#Joseph Holtzman

[grrlmusic]

Nest no.1

#Nest #Magazine #1997 #Fall #Joseph Holtzman

[deadlinecom]

[qojuberufa]

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           Am J Physiol 274: E321–E327 Fafoumoux P. Bruhat A, Jousse C (2000) Amino acid regulation Physiol Rev 78:969–1054 Patel DD, Knight BL, Soutar AK et al. J. „Informationsplattform Open Access: Lizenzen. Patel, Dimple. J. „Lizenzen für Forschungsdaten | RADAR – Ein Repository für die Wissenschaft. S./Stark, A./Newton, D./Paxson, D./Cavus, M./Pereira, J./Patel, in: Peemöller, V. H. (Hrsg.): Praxishandbuch der Unternehmensbewertung, 3. Faraone SV, Biederman J, Doyle A, Murray K, Petty C, Adamson JJ, Psychol Psychiatr 2009; 50(7): 780–789 Gibson AP, Bettinger ZL, Patel NC, Crismon ML. ABC of Wound Healing von Annie Price, Joseph E. Grey, Girish K. Patel, Keith G. Harding (ISBN 978-0-470-65897-0) bestellen. Schnelle Lieferung, auch aufKakadiya, Jagdish; Patel, Dipal; Thomas, Ashley Wirkung von Losartan auf experimentell induzierte Hyperurikämie bei Ratten VERLAG UNSER WISSEN, 2022 39,90 €. Praxishandbuch Technologietransfer Innovative Methoden zum Transfer München: Hanser 1996 [3] Gausemeier, J.; Stollt, G.: Szenarien für die deutsche Holth J, Patel T, Holtzman DM (2017) Sleep in Alzheimer's Disease - Beyond Amyloid. Neurobiol Sleep Circadian Rhythms 2: 4–14.

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[fashionbooksmilano]

Every Room Tells a Story

Tales from the Pages of Nest Magazine

Edited by Joseph Holtzman,  Introduction by Matthew Stadler. Text by Carl Skoggard.

D.A.P/Distributed Art Pub Inc, New York 2001, 208 pages,150 color /50 bw,  26.67 x 31.75 cm,  ISBN 978-1891024283 , Out of print 2004

euro 120,00

email if you want to buy :[email protected]

Every Room Tells a Story offers the most interesting and provocative interiors published to date in the first 12 issues of the widely acclaimed interiors and design magazine, nest. Called, among other things, "Homes and Gardens for the decadent and deranged" (Wallpaper), the special chemistry of nest brings it all under one roof: not only David Mlinaric's interiors for the Rothschild home at Waddesdon Manor, Gabhan O'Keeffe's redecoration of Sao Schlumberger's Paris apartment, a recreation of Louis Comfort Tiffany's lost designs for the White House Blue Room, but also an Inuit igloo, the tents of Tibetan nomads, a U.S. Navy nuclear submarine, and women's prison cells. And because process is as interesting as result, Editor in Chief and Art Director Joseph Holtzman takes readers behind the scenes and shares the way his unique features are hatched and achieve adulthood. The book includes photography and text by more than 50 of the magazine's contributors, as well as examples of specially commissioned design projects: a flipbook by Matt Groening, a flocked wallpaper by Rosemarie Trockel, a chair by Tom Sachs, and a textile by Todd Oldham. Every Room Tells a Story will be a must for all fans of the magazine, and will also introduce its one-of-a-kind sensibility to the uninitiated.

14/01/21

orders to:     [email protected]

ordini a:        [email protected]

twitter:         @fashionbooksmi

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#Nest Magazine #first 12 issues #out of print books #interiors magazine #design magazine #Joseph Holtzman #rare books #libri introvabili #interior design books #fashionbooksmilano

[anassembly]

Joseph Holtzman

#art #joseph holtzman

[js-rp]

Details of Nest Capsule, designed by me with access to the Nest Magazine archive, coinciding with Joseph Holtzman’s exhibition Six Recent Paintings at the Parker Gallery. 

Nest, A Quarterly of Interiors (‘97-’04) was "an anti-materialistic, idealistic magazine ... an interior design magazine hostile to the cosmetic."—Rem Koolhaas.

Available:  https://parkergallery.myshopify.com/

#nestmagazine nestcapsule josephholtzman

[route22ny]

The impeachment trial of Donald Trump see-sawed between the heights of soaring rhetoric from the Democratic managers and the lows of crackpot lawyering from the president’s team — against the background of craven submission by the Republicans to the president’s demand for no witnesses and an acquittal.

The bright spot in the proceedings was the eloquence and intelligence of the House managers. Some were standouts, but everyone was extremely well prepared and professional. This stood in stark contrast to the president’s team.

As a former member of the House Judiciary Committee during the Nixon impeachment, which has long been called the gold standard for such proceedings, I know that some of the arguments made by Alan Dershowitz and the rest of the Trump team were utterly false. Their claim that abuse of power does not constitute an impeachable offense and that the president must engage in criminal conduct to be impeached would have been laughed at 45 years ago when we voted three articles of impeachment against Nixon.

In fact, those articles of impeachment never charged Nixon with a crime and never referenced a criminal statute. The second article of impeachment was entirely framed as one involving an abuse of power — and we called it the abuse of power article at the time. Dershowitz and the rest of the president’s team dishonestly ignored the Nixon precedent.

Even worse, Dershowitz claimed that presidential actions undertaken for the purpose of getting re-elected are not impeachable. In other words, the ends justify the means. So, it’s okay for a president to use the powers of office to bully a foreign country into interfering in an election to help the president win. Is it then okay for the president to shoot political opponents to win an election?

Of course, re-election doesn’t excuse presidential abuses. We proved that in the Nixon impeachment. Nixon’s abuses mainly involved his efforts to win re-election by covering up the break-in of the Democratic National Committee headquarters by his campaign. Nixon was impeached by the Judiciary Committee — and would have been convicted in the Senate if he hadn’t resigned. Again, astonishingly, the Trump team deceptively ignored this obvious precedent.

They have rewritten history in a way that would make Joseph Stalin and Vladimir Putin proud.

It was also disappointing, but not surprising, to see the Trump team and the Republican senators resort to distractions. One of those distractions was the whistleblower, who first brought Trump’s misconduct to light. The whistleblower had no firsthand information about Trump and Ukraine, and the whistleblower’s testimony would not be relevant. Still, one of the senators tried to out the whistleblower.

It was impressive to see Supreme Court Chief Justice John Roberts refuse to ask the senator’s question that would have named the whistleblower. The chief justice understood the vindictiveness and inappropriateness of the question.

Finally, the issue of witnesses. While the Trump articles of impeachment were backed with substantial evidence, additional witnesses would have provided a fuller picture of Trump’s misconduct. But Trump covered up, refusing to make key witnesses and documents public. Trump’s team couldn’t — or wouldn’t — even say when Trump first imposed a halt on the military aid to Ukraine. They repeated the false mantra that there was no evidence that Trump connected the cutoff in military aid to the political investigations, despite evidence to the contrary.

John Bolton, the former national security adviser, and Mick Mulvaney, Trump’s acting chief of staff, could have further demolished that claim. They and others should have been subpoenaed to testify.

Ironically, despite fighting off every request for additional facts, the Trump team had no qualms about smearing Joe Biden and his son, disregarding facts to the contrary. Like their client, they showed little regard for the truth.

The see-no-evil, hear-no-evil approach when it comes to Donald Trump is bad for the Senate and bad for America. The public is entitled to the truth about presidential misconduct. But when a president abuses his power and hides the facts, the public must rely on the other institutions of government to reveal them. If the Senate refuses to discover the facts, it lets our country down. It makes it possible for this president to continue to abuse his power to interfere with our elections and engage in other abuses. It sends a similar signal of impunity to future presidents. That undermines our democracy and puts us on the road to tyranny. This, it seems, will be the unfortunate lesson of this Trump impeachment trial.

Holtzman, a former member of Congress, served on the House Judiciary Committee that voted to impeach President Richard Nixon.

https://en.wikipedia.org/wiki/Elizabeth_Holtzman

#trump impeachment #mockery of justice #republican coverup #elizabeth holtzman #NYDN

[mpmarchive1]

Joseph Holtzman, Mary Todd Lincoln, 1880, 2007. Oil on marble, 44 × 35 inches (111.76 × 88.9 cm). Collection UC Berkeley Art Museum and Pacific Film Archive, Berkeley, CA

[foryourart]

Image courtesy of Five Car Garage. 

PLAN ForYourArt: January 25–31

Thursday, January 25

MORE ART HERE, Santa Monica Airport (Santa Monica), 12–6pm. Through January 28.

Teen Hip Hop Workshop with DJ Survive and the Inner City Dwellers, Cypress Park Branch Library (Cypress Park), 4–5pm.

Botany Bay Series: Plant Science for Gardeners & Citizen Scientists - January, The Huntington (San Marino), 4:30–5:30pm.

designLAb Public Reception: Italian Style: 1930s - 1980s, Pacific Design Center (West Hollywood), 5–9:30pm.

Kim Schoen: The Hysteric's Discourse, Young Projects (West Hollywood), 5–9:30pm.

Suzanne Wright, Pomona College (Claremont), 5–9pm.

Rap on Border: A Public Conversation, Museum of Contemporary Art San Diego (San Diego), 5–8pm.

Reilly Rhodes on Winslow Homer, Laguna Art Museum (Laguna Beach), 6pm.

Alex Webb and Rebecca Norris Webb: On Cuba and Collaboration, Annenberg Space for Photography (Century City), 6:30–8pm.

Guided tour: Edgar and Norma Coronado, Self Help Graphics & Art (Downtown), 6:30pm.

Art Los Angeles Contemporary, Santa Monica Airport (Santa Monica), 7–9pm. $65. Through January 28.

Talk: Curator Walkthrough of "A Universal History of Infamy" with Pilar Tompkins Rivas, LACMA (Miracle Mile), 7pm.

At land’s edge presents Set Hernandez Rongkilyo, Revolutionary Autonomous Communities Los Angeles (Koreatown), 7–9pm.

Gifts of the Spirit: Prophecy, Automatism and Discernment, Vibiana (Downtown), 7 and 9pm.

Charlemagne Palestine: CcornuuoorphanossCcopiaee  

aanorphansshhornoffplentyyy, 356 Mission (Downtown), 7–10pm.

LECTURE: Thomas Hutton, MOCA Grand Avenue (Downtown), 7pm.

Film: Free Screening | The Chi, LACMA (Miracle Mile), 7:30pm.

FeM Synth Lab How-To: Humanize Your Synths, Women’s Center for Creative Work (Frogtown), 7:30–9:30pm.

Suzanne Hudson presents Vija Celmins, ArtCenter College of Design (Pasadena), 7:30pm.

​Twin Engines Performance Series: Brian Getnick and Christy Roberts, PØST (Downtown), 8pm. $5–10 suggested donation.

Friday, January 26

RUSSELL TYLER: Altered State, Richard Heller Gallery (Santa Monica), 5–7pm.

Combat Shock, 4864 W Adams Blvd (West Adams), 6–9pm.

Le château des destins croisés, Château Shatto (Hollywood), 6–9pm.

In Conversation: Alternative Art Spaces with Brooke Kellaway and Libby Werbel (PMOMA), SBCAST (Santa Barbara), 6–7pm.

stARTup Art Fair LA, The Kinney (Venice), 7–10pm. Through January 28.

The Pain of Others, Ghebaly Gallery (Downtown), 7–10pm.

Hayden Dunham: Canary for the Family, Club Pro Los Angeles (Downtown), 7–11pm.

Together We Plan!: Community Activism In 2018, Women’s Center for Creative Work (Frogtown), 7–9:30pm.

Joseph Holtzman: Seven Recent Paintings, Bel Ami (Chinatown), 7–10pm.

2018 PEN Emerging Voices Welcome Party, LACE (Los Angeles Contemporary Exhibitions) (Hollywood), 8–10pm.

GUIDED TOURS with Davie Blue, Human Resources (Chinatown), 8pm. Through January 28. $10 suggested donation.

The Music of WADADA LEO SMITH, Automata (Chinatown), 8pm. $18.

Judith Butler: The Materiality of Mourning in the work of Doris Salcedo, REDCAT (Downtown), 8:30pm. $10–20.

Saturday, January 27

Talk: Gallery Course: Italian and Northern Renaissance Art, LACMA (Miracle Mile), 8:30am.

Ranch Clinic - Container Gardening, The Huntington (San Marino), 9–10am.

Talk: Responding to Sarah Charlesworth: Creative Writing Workshop with Karen Holden, LACMA (Miracle Mile), 10am.

Basic Auto Care Clinic, Women’s Center for Creative Work (Frogtown), 10am–1pm. $20–25.

Finding Autonomy and Connection through Contact Improv: Jen Hong, Pieter (Lincoln Heights), 12–3pm. $30.

BEND, BLOW & GLOW I, Museum of Neon Art (Glendale), 12–7pm.

Johanna Breiding: The Rebel Body and Making Social, Angels Gate Cultural Center (San Pedro), 1–4pm.

Native Seeds: Food Preparation / Sun Cookies, Women’s Center for Creative Work (Frogtown), 1:30–4:30pm. $60–75.

Pascual Sisto: INSIDE OUT, Five Car Garage (Santa Monica), 2–5pm.

SYMPOSIUM: PUBLIC PERFORMANCE, UCLA (Westwood), 2–5pm.

Cassils | Nik Kosmas | Lesley Moon | Elliot Musgrave: The Language of the Body: Art, Physical Practice & Intersectional Action, ltd los angeles (Mid-City), 2pm.

Live Free or Die: Artist Talk with Soyoung Shin and Juliana Wisdom, The Huntington (San Marino), 2pm.

Demystifying Dim Sum with Chefs Susan Feniger and Kajsa Alger, The Huntington (San Marino), 2pm.

Women’s Center for Creative Work: Live Free or Die, The Huntington (San Marino), 2–4pm.  

Ruben Ochoa Artist Talk, Art + Practice (Leimert Park), 2:30–5:30pm.

Vija Celmins, Matthew Marks Gallery (West Hollywood), 3–5pm.

Beyond the Ordinary: A Conversation with Three Conceptual Artists from Argentina, Getty Center (Brentwood), 4pm.

Tokens of Affection: Valentines by Corinna Cotsen, Craft in America Center (Beverly Grove), 4–6pm.

Lyle Ashton Harris Book Signing + Discussion with Walead Beshty, Charles Gaines, and Amelia Jones, Arcana Books on the Arts (Culver City), 4–6pm.

Origins, Downtown Labs (Downtown), 4–7pm.  

Joan Horsfall Young: Cottages, Anne M Bray: Road Trip, and Fielden Harper: Continuum, TAG Gallery (Santa Monica), 5–8pm.

Simone Forti: Time Smear, The Box (Downtown), 5–8pm.

The Gallery @ Michael’s, Michael’s (Santa Monica), 6–8pm.

PETER WU: Or, the Modern Prometheus, Held & Bordy Gallery, Windward School (Mar Vista), 6–9pm.

MELTING POINT: MOVEMENTS IN CONTEMPORARY CLAY, Craft and Folk Art Museum (Miracle Mile), 6–9pm. $12.

Martin Soto Climent: Temazcal, Michael Benevento (Koreatown), 6–8pm.

Chad Attie: The Last Island, The Lodge (East Hollywood), 6–9pm.

Closing Reception for Aztlan: A Sense of Place, dA Center for the Arts (Pomona), 6–8pm.

Right at the Equator and Relax Shadeans, Depart Foundation (Malibu), 6–9pm.

Art Event 2018: Enter the World of Warhol, Palm Springs Art Museum (Palm Springs), 6pm.

ANNEX, M+B (West Hollywood), 7–9pm.

Closing reception: Cell, Share, Swivel Chair, Monte Vista Projects (Downtown), 7–10pm.

Closing Reception for Taking Up Space, Tiger Strikes Asteroid Los Angeles (Downtown), 7–10pm.  

Music: The Music of East L.A., LACMA (Miracle Mile), 7:30pm.

ALARM WILL SOUND: 1969, CAP UCLA (Westwood), 8pm.

Winter Exhibitions Opening Celebration, Hammer Museum (Westwood), 8–11pm.

Life's not fair and people don't act right, BBQLA (Downtown), 8pm–12am.

Centennial Bash, Laguna Art Museum (Laguna Beach), 8pm. $25–45.

Sunday, January 28

Stories of Almost Everyone, Hammer Museum (Westwood), 11am–5pm. 

Skip Arnold: Truffle Hunt, ICA LA (Downtown), 11am–6pm; The Act of Doing: A Conversation with Skip Arnold, 3–4pm.

Brought to Light: Revelatory Photographs in the Santa Barbara Museum of Art Collection and Crosscurrents: The Painted Portrait in America, Britain, and France, 1750–1850, Santa Barbara Museum of Art (Santa Barbara), 11am–5pm.

Pelotas Oaxaqueñas/Oaxacan Ball Games: Photographs by Leopoldo Peña, Fowler Museum (Westwood);12–5pm;  talk, 2pm.

Cecily Brown: Rehearsal and Midori Hirose: Of The Unicorn (and the Sundowner Kids), Museum of Contemporary Art Santa Barbara (Santa Barbara), 12–5pm.

Grin & Bear It!: Decorate your very own handmade bear workshop, 356 Mission (Downtown), 1–4pm.

Dan Levenson: SKZ Monochrome Diptychs, American Jewish University (Bel Air), 2–5:19pm.

I can call this progress to halt book launch and screenings, LACE (Los Angeles Contemporary Exhibitions) (Hollywood), 2–6pm.

Around The Table:Recipes and Stories from The Lark in Santa Barbara, Santa Barbara Museum of Art (Santa Barbara), 2pm.

LECTURE: Rebecca Matalon: Welcome to the Dollhouse Walkthrough, MOCA Pacific Design Center (West Hollywood), 3pm.

Miguel Gutierrez // I am sitting on my aura, we live in space (Mid-City), 3–6pm.

Nina Könnemann: Que Onda, Gaga (MacArthur Park), 3:30–6pm.

TALK WITH CULTURAL ACTIVIST TASOULA HADJITOFI, Fowler Museum (Westwood), 4pm.

Closing reception: Pouya Afshar: En Masse, ADVOCARTY's THE SPACE (Downtown), 4–7pm.

Robert Irwin: Site Determined, The University Art Museum, CSULB (Long Beach), 4–6pm.

Latin Jazz - LIVE !, dA Center for the Arts (Pomona), 4–5pm.

Music: Crossroads School EMMI Chamber Ensembles, LACMA (Miracle Mile), 6pm.

Monday, January 29

Window Dressing, Cerritos College Art Gallery (Norwalk), 4–6pm.

This, Not That Lecture: Sarah Whiting, UCLA (Westwood), 6:30pm.

Talk: Wu Bin's Ten Views of a Lingbi Stone, LACMA (Miracle Mile), 7:30pm.

Stranger Landscapes: Films by Pia Borg, REDCAT (Downtown), 8:30pm.

Tuesday, January 30

Outcasts: Prejudice and Persecution in the Medieval World, Getty Center (Brentwood), 10:30am–5pm. 

Family Day - Word Play, The Huntington (San Marino), 11am–3pm.

JIM MORPHESIS artist lecture, Kellogg University Art Gallery (Pomona), 12–1pm.

Dance Girl Dance, LACMA (Miracle Mile), 1pm.

After Concretism: Audiovisual Experiments in Brazil, Getty Center (Brentwood), 7–9pm.

How To Have Hard Conversations: Step 2, Constructive Conflict Communication at Work, Home and Everywhere In Between, Women’s Center for Creative Work (Frogtown), 7–10pm.

READINGS: Some Favorite Writers: Viet Thanh Nguyen, Hammer Museum (Westwood), 7:30pm.

Talk: Conversation with Award-winning Costume Designer Mark Bridges, LACMA (Miracle Mile), 7:30pm.

Camille Henrot, ArtCenter College of Design (Pasadena), 7:30pm.

Wednesday, January 31

Christodoulos Panayiotou: The Paradox of Acting, Hammer Museum (Westwood), 7:30pm.

Skip Arnold | Stanya Kahn | Kalup Linzy Jumana Manna | Mickalene Thomas Film screening organized by Mariah Garnett and Aimee Goguen, ltd los angeles (Mid-City), 8pm.

[powerful-art]

Joseph Holtzman via– Hammer (2015)

[movs4up-blog]

Sunday Girl

Sunday Girl tells the story of Natasha, who sets out to break up with four of her five boyfriends in a single day. There’s Victor, the melodramatic poet. Jack, the angry laborer. Tom, the friend with benefits. Winston, the nice guy. As Natasha’s story progresses, we begin to experience her world and its inhabitants, while finding out exactly what it is she wants. Ultimately it is a story…

View On WordPress

#Anthony Marble #Ashton Leigh #Brandon Stacy #Caroline Fourmy #Dasha Nekrasova #Dave Davis #Evan Holtzman #Free #Joseph Poliquin #LaLa Nestor #Morgan Roberts #sitename #Sunday Girl Online #Watch Sunday Girl

[allspark]

It’s time for our weekly Diamond Comics Shipping List! Check out some great titles IDW has in store for us next week like Transformers, G.I. Joe: A Real American Hero, Ghostbusters, Star Trek, Star Wars Adventures, and more! All coming your way for April 17th!

TRANSFORMERS #3

Brian Ruckley (A) Angel Hernandez, Ron Joseph (CVR A) Nick Roche (CVR B) Anna Malkova

High above Cybertron, the planet’s inner moon unfolds to become a gigantic energon harvester, a magnificent show for Bumblebee and his new friend. Meanwhile, Megatron is assembling a new security force, but rumors abound about the new team. A cosmic epic of grand scale, presented by Star Trek/Green Lantern and Injustice 2 artist Angel Hernandez! Plus awesome action by G.I. Joe: A Real American Hero and Revolutionaries artist Ron Joseph! A brand new era of Transformers! Featuring 35th Anniversary covers by Guido Guidi!

GI JOE A REAL AMERICAN HERO #261

Larry Hama (A/CVR A) Netho Diaz (CVR B) John Royle

Exciting new story arc! A great jumping-on point! Featuring the return of artist Netho Diaz! Fresh off the terror caused by Dr. Venom and his insane Venom-Bot, the Joes find themselves smack dab in the middle of new world-shaking dangers! Superstar artist Netho Diaz (G.I. Joe: A Real American Hero: Silent Option) returns to the main series to join forces with living legend Larry Hama in the latest fight against the nefarious Cobra!

DISNEY AFTERNOON GIANT #4

Warren Spector, Ian Brill (A) Jose Massaroli, Ruben Torreiro (A/CVR) Leonel Castellani

Get ready for two more stories featuring your favorite Disney Afternoon characters! First up is Chip ‘n’ Dale in “Stranger Danger,” followed by Part Four of “Rightful Owners” as Uncle Scrooge and company conclude their epic mission across the globe!

DITKO’S MONSTERS! KONGA VS GORGO

Joe Gill (A/CVR) Steve Ditko

Two “famous monsters of filmland” battle for your hearts and minds in this terror-ific comic! Gorgo and Konga’s best individual stories! They don’t go head to claw, they’re busy fighting commies, but they battle for your mind as you decide who is the coolest of the cool! Plus, two covers using Flipism technology: one on the front, another on the back! And wait till you see the flipped-out centerfold! With Gorgo introduction by Tony Isabella and Konga introduction by Mark Ditko!

GHOSTBUSTERS: 35TH ANNIV: ANSWER THE CALL

Devin Grayson (A/CVR) S. L. Gallant

The 35th Anniversary of the Ghostbusters is upon us! Let’s celebrate with four spooktacular weekly comics featuring different Ghostbuster teams in all-new standalone adventures!   Do demons get visitation rights? That’s the question facing a harried young mother as she tries to accommodate a stream of otherworldly visitors intent on paying their respects to her half-demon toddler. When the ghosts begin to herald the arrival of the girl’s father-rumored to be a class 7 entity-Mommy knows who she has to call: The ANSWER THE CALL GHOSTBUSTERS! Erin, Abby, Patty, and Holtzman find themselves mediating the custody battle from hell… and it’s a scorcher!   The Answer the Call Ghostbusters in an all-new original adventure by the slimerific creative team of Devin Grayson (Nightwing) and SL Gallant (G.I. Joe: A Real American Hero)!

STAR TREK: THE Q CONFLICT #3

Scott Tipton, David Tipton (A/CVR A&B) David Messina

As the clash of the godlike beings continues, the captains face off in a series of war games that become much more lethal when Q introduces a fifth competitor-a Doomsday Machine! The biggest Star Trek crossover ever continues here. The crews of The Next Generation, The Original Series, Voyager, and Deep Space 9 come together to face their biggest challenge yet! Written by Star Trek: TNG: Mirror Broken scribes Scott & David Tipton! All the captains together for the first time!

STAR WARS ADVENTURES #20

Cavan Scott (A/CVR A) Derek Charm

During the Clone Wars, Jedi Knight Anakin Skywalker and Jedi Master Yoda undertake an urgent mission, where Anakin’s rebellious nature could spell trouble for the Republic. The final issue of three set during the prequel films! The Original Trilogy gets the spotlight starting next issue!

STAR WARS ADVENTURES TALES FROM VADERS CASTLE TP

Cavan Scott (A) Derek Charm, Chris Fenoglio, More (CVR) Francesco Francavilla

Advance solicited for May release! How do a band of rebels distract themselves when sneaking into the creepiest place in the galaxy? Tell scary stories of course! Follow Lina Graf, Crater, and friends as they sneak-and fight-their way into the terrifying castle of Darth Vader! Along the way, they’ll trade spooky stories featuring the most terrifying villains and creatures in the universe! Your favorite characters like Obi-Wan, Han and Chewie, Hear Syndulla, and the Ewoks, face classic creeps like ghosts, monsters, witches and more… all with a singular Star Wars twist!

TANGLED THE SERIES HAIR & NOW #1

Katie Cook (A) Diogo Saito (A/CVR A) Eduard Petrovich, Rosa La Barbera

It’s another series of brand-new Tangled stories! Join Rapunzel, Eugene, and all their friends in “The Corona Caper” and “Curtain Call.” The final series of Tangled: The Series comics begins this month! All stories are written by fan-favorite Katie Cook! Three more stunning RI covers by Disney artist Gabby Zapata!

  Join the IDW Hasbro Shared Universe related conversation here in our Comics Discussion and Reviews section and here for all other franchises, superheroes, or general comic book discussions! Not a member? Join our community by creating your own free account here! Or jump right into the live chat on our Discord server or our Facebook Group!

IDW Comics Shipping List for April 17th! It’s time for our weekly Diamond Comics Shipping List! Check out some great titles IDW has in store for us next week like 

#35th Anniversary #Comics #Diamond Shipping List #Disney #Disney Afternoon #G.I. Joe #G.I. Joe: A Real American Hero #Ghostbusters #Ghostbusters: Answer the Call #Hasbro #IDW #IDW Publishing #Star Trek #Steve Ditko #Tales from Vader&039;s Castle #Walt Disney Comics

[newyorktheater]

The nominations for 34th Annual Lucille Lortel Awards are:

Outstanding Play

Mlima’s Tale Produced by The Public Theater Written by Lynn Nottage

Pass Over Produced by Lincoln Center Theater/LCT3 Written by Antoinette Nwandu

Slave Play Produced by New York Theatre Workshop Written by Jeremy O. Harris

Sugar In Our Wounds Produced by Manhattan Theatre Club Written by Donja R. Love

What The Constitution Means To Me Produced by New York Theatre Workshop Written by Heidi Schreck

Outstanding Musical

Be More Chill Produced by Gerald Goehring, Michael F. Mitri, Jennifer Ashley Tepper, Marc David Levine, Marlene and Gary Cohen, 42nd.club, The Baruch Frankel Viertel Group, Alisa and Charlie Thorne, Jenny Niederhoffer, Chris Blasting/Simpson & Longthorne, Brad Blume/Gemini Theatrical, Jonathan Demar/Kim Vasquez, Ben Holtzman and Sammy Lopez, Koenigsberg/Federman/Adler, Ashlee Latimer and Jenna Ushkowitz, Jenn Maley and Cori Stolbun, Robert and Joan Rechnitz, Fred and Randi Sternfeld, YesBroadway Productions, in association with Two River Theater Music and Lyrics by Joe Iconis, Book by Joe Tracz

Girl from the North Country Produced by The Public Theater Book by Conor McPherson, Music and Lyrics by Bob Dylan

Midnight at The Never Get Produced by The York Theatre Company by arrangement with Visceral Entertainment and Mark Cortale Productions, Nathaniel Granor, Jeff G. Peters, Daryl Roth, Megan Savage Book, Music, and Lyrics by Mark Sonnenblick, Co-Conceived by Sam Bolen

Miss You Like Hell Produced by The Public Theater Book and Lyrics by Quiara Alegría Hudes, Music and Lyrics by Erin McKeown

Rags Parkland Sings The Songs Of The Future Produced by Ars Nova Written by Andrew R. Butler

  Outstanding Revival

Carmen Jones Produced by Classic Stage Company, Alan D. and Barbara Marks, Eric Falkenstein, and Covent Garden Productions Book and Lyrics by Oscar Hammerstein II, with Music by Georges Bizet

Fabulation, or The Re-Education of Undine Produced by Signature Theatre Written by Lynn Nottage

Fiddler on the Roof in Yiddish Produced by National Yiddish Theatre Folksbiene, Paul & Rodica Burg, UJA-Federation of New York, Stanley & Marion Bergman Family Charitable Fund, The David Berg Foundation, Paul & Peggy Bernstein, Mark & Audrey Mlotek, Mark E. Seitelman Law Offices, in association with Esti & Barry Brahver and Sheila Nevins Book by Joseph Stein, Music by Jerry Bock, Lyrics by Sheldon Harnick, Translation by Shraga Friedman

Happy Birthday, Wanda June Produced by Wheelhouse Theater Company Written by Kurt Vonnegut

The Shadow of a Gunman Produced by Irish Repertory Theatre Written by Sean O’Casey

Outstanding Solo Show

Feeding the Dragon Produced by Primary Stages in association with Jamie deRoy and Hartford Stage Written and Performed by Sharon Washington

Fleabag Produced by Annapurna Theatre, Megan Ellison, Sue Naegle, Skye Optican, Kevin Emrick, David Luff & Patrick Myles, Barbara Broccoli, Patrick Catullo, Diana DiMenna, Daryl Roth, Eric Schnall, Jayne Baron Sherman, DryWrite, Soho Theatre Written and Performed by Phoebe Waller-Bridge

Girls & Boys Produced by Audible and The Royal Court Theatre Written by Dennis Kelly Performed by Carey Mulligan

Mike Birbiglia’s The New One Produced by Joseph Birbiglia, Mike Lavoie, and Rebecca Crigler Written and Performed by Mike Birbiglia, Additional Writing by Jennifer Hope Stein

My Life On a Diet Produced by Julian Schlossberg, Morris S. Levy, Rodger Hess, Harold Newman, Jim Fantaci, Andrew Tobias, and Ronald Glazer/Sabrina Hutt Written by Renée Taylor and Joseph Bologna Performed by Renée Taylor

Outstanding Director

Lileana Blain-Cruz, Marys Seacole Jo Bonney, Mlima’s Tale John Doyle, Carmen Jones Lee Sunday Evans, Dance Nation Joel Grey, Fiddler on the Roof in Yiddish

Outstanding Choreographer

Lee Sunday Evans, Dance Nation Raja Feather Kelly, If Pretty Hurts Ugly Must Be a Muhfucka Rick and Jeff Kuperman, Alice By Heart Lorin Latarro, Merrily We Roll Along Susan Stroman, The Beast in the Jungle

Outstanding Lead Actor in a Play

Juan Castano, Transfers Russell Harvard, I Was Most Alive with You Jon Michael Hill, Pass Over Sahr Ngaujah, Mlima’s Tale Tom Sturridge, Sea Wall/A Life

Outstanding Lead Actress in a Play

Ako, God Said This Quincy Tyler Bernstine, Marys Seacole Marin Ireland, Blue Ridge Zainab Jah, Boesman and Lena Charlayne Woodard, “Daddy”

Outstanding Featured Actor in a Play

Ato Blankson-Wood, Slave Play Marchánt Davis, Ain’t No Mo’ Gabriel Ebert, Pass Over John Procaccino, Downstairs Matt Walker, The Play That Goes Wrong

Outstanding Featured Actress in a Play

Quincy Tyler Bernstine, Our Lady of 121st Street Stephanie Berry, Sugar In Our Wounds Blair Brown, Mary Page Marlowe Crystal Lucas-Perry, Ain’t No Mo’ Danielle Skraastad, Hurricane Diane

Outstanding Lead Actor in a Musical

Sam Bolen, Midnight at The Never Get Andrew R. Butler, Rags Parkland Sings The Songs Of The Future Jeremy Cohen, Midnight at The Never Get Clifton Duncan, Carmen Jones Steven Skybell, Fiddler on the Roof in Yiddish

Outstanding Lead Actress in a Musical

Kate Baldwin, Superhero Gizel Jiménez, Miss You Like Hell Anika Noni Rose, Carmen Jones Stacey Sargeant, Rags Parkland Sings The Songs Of The Future Mare Winningham, Girl from the North Country

Outstanding Featured Actor in a Musical

John Edwards, Smokey Joe’s Cafe: The Songs of Leiber & Stoller Sydney James Harcourt, Girl from the North Country Bryce Pinkham, Superhero George Salazar, Be More Chill Heath Saunders, Alice By Heart

Outstanding Featured Actress in a Musical

Jackie Hoffman, Fiddler on the Roof in Yiddish Stephanie Hsu, Be More Chill Luba Mason, Girl from the North Country Soara-Joye Ross, Carmen Jones Alysha Umphress, Smokey Joe’s Cafe: The Songs of Leiber & Stoller

Outstanding Scenic Design

Wilson Chin, Pass Over Charlie Corcoran, The Shadow of a Gunman Nigel Hook, The Play That Goes Wrong Laura Jellinek, Rags Parkland Sings The Songs Of The Future Arnulfo Maldonado, Sugar In Our Wounds

Outstanding Costume Design

Dede Ayite, By the Way, Meet Vera Stark Montana Levi Blanco, The House That Will Not Stand Jennifer Moeller, Mlima’s Tale Kaye Voyce, Marys Seacole Paloma Young, Alice By Heart

Outstanding Lighting Design

Amith Chandrashaker, Boesman and Lena Lap Chi Chu, Mlima’s Tale Bradley King, Apologia Barbara Samuels, Rags Parkland Sings The Songs Of The Future Yi Zhao, The House That Will Not Stand

Outstanding Sound Design

Matt Hubbs, Boesman and Lena Dan Moses Schreier, Carmen Jones Jane Shaw, I Was Most Alive with You Mikaal Sulaiman, Rags Parkland Sings The Songs Of The Future Isobel Waller-Bridge, Fleabag

Outstanding Projection Design

Katherine Freer, By the Way, Meet Vera Stark Luke Halls, Girls & Boys Alex Basco Koch, Be More Chill Alex Basco Koch, Fireflies Tal Yarden, Superhero

SPECIAL AWARD Outstanding Alternative Theatrical Experience On Beckett Produced by Irish Repertory Theatre Exploring the Works of Samuel Beckett, Conceived by Bill Irwin

HONORARY AWARDS Outstanding Body of Work Telsey + Company

Playwrights’ Sidewalk Inductee María Irene Fornés

Edith Oliver Service to Off-Broadway Award Terry Byrne

  The awards will be held May 5th at NYU Skirball Center for Performing Arts

Shows That Received More Than One Nomination

Carmen Jones 6 Rags Parkland Sings The Songs Of The Future 6 Mlima’s Tale 5 Be More Chill 4 FIDDLER ON THE ROOF IN YIDDISH 4 Girl from the North Country 4 Pass Over 4 Alice By Heart 3 Boesman and Lena 3 Marys Seacole 3 Midnight at The Never Get 3 Sugar In Our Wounds 3 Superhero 3 Ain’t No Mo’ 2 By the Way, Meet Vera Stark 2 Dance Nation 2 FLEABAG 2 G irls & Boys 2 I Was Most Alive with You 2 M iss You Like Hell 2 Shadow of a Gunman 2 Slave Play 2 Smokey Joe’s Cafe: The Songs of Leiber & Stoller 2 The House That Will Not Stand 2 THE PLAY THAT GOES WRONG 2

Lucille Lortel Award Nominations 2019 Off-Broadway: Carmen Jones, Rags Parkland, Mlima’s Tale Lead The nominations for 34th Annual Lucille Lortel Awards are: Outstanding Play Mlima's Tale Produced by The Public Theater…

[fashionbooksmilano]

Nest a Quartely of Interiors

11 issues 10-11-12-13-14-15-16-17-18-19-20

euro 450,00

email if you want to buy [email protected]

Nest: A Quarterly of Interiors was a magazine published from 1997 to 2004, for a total run of 26 issues.The first issue was Fall 1997, and the second issue was Fall 1998. Thereafter, the issues were Winter '98-'99, Spring '99, Summer '99, Fall '99, Winter '99-'00, and so on until Fall '04. The founder was Joseph Holtzman. It was published in Upper East Side, New York City.

Marketed as an interior design magazine, and edited by Joseph Holtzman, Nest generally eschewed the conventionally beautiful luxury interiors showcased in other magazines, and instead featured photographs of nontraditional, exceptional, and unusual environments. Fred A. Bernstein, writing in the New York Times, wrote that Joseph Holtzman "believed that an igloo, a prison cell or a child's attic room (adorned with Farrah Fawcett posters) could be as compelling as a room by a famous designer."During its run, Nest showed the room of a 40-year-old diaper lover, the lair of an Indonesian bird that decorates with colored stones and vomit, the final resting place of Napoleon's penis, the quarters of Navy seamen, a barbed-wire-trimmed bed that doubled as a tank, and a Gothic Christmas card from filmmaker John Waters.Noted architect Rem Koolhaas called it "an anti-materialistic, idealistic magazine about the hyperspecific in a world that is undergoing radical leveling, an 'interior design' magazine hostile to the cosmetic." Artist Richard Tuttle was quoted as saying that Mr. Holtzman "channeled the collective unconscious, to give us the pleasure of ornament before we even knew we wanted it."

18/11/21

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#Nest #interiors magazine #1997-2004 #Joseph Holtzman #rare magazines #designbooksmilano #fashionbooksmilano

[newssplashy]

world: Before Ocasio-Cortez, the Elizabeth Holtzman effect

Pathetic, isn’t it? Who in the Trump administration is going to pay attention to those letters? What, exactly, does the chamber think it will accomplish by running those ads?

NEW YORK — In June 1972, Emanuel Celler, a Democratic congressman from Brooklyn, sat down for an interview with The New York Times in advance of a primary that he was virtually assured of winning.

Celler had arrived in Congress with the backing of Tammany Hall, during the presidency of Warren Harding — in 1923 — and he now, half a century later, had the support of the powerful Brooklyn party boss Meade Esposito, whose celebrity in the borough was such that a veal dish bearing his name appeared on the menu of a popular restaurant on Montague Street near the Brooklyn courthouses, which were filled with the judges he had essentially placed.

This omnipotence was to have insulated Celler from his own irrelevance. He kept such a distance from his constituents that he did not even maintain an office in the district, which encompassed largely white middle-class Flatbush, Midwood and Marine Park as well as parts of poor African-American neighborhoods in central Brooklyn. Celler was 84 years old, and he was cranky.

Of his two opponents, he concerned himself with only one, a 30-year-old Harvard Law School graduate, Elizabeth Holtzman, a reform candidate, who had been active in the civil rights movement and served as mayoral aide to John V. Lindsay. “Her fulminations are as useless, as we say, as a wine cellar without a corkscrew,” Celler told The Times, proceeding to call her campaign statements “irrational'’ and her persona, more generally, “as irritating as a hangnail.”

Like Joseph Crowley, the longtime incumbent who lost New York’s 14th Congressional District seat last month, blind to the force of a young, female challenger, Celler did not see what was coming. He analogized Holtzman’s victory to the likelihood of a toothpick “toppling the Washington Monument,” proving he could consistently deliver on benighted speech patterns.

“I wasn’t just running against Mr. Celler and his indifference to the community,” Holtzman recounted one morning recently. “I was running against the machine.” She was seated in a conference room at the midtown offices of Herrick, Feinstein, the law firm where she has served as a co-chair of the government relations group for many years, and recalled one of the most bizarre incidents of her campaign — her office, which was near Brooklyn College, had been trespassed and vandalized on the day of the Watergate break-in. Whether or not this was a random crime or a parry from local Esposito apparatchiks, she would never determine.

Holtzman’s chief campaign adviser was a friend who was a poet and graduate student in literature. With $32,000 that she had raised and $4,000 that she had borrowed — she had been told that she would need $100,000 to mount a serious campaign — there was no money for television ads or proper polling. The free attention that might have come from the press was absent as well, landing instead on the famous activist candidates, Bella Abzug and Allard Lowenstein, who were also running for Congress in New York that year.

Holtzman campaigned deeply, extensively, all the time. She took advantage of the popularity of “The Godfather” to work long lines at movie theaters. She appeared at every subway station in her district. She rode around East New York in an open convertible with Edolphus Towns, later elected to Congress himself, and she handled the matter of Celler’s age with an effort at sensitivity. “We didn’t say he was old,” she told me. “We said he was tired.”

On the day of the primary, the first poll results showed her losing a Hasidic neighborhood, “something like 200-to-1,'’ she said. “It was not an auspicious beginning.” But by the time the polls closed, the early returns indicated that she had a lead. Campaign workers suggested she settle in at a restaurant called Cookies to wait for results and she headed off, as she remarks in her memoir, “Who Said It Would Be Easy?,” content in the notion that she had tried hard and fairly resigned to losing.

Ultimately, she would win by 635 votes. The Brooklyn machine contested her victory and sued, arguing that there had been voting irregularities. The machine lost, and Holtzman became the youngest woman ever elected to Congress — a status about to be held by Alexandria Ocasio-Cortez. “I connected with her campaign — a young woman out on the streets, taking on an icon. She didn’t have the money Crowley had. She had the gumption.”

Holtzman’s time in Congress, which was followed by a long tenure as Brooklyn district attorney and then a short one as New York City’s comptroller, was distinguished by her role in helping found what would become the Congressional Caucus for Women’s Issues, for the lawsuit she brought against the Nixon administration for the bombing of Cambodia and for her membership in the House Judiciary Committee that voted to impeach Nixon. With Sen. Ted Kennedy, she wrote the Refugee Act of 1980, in response to the exodus of Vietnamese after the war, which raised the annual ceiling for refugees coming into the country, significantly, to 50,000 and created a formal process for reviewing and adjusting the numbers to accommodate emergencies.

The bill passed unanimously in the Senate late in 1979. “No one said Vietnam is sending their rapists and killers and not their best,” Holtzman elaborated. “The fact that we are in hysteria over admitting 2,000 children to this country is something I cannot fathom. It is totally astonishing.”

I asked Holtzman what biases and obstacles she confronted when she arrived in Washington. “A Southerner in the House approached me and said, ‘Just because you’re Jewish and a woman, don’t you worry,'” she answered, leaving her with the impression that there was plenty to worry about.

Holtzman left Ocasio-Cortez a message of congratulations right away. She has so much to tell her.

This article originally appeared in The New York Times.

Ginia Bellafante © 2018 The New York Times

source https://www.newssplashy.com/2018/07/world-before-ocasio-cortez-elizabeth.html

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[micaramel]

Welcome to Week in Review, our Sunday round-up of the last seven days of activity here at Contemporary Art Daily. Please subscribe to our RSS feed, follow us on Twitter, follow us on Tumblr, follow us on Instagram, and become a fan on Facebook.

Be sure to keep up with everything happening on our Office Notebook.

This week’s featured exhibitions:

Tobias Spichtig at Malta Contemporary

Morag Keil at Jenny’s

Pierre Klossowski at Gladstone Gallery

Olivier Foulon at Temporary Gallery

“In the Air” at Koenig & Clinton

“The Pain of Others” at Ghebaly Gallery

Sonia Leimer at Barbara Gross

“Don Quixote” at Barbara Weiss

“Sancho Panza” at Oracle

Joseph Holtzman at Bel Ami

E’wao Kagoshima at Greenspon

Albert Mertz at Croy Nielsen

Group Show at Château Shatto

Have an excellent week.

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