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POSSIBLE EXHIBITIONS
solo exhibition
National Gallery / Sofia Arsenal - Museum of Contemporary art  presents        SVETLANA MIRCHEVA    POSSIBLE EXHIBITIONS    2021    curator Nadezhda Dzhakova              Works in the exhibition     13 large-scale drawings-memories (150 x 100 cm) 54 drawings-memories in frames (120  x 84 cm, 60 x 168 cm, 60 x 84 cm) 47 drawings in transparent folders (60 x 42 cm each) Sculpture Installation “Dimensions” (200 x 190 x 150 cm) Video, Making of, 28' Video Archive / 19+ Interviews            “Possible Exhibitions” consists of a series of numbered drawings that reveal the spirit of Un Cabinet D’Amateur Gallery, which existed in Sofia from 2012 to 2017. The focus of the exhibition is on the works and artists presented in it: Bulgarian and French, united by innovative thinking, the vision and high standard of the gallery’s creator, Olivier Boissière. The project was made possible with the support of the Creative Initiatives Programme of the National Culture Fund.     In 13 large-format and over 90 smaller drawings-memories, Svetlana Mircheva shares her memories of ideas, events, images, exhibitions, works, meetings with artists and working moments. Employing a fragmentary approach, signs and text, she revives individual moments, turning them into a visual archive of gallery life. The series of numbered drawings-memories began with the first drawing of the manifesto of Un Cabinet D’Amateur for Æther Art Space in Sofia in January 2019, when the main concept for the current exhibition was formed. The title comes from Svetlana Mircheva’s solo presentation “Possible Exhibitions” at the Nurture Art Gallery, New York, in 2012, and her previous research, in which the gallery was seen as a place for possible exhibitions. The 2021 “Possible Exhibitions” commences a more in-depth project relating to the study of the Wunderkammers around the world and other galleries working in a similar way. An integral part of the exhibition is represented by a series of interviews that will be conducted during its duration with anyone wishing to share, in a video conversation or through a short piece of text, their personal experiences related to Un Cabinet D’Amateur Gallery. Svetlana Mircheva graduated from the National Gallery of Arts in Sofia. She also attended Olafur Eliasson’s class at IUAV, Venice. In 2004, she was granted the International Media Art Award of ZKM, Karlsruhe, for her project ‘Mistakes’. She served as Art Director in the advertising agencies Ogilvy and Mather, Demner, Merlicek and Bergman and Carré Noir Sofia, and of Capital Light Magazine. In 2010, she was among the nominees for the BAZA Award and, in 2012, came her nomination for the Henkel Art Award for Eastern European Art. Mircheva was one of the curators of the 2012 Sofia Design Week. Un Cabinet D’Amateur Gallery has presented artists Lewis Baltz, Sophie Calle, Jean-Charles Blais, Kalin Serapionov, Stefan Nikolaev, Marie Maillard, Stela Vasileva, Svetlana Mircheva, Ivan Mudov, Kiril Prashkov, Alejandro Gehry, Tanya Glebova, Iskra Blagoeva, Dimitar Solakov, Misirkov/Bogdanov, Iskra Blagoeva/Mihail Novakov, and Stefania Batoeva, among others. The gallery hosted the series, ‘Meetings with Nedko’, between young artists and Nedko Solakov after his idea, and architectural presentations such as ‘For Architecture Lovers Only’ from the successful project, ‘Reinvent Paris’, by Sou Fujimoto and the Manal Rachdi OXO Architectes. Un Cabinet D’Amateur published the art books ‘Sechs Songs d’Amour’ by Jean-Charles Blais and ‘Look at Me, David!’ by Kalin Serapionov, as well as catalogues of the exhibitions of Marie Maillard, Kalin Serapionov, Stela Vasileva, and Svetlana Mircheva. Young Bulgarian architects, artists, art connoisseurs, are friends of the gallery.     Possible Exhibitions  | National Gallery / Arsenal Museum of Contemporary art Short Illustrated Story  | Capital Magazine POSSIBLE EXHIBITIONS FULL EXHIBITION DOCUMENTATION  | on issuu
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ortut · 5 years
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Kalin Serapionov - Choose Training, 2014-18
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Uma mulher loira com vestido vermelho e batom brilhante (...), 2016 ▲ KALIN SERAPIONOV▲
Uma mulher loira com vestido vermelho e batom brilhante está falando ao telefone, fumando um cigarro, 2016; 5:59 
 Vídeo completo em: https://vimeo.com/172613297
 Vídeo, HD, som Neste vídeo retrato, o título sugere o que é a imagem. O quadro é uma tomada continua; a câmera segue o “modelo”, seus movimentos e gestos. No entanto, o espectador não vê a imagem real, mas seus escopos de vídeo – uma gama de gráficos coloridos formando ondas. Essas ondas visualizam o nível do sinal de vídeo; quanto mais “manchas brancas” houver nos vários níveis de cor, melhor é a qualidade da imagem cinematográfica. A imagem está escondida atrás dos gráficos técnicos. O espectador é convidado a penetrar na superfície opaca da especulação ou da verdade, para ler esses diagramas e analisá-los, para tentar construir associações próprias sobre a imagem e o seu “criador”, contando com as informações fornecidas pelo título da obra. Som Angel Simitchiev 
 KALIN SERAPIONOV (n.1967. Sofia, Bulgária). Trabalha com vídeo e seu interesse é voltado para a capacidade dessa mídia de gerar suspense sem recorrer aos dispositivos narrativos do cinema. A relação do vídeo e das videoinstalações com o espaço, o processo de transformação de uma imagem em significado e os efeitos de impacto visual são entre suas prioridades artísticas. Seus projetos relacionam contexto, tempo, circunstâncias, memória, locais e eventos, e seus respectivos significados. Ele explora diferentes atitudes humanas, personagens, comunidades, hábitos, comportamentos e relacionamentos, cidades contemporâneas e modos de vida. Suas obras têm por ambição criar uma visão potente e de alto impacto, que se alimenta das conquistas da sociedade moderna, porém submetendo a um olhar crítico seus próprios clichês. Seus trabalhos foram exibidos em Hilger Contemparary, Viena (2004); LCB Depot, Lester, Reino Unido (2008); Neon Campobase, Bolonha, Itália (2010); Galeria ICA, Sofia (2013); Galeria One Night Stand, Sofia (2016); Contemporary Space, Varna, Bulgária (2014, 2016); Galeria Credo Bonum, Sofia (2018); Galeria Structura (2020). Participou em exposições coletivas como: After the Wall: Art and culture in post-communist Europe, Moderna Museet, Stockholm (1999); Manifesta 4, Frankfurt/Main (2002); Blood & Honey. Future’s in the Balkans, Essl Collection, Vienna (2003); In the Gorges of the Balkans, Kunsthalle Fridericianum, Kassel (2003); Neither a White Cube nor a Black Box. History in Present Time, Sofia Art Gallery (2006); Heterotopias, 1-st Biennial of Contemporary Art, Thessaloniki (2007); Sounds & Visions. Artists’ Films and Videos from Europe, Museum of Contemporary Art, Tel Aviv (2009); Techniques, ICA Gallery, Sofia (2009); Indefinite Destinations, DEPO, Istanbul (2010); Site Inspection, Ludwig Museum, Budapest (2011); Sofia Contemporary (2012); Grammar of Freedom / Five Lessons: Works from the Arteast 2000+ Collection, Garage Museum of Contemporary Art, Moscow (2015); Art for Change, Sofia Art Gallery (2015); Let Them Draw, Sariev Contemporary, Plovdiv (2016); The Image is no Longer Available, Credo Bonum Gallery, Sofia (2017); Forms of Coexistence, Structura Gallery, Sofia (2018); Festival of the Regions 2019 – Social Warmth, The Region Perg-Strudengau, Austria; Open Art Files: Notes and Footnotes, Kapana Gallery, Plovdiv (2019); Common Ground, Night/Plovdiv (2019); Artificial Light, Contemporary Space, Varna (2019-2020); #sarievselfisolation, onlain project of Sariev Gallery (2020); 25 Years and 5 Themes Later, retrospective exhibition of the ICA – Sofia, National Gallery (2020). Membro do Instituto de Arte Contemporânea – Sofia e seu Diretor Executivo desde 2018. www.serapionov.info @k.serapionov
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"Palais Potemkine" at the National Art Gallery / The Palace, Sofia
with Cyprien GAILLARD (nominated for the Prix Fondation d'entreprise Ricard 2008) & Adrien MISSIKA (winner of the Prix Fondation d'entreprise Ricard 2011)
curated by Emilie Ouroumov until August 20 Photo: Kalin Serapionov
Adrien MISSIKA 'As the Coyote Flies' 2014
Cyprien GAILLARD 'Fence (after Owen Luder)' 2013
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bistraction · 6 years
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The opening exhibition of the Structura Gallery is a conversation about the personal and the shared, about the close and the distant, and about that natural yet unattainable compatibility, which determines our existence at every moment. What follows the collapse of the grand utopias of multiculturalism? Has its demise affected our own relationship with the world? Innocence has been lost, dethroned by cynicism. The once ambitious mega-project has morphed into a multi-culti fashion label that is hardly more than an exotic brooch, in our everyday lives.
Artists: Bistra Lechevalier, Bora Petkova, Boriana Rossa, Boris Deltchev, Gainy Nursapina, HR-Stamenov, Igor Eškinja, Kalin Serapionov, Krassimir Terziev, Mariana Vassileva, Marcel Odenbach, Mihail Novakov, Nadezhda Oleg Lyahova, Nina Kovacheva, Olivia Mihălțianu, Sevda Chkoutova, Stefka Georgieva, Svetlana Mircheva, Valentin Stefanoff, Vikenti Komitski Curator: Maria Vassileva
Forms of Coexistence Structura Gallery, 9, Kuzman Shapkarev St., Sofia 20 December 2017 – 20 January 2018
Forms of Coexistence The opening exhibition of the Structura Gallery is a conversation about the personal and the shared, about the close and the distant, and about that natural yet unattainable compatibility, which determines our existence at every moment.
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joachimgliem · 6 years
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Forms of coexiistence from Joachim Gliem on Vimeo.
Forms of Coexistence Structura Gallery, 9, Kuzman Shapkarev St., Sofia 20 December 2017 – 20 January 2018 Artists: Bistra Lechevalier, Bora Petkova, Boriana Rossa, Boris Deltchev, Gainy Nursapina, HR-Stamenov, Igor Eškinja, Kalin Serapionov, Krassimir Terziev, Mariana Vassileva, Marcel Odenbach, Mihail Novakov, Nadezhda Oleg Lyahova, Nina Kovacheva, Olivia Mihălțianu, Sevda Chkoutova, Stefka Georgieva, Svetlana Mircheva, Valentin Stefanoff, Vikenti Komitski Curator: Maria Vassileva
The opening exhibition of the Structura Gallery is a conversation about the personal and the shared, about the close and the distant, and about that natural yet unattainable compatibility, which determines our existence at every moment. What follows the collapse of the grand utopias of multiculturalism? Has its demise affected our own relationship with the world? Innocence has been lost, dethroned by cynicism. The once ambitious mega-project has morphed into a multi-culti fashion label that is hardly more than an exotic brooch, in our everyday lives.
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POSSIBLE EXHIBITIONS
solo exhibition
National Gallery / Sofia Arsenal - Museum of Contemporary art presents        SVETLANA MIRCHEVA    POSSIBLE EXHIBITIONS    2021    curator Nadezhda Dzhakova              Works in the exhibition     13 large-scale drawings-memories (150 x 100 cm) 54 drawings-memories in frames (120  x 84 cm, 60 x 168 cm, 60 x 84 cm) 47 drawings in transparent folders (60 x 42 cm each) Sculpture Installation “Dimensions” (200 x 190 x 150 cm) Video, Making of, 28' Video Archive / 19+ Interviews            “Possible Exhibitions” consists of a series of numbered drawings that reveal the spirit of Un Cabinet D’Amateur Gallery, which existed in Sofia from 2012 to 2017. The focus of the exhibition is on the works and artists presented in it: Bulgarian and French, united by innovative thinking, the vision and high standard of the gallery’s creator, Olivier Boissière. The project was made possible with the support of the Creative Initiatives Programme of the National Culture Fund.     In 13 large-format and over 90 smaller drawings-memories, Svetlana Mircheva shares her memories of ideas, events, images, exhibitions, works, meetings with artists and working moments. Employing a fragmentary approach, signs and text, she revives individual moments, turning them into a visual archive of gallery life. The series of numbered drawings-memories began with the first drawing of the manifesto of Un Cabinet D’Amateur for Æther Art Space in Sofia in January 2019, when the main concept for the current exhibition was formed. The title comes from Svetlana Mircheva’s solo presentation “Possible Exhibitions” at the Nurture Art Gallery, New York, in 2012, and her previous research, in which the gallery was seen as a place for possible exhibitions. The 2021 “Possible Exhibitions” commences a more in-depth project relating to the study of the Wunderkammers around the world and other galleries working in a similar way. An integral part of the exhibition is represented by a series of interviews that will be conducted during its duration with anyone wishing to share, in a video conversation or through a short piece of text, their personal experiences related to Un Cabinet D’Amateur Gallery. Svetlana Mircheva graduated from the National Gallery of Arts in Sofia. She also attended Olafur Eliasson’s class at IUAV, Venice. In 2004, she was granted the International Media Art Award of ZKM, Karlsruhe, for her project ‘Mistakes’. She served as Art Director in the advertising agencies Ogilvy and Mather, Demner, Merlicek and Bergman and Carré Noir Sofia, and of Capital Light Magazine. In 2010, she was among the nominees for the BAZA Award and, in 2012, came her nomination for the Henkel Art Award for Eastern European Art. Mircheva was one of the curators of the 2012 Sofia Design Week. Un Cabinet D’Amateur Gallery has presented artists Lewis Baltz, Sophie Calle, Jean-Charles Blais, Kalin Serapionov, Stefan Nikolaev, Marie Maillard, Stela Vasileva, Svetlana Mircheva, Ivan Mudov, Kiril Prashkov, Alejandro Gehry, Tanya Glebova, Iskra Blagoeva, Dimitar Solakov, Misirkov/Bogdanov, Iskra Blagoeva/Mihail Novakov, and Stefania Batoeva, among others. The gallery hosted the series, ‘Meetings with Nedko’, between young artists and Nedko Solakov after his idea, and architectural presentations such as ‘For Architecture Lovers Only’ from the successful project, ‘Reinvent Paris’, by Sou Fujimoto and the Manal Rachdi OXO Architectes. Un Cabinet D’Amateur published the art books ‘Sechs Songs d’Amour’ by Jean-Charles Blais and ‘Look at Me, David!’ by Kalin Serapionov, as well as catalogues of the exhibitions of Marie Maillard, Kalin Serapionov, Stela Vasileva, and Svetlana Mircheva. Young Bulgarian architects, artists, art connoisseurs, are friends of the gallery.     Possible Exhibitions  | National Gallery / Arsenal Museum of Contemporary art Short Illustrated Story  | Capital Magazine POSSIBLE EXHIBITIONS FULL EXHIBITION DOCUMENTATION  | on issuu
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Video archive of Possible Exhibitions 2021
Ongoing archive 22+ INTERVIEWS 2021 HD video
with
Peter Torniov, Architect    Pravdolub Ivanov, Artist    Stela Vasileva, Artist    Nedko Solakov, Artist    Boiana Gjaurova, Cultural manager    & Dimana Missirkova     Boris Missirkov, Cinematographer     Georgi Bogdanov, Cinematographer     Evgenia Atanassova, Journalist     Kalin Serapionov, Artist     Tzvetana Shipkova, Journalist     Milko Lazarov, Film director     Veselka Kiriakova, Film producer     Luchezar Boyadzhiev, Artist     Stefan Nikolaev, Artist     Marieta Tsenova, Artist     Kiril Prashkov, Artist     Vesselina Sarieva, Gallerist     Maria Vassileva, Art critic, Gallerist     Voin Voinov, Artist     Nadezhda Dzhakova, Director of SAMCA, Sofia     Iaroslava Boubnova, Director of the National Gallery, Sofia
    camera Stoyan Yorgov @filmotekata   
POSSIBLE EXHIBITIONS FULL EXHIBITION DOCUMENTATION  | on issuu
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Conversa DUO STRANGLOSCOPE ▲ mediação James Zortéa ▲ mostra555
Conversa com DUO STRANGLOSCOPE Mediação com James Zortéa Link para o vídeo Sólo un poco aquí, 2018
  https://www.youtube.com/watch?v=W1xdm... 
DUO STRANGLOSCOPE O Duo Strangloscope é composto por dois artistas que trabalham com vídeos, áudios, filmes, performances multiprojetores, instalações e criações artísticas interativas de objetos imagéticos e sonoros. Além do trabalho artístico desenvolvem oficinas e cursos também na área audiovisual experimental, além de atuarem como membros de júri de premiação em festivais de cinema, como curadores convidados por mostras e festivais nacionais e internacionais e também como realizadores da Strangloscope - Mostra Internacional de Áudio, Vídeo/Filme e Performance Experimental que está na sua 12a edição. www.strangloscope.com @rafastrangloscope @claudia_cardenas_strangloscope 
 JAMES ZORTÉA Artista gestor da OSSO filmes (2012) e Atelier Subterrânea (2008-2015). Doutorando pelo Programa de Pós-Graduação em Artes Visuais do Instituto de Artes da Universidade Federal do Rio Grande do Sul (PPGAV/UFRGS) na área de concentração das Poéticas Visuais, 2018. MESTRE pelo mesmo programa, pesquisando a intersecção entre vídeo e desenho, 2010. Professor nos cursos de Realização Audiovisual CRAV/UNISINOS, desde 2010, Curso de FOTOGRAFIA, Curso de DESIGN e JOGOS DIGITAIS da UNISINOS. Diretor de animação na equipe do longa metragem YONLU, 2018, Porto Alegre, RS, filme premiado pela Abraccine (Associação Brasileira de Críticos de Cinema) de Melhor Filme Brasileiro.  Menção honrosa pelo curta metragem “Pequenos Reparos” no Festival de vídeos para mídias móveis ARTEMOV 2008, Belo Horizonte, MG. Prêmio de produção alternativa do AÇORIANOS DE ARTES PLÁSTICAS 2008 pelo espaço Atelier Subterrânea. www.ossofilmes.com @jameszortea 
 ▲ MOSTRA 555 ▲ 13/11 à 11/12 ▲ vídeos todos os dias às 12h ▲ Convidados ▲ Dione Veiga Vieira, Duo Strangloscope, Kalin Serapionov, Keila Serruya Sankofa e Letícia Ramos. Participantes ▲ Andressa Boel, Arlen Costa, Calixto Bento, Sant'Anna, Ceila Bitencourt, Dara Blois, Elias Maroso, Fernanda Görski, Gabriela Costa / Gabriela Cunha / Stela,  Kubiaki, Guilherme Leon / Gustavo Poester, Ilê Sartuzi, James Zortéa, Jessica Porciuncula, Jessica Vesz, Jesus Quintero, Juliana Lellis, Kahena Sartore, Luiza Beraldo, Manausmir, Marina Avello, Matheus Brant, Pedro Parente e Vilmar Martins. Curadoria ▲ Clóvis Martins Costa (UFPEL), Elaine Tedesco (UFRGS), Lizângela Torres (UFPEL), Lucia Koch (USP), Marina Polidoro (UFRGS), Nikoleta Kerinska (UFU) e Reinilda Minuzzi (UFSM). A Galeria A SALA, do Centro de Artes da Ufpel em parceria com o grupo de pesquisa Audiovisual sem destino AVSD convida para a mostra de vídeos  555, que acontecerá nas mídias sociais da Galeria  A Sala, Instagram e Youtube, de 13 de novembro a 11 de dezembro de 2020. A curadoria estruturou-se numa rede, com os nós desenhados  por professores de 5 cursos de Artes Visuais (UFU, UFRGS, ECA/USP, UFSM, UFPEL). Foram convidados cinco artistas com produção consolidada na área e discentes (da graduação, mestrado e doutorado). ▲ Acesse nosso Instagram: www.instagram.com/asalagaleria ▲ Conversa via Google Meet. Captação e edição por Jessica Porciuncula @jessicaporciuncula.br 
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