday, August 11 – 5:00 pm (Opening) Tuesday, August 13 – 5:00 pm Wednesday, August 14 – 5:00 pm (Press Night) Thursday, August 15 – 5:00 pm Friday, August 16 – 5:00 pm Saturday, August 17 – 5:00 pm Sunday, August 18 – 5:00 pm Tuesday, August 20 – 5:00 pm Wednesday, August 21 – 5:00 pm Thursday, August 22 – 5:00 pm Friday, August 23 – 5:00 pm Saturday, August 24 – 5:00 pm Sunday, August 25 – 5:00 pm Tuesday, August 27 – 5:00 pm Wednesday, August 28 – 5:00 pm Thursday, August 29 – 5:00 pm Friday, August 30 – 5:00 pm Saturday, August 31 – 5:00 pm

SEPTEMBER Sunday, September 1 – 5:00 pm (Closing)

Rain Policy From time to time weather may affect your enjoyment of the performance in The Roman Garden Theatre. Most often the show will go on and depending on the severity of the rain, will be performed as scheduled. If rain is heavy, performance in The Roman Garden Theatre will be moved to the Company’s tented Rose Theatre.

About William Shakespeare Shakespeare was an English poet, playwright, and actor, widely regarded as the greatest writer in the English language and the world’s pre-eminent dramatist. His works, including some collaborations, consist of about 37 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major language and are performed more often than those of any other playwright.

About Kevin G. Coleman Founding Member (Director of Education, Board of Trustees, Fight Director) Kevin is one of Shakespeare & Company’s artistic and administrative leaders. He works in the Performance and Training departments as an actor, teacher, and director, and oversees the mission of the Education department. Kevin teaches text analysis, stage combat, and clown, and has been a guest teacher or director at MIT, Harvard, L.S.U., Stanford, Shenandoah Shakespeare, Q.U.T.- Brisbane, Lincoln Center, the Folger Library, Shakespeare Festivals in both Stratfords, and the Mercury Theatre in Colchester, UK. Kevin is the Theatre Director at the Austen Riggs Center, where he has directed over 30 productions. In 2016, Kevin was Runner-Up for the Tony Award for Excellence in Theatre Education.

About Shakespeare & Company Located in the beautiful Berkshires of Western Massachusetts, Shakespeare & Company is one of the leading Shakespeare festivals of the world. Founded in 1978, the organization attracts over 40,000 patrons annually. The Company is also home to an internationally renowned Center for Actor Training and award-winning Education Program. More information is available at www.shakespeare.org.

Shakespeare & Company Presents “The Merry Wives of Windsor” Performances Run August 8 - September 1, 2019 "O powerful Love, that in some respects makes a beast a man, in some other a man a beast." 

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